| 1.1 | El sombrero de tres picos: I. Introducción | Teresa Berganza | 1:38 |
| 1.2 | El sombrero de tres picos: II. La tarde | Teresa Berganza | 5:05 |
| 1.3 | El sombrero de tres picos: III. Danza de la molinera | Teresa Berganza | 3:38 |
| 1.4 | El sombrero de tres picos: IV. Las uvas | Teresa Berganza | 4:07 |
| 1.5 | El sombrero de tres picos: V. Danza de los vecinos | Teresa Berganza | 3:14 |
| 1.6 | El sombrero de tres picos: VI. Danza del molinero | Teresa Berganza | 6:59 |
| 1.7 | El sombrero de tres picos: VII. Danza del corregidor | Teresa Berganza | 6:01 |
| 1.8 | El sombrero de tres picos: VIII. Danza final | Teresa Berganza | 6:17 |
| 1.9 | La vida breve: Interludio y danza | Manuel de Falla | 7:12 |
| 1.10 | Images pour orchestre: Gigues | Claude Debussy | 7:31 |
| 1.11 | Images pour orchestre: Ibéria. I. Par les rues et par les chemins | Claude Debussy | 6:51 |
| 1.12 | Images pour orchestre: Ibéria. II. Les Parfums de la nuit | Claude Debussy | 7:10 |
| 1.13 | Images pour orchestre: Ibéria. III. Le Matin d’un jour de fête | Claude Debussy | 4:15 |
| 1.14 | Images pour orchestre: Rondes de printemps | Claude Debussy | 7:55 |
| 2.1 | España | Emmanuel Chabrier | 6:31 |
| 2.2 | Capriccio espagnol, op. 34: I. Alborada | Николай Андреевич Римский‐Корсаков | 1:11 |
| 2.3 | Capriccio espagnol, op. 34: II. Variazioni | Николай Андреевич Римский‐Корсаков | 4:17 |
| 2.4 | Capriccio espagnol, op. 34: III. Alborada | Николай Андреевич Римский‐Корсаков | 1:13 |
| 2.5 | Capriccio espagnol, op. 34: IV. Scena e canto gitano | Николай Андреевич Римский‐Корсаков | 4:44 |
| 2.6 | Capriccio espagnol, op. 34: V. Fandango asturiano | Николай Андреевич Римский‐Корсаков | 3:18 |
| 2.7 | Andaluza, Danza española no. 5 in E minor, op. 37 | Enrique Granados | 4:08 |
| 2.8 | Spanish Dances, op. 12 Book 1: no. 1 in C major | Moritz Moszkowski | 1:42 |
| 2.9 | Spanish Dances, op. 12 Book 1: no. 2 in G major | Moritz Moszkowski | 4:06 |
| 2.10 | Spanish Dances, op. 12 Book 1: no. 3 in A major | Moritz Moszkowski | 2:45 |
| 2.11 | Spanish Dances, op. 12 Book 1: no. 4 in B‐flat major | Moritz Moszkowski | 2:31 |
| 2.12 | Spanish Dances, op. 12 Book 1: no. 5 in D major | Moritz Moszkowski | 3:03 |
| 2.13 | Violin Concerto in D, op. 35: I. Allegro moderato | Пётр Ильич Чайковский | 18:04 |
| 2.14 | Violin Concerto in D, op. 35: II. Canzonetta. Andante | Пётр Ильич Чайковский | 6:05 |
| 2.15 | Violin Concerto in D, op. 35: III. Allegro vivacissiomo | Пётр Ильич Чайковский | 9:38 |
| 3.1 | Piano Concerto no. 3 in D minor, op. 30: I. Allegro ma non tanto | Сергей Васильевич Рахманинов | 16:48 |
| 3.2 | Piano Concerto no. 3 in D minor, op. 30: II. Intermezzo. Adagio | Сергей Васильевич Рахманинов | 11:32 |
| 3.3 | Piano Concerto no. 3 in D minor, op. 30: III. Finale. Alla breve | Сергей Васильевич Рахманинов | 14:22 |
| 3.4 | Piano Sonata no. 2 in B‐flat minor, op. 36: I. Allegro agitato | Сергей Васильевич Рахманинов | 10:27 |
| 3.5 | Piano Sonata no. 2 in B‐flat minor, op. 36: II. Non allegro – Lento | Сергей Васильевич Рахманинов | 8:00 |
| 3.6 | Piano Sonata no. 2 in B‐flat minor, op. 36: III. Allegro molto | Сергей Васильевич Рахманинов | 7:05 |
| 4.1 | Symphony no. 1 in E minor, op. 39: I. Andante, ma non troppo – Allegro energico | Jean Sibelius | 11:05 |
| 4.2 | Symphony no. 1 in E minor, op. 39: II. Andante | Jean Sibelius | 10:14 |
| 4.3 | Symphony no. 1 in E minor, op. 39: III. Scherzo: Allegro | Jean Sibelius | 5:35 |
| 4.4 | Symphony no. 1 in E minor, op. 39: IV. Finale: Andante | Jean Sibelius | 12:48 |
| 4.5 | Pictures at an Exhibition: Promenade. Gnomus | Модест Петрович Мусоргский | 4:02 |
| 4.6 | Pictures at an Exhibition: Promenade. Il vecchio castello | Модест Петрович Мусоргский | 5:24 |
| 4.7 | Pictures at an Exhibition: Promenade. Tuileries – Bydlo | Модест Петрович Мусоргский | 3:54 |
| 4.8 | Pictures at an Exhibition: Promenade. Ballet of the Unhatched Chicks – Samuel Goldenberg and Schmuyle | Модест Петрович Мусоргский | 4:34 |
| 4.9 | Pictures at an Exhibition: Promenade. Limoges: le marché – Catacombae: Cum mortuis in lingua mortua | Модест Петрович Мусоргский | 7:05 |
| 4.10 | Pictures at an Exhibition: The Hut on Hen’s Legs (Baba Yaga) – The Great Gate of Kiev | Модест Петрович Мусоргский | 9:04 |
| 5.1 | Ecco quel fiero istante!, WoO 124 | Cecilia Bartoli | 0:57 |
| 5.2 | Che fa il mio bene?, op. 82 no. 3 | Cecilia Bartoli | 1:38 |
| 5.3 | Che fa il mio bene?, op. 82 no. 4 | Cecilia Bartoli | 2:06 |
| 5.4 | T’intendo, si, mio cor, op. 82 no. 2 | Cecilia Bartoli | 3:22 |
| 5.5 | Dimmi, ben mio, op. 82 no.1 | Cecilia Bartoli | 2:06 |
| 5.6 | In questa tomba oscura, WoO 133 | Cecilia Bartoli | 3:27 |
| 5.7 | Ridente la calma, K. 152 | Cecilia Bartoli | 3:56 |
| 5.8 | Vedi quanto adoro, D. 510 | Cecilia Bartoli | 4:53 |
| 5.9 | Se dall’Etra, D. 738 | Cecilia Bartoli | 2:44 |
| 5.10 | Lo vuo’ cantar di Cadmo, D. 737 | Cecilia Bartoli | 3:52 |
| 5.11 | La pastorella, D. 528 | Cecilia Bartoli | 2:14 |
| 5.12 | Non t’accostar all’urna, D. 688 no. 1 | Cecilia Bartoli | 3:22 |
| 5.13 | Guarda, che bianca luna, D. 688 no. 2 | Cecilia Bartoli | 3:06 |
| 5.14 | Da quel sembiante appresi, D. 688 no. 3 | Cecilia Bartoli | 1:46 |
| 5.15 | Mio ben ricordati, D. 688 no. 4 | Cecilia Bartoli | 2:03 |
| 5.16 | Pensa, che questo istante, D. 76 | Cecilia Bartoli | 2:27 |
| 5.17 | Mi batte ’l cor!, D. 767 | Cecilia Bartoli | 3:12 |
| 5.18 | Arianna a Naxos | Cecilia Bartoli | 20:47 |
| 6.1 | Violin Concerto: I. Allegro | Samuel Barber | 10:18 |
| 6.2 | Violin Concerto: II. Andante | Samuel Barber | 8:49 |
| 6.3 | Violin Concerto: III. Presto in moto perpetuo | Samuel Barber | 3:50 |
| 6.4 | Baal Shem: I. Vidui (Contrition) | Ernest Bloch | 3:07 |
| 6.5 | Baal Shem: II. Nigun (Improvisation) | Ernest Bloch | 6:32 |
| 6.6 | Baal Shem: III. Simchas Torah (Rejoicing) | Ernest Bloch | 4:45 |
| 6.7 | Violin Concerto: I. Andante tranquillo | Sir William Walton | 11:23 |
| 6.8 | Violin Concerto: II. Presto capriccioso alla napolitana | Sir William Walton | 6:29 |
| 6.9 | Violin Concerto: III. Vivace | Sir William Walton | 12:47 |
| 7.1 | Don Juan, op. 20 | Richard Strauss | 17:46 |
| 7.2 | Eine Alpensinfonie, op. 64: Nacht | Richard Strauss | 3:26 |
| 7.3 | Eine Alpensinfonie, op. 64: Sonnenaufgang | Richard Strauss | 1:33 |
| 7.4 | Eine Alpensinfonie, op. 64: Der Anstieg | Richard Strauss | 2:09 |
| 7.5 | Eine Alpensinfonie, op. 64: Eintritt in den Wald‐Wanderung neben dem Bache | Richard Strauss | 6:23 |
| 7.6 | Eine Alpensinfonie, op. 64: Am Wasserfall | Richard Strauss | 0:14 |
| 7.7 | Eine Alpensinfonie, op. 64: Erscheinung | Richard Strauss | 0:44 |
| 7.8 | Eine Alpensinfonie, op. 64: Auf blumige Wiesen | Richard Strauss | 0:53 |
| 7.9 | Eine Alpensinfonie, op. 64: Auf der Alm | Richard Strauss | 2:22 |
| 7.10 | Eine Alpensinfonie, op. 64: Durch Dickicht und Gestrüpp auf Irrwegen | Richard Strauss | 1:24 |
| 7.11 | Eine Alpensinfonie, op. 64: Auf dem Gletscher | Richard Strauss | 1:14 |
| 7.12 | Eine Alpensinfonie, op. 64: Gefahrvolle Augenblicke – Auf dem Gipfel | Richard Strauss | 6:28 |
| 7.13 | Eine Alpensinfonie, op. 64: Vision | Richard Strauss | 3:29 |
| 7.14 | Eine Alpensinfonie, op. 64: Nebel steigen auf | Richard Strauss | 0:18 |
| 7.15 | Eine Alpensinfonie, op. 64: Die Sonne verdüstert sich allmählich | Richard Strauss | 0:55 |
| 7.16 | Eine Alpensinfonie, op. 64: Elegie | Richard Strauss | 2:04 |
| 7.17 | Eine Alpensinfonie, op. 64: Stille vor dem Sturm | Richard Strauss | 3:04 |
| 7.18 | Eine Alpensinfonie, op. 64: Gewitter und Sturm, Abstieg | Richard Strauss | 3:46 |
| 7.19 | Eine Alpensinfonie, op. 64: Sonnenuntergang | Richard Strauss | 2:49 |
| 7.20 | Eine Alpensinfonie, op. 64: Ausklang | Richard Strauss | 6:42 |
| 7.21 | Eine Alpensinfonie, op. 64: Nacht | Richard Strauss | 2:34 |
| 8.1 | Symphony no. 4 in E‐flat major “Romantic”: I. Bewegt, nicht zu schnell | Anton Bruckner | 20:14 |
| 8.2 | Symphony no. 4 in E‐flat major “Romantic”: II. Andante, quasi allegretto | Anton Bruckner | 15:34 |
| 8.3 | Symphony no. 4 in E‐flat major “Romantic”: III. Scherzo. Bewegt – Trio. Nicht zu schnell. Keinesfalls schleppend | Anton Bruckner | 11:09 |
| 8.4 | Symphony no. 4 in E‐flat major “Romantic”: IV. Finale. Bewegt, doch nicht zu schnell | Anton Bruckner | 21:13 |
| 9.1 | Loreley‐Rhein‐Klange. Walzer, op. 154 | Johann Strauss I | 8:04 |
| 9.2 | Bitte schon! Polka française, after motifs from Cagliostro in Wien, op. 372 | Johann Strauss II | 4:30 |
| 9.3 | Ohne Bremse. Polka schnell, op. 238 | Eduard Strauss | 2:14 |
| 9.4 | Wein, Weib und Gesang. Walzer, op. 333 | Johann Strauss II | 6:33 |
| 9.5 | Die Emancipierte. Polka mazur, op. 282 | Josef Strauss | 3:33 |
| 9.6 | Hereinspaziert, op. 518 | Carl Michael Ziehrer | 7:13 |
| 9.7 | Overture: Die Schöne Galathee | Franz von Suppé | 7:51 |
| 9.8 | Bei uns z’Haus. Waltzer, op. 361 | Johann Strauss II | 8:11 |
| 9.9 | Moulinet. Polka française, op. 57 | Josef Strauss | 3:33 |
| 9.10 | Tik‐Tak. Polka schnell, op. 365 (from Die Fledermaus) | Johann Strauss II | 2:46 |
| 9.11 | Pizzicato‐Polka | Johann Strauss II & Josef Strauss | 3:08 |
| 9.12 | Rudolfsheimer. Polka schnell, op. 152 | Josef Strauss | 3:12 |
| 9.13 | Auf der Jagd. Polka schnell, op. 373 | Johann Strauss II | 4:07 |
| 9.14 | Leichtes Blut. Polka schnell, op. 319 | Johann Strauss II | 3:13 |
| 9.15 | An der schönen blauen Donau, op. 314 | Johann Strauss II | 9:23 |
