| 1 | Contortion (intro rise 1) | Lisle Moore | 0:23 |
| 2 | Contortion (intro rise 1, minus winds) | Lisle Moore | 0:23 |
| 3 | Contortion (intro rise 1) (short alt mix) | Lisle Moore | 0:18 |
| 4 | Contortion (intro rise 1) (end hit) | Lisle Moore | 0:09 |
| 5 | Contortion (mid rise 1, minus winds) | Lisle Moore | 0:12 |
| 6 | Contortion (mid rise 1, minus perc) | Lisle Moore | 0:13 |
| 7 | Contortion (mid rise 1) (end hit) | Lisle Moore | 0:07 |
| 8 | Contortion (mid rise 1) | Lisle Moore | 0:12 |
| 9 | Contortion (end rise 1, minus perc) | Lisle Moore | 0:23 |
| 10 | Contortion (end rise 1, minus perc choir) | Lisle Moore | 0:23 |
| 11 | Contortion (end rise 1, minus perc brass choir) | Lisle Moore | 0:23 |
| 12 | Contortion (end rise 1) (end hit) | Lisle Moore | 0:11 |
| 13 | Contortion (end rise 1) | Lisle Moore | 0:23 |
| 14 | Contortion (end rise 1, minus choir) | Lisle Moore | 0:23 |
| 15 | Contortion (end rise 2, minus orch elements) | Lisle Moore | 0:14 |
| 16 | Contortion (end rise 2) (end hit) | Lisle Moore | 0:09 |
| 17 | Contortion (end rise 2) | Lisle Moore | 0:14 |
| 18 | Contraptmentomni (rise 1) | Ryan Boud | 0:17 |
| 19 | Contraptmentomni (rise 2) | Ryan Boud | 0:20 |
| 20 | Contraptmentomni (rise 1) (end hit) | Ryan Boud | 0:11 |
| 21 | Contraptmentomni (rise 2) (end hit) | Ryan Boud | 0:16 |
| 22 | Aerofleet (evil rise 3) (end hit) | Ryan Boud | 0:08 |
| 23 | Aerofleet (evil rise 1) | Ryan Boud | 0:13 |
| 24 | Aerofleet (evil rise 2) | Ryan Boud | 0:13 |
| 25 | Aerofleet (evil rise 3) | Ryan Boud | 0:13 |
| 26 | Aerofleet (evil rise 1) (end hit) | Ryan Boud | 0:08 |
| 27 | Aerofleet (evil rise 2) (end hit) | Ryan Boud | 0:08 |
| 28 | Engage (intro rise 1) | Lisle Moore | 0:17 |
| 29 | Engage (intro rise 1) Short | Lisle Moore | 0:11 |
| 30 | Engage (intro rise 1) (end hit) | Lisle Moore | 0:07 |
| 31 | Engage (intro rise 2, minus brass) | Lisle Moore | 0:16 |
| 32 | Engage (intro rise 2) (end hit) | Lisle Moore | 0:07 |
| 33 | Engage (intro rise 2) | Lisle Moore | 0:16 |
| 34 | Engage (mid rise 1) | Lisle Moore | 0:17 |
| 35 | Engage (mid rise 1, minus loop) | Lisle Moore | 0:17 |
| 36 | Engage (mid rise 1) (short minus loop) | Lisle Moore | 0:13 |
| 37 | Engage (mid rise 1) (end hit) | Lisle Moore | 0:09 |
| 38 | Engage (end rise 1) (end hit) | Lisle Moore | 0:10 |
| 39 | Engage (end rise 1) | Lisle Moore | 0:24 |
| 40 | Engage (end rise 1, end hit minus choir) | Lisle Moore | 0:09 |
| 41 | Engage (end rise 1, minus drone) | Lisle Moore | 0:24 |
| 42 | Engage (end 1, drone only) | Lisle Moore | 0:18 |
| 43 | Engage (end rise 1, minus choir) | Lisle Moore | 0:24 |
| 44 | Engage (end rise 1, minus choir drone) | Lisle Moore | 0:17 |
| 45 | Warzone (end rise 1, perc only) | Lisle Moore | 0:13 |
| 46 | Warzone (end rise 1) (end hit) | Lisle Moore | 0:05 |
| 47 | Warzone (end rise 1) | Lisle Moore | 0:13 |
| 48 | Freak Zone (rise 1 v1) | Lisle Moore | 0:19 |
| 49 | Freak Zone (rise 1 v2) | Lisle Moore | 0:18 |
| 50 | Freak Zone (rise 1 v3) | Lisle Moore | 0:18 |
| 51 | PTLMR 4 (rise 1) | Ryan Boud & Lisle Moore | 0:21 |
