| 1.1 | Serenade for Tenor, Horn and Strings op. 31: I. Prologue | Benjamin Britten | 1:27 |
| 1.2 | Serenade for Tenor, Horn and Strings op. 31: II. Pastoral | Peter Pears | 3:36 |
| 1.3 | Serenade for Tenor, Horn and Strings op. 31: III. Nocturne | Peter Pears | 3:26 |
| 1.4 | Serenade for Tenor, Horn and Strings op. 31: IV. Elegy | Peter Pears | 4:40 |
| 1.5 | Serenade for Tenor, Horn and Strings op. 31: V. Dirge | Peter Pears | 3:58 |
| 1.6 | Serenade for Tenor, Horn and Strings op. 31: VI. Hymn | Peter Pears | 2:03 |
| 1.7 | Serenade for Tenor, Horn and Strings op. 31: VII. Sonnet | Peter Pears | 3:50 |
| 1.8 | Serenade for Tenor, Horn and Strings op. 31: VIII. Epilogue | Benjamin Britten | 1:34 |
| 1.9 | Les Illuminations op. 18: I. Fanfare | Peter Pears | 1:52 |
| 1.10 | Les Illuminations op. 18: II. Villes | Peter Pears | 2:25 |
| 1.11 | Les Illuminations op. 18: IIIa. Phrase | Peter Pears | 1:02 |
| 1.12 | Les Illuminations op. 18: IIIb. Antique | Peter Pears | 2:32 |
| 1.13 | Les Illuminations op. 18: IV. Royauté | Peter Pears | 1:39 |
| 1.14 | Les Illuminations op. 18: V. Marine | Peter Pears | 0:57 |
| 1.15 | Les Illuminations op. 18: VI. Interlude | Peter Pears | 2:07 |
| 1.16 | Les Illuminations op. 18: VII. Being beauteous | Peter Pears | 3:59 |
| 1.17 | Les Illuminations op. 18: VIII. Parade | Peter Pears | 2:41 |
| 1.18 | Les Illuminations op. 18: IX. Départ | Peter Pears | 2:38 |
| 2.1 | Sinfonia da Requiem op. 20: I. Lacrymosa (Andante ben misurato) / II. Dies irae (Allegro con fuoco) / III. Requiem aeternam (Andante molto tranquillo) | Benjamin Britten | 19:47 |
| 2.2 | Nocturne for Tenor, Seven Obligate Instruments & Strings, op. 60: I. On a poet’s lips I slept | Peter Pears | 3:21 |
| 2.3 | Nocturne for Tenor, Seven Obligate Instruments & Strings, op. 60: II. Below the thunders of the upper deep | Peter Pears | 3:19 |
| 2.4 | Nocturne for Tenor, Seven Obligate Instruments & Strings, op. 60: III. Encitured with a twine of leaves | Peter Pears | 2:15 |
| 2.5 | Nocturne for Tenor, Seven Obligate Instruments & Strings, op. 60: IV. Midnight’s bell goes ting, ting, ting | Peter Pears | 2:28 |
| 2.6 | Nocturne for Tenor, Seven Obligate Instruments & Strings, op. 60: V. But that night when on my bed I lay | Peter Pears | 3:03 |
| 2.7 | Nocturne for Tenor, Seven Obligate Instruments & Strings, op. 60: VI. She sleeps on soft, last breaths | Peter Pears | 4:30 |
| 2.8 | Nocturne for Tenor, Seven Obligate Instruments & Strings, op. 60: VII. What is more gentle than a wind in summer? | Peter Pears | 3:27 |
| 2.9 | Nocturne for Tenor, Seven Obligate Instruments & Strings, op. 60: VIII. When most I wink, then do mine eyes best see | Peter Pears | 4:01 |
| 3.1 | Peter Grimes: Prologue. “Peter Grimes!” (Hobson) | David Kelly | 1:26 |