| 9.16 | Radetzky‐Marsch, op. 228 | Johann Strauss I | 3:35 |
| 10.1 | War Requiem, op. 66: I. Requiem aeternam: Requiem aeternam | The Bach Choir, London Symphony Chorus | 5:55 |
| 10.2 | War Requiem, op. 66: I. Requiem aeternam: What passing‐bells for these who die as cattle? | The Bach Choir, London Symphony Chorus, Peter Pears | 3:38 |
| 10.3 | War Requiem, op. 66: II. Dies irae: Dies irae | The Bach Choir, London Symphony Chorus | 3:37 |
| 10.4 | War Requiem, op. 66: II. Dies irae: Bugles sang | Dietrich Fischer‐Dieskau | 2:34 |
| 10.5 | War Requiem, op. 66: II. Dies irae: Liber scriptus proferetur | The Bach Choir, London Symphony Chorus, Галина Вишневская | 2:57 |
| 10.6 | War Requiem, op. 66: II. Dies irae: Out there | Dietrich Fischer‐Dieskau, Peter Pears | 1:56 |
| 10.7 | War Requiem, op. 66: II. Dies irae: Recordare Jesu pie | The Bach Choir, London Symphony Chorus | 4:49 |
| 10.8 | War Requiem, op. 66: II. Dies irae: Be slowly lifted up | Dietrich Fischer‐Dieskau | 1:51 |
| 10.9 | War Requiem, op. 66: II. Dies irae: Dies irae | The Bach Choir, London Symphony Chorus | 1:13 |
| 10.10 | War Requiem, op. 66: II. Dies irae: Lacrimosa dies illa | The Bach Choir, London Symphony Chorus, Галина Вишневская | 1:54 |
| 10.11 | War Requiem, op. 66: II. Dies irae: Move him into the sun | The Bach Choir, London Symphony Chorus, Галина Вишневская, Peter Pears | 4:50 |
| 10.12 | War Requiem, op. 66: III. Offertorium: Domine Jesu Christe | The Bach Choir, London Symphony Chorus | 3:31 |
| 10.13 | War Requiem, op. 66: III. Offertorium: So Abram Rose | The Bach Choir, Dietrich Fischer‐Dieskau, London Symphony Chorus, Peter Pears | 6:11 |
| 10.14 | War Requiem, op. 66: IV. Sanctus: Sanctus, sanctus, sanctus | The Bach Choir, London Symphony Chorus, Галина Вишневская | 6:00 |
| 10.15 | War Requiem, op. 66: IV. Sanctus: After the blast of lightning | Dietrich Fischer‐Dieskau | 3:49 |
| 10.16 | War Requiem, op. 66: V. Agnus Dei: One ever hangs | The Bach Choir, London Symphony Chorus, Peter Pears | 3:40 |
| 10.17 | War Requiem, op. 66: VI. Libera me: Libera me, Domine | The Bach Choir, London Symphony Chorus, Галина Вишневская | 7:36 |
| 10.18 | War Requiem, op. 66: VI. Libera me: It seemed that out of battle I escaped | Dietrich Fischer‐Dieskau, Peter Pears | 9:35 |
| 10.19 | War Requiem, op. 66: VI. Libera me: Let us sleep now… In paradisum | The Bach Choir, Dietrich Fischer‐Dieskau, London Symphony Chorus, Галина Вишневская, Peter Pears | 5:33 |
| 11.1 | Turangalîla‐symphonie: I. Introduction | Olivier Messiaen | 6:22 |
| 11.2 | Turangalîla‐symphonie: II. Chant d’amour 1 | Olivier Messiaen | 8:02 |
| 11.3 | Turangalîla‐symphonie: III. Turangalîla 1 | Olivier Messiaen | 5:59 |
| 11.4 | Turangalîla‐symphonie: IV. Chant d’amour 2 | Olivier Messiaen | 11:13 |
| 11.5 | Turangalîla‐symphonie: V. Joie du sang des étoiles | Olivier Messiaen | 6:34 |
| 11.6 | Turangalîla‐symphonie: VI. Jardin du sommeil d’amour | Olivier Messiaen | 11:46 |
| 11.7 | Turangalîla‐symphonie: VII. Turangalîla 2 | Olivier Messiaen | 3:48 |
| 11.8 | Turangalîla‐symphonie: VIII. Développement de l’amour | Olivier Messiaen | 10:46 |
| 11.9 | Turangalîla‐symphonie: IX. Turangalîla 3 | Olivier Messiaen | 5:19 |
| 11.10 | Turangalîla‐symphonie: X. Final | Olivier Messiaen | 6:47 |
| 12.1 | Violin Concerto in E minor, op. 64: I. Allegro molto appassionato | Felix Mendelssohn | 12:09 |
| 12.2 | Violin Concerto in E minor, op. 64: II. Andante | Felix Mendelssohn | 7:21 |
| 12.3 | Violin Concerto in E minor, op. 64: III. Allegro non troppo – Allegro molto vivace | Felix Mendelssohn | 6:18 |
| 12.4 | Violin Concerto no. 1 in G minor, op. 26: I. Introduction. Allegro moderato | Max Bruch | 8:15 |
| 12.5 | Violin Concerto no. 1 in G minor, op. 26: II. Adagio | Max Bruch | 8:42 |
| 12.6 | Violin Concerto no. 1 in G minor, op. 26: III. Finale. Allegro energico | Max Bruch | 7:25 |
| 12.7 | Scottish Fantasy, op. 46: I. Introduction. Grave – Adagio cantabile | Max Bruch | 8:13 |
| 12.8 | Scottish Fantasy, op. 46: II. Allegro | Max Bruch | 5:23 |
| 12.9 | Scottish Fantasy, op. 46: III. Andante sostenuto | Max Bruch | 6:52 |
| 12.10 | Scottish Fantasy, op. 46: IV. Finale. Allegro guerriero | Max Bruch | 7:39 |
| 13.1 | Piano Concerto no. 20 in D minor, K. 466: I. Allegro | Wolfgang Amadeus Mozart | 15:10 |
| 13.2 | Piano Concerto no. 20 in D minor, K. 466: II. Romance | Wolfgang Amadeus Mozart | 10:04 |
| 13.3 | Piano Concerto no. 20 in D minor, K. 466: III. Allegro assai | Wolfgang Amadeus Mozart | 8:03 |
| 13.4 | Piano Concerto no. 27 in B‐flat, K. 595: I. Allegro | Wolfgang Amadeus Mozart | 14:24 |
| 13.5 | Piano Concerto no. 27 in B‐flat, K. 595: II. Larghetto | Wolfgang Amadeus Mozart | 8:59 |
| 13.6 | Piano Concerto no. 27 in B‐flat, K. 595: III. Allegro | Wolfgang Amadeus Mozart | 8:46 |
| 14.1 | Erwartung, op. 17: 1. Szene. Hier hinein? Man sieht den Weg nicht… | Anja Silja | 2:49 |
| 14.2 | Erwartung, op. 17: 2. Szene. Ist das noch der Weg? Hier ist es eben | Anja Silja | 2:48 |
| 14.3 | Erwartung, op. 17: 3. Szene. Da kommt ein Licht! | Anja Silja | 1:52 |
| 14.4 | Erwartung, op. 17: 4. Szene. Er ist auch nicht da… | Anja Silja | 3:03 |
| 14.5 | Erwartung, op. 17: 4. Szene. Es ist noch da…Herrgott in Himmel… | Anja Silja | 6:05 |
| 14.6 | Erwartung, op. 17: 4. Szene. Aber so seltsam ist dein Auge… | Anja Silja | 2:18 |
| 14.7 | Erwartung, op. 17: 4. Szene. Du siehst wieder dort hin? | Anja Silja | 1:40 |
| 14.8 | Erwartung, op. 17: 4. Szene. Oh! nicht einmal die Gnade, mit dir sterben zu dürfen… | Anja Silja | 3:29 |
| 14.9 | Erwartung, op. 17: 4. Szene. Liebster, Liebster, der Morgen kommt… | Anja Silja | 4:31 |
| 14.10 | Lulu Suite: I. Rondo: Andante – Tempo I – Hymne: Sostenuto | Alban Berg | 15:14 |
| 14.11 | Lulu Suite: II. Ostinato: Allegro | Alban Berg | 3:39 |
| 14.12 | Lulu Suite: III. Lied der Lulu: Comodo | Anja Silja | 2:48 |
| 14.13 | Lulu Suite: IV. Variationen: Moderato – Grandioso – Grazioso – Funèbre – Affettuoso – Thema | Alban Berg | 3:36 |
| 14.14 | Lulu Suite: V. Adagio: Sostenuto – Lento – Grave | Alban Berg | 9:15 |
| 14.15 | Im Sommerwind | Anton Webern | 14:34 |
| 15.1 | L’Oiseau de feu: Tableau 1. Introduction | Игорь Фёдорович Стравинский | 2:42 |
| 15.2 | L’Oiseau de feu: Tableau 1. Le jardin enchanté de Kachtcheï | Игорь Фёдорович Стравинский | 1:42 |
| 15.3 | L’Oiseau de feu: Tableau 1. Apparition de l’Oiseau de feu poursuivi par Ivan Tsarévitch | Игорь Фёдорович Стравинский | 2:10 |
| 15.4 | L’Oiseau de feu: Tableau 1. Danse de l’Oiseau de feu | Игорь Фёдорович Стравинский | 1:33 |
| 15.5 | L’Oiseau de feu: Tableau 1. Capture de l’Oiseau de feu par Ivan Tsarévitch | Игорь Фёдорович Стравинский | 1:03 |
| 15.6 | L’Oiseau de feu: Tableau 1. Supplications de l’Oiseau de feu – apparition des treize princesses enchantées | Игорь Фёдорович Стравинский | 7:20 |
| 15.7 | L’Oiseau de feu: Tableau 1. Jeu des princesses avec les pommes d’or | Игорь Фёдорович Стравинский | 2:29 |
| 15.8 | L’Oiseau de feu: Tableau 1. Brusque apparition d’Ivan Tsarévitch | Игорь Фёдорович Стравинский | 1:13 |
| 15.9 | L’Oiseau de feu: Tableau 1. Khorovod (ronde) des princesses | Игорь Фёдорович Стравинский | 3:48 |
| 15.10 | L’Oiseau de feu: Tableau 1. Lever du jour – Ivan Tsarévitch pénètre dans lepalais de Kachtcheï | Игорь Фёдорович Стравинский | 1:19 |
| 15.11 | L’Oiseau de feu: Tableau 1. Carillon feerique – apparition des monstres‐gardiens de Kachtcheï – capture d’Ivan Tsarévitch – intercession des princesses | Игорь Фёдорович Стравинский | 5:04 |
| 15.12 | L’Oiseau de feu: Tableau 1. Danse de la suite de Kachtcheï enchantée par l’Oiseau de feu | Игорь Фёдорович Стравинский | 0:51 |
| 15.13 | L’Oiseau de feu: Tableau 1. Danse infernale de tous les sujets de Kachtcheï | Игорь Фёдорович Стравинский | 4:58 |
| 15.14 | L’Oiseau de feu: Tableau 1. Berceuse (l’Oiseau de feu) – réveil de Kachtcheï – mort de Kachtcheï – profonds ténèbres | Игорь Фёдорович Стравинский | 4:36 |
| 15.15 | L’Oiseau de feu: Tableau 2. Disparition du palais et des sortilèges de Kachtcheï – animation des chevaliers pétrifiés – allégresse générale | Игорь Фёдорович Стравинский | 2:53 |
| 15.16 | Le Sacre du printemps: Première Partie. Introduction | Игорь Фёдорович Стравинский | 3:39 |
| 15.17 | Le Sacre du printemps: Première Partie. Augures printaniers — Danses des adolescentes | Игорь Фёдорович Стравинский | 3:07 |
| 15.18 | Le Sacre du printemps: Première Partie. Jeu du rapt | Игорь Фёдорович Стравинский | 1:27 |
| 15.19 | Le Sacre du printemps: Première Partie. Rondes printanières | Игорь Фёдорович Стравинский | 3:34 |
| 15.20 | Le Sacre du printemps: Première Partie. Jeu des cités rivales | Игорь Фёдорович Стравинский | 1:53 |
| 15.21 | Le Sacre du printemps: Première Partie. Cortège du Sage – Le Sage | Игорь Фёдорович Стравинский | 1:06 |
| 15.22 | Le Sacre du printemps: Première Partie. Danse de la terre | Игорь Фёдорович Стравинский | 1:09 |
| 15.23 | Le Sacre du printemps: Seconde Partie. Introduction | Игорь Фёдорович Стравинский | 3:58 |
| 15.24 | Le Sacre du printemps: Seconde Partie. Cercles mystérieux des adolescentes | Игорь Фёдорович Стравинский | 3:05 |
| 15.25 | Le Sacre du printemps: Seconde Partie. Glorification de l’élue | Игорь Фёдорович Стравинский | 1:41 |
| 15.26 | Le Sacre du printemps: Seconde Partie. Évocation des ancêtres | Игорь Фёдорович Стравинский | 0:52 |
| 15.27 | Le Sacre du printemps: Seconde Partie. Action rituelle des ancêtres | Игорь Фёдорович Стравинский | 3:31 |
