| 1.1 | Dido and Aeneas, Z.626: Overture | Henry Purcell | 2:19 |
| 1.2 | Dido and Aeneas, Z.626, Act 1: “Shake the cloud from off your brow” … “Banish sorrow, banish care” | Choir of the English Concert, Lynne Dawson | 1:02 |
| 1.3 | Dido and Aeneas, Z.626, Act 1: “Ah! Belinda, I am press’d” … “When monarchs unite, how happy” | Anne Sofie von Otter, Choir of the English Concert, Lynne Dawson | 4:44 |
| 1.4 | Dido and Aeneas, Z.626, Act 1: “Whence could so much virtue spring?” … “Fear no danger” | Anne Sofie von Otter, Sarah Leonard, Choir of the English Concert, Lynne Dawson | 3:32 |
| 1.5 | Dido and Aeneas, Z.626, Act 1: “See, your royal guest appears” … “Cupid only throws the dart” | Anne Sofie von Otter, Choir of the English Concert, Lynne Dawson, Stephen Varcoe | 1:26 |
| 1.6 | Dido and Aeneas, Z.626, Act 1: “If not for mine, for empire’s sake” … “To the hills and the vales” | Choir of the English Concert, Lynne Dawson, Stephen Varcoe | 2:19 |
| 1.7 | Dido and Aeneas, Z.626, Act 1: The Triumphing Dance | Henry Purcell | 1:11 |
| 1.8 | Dido and Aeneas, Z.626, Act 2: Prelude for the Witches “Wayward sisters” … “Ho, ho, ho” | Choir of the English Concert, Elisabeth Priday, Nigel Rogers | 2:35 |
| 1.9 | Dido and Aeneas, Z.626, Act 2: “Ruin’d ere the set of sun” … “But ere we this perform” | Choir of the English Concert, Elisabeth Priday, Carol Hall, Nigel Rogers | 2:21 |
| 1.10 | Dido and Aeneas, Z.626, Act 2: “In our deep vaulted cell” | Choir of the English Concert | 1:41 |
| 1.11 | Dido and Aeneas, Z.626, Act 2: Echo Dance of Furies | Henry Purcell | 0:55 |
| 1.12 | Dido and Aeneas, Z.626, Act 2: Ritornelle: “Thanks to these lonesome vales” | Choir of the English Concert, Lynne Dawson | 3:21 |
| 1.13 | Dido and Aeneas, Z.626, Act 2: “Oft she visits” | Sarah Leonard | 2:17 |
| 1.14 | Dido and Aeneas, Z.626, Act 2: “Behold, upon my bending spear” … “Haste, haste to town” | Anne Sofie von Otter, Choir of the English Concert, Lynne Dawson, Stephen Varcoe | 1:23 |
| 1.15 | Dido and Aeneas, Z.626, Act 2: “Stay, Prince” | Stephen Varcoe, Kym Amps | 2:41 |
| 1.16 | Dido and Aeneas, Z.626, Act 3: Prelude: “Come away, fellow sailors” | Choir of the English Concert, Nigel Rogers | 1:34 |
| 1.17 | Dido and Aeneas, Z.626, Act 3: The Sailors’ Dance “See the flags and streamers curling” | Elisabeth Priday, Carol Hall, Nigel Rogers | 1:43 |
| 1.18 | Dido and Aeneas, Z.626, Act 3: “Our next motion” … “Destruction’s our delight” | Choir of the English Concert, Nigel Rogers | 1:13 |
| 1.19 | Dido and Aeneas, Z.626, Act 3: The Witches’ Dance | Henry Purcell | 1:12 |
| 1.20 | Dido and Aeneas, Z.626, Act 3: “Your counsel all is urg’d in vain” … “Great minds against themselves conspire” | Anne Sofie von Otter, Choir of the English Concert, Lynne Dawson, Stephen Varcoe | 5:02 |
| 1.21 | Dido and Aeneas, Z.626, Act 3: “Thy hand, Belinda” … “When I am laid in earth” | Anne Sofie von Otter | 4:22 |
| 1.22 | Dido and Aeneas, Z.626, Act 3: “With drooping wings” | Choir of the English Concert | 4:51 |
