| 1 | 3 level test signal according to Rec. ITU-R BS.661; Frequency 1 kHz | [no artist] | 1:52 |
| 2 | Alignment leader according to EBU Recommendation R49; Frequency 1 kHz | [no artist] | 1:05 |
| 3 | Pink Noise, non-coherent; Frequency 1 kHz; | [no artist] | 5:05 |
| 4 | Homogeneity of spatial sound: Uneven; Puccini: O mio babbo caro | [unknown] | 1:07 |
| 5 | Homogeneity of spatial sound: Even; Puccini: O mio babbo caro | [unknown] | 1:10 |
| 6 | Reverberance: Too dry; Planicky: Opella Ecclesiastica | [unknown] | 0:26 |
| 7 | Reverberance: Too reverberant; Planicky: Opella Ecclesiastica | [unknown] | 0:26 |
| 8 | Reverberance: Appropriate reverberant; Planicky: Opella Ecclesiastica | [unknown] | 0:29 |
| 9 | Acoustical balance: Too direct; Prokofiev: Romeo and Juliet | [unknown] | 0:43 |
| 10 | Acoustical balance: Too indirect; Prokofiev: Romeo and Juliet | [unknown] | 0:43 |
| 11 | Acoustical balance: Well balanced; Prokofiev: Romeo and Juliet | [unknown] | 0:46 |
| 12 | Acoustical balance: Too direct; Bruckner: Symphony no. 3 | Slovenia Philharmonic Orchestra /Gyorgy Gyorivanyi | 0:47 |
| 13 | Acoustical balance: Too indirect; Bruckner: Symphony no. 3 | Slovenia Philharmonic Orchestra /Gyorgy Gyorivanyi | 0:49 |
| 14 | Acoustical balance: Well balanced; Bruckner: Symphony no. 3 | Slovenia Philharmonic Orchestra /Gyorgy Gyorivanyi | 0:52 |
| 15 | Acoustical balance: Well balanced; Saint Saëns: Symphony No. 3 | [unknown] | 0:43 |
| 16 | Acoustical balance: Too indirect; Saint Saëns: Symphony No. 3 | [unknown] | 0:43 |
| 17 | Acoustical balance: Well balanced; Saint Saëns: Symphony No. 3 | [unknown] | 0:45 |
| 18 | Apparent room size: Too small; Haydn: Symphony No. 16 | [unknown] | 0:43 |
| 19 | Apparent room size: Slightly too large; Haydn: Symphony No. 16 | [unknown] | 0:44 |
| 20 | Apparent room size: Proper room size; Haydn: Symphony No. 16 | [unknown] | 0:46 |
| 21 | Apparent room size: Much too large; Mahler: Symphony No. 10 | Danish National Radio Symphony Orchestra/Leif Segerstam | 0:53 |
| 22 | Apparent room size: Appropriate/too small a size; Mahler: Symphony No. 10 | Danish National Radio Symphony Orchestra / Leif Segerstam | 0:53 |
| 23 | Depth perspective: Too much depth; Strauss: Also sprach Zarathustra | Orchestre philharmonique de Radio France / Eliahu Inbal | 0:53 |
| 24 | Depth perspective: Too little depth; Strauss: Also sprach Zarathustra | Orchestre philharmonique de Radio France / Eliahu Inbal | 0:53 |
| 25 | Depth perspective: Appropriate depth; Strauss: Also sprach Zarathustra | Orchestre philharmonique de Radio France / Eliahu Inbal | 0:56 |
| 26 | Depth perspective: Too much depth | KaIi Lonnestad, Harald Roine, Henning Andersen | |
| 27 | Depth perspective: Appropriate depth; Liaros: En gjetermelodi | KaIi Lonnestad, Harald Roine, Henning Andersen | 0:38 |
| 28 | Sound colour of reverberation: Proper; Bartok: Improvisations op. 20 | [unknown] | 0:40 |
| 29 | Sound colour of reverberation: Too metallic; Bartok: Improvisations op. 20 | [unknown] | 0:43 |
| 30 | Directional balance: Uneven; Orthodox vigilia | Novospask Monastery Choir | 1:03 |
| 31 | Directional balance: Even; Sibelius: Symphony No. 1 | [unknown] | 1:19 |
| 32 | Stability: Good; Bach: Suite No. 2 | Symphonieorchester des Bayerischen Rundfunks / Lorin Maazel | 0:53 |
| 33 | Stability: Bad; Bach: Suite No. 2 | Symphonieorchester des Bayerischen Rundfunks / Lorin Maazel | 0:55 |
| 34 | Sound Image width: Too narrow; Debussy: Prelude No. 10 | Tatjana Ognjanović | 0:38 |
| 35 | Sound Image width: Too wide; Debussy: Prelude No. 10 | Tatjana Ognjanović | 0:38 |