| 3.2 | Peter Grimes: Prologue. “You sailed your boat round the coast” (Swallow) | Owen Brannigan | 3:04 |
| 3.3 | Peter Grimes: Prologue. “Peter Grimes, I here advise you!” (Swallow) | Owen Brannigan | 2:10 |
| 3.4 | Peter Grimes: Prologue. “The truth… the pity… and the truth” (Peter) | Peter Pears | 1:54 |
| 3.5 | Peter Grimes: Interlude I: On the beach (Dawn) | Benjamin Britten | 2:58 |
| 3.6 | Peter Grimes: Act I, Scene I. “Oh! Hang at open doors the net, the cork” (Women, Fishermen) | Chorus of the Royal Opera House, Covent Garden | 5:35 |
| 3.7 | Peter Grimes: Act I, Scene I. “Hi! Give us a hand!” (Peter) | Peter Pears | 3:19 |
| 3.8 | Peter Grimes: Act I, Scene I. “I have to go from pub to pub” (Hobson) | David Kelly | 1:58 |
| 3.9 | Peter Grimes: Act I, Scene I. “Let her among you without fault cast the first stone” (Ellen) | Claire Watson | 3:09 |
| 3.10 | Peter Grimes: Act I, Scene I. “Look, the storm cone!” (Balstrode) | James Pease | 2:41 |
| 3.11 | Peter Grimes: Act I, Scene I. “And do you prefer the storm” (Balstrode) | James Pease | 4:57 |
| 3.12 | Peter Grimes: Act I, Scene I. “What harbour shelters peace” (Peter) | Peter Pears | 1:12 |
| 3.13 | Peter Grimes: Interlude II: The Storm | Benjamin Britten | 4:08 |
| 3.14 | Peter Grimes: Act I, Scene II. “Past time to close!” (Auntie) | Jean Watson | 4:22 |
| 3.15 | Peter Grimes: Act I, Scene II. “We live and let live” (Balstrode) | James Pease | 1:58 |
| 3.16 | Peter Grimes: Act I, Scene II. “Have you heard? The cliff is down” (Keene) | Geraint Evans | 1:23 |
| 3.17 | Peter Grimes: Act I, Scene II. “Now the Great Bear and Pleiades” (Peter) | Peter Pears | 3:40 |
| 3.18 | Peter Grimes: Act I, Scene II. “Old Joe has gone fishing” (Keene) | Geraint Evans | 2:28 |
| 3.19 | Peter Grimes: Act I, Scene II. “The bridge is down, we half swam over” (Hobson) | David Kelly | 1:37 |
| 3.20 | Peter Grimes: Interlude III: Sunday morning by the beach | Benjamin Britten | 2:23 |
| 3.21 | Peter Grimes: Act II, Scene I. “Glitter of waves and glitter of sunlight” (Ellen) | Claire Watson | 5:41 |
| 3.22 | Peter Grimes: Act II, Scene I. “Let this be a holiday” (Ellen) | Claire Watson | 3:00 |
| 3.23 | Peter Grimes: Act II, Scene I. “This unrelenting work” (Ellen) | Claire Watson | 4:41 |
| 3.24 | Peter Grimes: Act II, Scene I. “Fool to let it come to this!” (Auntie) | Jean Watson | 2:18 |
| 3.25 | Peter Grimes: Act II, Scene I. “What is it?” (Chorus) | Chorus of the Royal Opera House, Covent Garden | 1:03 |
| 3.26 | Peter Grimes: Act II, Scene I. “People!… No! I will speak!” (Boles) | Raymond Nilsson | 2:09 |
| 4.1 | Peter Grimes: Act II, Scene I. “We planned that their lives should have a new start” (Ellen) | Claire Watson | 2:25 |
| 4.2 | Peter Grimes: Act II, Scene I. “Swallow! Shall we go and see Grimes in his hut?” (Rector) | John Lanigan | 0:44 |