| 1.23 | King Arthur, or The British Worthy, Z.628: First Music: Chaconne | Henry Purcell | 3:23 |
| 1.24 | King Arthur, or The British Worthy, Z.628: Second Music: I. Overture | Henry Purcell | 1:59 |
| 1.25 | King Arthur, or The British Worthy, Z.628: II. Air | Henry Purcell | 1:26 |
| 1.26 | King Arthur, or The British Worthy, Z.628, Act 1: “Woden, first to thee” / “We have sacrific’d” | Choir of the English Concert, Jamie MacDougall | 2:21 |
| 1.27 | King Arthur, or The British Worthy, Z.628, Act 1: “The white horse neigh’d aloud” / “To Woden thanks we render” | Choir of the English Concert, Jamie MacDougall, Mark Tucker | 1:22 |
| 1.28 | King Arthur, or The British Worthy, Z.628, Act 1: The lot is cast | Henry Purcell | 0:43 |
| 1.29 | King Arthur, or The British Worthy, Z.628, Act 1: “Brave souls” | Choir of the English Concert | 2:34 |
| 1.30 | King Arthur, or The British Worthy, Z.628, Act 1: “I call ye all” | Choir of the English Concert, Mark Tucker | 2:09 |
| 1.31 | King Arthur, or The British Worthy, Z.628, Act 1: “Come if you dare” | Choir of the English Concert, Jamie MacDougall | 4:08 |
| 2.1 | King Arthur, or The British Worthy, Z.628, Act 2: “Hither this way” (Philidel) | Choir of the English Concert, Linda Perillo | 2:09 |
| 2.2 | King Arthur, or The British Worthy, Z.628, Act 2: “Let not a moon‐born elf” (Grimbald) | Gerald Finley | 1:12 |
| 2.3 | King Arthur, or The British Worthy, Z.628, Act 2: “Hither, this way bend” | Choir of the English Concert, Linda Perillo | 0:38 |
| 2.4 | King Arthur, or The British Worthy, Z.628, Act 2: Come follow, follow, follow me (Philidel) | Choir of the English Concert, Linda Perillo | 2:19 |
| 2.5 | King Arthur, or The British Worthy, Z.628, Act 2: How blest are shepherds (Shepherd) | Choir of the English Concert, Jamie MacDougall | 4:34 |
| 2.6 | King Arthur, or The British Worthy, Z.628, Act 2: Shepherd, shepherd, leave decoying (Shepherdesses) | Julia Gooding, Linda Perillo | 1:55 |
| 2.7 | King Arthur, or The British Worthy, Z.628, Act 2: Come, shepherds | Choir of the English Concert | 1:30 |
| 2.8 | King Arthur, or The British Worthy, Z.628, Act 2: Second Act Tune: Air | Henry Purcell | 1:08 |
| 2.9 | King Arthur, or The British Worthy, Z.628, Act 3: Prelude | Henry Purcell | 0:24 |
| 2.10 | King Arthur, or The British Worthy, Z.628, Act 3: What ho (Cupid) | Nancy Argenta | 1:08 |
| 2.11 | King Arthur, or The British Worthy, Z.628, Act 3: What power art thou (Genius) | Brian Bannatyne‐Scott | 2:51 |
| 2.12 | King Arthur, or The British Worthy, Z.628, Act 3: Thou doting fool (Cupid) | Nancy Argenta | 0:54 |
| 2.13 | King Arthur, or The British Worthy, Z.628, Act 3: Great love, I know thee now | Brian Bannatyne‐Scott | 1:02 |
| 2.14 | King Arthur, or The British Worthy, Z.628, Act 3: No part of my dominion (Cupid) | Nancy Argenta | 1:11 |
| 2.15 | King Arthur, or The British Worthy, Z.628, Act 3: Prelude | Henry Purcell | 0:51 |
| 2.16 | King Arthur, or The British Worthy, Z.628, Act 3: See, see, we assemble | Choir of the English Concert | 3:20 |