| 15.28 | Le Sacre du printemps: Seconde Partie. Danse sacrale: l’élue | Игорь Фёдорович Стравинский | 4:38 |
| 16.1 | Ma Mère l’Oye: Prélude | Maurice Ravel | 3:19 |
| 16.2 | Ma Mère l’Oye: 1er Tableau. Danse du Rouet et Scène | Maurice Ravel | 3:29 |
| 16.3 | Ma Mère l’Oye: 2e Tableau. Pavane de la Belle au bois dormant | Maurice Ravel | 2:28 |
| 16.4 | Ma Mère l’Oye: 3e Tableau. Les entretiens de la Belle et de la Bête | Maurice Ravel | 5:13 |
| 16.5 | Ma Mère l’Oye: 4e Tableau. Petit Poucet | Maurice Ravel | 4:24 |
| 16.6 | Ma Mère l’Oye: 5e Tableau. Laideronnette, Impératrice des Pagodes – Apothéose – La jardin féerique | Maurice Ravel | 9:24 |
| 16.7 | Pavane pour une infante défunte | Maurice Ravel | 6:40 |
| 16.8 | Le Tombeau de Couperin: I. Prélude | Maurice Ravel | 2:48 |
| 16.9 | Le Tombeau de Couperin: II. Forlane | Maurice Ravel | 5:23 |
| 16.10 | Le Tombeau de Couperin: III. Menuet | Maurice Ravel | 4:33 |
| 16.11 | Le Tombeau de Couperin: IV. Rigaudon | Maurice Ravel | 2:56 |
| 16.12 | Valses nobles et sentimentales: I. Modéré / II. Assez lent | Maurice Ravel | 3:54 |
| 16.13 | Valses nobles et sentimentales: III. Modéré / IV. Assez animé | Maurice Ravel | 3:12 |
| 16.14 | Valses nobles et sentimentales: V. Presque lent / VI. Assez vif | Maurice Ravel | 2:13 |
| 16.15 | Valses nobles et sentimentales: VII. Moins vif / VIII. Épilogue | Maurice Ravel | 6:52 |
| 16.16 | Boléro | Maurice Ravel | 15:04 |
| 17.1 | Le nozze di Figaro: “Porgi amor” | Renée Fleming | 3:56 |
| 17.2 | Le nozze di Figaro: “E Susanna non vien!” – “Dove sono i bei momenti” | Renée Fleming | 6:23 |
| 17.3 | Eugen Onegin: “Nu, zaboitalas ya!” – “Puskai pogilabnu ya, no pryezhde” (Letter scene) | Renée Fleming, Лариса Дядькова | 21:21 |
| 17.4 | Rusalka: “Měsičku na nebi hlubokém” (O Silver Moon) | Renée Fleming | 6:47 |
| 17.5 | Otello: “Era più calmo?” – “Piangea cantando” – “Ave Maria” | Renée Fleming, Лариса Дядькова | 16:12 |
| 17.6 | Peter Grimes: “Peter seems to have disappeared” – “Embroidery in childhood was a luxury of idleness” (Embroidery aria) | Renée Fleming, Jonathan Summers | 6:02 |
| 17.7 | Daphne: “Ich komme, ich komme” (Transformation scene) | Renée Fleming | 11:26 |
| 18.1 | Piano Concerto no. 1 in D minor, op. 15: I. Maestoso – Poco più moderato | Johannes Brahms | 20:55 |
| 18.2 | Piano Concerto no. 1 in D minor, op. 15: II. Adagio | Johannes Brahms | 14:04 |
| 18.3 | Piano Concerto no. 1 in D minor, op. 15: III. Rondo. Allegro non troppo | Johannes Brahms | 11:28 |
| 18.4 | Carnaval, op. 9: Préambule | Robert Schumann | 2:11 |
| 18.5 | Carnaval, op. 9: Pierrot | Robert Schumann | 1:05 |
| 18.6 | Carnaval, op. 9: Arlequin | Robert Schumann | 0:36 |
| 18.7 | Carnaval, op. 9: Valse noble | Robert Schumann | 1:11 |
| 18.8 | Carnaval, op. 9: Eusebius | Robert Schumann | 1:28 |
| 18.9 | Carnaval, op. 9: Florestan | Robert Schumann | 0:46 |
| 18.10 | Carnaval, op. 9: Coquette | Robert Schumann | 0:48 |
| 18.11 | Carnaval, op. 9: Réplique – Sphinxes | Robert Schumann | 0:25 |
| 18.12 | Carnaval, op. 9: Papillons | Robert Schumann | 0:44 |
| 18.13 | Carnaval, op. 9: A.S.C.H. – S.C.H.A. (Lettres dansantes) | Robert Schumann | 0:42 |
| 18.14 | Carnaval, op. 9: Chiarina | Robert Schumann | 0:51 |
| 18.15 | Carnaval, op. 9: Chopin | Robert Schumann | 1:15 |
| 18.16 | Carnaval, op. 9: Estrella | Robert Schumann | 0:29 |
| 18.17 | Carnaval, op. 9: Reconnaissance | Robert Schumann | 1:17 |
| 18.18 | Carnaval, op. 9: Pantalon et Colombine | Robert Schumann | 0:53 |
| 18.19 | Carnaval, op. 9: Valse allemande – Paganini – Valse allemande | Robert Schumann | 2:03 |
| 18.20 | Carnaval, op. 9: Aveu | Robert Schumann | 0:58 |
| 18.21 | Carnaval, op. 9: Promenade | Robert Schumann | 1:53 |
| 18.22 | Carnaval, op. 9: Pause | Robert Schumann | 0:17 |
| 18.23 | Carnaval, op. 9: Marche des Davidsbündler contre les Philistins | Robert Schumann | 3:19 |
| 19.1 | Symphony no. 5 in D minor, op. 47: I. Moderato | Дмитрий Дмитриевич Шостакович | 18:08 |
| 19.2 | Symphony no. 5 in D minor, op. 47: II. Allegretto | Дмитрий Дмитриевич Шостакович | 5:26 |
| 19.3 | Symphony no. 5 in D minor, op. 47: III. Largo | Дмитрий Дмитриевич Шостакович | 15:42 |
| 19.4 | Symphony no. 5 in D minor, op. 47: IV. Allegro non troppo | Дмитрий Дмитриевич Шостакович | 10:53 |
| 19.5 | Symphony no. 9 in E‐flat major, op. 70: I. Allegro | Дмитрий Дмитриевич Шостакович | 5:00 |
| 19.6 | Symphony no. 9 in E‐flat major, op. 70: II. Moderato | Дмитрий Дмитриевич Шостакович | 7:47 |
| 19.7 | Symphony no. 9 in E‐flat major, op. 70: III. Presto | Дмитрий Дмитриевич Шостакович | 2:38 |
| 19.8 | Symphony no. 9 in E‐flat major, op. 70: IV. Largo | Дмитрий Дмитриевич Шостакович | 3:56 |
| 19.9 | Symphony no. 9 in E‐flat major, op. 70: V. Allegretto – Allegro | Дмитрий Дмитриевич Шостакович | 6:37 |
| 20.1 | Dido and Aeneas: Overture | Henry Purcell | 2:04 |
| 20.2 | Dido and Aeneas: Act I. “Shake the cloud from off your brow” | Emma Kirkby, Academy of Ancient Music Chorus | 1:02 |
| 20.3 | Dido and Aeneas: Act I. “Ah! Belinda, I am prest with torment” | Emma Kirkby, Julianne Baird, Catherine Bott | 4:13 |
| 20.4 | Dido and Aeneas: Act I. “When monarchs unite” | Academy of Ancient Music Chorus | 0:17 |
| 20.5 | Dido and Aeneas: Act I. “Whence could so much virtue spring?” | Emma Kirkby, Julianne Baird, Catherine Bott | 1:31 |
| 20.6 | Dido and Aeneas: Act I. “Fear no danger” – Dance [The Baske] | Emma Kirkby, Julianne Baird, Academy of Ancient Music Chorus | 2:08 |
| 20.7 | Dido and Aeneas: Act I. “See, your royal guest appears” | Emma Kirkby, Catherine Bott, John Mark Ainsley | 0:47 |
| 20.8 | Dido and Aeneas: Act I. “Cupid only throws the dart” | Academy of Ancient Music Chorus | 0:35 |
| 20.9 | Dido and Aeneas: Act I. “If not for mine” | John Mark Ainsley | 0:22 |
| 20.10 | Dido and Aeneas: Act I. “Pursue thy conquest, Love” | Emma Kirkby | 0:51 |
| 20.11 | Dido and Aeneas: Act I. A Dance Gittars Chacony | Henry Purcell | 0:20 |
| 20.12 | Dido and Aeneas: Act I. “To the hills and the vales” | Academy of Ancient Music Chorus | 1:10 |
| 20.13 | Dido and Aeneas: Act I. The triumphing Dance | Henry Purcell | 1:12 |
| 20.14 | Dido and Aeneas: Act II. Prelude for the Witches – “Wayward sisters” | David Thomas, Elisabeth Priday | 1:27 |
| 20.15 | Dido and Aeneas: Act II. “Harm’s our delight” | Academy of Ancient Music Chorus | 0:14 |
| 20.16 | Dido and Aeneas: Act II. “The Queen of Carthage, whom we hate” | David Thomas, Elisabeth Priday, Academy of Ancient Music Chorus, Sara Stowe | 2:41 |
| 20.17 | Dido and Aeneas: Act II. “In our deep vaulted cell” | Academy of Ancient Music Chorus | 1:12 |
| 20.18 | Dido and Aeneas: Act II. Echo Dance of Furies | Henry Purcell | 1:05 |
| 20.19 | Dido and Aeneas: Act II. Ritornelle – “Thanks to these lonesome vales” | Emma Kirkby, Academy of Ancient Music Chorus | 3:13 |
| 20.20 | Dido and Aeneas: Act II. Gitter ground – a dance | Henry Purcell | 0:29 |
| 20.21 | Dido and Aeneas: Act II. “Oft she visits” – Ritornelle | Julianne Baird | 1:36 |
| 20.22 | Dido and Aeneas: Act II. “Behold, upon my bending spear” | Catherine Bott, John Mark Ainsley | 0:32 |
| 20.23 | Dido and Aeneas: Act II. “Haste, haste to town” | Emma Kirkby, Academy of Ancient Music Chorus | 0:45 |
| 20.24 | Dido and Aeneas: Act II. “Stay, Prince” | Michael Chance, John Mark Ainsley | 2:45 |
| 20.25 | Dido and Aeneas: Act II. Ritornelle | Henry Purcell | 0:54 |
| 20.26 | Dido and Aeneas: Act III. Prelude – “Come away, fellow sailors” | Academy of Ancient Music Chorus, Daniel Lochmann | 1:36 |
| 20.27 | Dido and Aeneas: Act III. The Sailors’ Dance | Henry Purcell | 0:48 |
| 20.28 | Dido and Aeneas: Act III. “See the flags and streamers curling” | David Thomas, Elisabeth Priday, Sara Stowe | 1:26 |
| 20.29 | Dido and Aeneas: Act III. “Destruction’s our delight” | Academy of Ancient Music Chorus | 0:34 |
| 20.30 | Dido and Aeneas: Act III. The Witches’ Dance | Henry Purcell | 1:36 |
| 20.31 | Dido and Aeneas: Act III. “Your counsel all is urg’d in vain” | Emma Kirkby, Catherine Bott, John Mark Ainsley | 3:41 |
| 20.32 | Dido and Aeneas: Act III. “Great minds against themselves conspire” | Academy of Ancient Music Chorus | 0:58 |
| 20.33 | Dido and Aeneas: Act III. “Thy hand Belinda” – “When I am laid in earth” | Catherine Bott | 4:06 |
| 20.34 | Dido and Aeneas: Act III. “With drooping wings” | Academy of Ancient Music Chorus | 4:21 |
| 21.1 | Violin Concerto in D, op. 61: I. Allegro ma non troppo | Ludwig van Beethoven | 22:57 |
| 21.2 | Violin Concerto in D, op. 61: II. Larghetto – | Ludwig van Beethoven | 8:21 |
| 21.3 | Violin Concerto in D, op. 61: III. Rondo (Allegro) | Ludwig van Beethoven | 9:26 |
| 21.4 | Violin Concerto, op. 15: I. Moderato con moto | Benjamin Britten | 9:31 |
| 21.5 | Violin Concerto, op. 15: II. Vivace – Cadenza – | Benjamin Britten | 8:36 |
| 21.6 | Violin Concerto, op. 15: III. Passacaglia. Andante Lento | Benjamin Britten | 14:29 |
| 22.1 | The Planets, op. 32, H. 125: I. Mars, the Bringer of War | Gustav Holst | 7:05 |
| 22.2 | The Planets, op. 32, H. 125: II. Venus, the Bringer of Peace | Gustav Holst | 8:22 |
| 22.3 | The Planets, op. 32, H. 125: III. Mercury, the Winged Messenger | Gustav Holst | 3:58 |
| 22.4 | The Planets, op. 32, H. 125: IV. Jupiter, the Bringer of Jollity | Gustav Holst | 7:38 |
| 22.5 | The Planets, op. 32, H. 125: V. Saturn, the Bringer of Old Age | Gustav Holst | 8:33 |