| 4.3 | Peter Grimes: Act II, Scene I. “Now is gossip put on trial” (Mrs. Sedley, Boles, Rector, Keene, Swallow, Chorus) | Owen Brannigan, Geraint Evans, John Lanigan, Chorus of the Royal Opera House, Covent Garden, Lauris Margaret Elms, Raymond Nilsson | 2:12 |
| 4.4 | Peter Grimes: Act II, Scene I. “From the gutter, why should we trouble at their ribaldries?” (Nieces) | Benjamin Britten | 4:35 |
| 4.5 | Peter Grimes: Interlude IV: Passacaglia | Benjamin Britten | 5:27 |
| 4.6 | Peter Grimes: Act II, Scene II. “Go there!” (Peter) | Peter Pears | 7:18 |
| 4.7 | Peter Grimes: Act II, Scene II. “Now!... Now!…” (Boles, Rector, Swallow, Keene, Chorus) | Owen Brannigan, Geraint Evans, John Lanigan, Chorus of the Royal Opera House, Covent Garden, Raymond Nilsson | 2:09 |
| 4.8 | Peter Grimes: Act II, Scene II. “Peter Grimes! Nobody here?” (Rector) | John Lanigan | 3:07 |
| 4.9 | Peter Grimes: Interlude V: Evening | Benjamin Britten | 4:19 |
| 4.10 | Peter Grimes: Act III, Scene I. “Assign your prettiness to me” (Swallow) | Owen Brannigan | 2:36 |
| 4.11 | Peter Grimes: Act III, Scene I. “Pah!… Ahoy!” (Swallow, Keene) | Owen Brannigan, Geraint Evans | 2:49 |
| 4.12 | Peter Grimes: Act III, Scene I. “Come along, Doctor!” (First Burgess) | Benjamin Britten | 3:19 |
| 4.13 | Peter Grimes: Act III, Scene I. “Embroidery in childhood was a luxury of idleness” (Ellen) | Claire Watson | 5:09 |
| 4.14 | Peter Grimes: Act III, Scene I. “Mister Swallow! Mister Swallow!” (Mrs. Sedley) | Lauris Margaret Elms | 2:00 |
| 4.15 | Peter Grimes: Act III, Scene I. “Who holds himself apart, lets his pride rise” (Chorus) | Chorus of the Royal Opera House, Covent Garden | 3:45 |
| 4.16 | Peter Grimes: Interlude VI: Fog | Benjamin Britten | 2:36 |
| 4.17 | Peter Grimes: Act III, Scene II. “Grimes! Grimes!” (Chorus) | Chorus of the Royal Opera House, Covent Garden | 4:56 |
| 4.18 | Peter Grimes: Act III, Scene II. “Peter, we’ve come to take you home” (Ellen) | Claire Watson | 2:29 |
| 4.19 | Peter Grimes: Act III, Scene II. “To those who pass the Borough” (Chorus) | Chorus of the Royal Opera House, Covent Garden | 4:50 |
| 5.1 | Die schöne Müllerin, D. 795: Das Wandern | Peter Pears | 2:28 |
| 5.2 | Die schöne Müllerin, D. 795: Wohin? | Peter Pears | 2:03 |
| 5.3 | Die schöne Müllerin, D. 795: Halt! | Peter Pears | 1:31 |
| 5.4 | Die schöne Müllerin, D. 795: Danksagung an den Bach | Peter Pears | 2:27 |
| 5.5 | Die schöne Müllerin, D. 795: Am Feierabend | Peter Pears | 2:29 |
| 5.6 | Die schöne Müllerin, D. 795: Der Neugierige | Peter Pears | 4:20 |
| 5.7 | Die schöne Müllerin, D. 795: Ungeduld | Peter Pears | 2:41 |
| 5.8 | Die schöne Müllerin, D. 795: Morgengruß | Peter Pears | 3:57 |
| 5.9 | Die schöne Müllerin, D. 795: Des Müllers Blumen | Peter Pears | 3:32 |
| 5.10 | Die schöne Müllerin, D. 795: Tränenregen | Peter Pears | 5:09 |