| 2.17 | King Arthur, or The British Worthy, Z.628, Act 3: ’Tis I that have warm’d ye (Cupid) | Choir of the English Concert, Nancy Argenta | 2:11 |
| 2.18 | King Arthur, or The British Worthy, Z.628, Act 3: “Sound a parley” / “’Tis love, ’tis love, ’tis love that has warm’d us” | Choir of the English Concert, Nancy Argenta, Brian Bannatyne‐Scott | 4:25 |
| 2.19 | King Arthur, or The British Worthy, Z.628, Act 3: Third Act Tune: Hornpipe | Henry Purcell | 0:46 |
| 2.20 | King Arthur, or The British Worthy, Z.628, Act 4: Two Daughters (Syrens) | Julia Gooding, Linda Perillo | 3:06 |
| 2.21 | King Arthur, or The British Worthy, Z.628, Act 4: Passacaglia – “How happy the lover” – Ritornello – “For love ev’ry creature” – “No joys are above” – “In vain are our graces” – “Then use the sweet blessing” | Gerald Finley, Choir of the English Concert, Nancy Argenta, Mark Tucker | 6:07 |
| 2.22 | King Arthur, or The British Worthy, Z.628, Act 4: Fourth Act Tune: Air | Henry Purcell | 0:40 |
| 2.23 | King Arthur, or The British Worthy, Z.628, Act 5: Trumpet Tune | Henry Purcell | 0:53 |
| 2.24 | King Arthur, or The British Worthy, Z.628, Act 5: Ye blust’ring brethren | Brian Bannatyne‐Scott | 3:03 |
| 2.25 | King Arthur, or The British Worthy, Z.628, Act 5: Symphony | Henry Purcell | 2:00 |
| 2.26 | King Arthur, or The British Worthy, Z.628, Act 5: Round thy coast | Gerald Finley, Choir of the English Concert, Julia Gooding | 2:26 |
| 2.27 | King Arthur, or The British Worthy, Z.628, Act 5: For folded flocks | Mark Tucker | 3:39 |
| 2.28 | King Arthur, or The British Worthy, Z.628, Act 5: Your hay it is mow’d (Comus) | Choir of the English Concert, Jamie MacDougall | 2:36 |
| 2.29 | King Arthur, or The British Worthy, Z.628, Act 5: Fairest Isle (Venus) | Nancy Argenta | 4:49 |
| 2.30 | King Arthur, or The British Worthy, Z.628, Act 5: Dialogue: You say, ’tis love | Gerald Finley, Linda Perillo | 5:25 |
| 2.31 | King Arthur, or The British Worthy, Z.628, Act 5: Trumpet tune | Henry Purcell | 0:40 |
| 2.32 | King Arthur, or The British Worthy, Z.628, Act 5: “Saint George, the patron of our Isle” … “Our natives not alone appear” | Choir of the English Concert, Julia Gooding | 3:32 |
| 3.1 | Dioclesian, Z.627: First Music | Henry Purcell | 2:33 |
| 3.2 | Dioclesian, Z.627: Second Music | Henry Purcell | 1:38 |
| 3.3 | Dioclesian, Z.627: Overture | Henry Purcell | 4:28 |
| 3.4 | Dioclesian, Z.627, Act 1: First Act Tune | Henry Purcell | 0:46 |
| 3.5 | Dioclesian, Z.627, Act 2: Prelude: “Great Diocles the Boar has kill’d” – “Sing Iô’s! praise the thund’ring Jove” | Choir of the English Concert, Stephen Gadd | 2:41 |
| 3.6 | Dioclesian, Z.627, Act 2: “Charon the peaceful Shade invites” | Nancy Argenta | 1:47 |
| 3.7 | Dioclesian, Z.627, Act 2: Symphony | Henry Purcell | 1:37 |
| 3.8 | Dioclesian, Z.627, Act 2: “Let all mankind the pleasure share”: “Sound all your instruments” | Choir of the English Concert, Nancy Argenta, Stephen Gadd | 0:39 |