| 22.6 | The Planets, op. 32, H. 125: VI. Uranus, the Magician | Gustav Holst | 5:46 |
| 22.7 | The Planets, op. 32, H. 125: VII. Neptune, the Mystic | Konzertvereinigung Wiener Staatsopernchor | 7:35 |
| 22.8 | The Perfect Fool, op. 39, H. 150: Introduction: Dance of Spirits of Earth | Gustav Holst | 4:32 |
| 22.9 | The Perfect Fool, op. 39, H. 150: Dance of Spirits of Water | Gustav Holst | 2:54 |
| 22.10 | The Perfect Fool, op. 39, H. 150: Dance of Spirits of Fire | Gustav Holst | 3:20 |
| 22.11 | Egdon Heath, op. 47, H. 172 | Gustav Holst | 12:49 |
| 23.1 | Piano Concerto no. 3, BB 127, Sz. 119: I. Allegretto | Béla Bartók | 7:14 |
| 23.2 | Piano Concerto no. 3, BB 127, Sz. 119: II. Adagio religioso | Béla Bartók | 10:54 |
| 23.3 | Piano Concerto no. 3, BB 127, Sz. 119: III. Allegro vivace | Béla Bartók | 6:52 |
| 23.4 | Piano Concerto in G major: I. Allegramente | Maurice Ravel | 8:06 |
| 23.5 | Piano Concerto in G major: II. Adagio assai | Maurice Ravel | 10:16 |
| 23.6 | Piano Concerto in G major: III. Presto | Maurice Ravel | 4:11 |
| 23.7 | Piano Concerto no. 3 in C major, op. 26: I. Andante – Allegro | Сергей Сергеевич Прокофьев | 8:37 |
| 23.8 | Piano Concerto no. 3 in C major, op. 26: II. Andantino con variazioni | Сергей Сергеевич Прокофьев | 8:44 |
| 23.9 | Piano Concerto no. 3 in C major, op. 26: III. Allegro ma non troppo | Сергей Сергеевич Прокофьев | 9:05 |
| 24.1 | Symphony no. 9 in E minor, op. 95, B 178, “From the New World”: I. Adagio – Allegro Molto | Antonín Dvořák | 9:51 |
| 24.2 | Symphony no. 9 in E minor, op. 95, B 178, “From the New World”: II. Largo | Antonín Dvořák | 11:50 |
| 24.3 | Symphony no. 9 in E minor, op. 95, B 178, “From the New World”: III. Scherzo | Antonín Dvořák | 7:41 |
| 24.4 | Symphony no. 9 in E minor, op. 95, B 178, “From the New World”: IV. Allegro con fuoco | Antonín Dvořák | 11:11 |
| 24.5 | Symphony no. 8 in G, op. 88, B 163: I. Allegro con brio | Antonín Dvořák | 10:04 |
| 24.6 | Symphony no. 8 in G, op. 88, B 163: II. Adagio | Antonín Dvořák | 10:02 |
| 24.7 | Symphony no. 8 in G, op. 88, B 163: III. Allegretto grazioso | Antonín Dvořák | 6:05 |
| 24.8 | Symphony no. 8 in G, op. 88, B 163: IV. Allegro ma non troppo | Antonín Dvořák | 9:01 |
| 25.1 | Missa in angustiis in D minor, Hob. XXII:11 “Nelson Mass”: Kyrie | Choir of King’s College, Cambridge, Sylvia Stahlman | 5:04 |
| 25.2 | Missa in angustiis in D minor, Hob. XXII:11 “Nelson Mass”: Gloria. Gloria in excelsis Deo | Choir of King’s College, Cambridge, Helen Watts, Tom Krause, Wilfred Brown, Sylvia Stahlman | 3:30 |
| 25.3 | Missa in angustiis in D minor, Hob. XXII:11 “Nelson Mass”: Gloria. Qui tollis | Choir of King’s College, Cambridge, Tom Krause, Sylvia Stahlman | 4:29 |
| 25.4 | Missa in angustiis in D minor, Hob. XXII:11 “Nelson Mass”: Gloria. Quoniam | Choir of King’s College, Cambridge, Helen Watts, Tom Krause, Wilfred Brown, Sylvia Stahlman | 2:47 |
| 25.5 | Missa in angustiis in D minor, Hob. XXII:11 “Nelson Mass”: Credo. Credo in unum Deum | Choir of King’s College, Cambridge, Helen Watts, Tom Krause, Wilfred Brown, Sylvia Stahlman | 1:53 |
| 25.6 | Missa in angustiis in D minor, Hob. XXII:11 “Nelson Mass”: Credo. Et incarnatus est | Choir of King’s College, Cambridge, Helen Watts, Tom Krause, Wilfred Brown, Sylvia Stahlman | 4:17 |
| 25.7 | Missa in angustiis in D minor, Hob. XXII:11 “Nelson Mass”: Credo. Et resurrexit | Choir of King’s College, Cambridge, Sylvia Stahlman | 3:47 |
| 25.8 | Missa in angustiis in D minor, Hob. XXII:11 “Nelson Mass”: Sanctus | Choir of King’s College, Cambridge, Helen Watts, Tom Krause, Wilfred Brown, Sylvia Stahlman | 2:24 |
| 25.9 | Missa in angustiis in D minor, Hob. XXII:11 “Nelson Mass”: Benedictus | Choir of King’s College, Cambridge, Helen Watts, Tom Krause, Wilfred Brown, Sylvia Stahlman | 6:01 |
| 25.10 | Missa in angustiis in D minor, Hob. XXII:11 “Nelson Mass”: Agnus Dei. Agnus Dei qui tollis | Choir of King’s College, Cambridge, Helen Watts, Tom Krause, Wilfred Brown, Sylvia Stahlman | 3:29 |
| 25.11 | Missa in angustiis in D minor, Hob. XXII:11 “Nelson Mass”: Agnus Dei. Dona nobis pacem | Choir of King’s College, Cambridge, Helen Watts, Tom Krause, Wilfred Brown, Sylvia Stahlman | 2:56 |
| 25.12 | Missa in tempore belli in C major, Hob. XXII:9 “Paukenmesse”: Kyrie | Choir of St John’s College, Cambridge, Helen Watts, Robert Tear, Barry McDaniel, April Cantelo | 5:06 |
| 25.13 | Missa in tempore belli in C major, Hob. XXII:9 “Paukenmesse”: Gloria | Choir of St John’s College, Cambridge, Helen Watts, Robert Tear, Barry McDaniel, April Cantelo | 10:55 |
| 25.14 | Missa in tempore belli in C major, Hob. XXII:9 “Paukenmesse”: Credo | Choir of St John’s College, Cambridge, Helen Watts, Robert Tear, Barry McDaniel, April Cantelo | 9:57 |
| 25.15 | Missa in tempore belli in C major, Hob. XXII:9 “Paukenmesse”: Sanctus | Choir of St John’s College, Cambridge, Helen Watts, Robert Tear, Barry McDaniel, April Cantelo | 2:58 |
| 25.16 | Missa in tempore belli in C major, Hob. XXII:9 “Paukenmesse”: Benedictus | Choir of St John’s College, Cambridge, Helen Watts, Robert Tear, Barry McDaniel, April Cantelo | 5:55 |
| 25.17 | Missa in tempore belli in C major, Hob. XXII:9 “Paukenmesse”: Agnus Dei | Choir of St John’s College, Cambridge, Helen Watts, Robert Tear, Barry McDaniel, April Cantelo | 5:48 |
| 26.1 | Goyescas: Los majos enamorados, Part I: I. Los requiebros | Enrique Granados | 8:46 |
| 26.2 | Goyescas: Los majos enamorados, Part I: II. Coloquio en la reja | Enrique Granados | 11:18 |
| 26.3 | Goyescas: Los majos enamorados, Part I: III. El fandango del Candil | Enrique Granados | 5:34 |
| 26.4 | Goyescas: Los majos enamorados, Part I: IV. Quejas o La maja y el ruiseñor | Enrique Granados | 6:40 |
| 26.5 | Goyescas: Los majos enamorados, Part II: V. El amor y la muerte | Enrique Granados | 12:20 |
| 26.6 | Goyescas: Los majos enamorados, Part II: VI. Epílogo, o Serenata del espectro | Enrique Granados | 7:39 |
| 26.7 | Goyescas: El pelele | Enrique Granados | 4:36 |
| 26.8 | Noches en los jardines de España: I. En el Generalife | Manuel de Falla | 10:20 |
| 26.9 | Noches en los jardines de España: II. Danza lejena | Manuel de Falla | 5:17 |
| 26.10 | Noches en los jardines de España: III. En los jardines de la Sierra de Córdoba | Manuel de Falla | 9:12 |
| 27.1 | Alles Schwindel | Ute Lemper | 4:14 |
| 27.2 | Sex‐Appeal | Ute Lemper | 6:08 |
| 27.3 | Peter, Peter, komm zu mir zurück! | Ute Lemper | 4:41 |
| 27.4 | Das Gesellschaftslied | Ute Lemper | 4:21 |
| 27.5 | Wenn die beste Freundin | Ute Lemper | 2:41 |
| 27.6 | Ich bin ein Vamp! | Ute Lemper | 3:57 |
| 27.7 | L’heure bleue | Ute Lemper | 3:48 |
| 27.8 | Zieh dich aus, Petronella! | Ute Lemper | 2:22 |
| 27.9 | Raus mit den Männern! | Ute Lemper | 2:38 |
| 27.10 | Der Verflossene | Ute Lemper | 4:01 |
| 27.11 | Gesetzt den Fall | Ute Lemper | 4:21 |
| 27.12 | Ich weiß nicht, zu wem ich gehöre | Ute Lemper | 4:14 |
| 27.13 | Das lila Lied | Ute Lemper | 3:04 |
| 27.14 | Maskulinum – Femininum | Ute Lemper | 1:48 |
| 27.15 | Mir ist heut so nach Tamerlan! | Ute Lemper | 4:58 |
| 27.16 | Eine kleine Sehnsucht | Ute Lemper | 4:07 |
| 27.17 | Wir wollen alle wieder Kinder sein! | Ute Lemper | 3:52 |
| 27.18 | Münchhausen | Ute Lemper | 8:09 |
| 28.1 | Piano Sonata no. 14 in C‐Sharp minor, op. 27, no. 2 “Moonlight”: I. Adagio sostenuto | Ludwig van Beethoven | 7:09 |
| 28.2 | Piano Sonata no. 14 in C‐Sharp minor, op. 27, no. 2 “Moonlight”: II. Allegretto | Ludwig van Beethoven | 2:35 |
| 28.3 | Piano Sonata no. 14 in C‐Sharp minor, op. 27, no. 2 “Moonlight”: III. Presto agitato | Ludwig van Beethoven | 7:48 |
| 28.4 | Piano Sonata no. 8 in C minor, op. 13 “Pathétique”: I. Grave – Allegro molto e con brio | Ludwig van Beethoven | 10:13 |
| 28.5 | Piano Sonata no. 8 in C minor, op. 13 “Pathétique”: II. Adagio cantabile | Ludwig van Beethoven | 7:05 |
| 28.6 | Piano Sonata no. 8 in C minor, op. 13 “Pathétique”: III. Rondo. Allegro | Ludwig van Beethoven | 5:06 |
| 28.7 | Piano Sonata no. 21 in C major, op. 53 “Waldstein”: I. Allegro con nrio | Ludwig van Beethoven | 10:59 |
| 28.8 | Piano Sonata no. 21 in C major, op. 53 “Waldstein”: II. Introduzione. Adagio molto | Ludwig van Beethoven | 4:36 |
| 28.9 | Piano Sonata no. 21 in C major, op. 53 “Waldstein”: III. Rondo. Allegretto moderato – Prestissimo | Ludwig van Beethoven | 10:41 |
| 28.10 | 32 Piano Variations on an Original Theme in C minor, WoO 80 | Ludwig van Beethoven | 11:12 |
| 29.1 | Symphony no. 3 in A minor, op. 56 “Scottish”: I. Andante con moto – Allegro un poco agitato – Assai animato – Andante come prima – | Felix Mendelssohn | 13:20 |
| 29.2 | Symphony no. 3 in A minor, op. 56 “Scottish”: II. Vivace non troppo – | Felix Mendelssohn | 4:11 |
| 29.3 | Symphony no. 3 in A minor, op. 56 “Scottish”: III. Adagio – | Felix Mendelssohn | 11:04 |
| 29.4 | Symphony no. 3 in A minor, op. 56 “Scottish”: IV. Allegro vivacissimo – Allegro maestoso assai | Felix Mendelssohn | 9:45 |
| 29.5 | A Midsummer Night’s Dream, op. 21: Overture | Felix Mendelssohn | 11:55 |
| 29.6 | A Midsummer Night’s Dream, op. 61 no. 1: Scherzo | Felix Mendelssohn | 4:28 |
| 29.7 | A Midsummer Night’s Dream, op. 61 no. 3: “You Spotted Snakes” | Jennifer Vyvyan, Marion Lowe, Female Chorus of the Royal Opera House, Covent Garden | 4:23 |
| 29.8 | A Midsummer Night’s Dream, op. 61 no. 5: Intermezzo | Felix Mendelssohn | 3:31 |