| 52 | PTLMR 4 (rise 1, minus flute perc elements) | Ryan Boud & Lisle Moore | 0:19 |
| 53 | Ghost Machine (intro drone 1) | Joseph LoDuca | 0:23 |
| 54 | Ghost Machine (intro drone 1, alt end) | Joseph LoDuca | 0:23 |
| 55 | Ghost Machine (intro drone 1) (end hit) | Joseph LoDuca | 0:08 |
| 56 | Ghost Machine (intro drone 1) (alt) (end hit) | Joseph LoDuca | 0:08 |
| 57 | Terms of Aggression (intro drone 1) | Randy Alan Miller & Ariel Mann | 0:26 |
| 58 | Terms of Aggression (intro drone 1, minus rthm FX) | Randy Alan Miller & Ariel Mann | 0:27 |
| 59 | Engage (intro hit 1) (alt) | Lisle Moore | 0:07 |
| 60 | Engage (intro hit 1) | Lisle Moore | 0:06 |
| 61 | Engage (mid hit 1) | Lisle Moore | 0:08 |
| 62 | Engage (end hit 1) | Lisle Moore | 0:06 |
| 63 | Return of the Overlord (mid hit 1) | Anthony DiLorenzo | 0:05 |
| 64 | Return of the Overlord (mid final) | Anthony DiLorenzo | 0:05 |
| 65 | Return of the Overlord (intro final, minus choir) | Anthony DiLorenzo | 0:07 |
| 66 | In the Building (mid rise 1) (end hit) | [unknown] | 0:08 |
| 67 | In the Building (mid rise 1) | [unknown] | 0:11 |
| 68 | In the Building (mid rise 1, minus strings) | [unknown] | 0:11 |
| 69 | In the Building (mid rise 1, minus strings brass) | [unknown] | 0:11 |
| 70 | In the Building (end rise 1) | [unknown] | 0:17 |
| 71 | In the Building (end rise 1, minus FX) | [unknown] | 0:17 |
| 72 | In the Building (end rise 1, minus orch w bigger perc) | [unknown] | 0:17 |
| 73 | In the Building (end rise 1, minus orch FX w bigger drums) | [unknown] | 0:17 |
| 74 | Mutiny (intro rise 1, minus shakuhachi) | Lisle Moore | 0:27 |
| 75 | Mutiny (intro rise 1) (short) | Lisle Moore | 0:15 |
| 76 | Mutiny (intro rise 1) (short minus wind FX) | Lisle Moore | 0:15 |
| 77 | Mutiny (intro rise 1) (end hit) | Lisle Moore | 0:09 |
| 78 | Mutiny (intro rise 1) | Lisle Moore | 0:27 |
| 79 | Mutiny (intro rise 2, minus shakuhachi) | Lisle Moore | 0:20 |
| 80 | Mutiny (intro rise 2) (end hit) | Lisle Moore | 0:09 |
| 81 | Mutiny (intro rise 2) | Lisle Moore | 0:20 |
| 82 | Mutiny (end rise 1) (short minus orch) | Lisle Moore | 0:15 |
| 83 | Mutiny (end rise 1) | Lisle Moore | 0:21 |
| 84 | Mutiny (end rise 1, minus orch) | Lisle Moore | 0:24 |
| 85 | Mutiny (end rise 1) (short) | Lisle Moore | 0:15 |
| 86 | Stalker (intro rise 1) | Lisle Moore | 0:13 |
| 87 | Stalker (intro rise 1) (end hit) | Lisle Moore | 0:10 |
| 88 | Stalker (mid rise 1, end hit minus perc) | Lisle Moore | 0:04 |
| 89 | Stalker (mid rise 1) | Lisle Moore | 0:12 |
| 90 | Stalker (mid rise 1, minus perc) | Lisle Moore | 0:12 |
| 91 | Stalker (mid rise 1) (end hit) | Lisle Moore | 0:06 |
| 92 | Stalker (end rise 1) | Lisle Moore | 0:14 |
| 93 | Stalker (end rise 1, minus orch) | Lisle Moore | 0:14 |
| 94 | Stalker (end rise 1, minus perc) | Lisle Moore | 0:14 |
| 95 | Stalker (end rise 1) (end hit) | Lisle Moore | 0:08 |
| 96 | Warzone (mid rise 1) | Lisle Moore | 0:14 |
| 97 | Warzone (mid rise 1, minus choir) | Lisle Moore | 0:14 |
| 98 | Warzone (mid rise 1, minus orch) | Lisle Moore | 0:14 |
| 99 | Warzone (mid rise 1, perc only) | Lisle Moore | 0:14 |