| 5.11 | Die schöne Müllerin, D. 795: Mein! | Peter Pears | 2:10 |
| 5.12 | Die schöne Müllerin, D. 795: Pause | Peter Pears | 4:31 |
| 5.13 | Die schöne Müllerin, D. 795: Mit dem grünen Lautenbande | Peter Pears | 2:09 |
| 5.14 | Die schöne Müllerin, D. 795: Der Jäger | Peter Pears | 1:18 |
| 5.15 | Die schöne Müllerin, D. 795: Eifersucht und Stolz | Peter Pears | 1:34 |
| 5.16 | Die schöne Müllerin, D. 795: Die liebe Farbe | Peter Pears | 4:01 |
| 5.17 | Die schöne Müllerin, D. 795: Die böse Farbe | Peter Pears | 1:55 |
| 5.18 | Die schöne Müllerin, D. 795: Trockne Blumen | Peter Pears | 3:33 |
| 5.19 | Die schöne Müllerin, D. 795: Der Müller und der Bach | Peter Pears | 4:12 |
| 5.20 | Die schöne Müllerin, D. 795: Des Baches Wiegenlied | Peter Pears | 7:17 |
| 6.1 | Young Person’s Guide to the Orchestra (Variations & Fugue on a theme of Purcell), op. 34 | Benjamin Britten | 16:58 |
| 6.2 | Diversions for Piano (Left Hand) and Orchestra, op. 21: Theme | Benjamin Britten | 1:06 |
| 6.3 | Diversions for Piano (Left Hand) and Orchestra, op. 21: Variation I (Recitative) | Benjamin Britten | 1:29 |
| 6.4 | Diversions for Piano (Left Hand) and Orchestra, op. 21: Variation II (Romance) | Benjamin Britten | 1:30 |
| 6.5 | Diversions for Piano (Left Hand) and Orchestra, op. 21: Variation III (March) | Benjamin Britten | 1:19 |
| 6.6 | Diversions for Piano (Left Hand) and Orchestra, op. 21: Variation IV (Arabesque) | Benjamin Britten | 1:37 |
| 6.7 | Diversions for Piano (Left Hand) and Orchestra, op. 21: Variation V (Chant) | Benjamin Britten | 1:47 |
| 6.8 | Diversions for Piano (Left Hand) and Orchestra, op. 21: Variation VI (Nocturne) | Benjamin Britten | 2:07 |
| 6.9 | Diversions for Piano (Left Hand) and Orchestra, op. 21: Variation VII (Badinerie) | Benjamin Britten | 1:25 |
| 6.10 | Diversions for Piano (Left Hand) and Orchestra, op. 21: Variation VIII (Burlesque) | Benjamin Britten | 1:53 |
| 6.11 | Diversions for Piano (Left Hand) and Orchestra, op. 21: Variation IXa (Toccata) | Benjamin Britten | 0:48 |
| 6.12 | Diversions for Piano (Left Hand) and Orchestra, op. 21: Variation IXb (Toccata II) | Benjamin Britten | 2:01 |
| 6.13 | Diversions for Piano (Left Hand) and Orchestra, op. 21: Variation X (Adagio) | Benjamin Britten | 4:18 |
| 6.14 | Diversions for Piano (Left Hand) and Orchestra, op. 21: Variation XI (Tarantella) | Benjamin Britten | 2:37 |
| 7.1 | A Ceremony of Carols, op. 28: Procession (Senza misura) | Wiener Sängerknaben | 1:12 |
| 7.2 | A Ceremony of Carols, op. 28: Wolcum Yole! (Allegro con brio) | Wiener Sängerknaben | 1:30 |
| 7.3 | A Ceremony of Carols, op. 28: There Is No Rose (Allegretto) | Wiener Sängerknaben | 2:25 |
| 7.4 | A Ceremony of Carols, op. 28: That Yonge Child (Andante quasi recitativo) | Wiener Sängerknaben | 1:39 |