| 29.9 | A Midsummer Night’s Dream, op. 61 no. 7: Nocturne | Felix Mendelssohn | 6:25 |
| 29.10 | A Midsummer Night’s Dream, op. 61 no. 9: Wedding March | Felix Mendelssohn | 4:37 |
| 29.11 | A Midsummer Night’s Dream, op. 61 no. 11: Dance of the Clowns | Felix Mendelssohn | 1:46 |
| 29.12 | A Midsummer Night’s Dream, op. 61 no. 12: Finale | Jennifer Vyvyan, Female Chorus of the Royal Opera House, Covent Garden | 4:00 |
| 30.1 | Feste romane: Circenses | Ottorino Respighi | 4:37 |
| 30.2 | Feste romane: Il giubileo | Ottorino Respighi | 8:06 |
| 30.3 | Feste romane: L’ottobrata | Ottorino Respighi | 7:39 |
| 30.4 | Feste romane: La Befana | Ottorino Respighi | 5:28 |
| 30.5 | Pini di Roma: I pini di Villa Borghese | Ottorino Respighi | 2:46 |
| 30.6 | Pini di Roma: Pini presso una catacomba | Ottorino Respighi | 6:58 |
| 30.7 | Pini di Roma: I pini del Gianicolo | Ottorino Respighi | 6:38 |
| 30.8 | Pini di Roma: I pini della Via Appia | Ottorino Respighi | 4:51 |
| 30.9 | Le Coq d’or: Suite: I. King Dodon in his palace | Николай Андреевич Римский‐Корсаков | 10:42 |
| 30.10 | Le Coq d’or: Suite: II. King Dodon on the battlefield | Николай Андреевич Римский‐Корсаков | 3:37 |
| 30.11 | Le Coq d’or: Suite: III. King Dodon with Queen of Shemakha | Николай Андреевич Римский‐Корсаков | 6:53 |
| 30.12 | Le Coq d’or: Suite: IV. The marriage feast and lamentable end of King Dodon | Николай Андреевич Римский‐Корсаков | 5:50 |
| 31.1 | Sinfonietta: I. Allegretto – Allegro – Maestoso | Leoš Janáček | 2:25 |
| 31.2 | Sinfonietta: II. Andante – Allegretto – Maestoso – Tempo I – Allegretto | Leoš Janáček | 6:10 |
| 31.3 | Sinfonietta: III. Moderato – Con moto – Prestissimo – Tempo I – Moderato | Leoš Janáček | 5:23 |
| 31.4 | Sinfonietta: IV. Allegretto – Adagio – Presto – Andante – Presto – Prestissimo | Leoš Janáček | 3:04 |
| 31.5 | Sinfonietta: V. Andante con moto – Maestoso – Tempo I – Allegretto – Allegro – Maestoso – Adagio | Leoš Janáček | 7:20 |
| 31.6 | Taras Bulba: I. The death of Andri | Leoš Janáček | 8:54 |
| 31.7 | Taras Bulba: II. The death of Ostap | Leoš Janáček | 5:31 |
| 31.8 | Taras Bulba: III. The prophecy and death of Taras Bulba | Leoš Janáček | 9:08 |
| 31.9 | The Cunning Little Vixen, Orchestral Suite: I. Andante | Leoš Janáček | 9:07 |
| 31.10 | The Cunning Little Vixen, Orchestral Suite: II. Andante | Leoš Janáček | 10:03 |
| 32.1 | Serenade for Strings in C, op. 48: I. Pezzo in forma di sonatina: Andante non troppo – Allegro moderato | Пётр Ильич Чайковский | 9:16 |
| 32.2 | Serenade for Strings in C, op. 48: II. Waltzer: Moderato, tempo di valse | Пётр Ильич Чайковский | 3:38 |
| 32.3 | Serenade for Strings in C, op. 48: III. Élegie: Larghetto elegiaco | Пётр Ильич Чайковский | 9:57 |
| 32.4 | Serenade for Strings in C, op. 48: IV. Finale (Tema russo): Andante – Allegro con spirito | Пётр Ильич Чайковский | 7:37 |
| 32.5 | Souvenir de Florence, op. 70: I. Allegro con spirito | Пётр Ильич Чайковский | 9:18 |
| 32.6 | Souvenir de Florence, op. 70: II. Adagio cantabile e con moto | Пётр Ильич Чайковский | 7:56 |
| 32.7 | Souvenir de Florence, op. 70: III. Allegro moderato | Пётр Ильич Чайковский | 4:34 |
| 32.8 | Souvenir de Florence, op. 70: IV. Allegro vivace | Пётр Ильич Чайковский | 5:32 |
| 32.9 | Holberg Suite, op. 40: I. Präludium. Allegro vivace | Edvard Grieg | 2:39 |
| 32.10 | Holberg Suite, op. 40: II. Sarabande. Andante | Edvard Grieg | 4:33 |
| 32.11 | Holberg Suite, op. 40: III. Gavotte. Allegretto – Musette. Poco più Mosso | Edvard Grieg | 3:27 |
| 32.12 | Holberg Suite, op. 40: IV. Air. Andante religioso | Edvard Grieg | 6:07 |
| 32.13 | Holberg Suite, op. 40: V. Rigaudon. Allegro con brio | Edvard Grieg | 3:42 |
| 33.1 | Divertissement: I. Introduction | Jacques Ibert | 1:12 |
| 33.2 | Divertissement: II. Cortège | Jacques Ibert | 4:51 |
| 33.3 | Divertissement: III. Nocturne | Jacques Ibert | 2:40 |
| 33.4 | Divertissement: IV. Valse | Jacques Ibert | 2:55 |
| 33.5 | Divertissement: V. Parade | Jacques Ibert | 1:42 |
| 33.6 | Divertissement: VI. Finale. Allegro vivace | Jacques Ibert | 1:47 |
| 33.7 | Danse macabre, op. 40 | Camille Saint‐Saëns | 7:04 |
| 33.8 | Jeux d’enfants, op. 22: I. Marche. Trompette et tambour | Georges Bizet | 2:07 |
| 33.9 | Jeux d’enfants, op. 22: II. Berceuse. La Poupée | Georges Bizet | 3:05 |
| 33.10 | Jeux d’enfants, op. 22: III. Impromptu. La toupie | Georges Bizet | 1:03 |
| 33.11 | Jeux d’enfants, op. 22: IV. Duo. Petit mari, petite femme | Georges Bizet | 3:07 |
| 33.12 | Jeux d’enfants, op. 22: V. Galop. Le bal | Georges Bizet | 1:38 |
| 33.13 | Le Rouet d’Omphale, op. 31 | Camille Saint‐Saëns | 7:57 |
| 33.14 | Symphony no. 2 in B minor: I. Allegro | Александр Порфирьевич Бородин | 6:47 |
| 33.15 | Symphony no. 2 in B minor: II. Scherzo. Prestissimo – Allegretto | Александр Порфирьевич Бородин | 4:41 |
| 33.16 | Symphony no. 2 in B minor: III. Andante | Александр Порфирьевич Бородин | 7:44 |
| 33.17 | Symphony no. 2 in B minor: IV. Finale. Allegro | Александр Порфирьевич Бородин | 5:55 |
| 34.1 | Arcana | Edgard Varèse | 18:46 |
| 34.2 | Intégrales | Edgard Varèse | 10:42 |
| 34.3 | Ionisation | Edgard Varèse | 5:07 |
| 34.4 | Symphony no. 2: I. Andante moderato | Charles Ives | 5:52 |
| 34.5 | Symphony no. 2: II. Allegro | Charles Ives | 10:32 |
| 34.6 | Symphony no. 2: III. Adagio cantabile | Charles Ives | 9:39 |
| 34.7 | Symphony no. 2: IV. Lento maestoso | Charles Ives | 2:32 |
| 34.8 | Symphony no. 2: V. Allegro molto vivace | Charles Ives | 9:01 |
| 35.1 | Daphnis et Chloé, Première Partie: Introduction et Danse religieuse | Chorus of the Royal Opera House, Covent Garden | 7:18 |
| 35.2 | Daphnis et Chloé, Première Partie: Scène – Danse générale | Maurice Ravel | 2:43 |
| 35.3 | Daphnis et Chloé, Première Partie: Scène – Danse grotesque de Dorcon | Maurice Ravel | 2:18 |
| 35.4 | Daphnis et Chloé, Première Partie: Danse légère et gracieuse de Daphnis | Chorus of the Royal Opera House, Covent Garden | 2:23 |
| 35.5 | Daphnis et Chloé, Première Partie: Scène – Danse de Lycéion – Scène (les pirrates) | Maurice Ravel | 4:38 |
| 35.6 | Daphnis et Chloé, Première Partie: Nocturne – Danse lente et mystérieuse des Nymphs | Maurice Ravel | 4:41 |
| 35.7 | Daphnis et Chloé, Deuxième Partie: Introduction | Chorus of the Royal Opera House, Covent Garden | 2:54 |
| 35.8 | Daphnis et Chloé, Deuxième Partie: Danse guerrière | Chorus of the Royal Opera House, Covent Garden | 4:06 |
| 35.9 | Daphnis et Chloé, Deuxième Partie: Scène – Danse suppliante de Chloé | Maurice Ravel | 5:13 |
| 35.10 | Daphnis et Chloé, Troisième Partie: Lever du jour – Scène | Chorus of the Royal Opera House, Covent Garden | 5:12 |
| 35.11 | Daphnis et Chloé, Troisième Partie: Pantomime | Maurice Ravel | 5:29 |
| 35.12 | Daphnis et Chloé, Troisième Partie: Danse générale | Chorus of the Royal Opera House, Covent Garden | 4:59 |
| 35.13 | Variations on an Original Theme, op. 36 “Enigma”: Theme (Andante) | Edward Elgar | 1:16 |
| 35.14 | Variations on an Original Theme, op. 36 “Enigma”: Variation I. C.A.E. (Andante) | Edward Elgar | 1:56 |
| 35.15 | Variations on an Original Theme, op. 36 “Enigma”: Variation II. H.D.S‐P. (Allegro) | Edward Elgar | 0:47 |
| 35.16 | Variations on an Original Theme, op. 36 “Enigma”: Variation III. R.B.T. (Allegretto) | Edward Elgar | 1:21 |
| 35.17 | Variations on an Original Theme, op. 36 “Enigma”: Variation IV. W.M.B. (Allegro di Molto) | Edward Elgar | 0:27 |
| 35.18 | Variations on an Original Theme, op. 36 “Enigma”: Variation V. R.P.A. (Moderato) | Edward Elgar | 1:55 |
| 35.19 | Variations on an Original Theme, op. 36 “Enigma”: Variation VI. Ysobel (Andantino) | Edward Elgar | 1:20 |
| 35.20 | Variations on an Original Theme, op. 36 “Enigma”: Variation VII. Troyte (Presto) | Edward Elgar | 0:56 |
| 35.21 | Variations on an Original Theme, op. 36 “Enigma”: Variation VIII. W.N. (Allegretto) | Edward Elgar | 1:55 |
| 35.22 | Variations on an Original Theme, op. 36 “Enigma”: Variation IX. Nimrod (Adagio) | Edward Elgar | 3:51 |
| 35.23 | Variations on an Original Theme, op. 36 “Enigma”: Variation X. Dorabella (Intermezzo. Allegretto) | Edward Elgar | 2:39 |
| 35.24 | Variations on an Original Theme, op. 36 “Enigma”: Variation XI. G.R.S. (Allegro di Molto) | Edward Elgar | 0:56 |
| 35.25 | Variations on an Original Theme, op. 36 “Enigma”: Variation XII. B.G.N. (Andante) | Edward Elgar | 2:25 |
| 35.26 | Variations on an Original Theme, op. 36 “Enigma”: Variation XIII. *** (Romanza. Moderato) | Edward Elgar | 2:39 |
| 35.27 | Variations on an Original Theme, op. 36 “Enigma”: Variation XIV. E.D.U. (Finale. Allegro – Presto) | Edward Elgar | 4:57 |
| 36.1 | Magnificat in D major, BWV 243: I. Coro. Magnificat | Vienna Academy Chorus | 3:21 |
| 36.2 | Magnificat in D major, BWV 243: II. Aria. Et exsultavit spiritus meus | Hanneke van Bork | 2:32 |
| 36.3 | Magnificat in D major, BWV 243: III. Aria. Quia respexit humilitatem – IV. Coro. Omnes generationes | Elly Ameling, Helen Watts, Vienna Academy Chorus | 4:22 |
| 36.4 | Magnificat in D major, BWV 243: V. Aria. Quia fecit mihi magna | Tom Krause | 2:20 |
| 36.5 | Magnificat in D major, BWV 243: VI. Aria (duetto). Et misericordia | Werner Krenn | 4:18 |
| 36.6 | Magnificat in D major, BWV 243: VII. Coro. Fecit potentiam | Vienna Academy Chorus | 2:02 |
| 36.7 | Magnificat in D major, BWV 243: VIII. Aria. Deposuit potentes | Werner Krenn | 2:08 |