| 100 | Trapped (mid rise 1) (end hit) | Lisle Moore | 0:06 |
| 101 | Trapped (mid rise 1) (end hit, perc only) | Lisle Moore | 0:06 |
| 102 | Trapped (mid rise 1) | Lisle Moore | 0:11 |
| 103 | Trapped (mid rise 1, minus brass) | Lisle Moore | 0:11 |
| 104 | Trapped (mid rise 1, perc and string FX only) | Lisle Moore | 0:11 |
| 105 | Trapped (mid rise 1, strings only) | Lisle Moore | 0:09 |
| 106 | Trapped (end rise 1) | Lisle Moore | 0:12 |
| 107 | Trapped (end rise 2) | Lisle Moore | 0:11 |
| 108 | Trapped (end rise 3, less perc) | Lisle Moore | 0:16 |
| 109 | Trapped (end rise 3, less perc minus horn rip) | Lisle Moore | 0:16 |
| 110 | Trapped (end rise 3) (end hit) | Lisle Moore | 0:05 |
| 111 | Trapped (end rise 3) (end hit, minus horn strings) | Lisle Moore | 0:05 |
| 112 | Trapped (end rise 3) | Lisle Moore | 0:18 |
| 113 | Dark Water (rise 1, minus piano plus elements) | Lisle Moore | 0:12 |
| 114 | Dark Water (rise 1) | Lisle Moore | 0:12 |
| 115 | Dark Water (rise 2) | Lisle Moore | 0:10 |
| 116 | Dark Water (rise 2, alt end) | Lisle Moore | 0:12 |
| 117 | Dark Side (rise 1) | Lisle Moore | 0:08 |
| 118 | Extermination (rise 1) | Lisle Moore | 0:12 |
| 119 | Extermination (rise 1) (minimal) | Lisle Moore | 0:12 |
| 120 | Extension Tubes (rise 1) | Lisle Moore | 0:13 |
| 121 | Megaladon (rise 1) | Lisle Moore | 0:18 |
| 122 | Megaladon (rise 2) | Lisle Moore | 0:15 |
| 123 | Nyctophobia (rise 1) | Lisle Moore | 0:18 |
| 124 | Nyctophobia (rise 1, minus kick) | Lisle Moore | 0:17 |
| 125 | Optimus Prime (rise 1) | Lisle Moore | 0:21 |
| 126 | Optimus Prime (rise 1) (short) | Lisle Moore | 0:18 |
| 127 | Paranoid (rise 1) | Lisle Moore | 0:14 |
| 128 | Paranoid (rise 1) (end hit) | Lisle Moore | 0:11 |
| 129 | Pathology (rise 1) | Lisle Moore | 0:12 |
| 130 | Pathology (rise 1, minus perc) | Lisle Moore | 0:12 |
| 131 | Pathology (rise 1) (alt) | Lisle Moore | 0:13 |
| 132 | PTLMR 1 (rise 1, minus big perc) | Ryan Boud & Lisle Moore | 0:15 |
| 133 | PTLMR 1 (rise 1) | Ryan Boud & Lisle Moore | 0:14 |
| 134 | PTLMR 2 (rise 1) (v1) | Ryan Boud & Lisle Moore | 0:16 |
| 135 | PTLMR 2 (rise 1) (v2) | Ryan Boud & Lisle Moore | 0:19 |
| 136 | PTLMR 2 (rise 1) (v3) | Ryan Boud & Lisle Moore | 0:21 |
| 137 | PTLMR 3 (rise 1, minus orch) | Ryan Boud & Lisle Moore | 0:12 |
| 138 | PTLMR 3 (rise 1) | Ryan Boud & Lisle Moore | 0:13 |
| 139 | Contortion (intro drone 1) | Lisle Moore | 0:20 |
| 140 | Contortion (intro drone 1, minus piano FX) | Lisle Moore | 0:20 |
| 141 | Engage (intro drone 1) | Lisle Moore | 0:26 |
| 142 | Engage (intro drone 1, minus FX) | Lisle Moore | 0:26 |
| 143 | Engage (mid drone 1) | Lisle Moore | 0:17 |
| 144 | Engage (end drone 1) | Lisle Moore | 0:16 |
| 145 | At Worlds (end intro drone 1) | Joseph LoDuca | 0:19 |
| 146 | Agent Number 9 (mid drone 1, minus end strings) | Lisle Moore | 0:18 |
| 147 | Agent Number 9 (mid drone 1) | Lisle Moore | 0:18 |
| 148 | Bank Job (intro drone 1) | Scott Reinwand | 0:18 |
| 149 | Bank Job (mid drone 1) | Scott Reinwand | 0:31 |
| 150 | Contortion (mid drone 1, end hit) | Lisle Moore | 0:09 |