| 7.5 | A Ceremony of Carols, op. 28: Balulalow (Andante piacevole) | Wiener Sängerknaben | 1:31 |
| 7.6 | A Ceremony of Carols, op. 28: As Dew in Aprille (Allegro) | Wiener Sängerknaben | 1:08 |
| 7.7 | A Ceremony of Carols, op. 28: This Little Babe (Presto con fuoco) | Wiener Sängerknaben | 1:29 |
| 7.8 | A Ceremony of Carols, op. 28: Interlude (Andante pastorale) | Wiener Sängerknaben | 3:45 |
| 7.9 | A Ceremony of Carols, op. 28: In Freezing Winter Night (Andante comodo) | Wiener Sängerknaben | 3:16 |
| 7.10 | A Ceremony of Carols, op. 28: Spring Carol (Allegretto) | Wiener Sängerknaben | 1:14 |
| 7.11 | A Ceremony of Carols, op. 28: Deo gracias (Presto) | Wiener Sängerknaben | 1:16 |
| 7.12 | A Ceremony of Carols, op. 28: Recession (Senza misura) | Wiener Sängerknaben | 1:14 |
| 7.13 | Violin Concerto in D minor, op. 15: I. Moderato con moto | Benjamin Britten | 9:17 |
| 7.14 | Violin Concerto in D minor, op. 15: II. Vivace | Benjamin Britten | 8:23 |
| 7.15 | Violin Concerto in D minor, op. 15: III. Passacaglia. Andante lento | Benjamin Britten | 14:00 |
| 8.1 | Variations on a Theme of Frank Bridge op. 10: I. Introduction and Theme | Benjamin Britten | 1:57 |
| 8.2 | Variations on a Theme of Frank Bridge op. 10: II. Adagio | Benjamin Britten | 2:53 |
| 8.3 | Variations on a Theme of Frank Bridge op. 10: III. March | Benjamin Britten | 1:17 |
| 8.4 | Variations on a Theme of Frank Bridge op. 10: IV. Romance | Benjamin Britten | 1:41 |
| 8.5 | Variations on a Theme of Frank Bridge op. 10: V. Aria italiana | Benjamin Britten | 1:19 |
| 8.6 | Variations on a Theme of Frank Bridge op. 10: VI. Bourrée classique | Benjamin Britten | 1:25 |
| 8.7 | Variations on a Theme of Frank Bridge op. 10: VII. Wiener Walzer | Benjamin Britten | 2:48 |
| 8.8 | Variations on a Theme of Frank Bridge op. 10: VIII. Moto perpetuo | Benjamin Britten | 1:04 |
| 8.9 | Variations on a Theme of Frank Bridge op. 10: IX. Funeral March | Benjamin Britten | 3:55 |
| 8.10 | Variations on a Theme of Frank Bridge op. 10: X. Chant | Benjamin Britten | 1:42 |
| 8.11 | Variations on a Theme of Frank Bridge op. 10: XI. Fugue & XII. Finale | Benjamin Britten | 7:08 |
| 8.12 | A Charm of Lullabies op. 41: I. Cradle Song | Pamela Bowden | 2:14 |
| 8.13 | A Charm of Lullabies op. 41: II. The Highland Bales | Pamela Bowden | 2:06 |
| 8.14 | A Charm of Lullabies op. 41: III. Sephestia’s Lullaby | Pamela Bowden | 2:15 |
| 8.15 | A Charm of Lullabies op. 41: IV. A Charm | Pamela Bowden | 1:28 |
| 8.16 | A Charm of Lullabies op. 41: V. The Nurse’s Song | Pamela Bowden | 4:24 |
| 9.1 | The Prince of the Pagodas op. 57: Act 1. Prelude | Benjamin Britten | 2:19 |
| 9.2 | The Prince of the Pagodas op. 57: Act 1. The Fool and the Dwarf | Benjamin Britten | 1:21 |
| 9.3 | The Prince of the Pagodas op. 57: Act 1. The Emperor | Benjamin Britten | 1:30 |