| 36.8 | Magnificat in D major, BWV 243: IX. Aria. Esurientes implevit bonis | Helen Watts | 3:12 |
| 36.9 | Magnificat in D major, BWV 243: X. Aria (terzetto). Suscepit Israel | Elly Ameling, Helen Watts, Hanneke van Bork | 2:12 |
| 36.10 | Magnificat in D major, BWV 243: XI. Coro. Sicut locutus est | Johann Sebastian Bach | 2:02 |
| 36.11 | Magnificat in D major, BWV 243: XII. Coro. Gloria Patri | Johann Sebastian Bach | 2:36 |
| 36.12 | Cantata, BWV 10 Meine Seel erhebt den Herren: I. Coro. Meine Seel erhebt den Herren | Wiener Akademie, Vienna Academy Chorus | 4:12 |
| 36.13 | Cantata, BWV 10 Meine Seel erhebt den Herren: II. Aria. Herr, der du stark und mächtig bist | Elly Ameling | 7:04 |
| 36.14 | Cantata, BWV 10 Meine Seel erhebt den Herren: III. Recitativo. Des Höchsten Güt und Treu | Werner Krenn | 1:25 |
| 36.15 | Cantata, BWV 10 Meine Seel erhebt den Herren: IV. Aria. Gewaltige stößt Gott vom Stuhl | Marius Rintzler | 3:26 |
| 36.16 | Cantata, BWV 10 Meine Seel erhebt den Herren: V. Duetto. Er denket der Barmherzigkeit | Helen Watts, Werner Krenn, Marius Rintzler | 2:03 |
| 36.17 | Cantata, BWV 10 Meine Seel erhebt den Herren: VI. Recitativo. Was Gott den Vätern alter Zeiten | Werner Krenn | 2:25 |
| 36.18 | Cantata, BWV 10 Meine Seel erhebt den Herren: VII. Choral. Lob und Preis sei Gott dem Vater | Wiener Akademie, Vienna Academy Chorus | 1:24 |
| 36.19 | Cantata, BWV 140 Wachet auf, ruft uns die Stimme: I. Wachet auf, ruft uns die Stimme | Stuttgarter Hymnus-Chorknaben | 6:14 |
| 36.20 | Cantata, BWV 140 Wachet auf, ruft uns die Stimme: II. Recitativo. Er kommt, er kommt | Gösta Winbergh | 1:14 |
| 36.21 | Cantata, BWV 140 Wachet auf, ruft uns die Stimme: III. Aria (duetto). Wenn kömmst du, mein Heil | Tom Krause, Gabriele Fontana | 6:13 |
| 36.22 | Cantata, BWV 140 Wachet auf, ruft uns die Stimme: IV. Choral. Zion hört die Wächter singen | Gösta Winbergh, Stuttgarter Hymnus-Chorknaben | 3:58 |
| 36.23 | Cantata, BWV 140 Wachet auf, ruft uns die Stimme: V. Recitativo. So geh herein zu mir | Tom Krause | 1:41 |
| 36.24 | Cantata, BWV 140 Wachet auf, ruft uns die Stimme: VI. Aria (duetto). Mein Freund ist mein | Tom Krause, Gabriele Fontana | 7:35 |
| 36.25 | Cantata, BWV 140 Wachet auf, ruft uns die Stimme: VII. Choral. Gloria sei dir gesungen | Stuttgarter Hymnus-Chorknaben | 1:52 |
| 37.1 | Das Rheingold: “Schwüles Gedünst schwebt in der Luft” | Waldemar Kmentt, Eberhard Wächter | 3:13 |
| 37.2 | Das Rheingold: “Abendlich strahlt der Sonne Auge” | George London, Kirsten Flagstad, Set Svanholm, Hetty Plümacher | 4:50 |
| 37.3 | Das Rheingold: “Rheingold! Rheingold! Reines Gold!” | George London, Gustav Neidlinger, Paul Kuën, Set Svanholm, Ira Malaniuk, Hetty Plümacher, Oda Balsborg | 3:39 |
| 37.4 | Die Walküre: “Hojotoho! Hojotoho!” (Walkürenritt) | Brigitte Fassbaender, Helen Watts, Helga Dernesch, Vera Little, Berit Lindholm, Claudia Hellmann, Marilyn Tyler, Vera Schlosser | 8:26 |
| 37.5 | Die Walküre: “Loge, hör! Lausche hieher!” (Feuerzauber) | Hans Hotter | 4:55 |
| 37.6 | Siegfried: “Notung! Notung! Neidliches Schwert!” … | Wolfgang Windgassen | 8:28 |
| 37.7 | Siegfried: “Hoho! Hoho! Hohei! Schmiede, mein Hammer, ein hartes Schwert!” (Schmiedelied) | Wolfgang Windgassen | 5:44 |
| 37.8 | Siegfried: “Aber wie sah meine Mutter sohl aus?” (Waldweben) | Wolfgang Windgassen | 5:08 |
| 37.9 | Götterdämmerung: Siegfrieds Rheinfahrt | Wiener Staatsopernchor | 6:00 |
| 37.10 | Götterdämmerung: Trauermarsch | Richard Wagner | 7:48 |
| 37.11 | Götterdämmerung: “Schweigt eures Jammers jauchzenden Schwall” … | Birgit Nilsson, Wiener Staatsopernchor | 3:45 |
| 37.12 | Götterdämmerung: “Starke Scheite schichtet mir dort” … | Birgit Nilsson, Wiener Staatsopernchor | 8:55 |
| 37.13 | Götterdämmerung: “Mein Erbe nun nehm’ ich zu eigen” … | Birgit Nilsson, Wiener Staatsopernchor | 2:32 |
| 37.14 | Götterdämmerung: “Fliegt heim, ihr Raben!” (Brünnhildes Schlussgesang) | Birgit Nilsson, Wiener Staatsopernchor | 8:38 |
| 38.1 | Il lamento di Federico | José Carreras | 4:23 |
| 38.2 | Ô paradis | Plácido Domingo | 3:12 |
| 38.3 | Recondita armonia | Luciano Pavarotti | 2:37 |
| 38.4 | Dein ist mein ganzes Herz | Plácido Domingo | 3:36 |
| 38.5 | Rondine al nido | Luciano Pavarotti | 3:35 |
| 38.6 | Core ’ngrato | José Carreras | 3:28 |
| 38.7 | Torna a Surriento | Luciano Pavarotti | 2:52 |
| 38.8 | Granada | José Carreras | 3:42 |
| 38.9 | No puede ser | Plácido Domingo | 2:44 |
| 38.10 | L’improvviso | José Carreras | 5:12 |
| 38.11 | E lucevan le stelle | Plácido Domingo | 2:40 |
| 38.12 | Nessun dorma | Luciano Pavarotti | 3:05 |
| 38.13 | Medley: Maria / Tonight / ’O paese d’ ’o sole / Cielito lindo | Luciano Pavarotti, Plácido Domingo, José Carreras | 5:31 |
| 38.14 | Medley: Memory / Ochi tchorniye / Caminito / La Vie en rose | Luciano Pavarotti, Plácido Domingo, José Carreras | 6:54 |
| 38.15 | Medley: Mattinata / Wien Wien nur du allein / Amapola / ’O sole mio | Luciano Pavarotti, Plácido Domingo, José Carreras | 8:07 |
| 38.16 | Encore: ’O sole mio | Luciano Pavarotti, Plácido Domingo, José Carreras | 2:53 |
| 38.17 | Encore: Nessun dorma | Luciano Pavarotti, Plácido Domingo, José Carreras | 3:30 |
| 39.1 | Turandot: Atto primo. “Popolo di Pekino!” | Luciano Pavarotti, Montserrat Caballé, Nicolaï Ghiaurov, The John Alldis Choir, Sabin Markov | 5:36 |
| 39.2 | Turandot: Atto primo. “Gira la cote!” | Luciano Pavarotti, Montserrat Caballé, The John Alldis Choir, Wandsworth School Boys’ Choir | 7:08 |
| 39.3 | Turandot: Atto primo. “Signore, ascolta!” | Montserrat Caballé | 2:40 |
| 39.4 | Turandot: Atto primo. “Non piangere, Liù!” | Luciano Pavarotti, Montserrat Caballé, Nicolaï Ghiaurov, The John Alldis Choir, Piero de Palma, Tom Krause, Pier Francesco Poli | 2:18 |
| 39.5 | Turandot: Atto primo. “Ah! Per l’ultima volta!” | Luciano Pavarotti, Montserrat Caballé, Nicolaï Ghiaurov, The John Alldis Choir, Piero de Palma, Tom Krause, Pier Francesco Poli | 2:49 |
| 39.6 | Turandot: Atto secondo. “Olà, Pang! Olà, Pong!” | Piero de Palma, Tom Krause, Pier Francesco Poli | 3:17 |
| 39.7 | Turandot: Atto secondo. “Ho una casa nell’Honan” | Piero de Palma, Tom Krause, Pier Francesco Poli | 3:48 |
| 39.8 | Turandot: Atto secondo. “In questa Reggia” | Luciano Pavarotti, Joan Sutherland, The John Alldis Choir | 6:41 |
| 39.9 | Turandot: Atto secondo. “Gelo che ti dà foco” | Luciano Pavarotti, Joan Sutherland, The John Alldis Choir, Peter Pears | 3:12 |
| 39.10 | Turandot: Atto secondo. “Figlio del Cielo!” | Luciano Pavarotti, Joan Sutherland, The John Alldis Choir, Peter Pears | 3:08 |
| 39.11 | Turandot: Atto terzo. “Nessun dorma!” | Luciano Pavarotti, The John Alldis Choir, Wandsworth School Boys’ Choir | 2:59 |
| 39.12 | Turandot: Atto terzo. “Quel nome!” | Luciano Pavarotti, Montserrat Caballé, Joan Sutherland, Nicolaï Ghiaurov, The John Alldis Choir, Tom Krause | 1:24 |
| 39.13 | Turandot: Atto terzo. “Tanto amore segreto” | Luciano Pavarotti, Montserrat Caballé, Joan Sutherland, The John Alldis Choir, Tom Krause | 3:05 |
| 39.14 | Turandot: Atto terzo. “Tu, che di gel sei cinta” | Luciano Pavarotti, Montserrat Caballé, Nicolaï Ghiaurov, The John Alldis Choir, Piero de Palma, Tom Krause, Pier Francesco Poli | 7:33 |
| 39.15 | Turandot: Atto terzo. “Principessa di morte!” | Luciano Pavarotti, Joan Sutherland | 3:17 |
| 39.16 | Turandot: Atto terzo. “Che è mai di me?” | Luciano Pavarotti, Joan Sutherland, The John Alldis Choir, Wandsworth School Boys’ Choir | 2:46 |
| 39.17 | Turandot: Atto terzo. “Del primo pianto” | Luciano Pavarotti, Joan Sutherland | 3:57 |
| 39.18 | Turandot: Atto terzo. “So il tuo nome!” | Luciano Pavarotti, Joan Sutherland | 2:13 |
| 39.19 | Turandot: Atto terzo. “Diecimila anni al nostro Imperatore!” | Luciano Pavarotti, Joan Sutherland, The John Alldis Choir | 2:24 |
| 40.1 | Fanfare (after “La Morisque”, arr. Pickett) | Tielman Susato | 2:04 |
| 40.2 | Passe e medio / Reprise “Le Pingue” | Tielman Susato | 1:29 |
| 40.3 | Bergerette “Sans Roch” / Reprise | Tielman Susato | 3:11 |
| 40.4 | Den I Ronde “Pour Quoy” | Tielman Susato | 2:02 |
| 40.5 | Den VII Ronde “Il estoit une filette” | Tielman Susato | 2:29 |
| 40.6 | Den III Ronde | Tielman Susato | 1:27 |
| 40.7 | Den IV Ronde | Tielman Susato | 0:44 |
| 40.8 | Den V Ronde (Wo bistu) | Tielman Susato | 0:57 |
| 40.9 | Den VI Ronde / Saltarelle | Tielman Susato | 1:51 |
| 40.10 | Den XI Ronde / Aliud | Tielman Susato | 1:56 |
| 40.11 | Bergerette “Dont vien cela” / Reprise | Tielman Susato | 2:20 |
| 40.12 | Danse de Hercules oft maticine / De Madrigale | Tielman Susato | 2:06 |
| 40.13 | De Post | Tielman Susato | 0:55 |
| 40.14 | Les quatre Branles | Tielman Susato | 1:58 |
| 40.15 | Fagot | Tielman Susato | 0:51 |
| 40.16 | Den Hoboeckendans | Tielman Susato | 1:49 |
| 40.17 | Basse Danse “Mon Desir” / Reprise “Le cueur est bon” | Tielman Susato | 3:47 |
| 40.18 | Den I Allemaigne / Recoupe | Tielman Susato | 3:30 |
| 40.19 | Den II Allemaigne | Tielman Susato | 1:02 |
| 40.20 | Den III Allemaigne | Tielman Susato | 2:01 |
| 40.21 | Den V Allemaigne | Tielman Susato | 0:46 |
| 40.22 | Den VI Allemaigne | Tielman Susato | 0:31 |
| 40.23 | Den VII Allemaigne | Tielman Susato | 0:38 |
| 40.24 | Den VIII Allemaigne / Recoupe / Recoupe Aliud den Tenor voe | Tielman Susato | 1:32 |
| 40.25 | Bergerette (“La Brosse”) | Tielman Susato | 2:11 |
| 40.26 | Pavane “La Battaille” | Tielman Susato | 4:35 |
| 40.27 | Pavane “Mille Regretz” | Tielman Susato | 1:57 |