| 3.9 | Dioclesian, Z.627, Act 2: “Let all mankind the pleasure share” | Choir of the English Concert | 0:44 |
| 3.10 | Dioclesian, Z.627, Act 2: Prelude: “Let the soldiers rejoice” – “Rejoice, rejoice, with a general voice” | Choir of the English Concert, Richard Edgar‐Wilson | 1:58 |
| 3.11 | Dioclesian, Z.627, Act 2: Ritornello | Henry Purcell | 0:40 |
| 3.12 | Dioclesian, Z.627, Act 2: “To Mars let ’em raise”: “Rejoice, rejoice, with a general voice” | Choir of the English Concert, Paul Agnew, Stephen Gadd, Richard Edgar‐Wilson | 1:15 |
| 3.13 | Dioclesian, Z.627, Act 2: Ritornello | Henry Purcell | 0:46 |
| 3.14 | Dioclesian, Z.627, Act 2: Symphony: “Since the toils and the hazards” – “All sing great Diocles’ story” | Choir of the English Concert, Paul Agnew | 5:51 |
| 3.15 | Dioclesian, Z.627, Act 2: Dances of Furies | Henry Purcell | 3:42 |
| 3.16 | Dioclesian, Z.627, Act 2: Second Act Tune | Henry Purcell | 0:52 |
| 3.17 | Dioclesian, Z.627, Act 3: Chaconne | Henry Purcell | 2:49 |
| 3.18 | Dioclesian, Z.627, Act 3: “When first I saw” | Ann Monoyios | 2:24 |
| 3.19 | Dioclesian, Z.627, Act 3: The Chair Dance | Henry Purcell | 1:12 |
| 3.20 | Dioclesian, Z.627, Act 3: Prelude: “What shall I do” | Ann Monoyios | 5:24 |
| 3.21 | Dioclesian, Z.627, Act 3: Third Act Tune | Henry Purcell | 0:43 |
| 3.22 | Dioclesian, Z.627, Act 4: Butterfly Dance | Henry Purcell | 2:12 |
| 3.23 | Dioclesian, Z.627, Act 4: Trumpet Tune | Henry Purcell | 0:42 |
| 3.24 | Dioclesian, Z.627, Act 4: “Sound, Fame, thy brazen trumpet sound!” … “Let all rehearse” | Choir of the English Concert, Paul Agnew | 5:37 |
| 3.25 | Dioclesian, Z.627, Act 4: Fourth Act Tune | Henry Purcell | 0:51 |
| 3.26 | Dioclesian, Z.627, Act 5: Country Dance | Henry Purcell | 0:50 |
| 3.27 | Dioclesian, Z.627, The Masque: Prelude: “Call the Nymphs” | Choir of the English Concert, Nancy Argenta | 1:48 |
| 3.28 | Dioclesian, Z.627, The Masque: “Let the Graces and Pleasures repair” | Nancy Argenta | 0:56 |
| 3.29 | Dioclesian, Z.627, The Masque: “Come, come away” | Lawrence Wallington, Simon Birchall | 1:07 |
| 4.1 | Dioclesian, Z.627, The Masque: Prelude: “Behold, O mightiest of Gods” | Choir of the English Concert | 3:31 |
| 4.2 | Dioclesian, Z.627, The Masque: Paspe | Henry Purcell | 0:51 |
| 4.3 | Dioclesian, Z.627, The Masque: “Oh the sweet delights of love!” | Nancy Argenta, Ann Monoyios | 1:50 |
| 4.4 | Dioclesian, Z.627, The Masque: “Let monarchs fight” … “Hear, mighty Love!” | Choir of the English Concert, Paul Agnew | 5:11 |
| 4.5 | Dioclesian, Z.627, The Masque: “Since from my dear Astraea’s sight” | Nancy Argenta | 3:14 |
| 4.6 | Dioclesian, Z.627, The Masque: “Make room, make room” | Lawrence Wallington, Simon Birchall | 0:45 |
| 4.7 | Dioclesian, Z.627, The Masque: “I’m here, I’m here, with my jolly crew” … “We’ll rejoice as well as you” – “The mighty Jove” | Choir of the English Concert, Brian Bannatyne‐Scott, Stephen Gadd, Richard Edgar‐Wilson | 2:19 |
| 4.8 | Dioclesian, Z.627, The Masque: Dance of Bacchanals | Henry Purcell | 1:27 |