| 151 | Contortion (mid drone 1) | Lisle Moore | 0:18 |
| 152 | Contortion (mid drone 1, minus winds) | Lisle Moore | 0:18 |
| 153 | Going for the Kill (intro drone 1) | Randy Alan Miller & Ariel Mann | 0:22 |
| 154 | Going for the Kill (intro drone 1, minus rthm loop) | Randy Alan Miller & Ariel Mann | 0:22 |
| 155 | Ghost of War (intro drone 1) | Lisle Moore | 0:13 |
| 156 | Ghost of War (intro drone 1, minus choir) | Lisle Moore | 0:15 |
| 157 | Ghost of War (intro drone 1, perc and choir) | Lisle Moore | 0:15 |
| 158 | Ghost of War (intro drone 1, perc and fr hn) | Lisle Moore | 0:15 |
| 159 | Hell Fire (intro drone 1) | Scott Reinwand | 0:23 |
| 160 | Hell Fire (intro drone 1, minus lead) | Scott Reinwand | 0:23 |
| 161 | Hell Fire (intro drone 1, end hit) | Scott Reinwand | 0:12 |
| 162 | In the Building (intro drone 1) | [unknown] | 0:15 |
| 163 | In the Building (intro drone 1, minus shakuhachi) | [unknown] | 0:15 |
| 164 | Stalker (intro drone 1) | Lisle Moore | 0:22 |
| 165 | Intent or Treason (mid drone 1) | Randy Alan Miller & Ariel Mann | 0:17 |
| 166 | Intent or Treason (mid drone 1, minus FX) | Randy Alan Miller & Ariel Mann | 0:17 |
| 167 | Trapped (end drone 1, full intro hit) | Lisle Moore | 0:08 |
| 168 | Trapped (end drone 1) | Lisle Moore | 0:20 |
| 169 | Trapped (end drone 1, minus intro hit) | Lisle Moore | 0:17 |
| 170 | Intent or Treason (intro drone 1) | Randy Alan Miller & Ariel Mann | 0:14 |
| 171 | Intent or Treason (intro drone 1, minus reverse FX) | Randy Alan Miller & Ariel Mann | 0:14 |
| 172 | Intent or Treason (intro drone 1, end hit) | Randy Alan Miller & Ariel Mann | 0:06 |
| 173 | Mutiny (intro drone 1) | Lisle Moore | 0:16 |
| 174 | Mutiny (intro drone 1, minus brass FX) | Lisle Moore | 0:16 |
| 175 | Pure Madness (mid drone 1) | D. Todd Sorensen | 0:19 |
| 176 | Pure Madness (mid drone 1, minus low strings) | D. Todd Sorensen | 0:17 |
| 177 | Killshot (end drone 1) | Anthony DiLorenzo | 0:13 |
| 178 | Vendetta (intro drone 1) | Scott Reinwand | 0:15 |
| 179 | Vendetta (intro drone 1, minus rthm perc) | Scott Reinwand | 0:15 |
| 180 | Vendetta (mid drone 1) | Scott Reinwand | 0:20 |
| 181 | Vendetta (mid drone 1, minus guitars) | Scott Reinwand | 0:19 |
| 182 | Warzone (end drone 1) | Lisle Moore | 0:11 |
| 183 | Warzone (intro drone 1) | Lisle Moore | 0:19 |
| 184 | Warzone (intro drone 1, minus choir) | Lisle Moore | 0:19 |
| 185 | Contortion (intro hit 1) | Lisle Moore | 0:07 |
| 186 | Contortion (mid hit 1) | Lisle Moore | 0:07 |
| 187 | Contortion (end hit 1) | Lisle Moore | 0:06 |
| 188 | Contortion (end hit 1, minus strings brass) | Lisle Moore | 0:06 |
| 189 | Contortionist Omni (percussive nebula hit) | [unknown] | 0:11 |
| 190 | Contortionist Omni (fly orchestra hit drone) | [unknown] | 0:08 |
| 191 | Contortionist Omni (aero fleet evil hit) | [unknown] | 0:08 |
| 192 | Contortionist Omni (bad dreams hit) | [unknown] | 0:08 |
| 193 | Contortionist Omni (hit) | [unknown] | 0:09 |
| 194 | Dark Water (hit 1, minus pno plus elements) | Lisle Moore | 0:07 |