| 36 | Sound Image width: Appropriate; Debussy: Prelude No. 10 | Tatjana Ognjanović | 0:43 |
| 37 | Location accuracy: Inaccurate; Beethoven/Mahler: String quartet op 95, 1st movement | Danish National Radio Symphony Orchestra / Leif Segerstam | 0:46 |
| 38 | Location accuracy: Accurate; Beethoven/Mahler: String quartet op 95, 1st movement | Danish National Radio Symphony Orchestra / Leif Segerstam | 0:47 |
| 39 | Sound source definition: Muddy; Ligeti: Selbsportrait | [unknown] | 0:33 |
| 40 | Sound source definition: Clear; Ligeti: Selbsportrait | [unknown] | 0:37 |
| 41 | Time definition: Bad; Bernstein: On the waterfront | Oslo Philharmonic Orchestra | 1:21 |
| 42 | Time definition: Good; Bernstein: On the waterfront | Oslo Philharmonic Orchestra | 1:23 |
| 43 | Intelligibility: Bad; Orthodox Lithurgia | [unknown] | 0:58 |
| 44 | Loudness balance: Trombone too weak; Liviu Danceanu: Concerto for trombone and orchestra | Romanian Radio Chamber Orchestra / Cristian Brâcusi | 0:43 |
| 45 | Loudness balance: Trombone too loud; Liviu Danceanu: Concerto for trombone and orchestra | Romanian Radio Chamber Orchestra / Cristian Brâcusi | 0:43 |
| 46 | Loudness balance: Trombone at appropriate level; Liviu Danceanu: Concerto for trombone and orchestra | Romanian Radio Chamber Orchestra / Cristian Brâcusi | 0:46 |
| 47 | Dynamics: Too large a dynamic range for FM; Stravinsky: Firebird Suite | Danish National Radio Symphony Orchestra / G. Rozhdestvensky | 1:49 |
| 48 | Dynamics: Appropriate dynamic range for FM; Stravinsky: Firebird Suite | Danish National Radio Symphony Orchestra / G. Rozhdestvensky | 1:49 |
| 49 | Dynamics: Very compressed; Stravinsky: Firebird Suite | Danish National Radio Symphony Orchestra / G. Rozhdestvensky | 1:51 |
| 50 | Sound colour: Dull; Oscar Lindberg: Konsertfantasi | Olle Johansson | 0:55 |
| 51 | Sound colour: Nasal; Oscar Lindberg: Konsertfantasi | Olle Johansson | 0:55 |
| 52 | Sound colour: Natural; Oscar Lindberg: Konsertfantasi | Olle Johansson | 0:57 |
| 53 | Sound attack: Imprecise; Haydn: Symphony No. 103 | [unknown] | 0:18 |
| 54 | Sound attack: Precise; Haydn: Symphony No. 103 | [unknown] | 0:21 |
| 55 | Electrical noise: Ripple; Puccini: O mio babbo caro | [unknown] | 0:30 |
| 56 | Electrical noise: No ripple; Electrical noise: No ripple | [unknown] | 0:33 |
| 57 | Electrical noise: Clicks (electrical); Haydn: Symphony No. 92, 2nd movement | Kringkastingsorkesteret, NRK/Erich Binder | 0:36 |
| 58 | Electrical noise: No clicks (electrical); Haydn: Symphony No. 92, 2nd movement | Kringkastingsorkesteret, NRK/Erich Binder | 0:39 |
| 59 | Electrical noise: Induction noise; Improvisations in the style of Gershwin | Wayne Marshall | 0:35 |
| 60 | Acoustical noise: Noise from performers; J.S. Bach: Matthew passion | [unknown] | 0:33 |
| 61 | Acoustical noise: Ventilation noise; Purcell: Dido & Aeneas | [unknown] | 1:12 |
| 62 | Acoustical noise: Audience noise; S.D. Sandströ: Seven poems | Danish Radio Chorus/S. Parkman | 1:13 |
| 63 | Bit errors: Clicks (digital); K. Å. Riisager: Etudes | Danish National Radio Symphony Orchestra / G. Rozhdestvensky | 0:43 |
| 64 | Bit errors: No clicks (digital); K. Å. Riisager: Etudes | Danish National Radio Symphony Orchestra / G. Rozhdestvensky | 0:46 |
| 65 | Distortions: Severe distortion; Haydn: Symphony No. 92, 1st movement | Kringkastingsorkesteret, NRK/Erich Binder | 0:32 |
| 66 | Distortions: No distortion; Haydn: Symphony No. 92, 1st movement | Kringkastingsorkesteret, NRK/Erich Binder | 0:30 |