| 4.9 | Dioclesian, Z.627, The Masque: “Still I’m wishing, still desiring” | Nancy Argenta | 4:38 |
| 4.10 | Dioclesian, Z.627, The Masque: Canaries | Henry Purcell | 0:28 |
| 4.11 | Dioclesian, Z.627, The Masque: “Tell me why” | Ann Monoyios, Stephen Gadd | 5:41 |
| 4.12 | Dioclesian, Z.627, The Masque: Dance | Henry Purcell | 0:50 |
| 4.13 | Dioclesian, Z.627, The Masque: “All our days and our nights” … “Begone, begone, importunate reason” | Choir of the English Concert, Richard Edgar‐Wilson | 1:58 |
| 4.14 | Dioclesian, Z.627, The Masque: “Let us dance, let us sing” | Ann Monoyios | 1:39 |
| 4.15 | Dioclesian, Z.627, The Masque: Dance | Henry Purcell | 0:41 |
| 4.16 | Dioclesian, Z.627, The Masque: “Triumph, triumph victorious Love” … “Then all rehearse” | Choir of the English Concert, Paul Agnew, Stephen Gadd, Richard Edgar‐Wilson | 4:13 |
| 4.17 | Timon Of Athens, Z.632: Overture | Henry Purcell | 5:42 |
| 4.18 | Timon Of Athens, Z.632, The Masque: no. 1 Duet “Hark! How the songsters of the grove” | Nancy Argenta, Ann Monoyios | 1:49 |
| 4.19 | Timon Of Athens, Z.632, The Masque: no. 2 Solo “Love in their little veins inspires” | Ann Monoyios | 1:21 |
| 4.20 | Timon Of Athens, Z.632, The Masque: no. 3 Trio “But ah! how much are our delights” | Nancy Argenta, Ann Monoyios, Christopher Foster | 1:25 |
| 4.21 | Timon Of Athens, Z.632, The Masque: no. 4 & 5 Solo & Chorus “Hence with your trifling deity” … “But over us no griefs prevail” | Choir of the English Concert, Brian Bannatyne‐Scott | 2:34 |
| 4.22 | Timon Of Athens, Z.632, The Masque: no. 6 & 7 Solo & Chorus “Come all, come all to me” … “Who can resist such mighty charms?” | Choir of the English Concert, Nancy Argenta | 3:03 |
| 4.23 | Timon Of Athens, Z.632, The Masque: no. 8 Solo “Return, revolting rebels” | Brian Bannatyne‐Scott | 2:21 |
| 4.24 | Timon Of Athens, Z.632, The Masque: “The cares of lovers” | Nancy Argenta | 1:57 |
| 4.25 | Timon Of Athens, Z.632, The Masque: no. 10 Solo “Love quickly is pall’d” | Paul Agnew | 1:21 |
| 4.26 | Timon Of Athens, Z.632, The Masque: no. 11 & 12 Duet & Chorus “Come, let us agree” | Choir of the English Concert, Nancy Argenta, Brian Bannatyne‐Scott | 2:22 |
| 4.27 | Timon Of Athens, Z.632, The Masque: Curtain Tune on a Ground | Henry Purcell | 2:27 |
| 5.1 | Come, Ye Sons Of Art Away, Z. 323: Overture | Henry Purcell | 3:45 |
| 5.2 | Come, Ye Sons Of Art Away, Z. 323: Come, ye sons of art, away | Choir of the English Concert | 1:42 |
| 5.3 | Come, Ye Sons Of Art Away, Z. 323: Sound the trumpet, sound | Michael Chance, Timothy Wilson | 2:27 |
| 5.4 | Come, Ye Sons Of Art Away, Z. 323: Come, ye sons of art | Choir of the English Concert | 1:11 |
| 5.5 | Come, Ye Sons Of Art Away, Z. 323: Strike the viol, touch the lute | Michael Chance | 4:44 |
| 5.6 | Come, Ye Sons Of Art Away, Z. 323: The day that such a blessing gave | Choir of the English Concert, Stephen Richardson | 2:52 |
| 5.7 | Come, Ye Sons Of Art Away, Z. 323: Bid the Virtues, bid the Graces | Jennifer Smith | 2:56 |