| 40.28 | Den II Gaillarde | Tielman Susato | 1:07 |
| 40.29 | Den XI Galliarde | Tielman Susato | 0:44 |
| 40.30 | Den IX Galliarde | Tielman Susato | 0:39 |
| 40.31 | Den IV Galliarde | Tielman Susato | 1:37 |
| 40.32 | Den VII Galliarde | Tielman Susato | 1:28 |
| 40.33 | Den X Galliarde “Mille Ducas” | Tielman Susato | 1:29 |
| 40.34 | Den III Galliarde | Tielman Susato | 1:22 |
| 40.35 | Den XV Galliarde “Le Tout” | Tielman Susato | 1:40 |
| 40.36 | Danse du Roy / Reprise | Tielman Susato | 2:30 |
| 40.37 | Entre du Fol | Tielman Susato | 1:06 |
| 40.38 | La Morisque | Tielman Susato | 1:56 |
| 41.1 | Piano Concerto no. 2 in G minor, op. 22: I. Andante sostenuto | Camille Saint‐Saëns | 11:32 |
| 41.2 | Piano Concerto no. 2 in G minor, op. 22: II. Allegro scherzando | Camille Saint‐Saëns | 5:52 |
| 41.3 | Piano Concerto no. 2 in G minor, op. 22: III. Presto | Camille Saint‐Saëns | 6:54 |
| 41.4 | Piano Concerto no. 4 in C minor, op. 44: I. Allegro moderato – Andante | Camille Saint‐Saëns | 12:38 |
| 41.5 | Piano Concerto no. 4 in C minor, op. 44: II. Allegro vivace – Andante – Allegro | Camille Saint‐Saëns | 13:45 |
| 41.6 | Piano Concerto no. 5 in F, op. 103, “Egyptian”: I. Allegro animato | Camille Saint‐Saëns | 11:30 |
| 41.7 | Piano Concerto no. 5 in F, op. 103, “Egyptian”: II. Andante | Camille Saint‐Saëns | 11:48 |
| 41.8 | Piano Concerto no. 5 in F, op. 103, “Egyptian”: III. Molto allegro | Camille Saint‐Saëns | 5:41 |
| 42.1 | Stabat Mater: I. Duet. Stabat Mater dolorosa | Barbara Bonney, Andreas Scholl | 4:11 |
| 42.2 | Stabat Mater: II. Aria. Cujus animam gementem (soprano) | Barbara Bonney | 2:05 |
| 42.3 | Stabat Mater: III. Duet. O quam tristis et afflicta | Barbara Bonney, Andreas Scholl | 1:48 |
| 42.4 | Stabat Mater: IV. Aria. Quae moerebat et dolebat (countertenor) | Andreas Scholl | 2:25 |
| 42.5 | Stabat Mater: V. Duet. Quis est homo qui non fleret | Barbara Bonney, Andreas Scholl | 3:04 |
| 42.6 | Stabat Mater: VI. Aria. Vidit suum dulcem Natum (soprano) | Barbara Bonney | 3:01 |
| 42.7 | Stabat Mater: VII. Aria. Eja Mater, fons amoris (countertenor) | Andreas Scholl | 2:13 |
| 42.8 | Stabat Mater: VIII. Duet. Fac ut ardeat cor meum | Barbara Bonney, Andreas Scholl | 1:49 |
| 42.9 | Stabat Mater: IX. Duet. Sancta Mater, istud agas | Barbara Bonney, Andreas Scholl | 5:07 |
| 42.10 | Stabat Mater: X. Aria. Fac ut portem Christi mortem (countertenor) | Andreas Scholl | 3:43 |
| 42.11 | Stabat Mater: XI. Duet. Inflammatus et accensus | Barbara Bonney, Andreas Scholl | 2:02 |
| 42.12 | Stabat Mater: XII. Duet. Quando corpus morietur | Barbara Bonney, Andreas Scholl | 4:42 |
| 42.13 | Salve Regina in F minor: I. Salve Regina | Andreas Scholl | 4:17 |
| 42.14 | Salve Regina in F minor: II. Ad te clamamus | Andreas Scholl | 4:39 |
| 42.15 | Salve Regina in F minor: III. Eja ergo, advocata nostra | Andreas Scholl | 1:26 |
| 42.16 | Salve Regina in F minor: IV. Et Jesum | Andreas Scholl | 2:31 |
| 42.17 | Salve Regina in F minor: V. O clemens | Andreas Scholl | 1:41 |
| 42.18 | Salve Regina in A minor: I. Salve Regina | Barbara Bonney | 2:32 |
| 42.19 | Salve Regina in A minor: II. Ad te clamamus | Barbara Bonney | 2:16 |
| 42.20 | Salve Regina in A minor: III. Eja ergo, advocata nostra | Barbara Bonney | 2:12 |
| 42.21 | Salve Regina in A minor: IV. O clemens | Barbara Bonney | 2:47 |
| 43.1 | Goldberg Variations in G major, BWV 988: I. Aria | Johann Sebastian Bach | 3:50 |
| 43.2 | Goldberg Variations in G major, BWV 988: II. Variatio 1 a 1 Clav. | Johann Sebastian Bach | 1:55 |
| 43.3 | Goldberg Variations in G major, BWV 988: III. Variatio 2 a 1 Clav. | Johann Sebastian Bach | 1:22 |
| 43.4 | Goldberg Variations in G major, BWV 988: IV. Variatio 3 a 1 Clav. Canone all’Unisuono | Johann Sebastian Bach | 2:03 |
| 43.5 | Goldberg Variations in G major, BWV 988: V. Variatio 4 a 1 Clav. | Johann Sebastian Bach | 1:04 |
| 43.6 | Goldberg Variations in G major, BWV 988: VI. Variatio 5 a 1 ovvero 2 Clav. | Johann Sebastian Bach | 1:27 |
| 43.7 | Goldberg Variations in G major, BWV 988: VII. Variatio 6 a 1 Clav. Canone alla Seconda | Johann Sebastian Bach | 1:18 |
| 43.8 | Goldberg Variations in G major, BWV 988: VIII. Variatio 7 a 1 ovvero 2 Clav. | Johann Sebastian Bach | 1:43 |
| 43.9 | Goldberg Variations in G major, BWV 988: IX. Variatio 8 a 2 Clav. | Johann Sebastian Bach | 1:41 |
| 43.10 | Goldberg Variations in G major, BWV 988: X. Variatio 9 a 1 Clav. Canone alla Terza | Johann Sebastian Bach | 1:22 |
| 43.11 | Goldberg Variations in G major, BWV 988: XI. Variatio 10 a 1 Clav. Fughetta | Johann Sebastian Bach | 1:39 |
| 43.12 | Goldberg Variations in G major, BWV 988: XII. Variatio 11 a 2 Clav. | Johann Sebastian Bach | 1:58 |
| 43.13 | Goldberg Variations in G major, BWV 988: XIII. Variatio 12 a 1 Clav. Canone alla Quarta | Johann Sebastian Bach | 2:00 |
| 43.14 | Goldberg Variations in G major, BWV 988: XIV. Variatio 13 a 2 Clav. | Johann Sebastian Bach | 4:06 |
| 43.15 | Goldberg Variations in G major, BWV 988: XV. Variatio 14 a 2 Clav. | Johann Sebastian Bach | 2:01 |
| 43.16 | Goldberg Variations in G major, BWV 988: XVI. Variatio 15 a 1 Clav. Canone alla Quinta | Johann Sebastian Bach | 4:02 |
| 43.17 | Goldberg Variations in G major, BWV 988: XVII. Variatio 16 a 1 Clav. Ouverture | Johann Sebastian Bach | 2:46 |
| 43.18 | Goldberg Variations in G major, BWV 988: XVIII. Variatio 17 a 2 Clav. | Johann Sebastian Bach | 2:00 |
| 43.19 | Goldberg Variations in G major, BWV 988: XIX. Variatio 18 a 1 Clav. Canone alla Sexta | Johann Sebastian Bach | 1:26 |
| 43.20 | Goldberg Variations in G major, BWV 988: XX. Variatio 19 a 1 Clav. | Johann Sebastian Bach | 1:17 |
| 43.21 | Goldberg Variations in G major, BWV 988: XXI. Variatio 20 a 2 Clav. | Johann Sebastian Bach | 1:49 |
| 43.22 | Goldberg Variations in G major, BWV 988: XXII. Variatio 21 a 2 Clav. Canone alla Settima | Johann Sebastian Bach | 2:14 |
| 43.23 | Goldberg Variations in G major, BWV 988: XXIII. Variatio 22 a 1 Clav. | Johann Sebastian Bach | 1:51 |
| 43.24 | Goldberg Variations in G major, BWV 988: XXIV. Variatio 23 a 2 Clav. Alla breve | Johann Sebastian Bach | 2:09 |
| 43.25 | Goldberg Variations in G major, BWV 988: XXV. Variatio 24 a 1 Clav. Canone all’Ottava | Johann Sebastian Bach | 2:17 |
| 43.26 | Goldberg Variations in G major, BWV 988: XXVI. Variatio 25 a 2 Clav. | Johann Sebastian Bach | 6:59 |
| 43.27 | Goldberg Variations in G major, BWV 988: XXVII. Variatio 26 a 2 Clav. | Johann Sebastian Bach | 2:06 |
| 43.28 | Goldberg Variations in G major, BWV 988: XXVIII. Variatio 27 a 2 Clav. Canone alla Nona | Johann Sebastian Bach | 1:44 |
| 43.29 | Goldberg Variations in G major, BWV 988: XXIX. Variatio 28 a 2 Clav. | Johann Sebastian Bach | 2:40 |
| 43.30 | Goldberg Variations in G major, BWV 988: XXX. Variatio 29 a 1 ovvero 2 Clav. | Johann Sebastian Bach | 1:53 |
| 43.31 | Goldberg Variations in G major, BWV 988: XXXI. Variatio 30 a 1 Clav. Quodlibet | Johann Sebastian Bach | 1:45 |
| 43.32 | Goldberg Variations in G major, BWV 988: XXXII. Aria | Johann Sebastian Bach | 3:52 |
| 44.1 | Ruslan and Lyudmila: Overture | Михаил Иванович Глинка | 5:00 |
| 44.2 | Khovanshchina: Prelude | Модест Петрович Мусоргский | 5:03 |
| 44.3 | Night on the Bare Mountain | Модест Петрович Мусоргский | 11:09 |
| 44.4 | Prince Igor: Overture | Александр Порфирьевич Бородин | 10:48 |
| 44.5 | Prince Igor: Polovtsian Dances | London Symphony Chorus | 13:43 |
| 44.6 | Leichte Kavallerie: Overture | Franz von Suppé | 5:56 |
| 44.7 | Dichter und Bauer: Overture | Franz von Suppé | 9:08 |
| 44.8 | Ein Morgen, Mittag und ein Abend in Wien: Overture | Franz von Suppé | 7:44 |
| 44.9 | Pique Dame: Overture | Franz von Suppé | 7:05 |
| 45.1 | Symphony no. 8 in E‐flat major “Symphony of a Thousand”: I. Teil. Veni creator spiritus: a. Veni creator spiritus | Wiener Singverein, Konzertvereinigung Wiener Staatsopernchor | 1:27 |
| 45.2 | Symphony no. 8 in E‐flat major “Symphony of a Thousand”: I. Teil. Veni creator spiritus: b. Imple superna gratia | René Kollo, Lucia Popp, Wiener Singverein, Heather Harper, John Shirley‐Quirk, Martti Talvela, Helen Watts, Yvonne Minton, Konzertvereinigung Wiener Staatsopernchor | 4:26 |
| 45.3 | Symphony no. 8 in E‐flat major “Symphony of a Thousand”: I. Teil. Veni creator spiritus: c. Infirma nostri corporis | René Kollo, Lucia Popp, Wiener Singverein, Heather Harper, John Shirley‐Quirk, Martti Talvela, Helen Watts, Yvonne Minton, Konzertvereinigung Wiener Staatsopernchor | 6:20 |
| 45.4 | Symphony no. 8 in E‐flat major “Symphony of a Thousand”: I. Teil. Veni creator spiritus: d. Accende lumen sensibus | Wiener Sängerknaben, René Kollo, Lucia Popp, Wiener Singverein, Heather Harper, John Shirley‐Quirk, Martti Talvela, Helen Watts, Yvonne Minton, Konzertvereinigung Wiener Staatsopernchor | 4:44 |
| 45.5 | Symphony no. 8 in E‐flat major “Symphony of a Thousand”: I. Teil. Veni creator spiritus: e. Veni, creator spiritus | Wiener Sängerknaben, René Kollo, Lucia Popp, Wiener Singverein, Heather Harper, John Shirley‐Quirk, Martti Talvela, Helen Watts, Yvonne Minton, Konzertvereinigung Wiener Staatsopernchor | 3:50 |
| 45.6 | Symphony no. 8 in E‐flat major “Symphony of a Thousand”: I. Teil. Veni creator spiritus: f. Gloria sit patri domino | Wiener Sängerknaben, René Kollo, Lucia Popp, Wiener Singverein, Heather Harper, John Shirley‐Quirk, Martti Talvela, Helen Watts, Yvonne Minton, Konzertvereinigung Wiener Staatsopernchor | 2:35 |