| 195 | Dark Water (hit 1) | Lisle Moore | 0:07 |
| 196 | Dark Water (hit 2) (alt) | Lisle Moore | 0:08 |
| 197 | Dark Water (hit 2) | Lisle Moore | 0:06 |
| 198 | Optimus Prime (hit 1) | Lisle Moore | 0:08 |
| 199 | Extension Tubes (hit 1) | Lisle Moore | 0:09 |
| 200 | Extermination (hit 1) | Lisle Moore | 0:09 |
| 201 | Freak Zone (hit 1) | Lisle Moore | 0:08 |
| 202 | Megaladon (hit 1) | Lisle Moore | 0:09 |
| 203 | Mutiny (end hit 1) | Lisle Moore | 0:05 |
| 204 | Mutiny (intro hit 1) | Lisle Moore | 0:07 |
| 205 | PTLMR 2 (hit 1) (v1) | Ryan Boud & Lisle Moore | 0:12 |
| 206 | PTLMR 4 (hit 1) (minus flute perc elements) | Ryan Boud | 0:08 |
| 207 | PTLMR 2 (hit 1) (v2) | Ryan Boud & Lisle Moore | 0:08 |
| 208 | PTLMR 3 (hit 1) | Ryan Boud & Lisle Moore | 0:08 |
| 209 | PTLMR 4 (hit 1) | Ryan Boud | 0:10 |
| 210 | PTLMR 1 (hit 1, with driving build) | Ryan Boud & Lisle Moore | 0:10 |
| 211 | Nyctophobia (hit 1) | Lisle Moore | 0:12 |
| 212 | Paranoid (hit 1) | Lisle Moore | 0:11 |
| 213 | Hell Fire (end hit 1) | Scott Reinwand | 0:08 |
| 214 | At Worlds End (mid hit 1) | Joseph LoDuca | 0:07 |
| 215 | In the Building (end hit 1) | [unknown] | 0:06 |
| 216 | Pathology (hit 1) | Lisle Moore | 0:07 |
| 217 | Stalker (end hit 1) | Lisle Moore | 0:07 |
| 218 | Stalker (end hit 1, minus perc) | Lisle Moore | 0:07 |
| 219 | Stalker (end hit 1, minus orch) | Lisle Moore | 0:07 |
| 220 | Stalker (intro hit 1) | Lisle Moore | 0:08 |
| 221 | Stalker (intro end hit) | Lisle Moore | 0:08 |
| 222 | Stalker (mid hit 1) | Lisle Moore | 0:05 |
| 223 | Stalker (mid hit 2) | Lisle Moore | 0:04 |
| 224 | Captive Influence (intro hit 1) | [unknown] | 0:09 |
| 225 | Captive Influence (end hit 1, minus guitar) | [unknown] | 0:11 |
| 226 | Pure Madness (end hit 1, minus guitar) | D. Todd Sorensen | 0:10 |
| 227 | Pure Madness (fast) | D. Todd Sorensen | 0:07 |
| 228 | Pure Madness (mid hit 1) | D. Todd Sorensen | 0:08 |
| 229 | Pure Madness (mid mid) | D. Todd Sorensen | 0:09 |
| 230 | Turmoil (mid hit 1) | D. Todd Sorensen | 0:09 |
| 231 | Pure Madness (mid mid, with percussive build) | D. Todd Sorensen | 0:10 |
| 232 | Trapped (intro hit 1, minus build) | Lisle Moore | 0:08 |
| 233 | Trapped (end hit 1, less perc minus horn rip) | Lisle Moore | 0:06 |
| 234 | Trapped (end hit 1, minus horns strings) | Lisle Moore | 0:05 |
| 235 | Trapped (mid hit 1) | Lisle Moore | 0:06 |
| 236 | Warzone (end hit 1) | Lisle Moore | 0:05 |
| 237 | Warzone (mid hit 1) | Lisle Moore | 0:06 |
| 238 | Trapped (mid hit 1) | Lisle Moore | 0:06 |
| 239 | Warzone (mid hit 1) | Lisle Moore | 0:06 |
| 240 | Warzone (intro hit 1, minus orch) | Lisle Moore | 0:09 |
| 241 | Warzone (intro hit 1, minus choir) | Lisle Moore | 0:06 |
| 242 | Tempestad (end final) | Randy Alan Miller & Ariel Mann | 0:07 |
| 243 | Tempestad (mid final) | Randy Alan Miller & Ariel Mann | 0:06 |
| 244 | Tempestad (intro final) | Randy Alan Miller & Ariel Mann | 0:07 |
| 245 | Run Amok (end final, minus guitar) | [unknown] | 0:11 |
| 246 | Foreboding (mid final) | Yoni Gileadi | 0:08 |
| 247 | Foreboding (end final) | Yoni Gileadi | 0:12 |