| 5.8 | Come, Ye Sons Of Art Away, Z. 323: These are the sacred charms | Stephen Richardson | 1:40 |
| 5.9 | Come, Ye Sons Of Art Away, Z. 323: See Nature, rejoicing | Choir of the English Concert, Jennifer Smith, Stephen Richardson | 2:44 |
| 5.10 | Welcome to all the pleasures (1683) Ode for St. Cecilia’s Day: Overture | Henry Purcell | 1:49 |
| 5.11 | Welcome to all the pleasures (1683) Ode for St. Cecilia’s Day: Welcome to all the pleasures | Michael Chance, John Mark Ainsley, Michael George, Choir of the English Concert | 1:49 |
| 5.12 | Welcome to all the pleasures (1683) Ode for St. Cecilia’s Day: “Here the deities approve” … “While joys celestial” | Michael Chance | 5:19 |
| 5.13 | Welcome to all the pleasures (1683) Ode for St. Cecilia’s Day: “Then lift up your voices” … “The pow’r shall divert us a pleasanter way” | Michael Chance, John Mark Ainsley, Michael George, Choir of the English Concert | 1:43 |
| 5.14 | Welcome to all the pleasures (1683) Ode for St. Cecilia’s Day: Beauty, thou scene of love | John Mark Ainsley | 3:41 |
| 5.15 | Welcome to all the pleasures (1683) Ode for St. Cecilia’s Day: In a consort of voices | John Mark Ainsley, Choir of the English Concert | 1:13 |
| 5.16 | Of old, when heroes thought it base (1690) The Yorkshire Feast Song: Symphony | Henry Purcell | 1:18 |
| 5.17 | Of old, when heroes thought it base (1690) The Yorkshire Feast Song: “Of old, when heroes thought it base” … “Brigantium, honour’d with a race divine” | Michael Chance, Michael George | 3:27 |
| 5.18 | Of old, when heroes thought it base (1690) The Yorkshire Feast Song: The bashful Thames, for beauty so renowned | John Mark Ainsley, Choir of the English Concert | 3:37 |
| 5.19 | Of old, when heroes thought it base (1690) The Yorkshire Feast Song: The pale and the purple rose | Michael Chance | 2:36 |
| 5.20 | Of old, when heroes thought it base (1690) The Yorkshire Feast Song: And in each track of glory since | John Mark Ainsley, Michael George, Choir of the English Concert | 3:29 |
| 5.21 | Of old, when heroes thought it base (1690) The Yorkshire Feast Song: Symphony | Henry Purcell | 1:16 |
| 5.22 | Of old, when heroes thought it base (1690) The Yorkshire Feast Song: And now when the renown’d Nassau | Michael Chance, John Mark Ainsley | 1:56 |
| 5.23 | Of old, when heroes thought it base (1690) The Yorkshire Feast Song: They did no storms, nor threat’nings fear | Michael George, Stephen Richardson | 2:09 |
| 5.24 | Of old, when heroes thought it base (1690) The Yorkshire Feast Song: So when the glitt’ring Queen of Night | John Mark Ainsley | 3:36 |
| 5.25 | Of old, when heroes thought it base (1690) The Yorkshire Feast Song: Let music join | Choir of the English Concert | 1:16 |
| 5.26 | Of old, when heroes thought it base (1690) The Yorkshire Feast Song: Sound, trumpets, sound! | Michael Chance | 2:15 |
| 5.27 | Of old, when heroes thought it base (1690) The Yorkshire Feast Song: Sound all to him | Michael George, Choir of the English Concert | 1:49 |