| 45.7 | Symphony no. 8 in E‐flat major “Symphony of a Thousand”: II. Teil. Schlußszene aus Goethes Faust II: Poco Adagio – “Waldung, sie schwankt heran” | Wiener Singverein, Konzertvereinigung Wiener Staatsopernchor | 14:16 |
| 45.8 | Symphony no. 8 in E‐flat major “Symphony of a Thousand”: II. Teil. Schlußszene aus Goethes Faust II: “Ewiger Wonnebrand” | John Shirley‐Quirk | 1:35 |
| 45.9 | Symphony no. 8 in E‐flat major “Symphony of a Thousand”: II. Teil. Schlußszene aus Goethes Faust II: “Wie Felsenabgrund mir zu Füßen” | Martti Talvela | 4:42 |
| 45.10 | Symphony no. 8 in E‐flat major “Symphony of a Thousand”: II. Teil. Schlußszene aus Goethes Faust II: “Gerettet ist das edle Glied” | Wiener Sängerknaben, Wiener Singverein, Konzertvereinigung Wiener Staatsopernchor | 3:03 |
| 45.11 | Symphony no. 8 in E‐flat major “Symphony of a Thousand”: II. Teil. Schlußszene aus Goethes Faust II: “Uns bleibt ein Erdenrest” | Wiener Sängerknaben, Wiener Singverein, Yvonne Minton, Konzertvereinigung Wiener Staatsopernchor | 2:59 |
| 45.12 | Symphony no. 8 in E‐flat major “Symphony of a Thousand”: II. Teil. Schlußszene aus Goethes Faust II: “Höchste Herrscherin der Welt” | René Kollo, Lucia Popp, Wiener Singverein, Konzertvereinigung Wiener Staatsopernchor | 8:08 |
| 45.13 | Symphony no. 8 in E‐flat major “Symphony of a Thousand”: II. Teil. Schlußszene aus Goethes Faust II: “Bei der Liebe, die den Fussen” | Heather Harper, Helen Watts, Yvonne Minton | 4:54 |
| 45.14 | Symphony no. 8 in E‐flat major “Symphony of a Thousand”: II. Teil. Schlußszene aus Goethes Faust II: “Neige, neige, du Ohnegleiche” | Wiener Sängerknaben, Lucia Popp, Wiener Singverein | 5:18 |
| 45.15 | Symphony no. 8 in E‐flat major “Symphony of a Thousand”: II. Teil. Schlußszene aus Goethes Faust II: “Blicket auf zum Retterblick” | Wiener Sängerknaben, René Kollo, Arleen Augér, Lucia Popp, Wiener Singverein, Konzertvereinigung Wiener Staatsopernchor | 4:47 |
| 45.16 | Symphony no. 8 in E‐flat major “Symphony of a Thousand”: II. Teil. Schlußszene aus Goethes Faust II: “Alles Vergängliche” | Wiener Sängerknaben, René Kollo, Lucia Popp, Wiener Singverein, Heather Harper, John Shirley‐Quirk, Martti Talvela, Helen Watts, Yvonne Minton, Konzertvereinigung Wiener Staatsopernchor | 6:43 |
| 46.1 | Ernani: “Solingo, errante e misero” | Luciano Pavarotti, Joan Sutherland, Marilyn Horne | 7:12 |
| 46.2 | Norma: “Adalgisa! … Oh! rimembranza!” | Joan Sutherland, Marilyn Horne | 10:43 |
| 46.3 | Norma: Finale. “Ma di’ … O, non tremare” | Luciano Pavarotti, Joan Sutherland, Marilyn Horne | 12:10 |
| 46.4 | La Gioconda: “Ecco la barca … addio” | Luciano Pavarotti, Joan Sutherland, Marilyn Horne | 6:36 |
| 46.5 | La Gioconda: “Deh! non turbare” | Luciano Pavarotti, Marilyn Horne | 6:32 |
| 46.6 | Otello: Già nella notte densa" | Luciano Pavarotti, Joan Sutherland | 11:07 |
| 46.7 | Il trovatore: “Madre, non dormi?” | Luciano Pavarotti, Joan Sutherland, Marilyn Horne | 18:35 |
| 46.8 | Encore. Beatrice di Tenda: “Angiol di pace” | Luciano Pavarotti, Joan Sutherland, Marilyn Horne | 3:13 |
| 47.1 | String Quartet in F minor, op. 95: I. Allegro con brio | Ludwig van Beethoven | 4:26 |
| 47.2 | String Quartet in F minor, op. 95: II. Allegretto ma non troppo | Ludwig van Beethoven | 6:59 |
| 47.3 | String Quartet in F minor, op. 95: III. Allegro assai vivace ma serioso | Ludwig van Beethoven | 4:13 |
| 47.4 | String Quartet in F minor, op. 95: IV. Larghetto espressivo – Allegretto agitato – Allegro | Ludwig van Beethoven | 5:01 |
| 47.5 | String Quartet in B‐flat major, op. 130: I. Allegro ma non troppo – Allegro | Ludwig van Beethoven | 13:55 |
| 47.6 | String Quartet in B‐flat major, op. 130: II. Presto | Ludwig van Beethoven | 1:55 |
| 47.7 | String Quartet in B‐flat major, op. 130: III. Andante con moto, ma non troppo | Ludwig van Beethoven | 6:26 |
| 47.8 | String Quartet in B‐flat major, op. 130: IV. Alla danza tedesca. Allegro assai | Ludwig van Beethoven | 3:10 |
| 47.9 | String Quartet in B‐flat major, op. 130: V. Cavatina. Adagio molto espressivo | Ludwig van Beethoven | 8:18 |
| 47.10 | Große Fuge, op. 133: Overtura. Allegro – Meno mosso e moderato – Allegro – Fuga: Allegro – Meno mosso e moderato – Allegro molto con brio – Allegro | Ludwig van Beethoven | 14:34 |
| 47.11 | String Quartet in B‐flat major, op. 130: VI. Finale. Allegro | Ludwig van Beethoven | 9:20 |
| 48.1 | La fanciulla del West: Atto primo. “Che faranno i vecchi miei” | Giorgio Tozzi, Piero de Palma, Coro dell’Accademia Nazionale di Santa Cecilia, Giorgio Giorgetti, Enzo Guagni, Virgilio Carbonari | 4:37 |
| 48.2 | La fanciulla del West: Atto primo. “Jim, perchè piangi?” | Angelo Mercuriali, Giorgio Giorgetti, Enzo Guagni, Edio Peruzzi | 2:10 |
| 48.3 | La fanciulla del West: Atto primo. “Minnie, dalla mia casa son partito” | Renata Tebaldi, Cornell MacNeil | 2:17 |
| 48.4 | La fanciulla del West: Atto primo. “Laggiù nel Soledad” | Renata Tebaldi, Mario Del Monaco, Cornell MacNeil | 2:34 |
| 48.5 | La fanciulla del West: Atto primo. “Mister Johnson, siete rimasto indietro” | Renata Tebaldi, Mario Del Monaco | 4:46 |
| 48.6 | La fanciulla del West: Atto primo. “Io non son che una povera fanciulla” | Renata Tebaldi | 1:57 |
| 48.7 | La fanciulla del West: Atto primo. “Quello che tacete” | Renata Tebaldi, Mario Del Monaco, Piero de Palma | 1:06 |
| 48.8 | La fanciulla del West: Atto primo. “Come voi leggermi in cor non so” | Renata Tebaldi, Mario Del Monaco, Piero de Palma | 2:35 |
| 48.9 | La fanciulla del West: Atto primo. “Ah, non temete, nessuno ardirà” | Renata Tebaldi, Mario Del Monaco | 5:31 |
| 48.10 | La fanciulla del West: Atto secondo. “Non mi difenderò … Or son sei mesi” | Renata Tebaldi, Mario Del Monaco | 3:57 |
| 48.11 | La fanciulla del West: Atto secondo. “L’han ferito … Che importa” | Renata Tebaldi, Mario Del Monaco | 2:35 |
| 48.12 | La fanciulla del West: Atto secondo. “Che c’è di nuovo, Jack?” | Renata Tebaldi, Cornell MacNeil | 3:36 |
| 48.13 | La fanciulla del West: Atto terzo. “Ch’ella mi creda libero e lontano” | Mario Del Monaco, Cornell MacNeil | 2:04 |
| 48.14 | La fanciulla del West: Atto terzo. “Ah‐Ah‐Ah!” | Renata Tebaldi, Coro dell’Accademia Nazionale di Santa Cecilia, Cornell MacNeil, Giorgio Giorgetti | 2:19 |
| 48.15 | La fanciulla del West: Atto terzo. “Non vi fu mai” | Renata Tebaldi, Giorgio Giorgetti | 2:11 |
| 48.16 | La fanciulla del West: Atto terzo. “E anche tu lo vorrai” | Renata Tebaldi, Mario Carlin, Coro dell’Accademia Nazionale di Santa Cecilia, Giorgio Giorgetti, Enzo Guagni, Michele Cazzato | 3:46 |
| 48.17 | La fanciulla del West: Atto terzo. “Le tue parole sono di Dio” | Renata Tebaldi, Mario Carlin, Mario Del Monaco, Angelo Mercuriali, Coro dell’Accademia Nazionale di Santa Cecilia, Giorgio Giorgetti, Enzo Guagni | 2:36 |
| 49.1 | Octet in E‐flat major, op. 20: I. Allegro moderato, ma con fuoco | Felix Mendelssohn | 14:28 |
| 49.2 | Octet in E‐flat major, op. 20: II. Andante | Felix Mendelssohn | 7:18 |
| 49.3 | Octet in E‐flat major, op. 20: III. Scherzo. Allegro leggierissimo | Felix Mendelssohn | 4:43 |
| 49.4 | Octet in E‐flat major, op. 20: IV. Presto | Felix Mendelssohn | 6:42 |
| 49.5 | Septet in E‐flat, op. 20: I. Adagio – Allegro con brio | Ludwig van Beethoven | 10:25 |
| 49.6 | Septet in E‐flat, op. 20: II. Adagio cantabile | Ludwig van Beethoven | 8:58 |
| 49.7 | Septet in E‐flat, op. 20: III. Tempo di menuetto | Ludwig van Beethoven | 3:28 |
| 49.8 | Septet in E‐flat, op. 20: IV. Tema con variazioni. Andante | Ludwig van Beethoven | 7:30 |
| 49.9 | Septet in E‐flat, op. 20: V. Scherzo. Allegro molto e vivace | Ludwig van Beethoven | 3:29 |
| 49.10 | Septet in E‐flat, op. 20: VI. Andante con moto alla marcia – Presto | Ludwig van Beethoven | 7:04 |
| 50.1 | Belshazzar’s Feast: I. “Thus spake Isaiah” | Waynflete Singers, Bournemouth Symphony Chorus | 5:30 |
| 50.2 | Belshazzar’s Feast: II. “If I forget thee” | Bryn Terfel, Waynflete Singers, Bournemouth Symphony Chorus | 5:43 |
| 50.3 | Belshazzar’s Feast: III. “Babylon was a great city” | Bryn Terfel, Waynflete Singers, Bournemouth Symphony Chorus | 1:39 |
| 50.4 | Belshazzar’s Feast: IV. “In Babylon Belshazzar the King” | Waynflete Singers, Bournemouth Symphony Chorus | 3:00 |
| 50.5 | Belshazzar’s Feast: V. “Praise ye, the God of gold” | Waynflete Singers, Bournemouth Symphony Chorus | 5:31 |
| 50.6 | Belshazzar’s Feast: VI. “Thus in Babylon the mighty city” | Waynflete Singers, Bournemouth Symphony Chorus | 3:21 |
| 50.7 | Belshazzar’s Feast: VII. “And in that same hour” | Bryn Terfel, Waynflete Singers, Bournemouth Symphony Chorus | 2:29 |
| 50.8 | Belshazzar’s Feast: VIII. “Then sing aloud to God our strength” | Waynflete Singers, Bournemouth Symphony Chorus | 4:06 |
| 50.9 | Belshazzar’s Feast: IX. “The trumpeters and pipers” | Waynflete Singers, Bournemouth Symphony Chorus | 1:14 |
| 50.10 | Belshazzar’s Feast: X. “Then sing aloud to God our strength” | Waynflete Singers, Bournemouth Symphony Chorus | 3:59 |
| 50.11 | Coronation Te Deum | Winchester Cathedral Choir, Waynflete Singers | 10:37 |
| 50.12 | I was glad, anthem for the Coronation of King Edward VII (1902) | Winchester Cathedral Choir, Waynflete Singers | 7:33 |
| 50.13 | Blest Pair of Sirens | Winchester Cathedral Choir, Waynflete Singers | 10:51 |
| 50.14 | Jerusalem | Winchester Cathedral Choir, Waynflete Singers | 2:52 |