| 9.4 | The Prince of the Pagodas op. 57: Act 1. Gavotte | Benjamin Britten | 2:36 |
| 9.5 | The Prince of the Pagodas op. 57: Act 1. The Four Kings | Benjamin Britten | 1:21 |
| 9.6 | The Prince of the Pagodas op. 57: Act 1. The King of the North | Benjamin Britten | 1:18 |
| 9.7 | The Prince of the Pagodas op. 57: Act 1. The King of the East | Benjamin Britten | 2:31 |
| 9.8 | The Prince of the Pagodas op. 57: Act 1. The King of the West | Benjamin Britten | 1:07 |
| 9.9 | The Prince of the Pagodas op. 57: Act 1. The King of the South | Benjamin Britten | 1:43 |
| 9.10 | The Prince of the Pagodas op. 57: Act 1. Belle Epine | Benjamin Britten | 2:27 |
| 9.11 | The Prince of the Pagodas op. 57: Act 1. Belle Rose | Benjamin Britten | 6:10 |
| 9.12 | The Prince of the Pagodas op. 57: Act 1. The Kings and Belle Rose | Benjamin Britten | 1:26 |
| 9.13 | The Prince of the Pagodas op. 57: Act 1. Triumph of Belle Epine | Benjamin Britten | 1:53 |
| 9.14 | The Prince of the Pagodas op. 57: Act 1. Rage of the Kings | Benjamin Britten | 1:41 |
| 9.15 | The Prince of the Pagodas op. 57: Act 1. The Four Frogs | Benjamin Britten | 3:02 |
| 9.16 | The Prince of the Pagodas op. 57: Act 2, Scene 1. Air | Benjamin Britten | 5:36 |
| 9.17 | The Prince of the Pagodas op. 57: Act 2, Scene 1. Water | Benjamin Britten | 7:14 |
| 9.18 | The Prince of the Pagodas op. 57: Act 2, Scene 1. Fire | Benjamin Britten | 5:59 |
| 9.19 | The Prince of the Pagodas op. 57: Act 2, Scene 2. Belle Rose in Pagoda‐Land | Benjamin Britten | 2:06 |
| 9.20 | The Prince of the Pagodas op. 57: Act 2, Scene 2. The Pagodas | Benjamin Britten | 3:03 |
| 9.21 | The Prince of the Pagodas op. 57: Act 2, Scene 2. The Salamander | Benjamin Britten | 3:02 |
| 9.22 | The Prince of the Pagodas op. 57: Act 2, Scene 2. The Prince and Belle Rose | Benjamin Britten | 5:54 |
| 10.1 | The Prince of the Pagodas op. 57: Act 3, Scene 1. Belle Epine as Empress | Benjamin Britten | 2:45 |
| 10.2 | The Prince of the Pagodas op. 57: Act 3, Scene 1. The Old Emperor | Benjamin Britten | 2:51 |
| 10.3 | The Prince of the Pagodas op. 57: Act 3, Scene 1. Belle Rose and the Salamander | Benjamin Britten | 1:34 |
| 10.4 | The Prince of the Pagodas op. 57: Act 3, Scene 1. Transition | Benjamin Britten | 3:08 |
| 10.5 | The Prince of the Pagodas op. 57: Act 3, Scene 2. The Pagoda Palace | Benjamin Britten | 1:37 |
| 10.6 | The Prince of the Pagodas op. 57: Act 3, Scene 2. Pas de six | Benjamin Britten | 2:03 |
| 10.7 | The Prince of the Pagodas op. 57: Act 3, Scene 2. Variation 1 | Benjamin Britten | 3:44 |
| 10.8 | The Prince of the Pagodas op. 57: Act 3, Scene 2. Variation 2 | Benjamin Britten | 1:07 |
| 10.9 | The Prince of the Pagodas op. 57: Act 3, Scene 2. Variation 3 | Benjamin Britten | 1:09 |
| 10.10 | The Prince of the Pagodas op. 57: Act 3, Scene 2. Pas de trois | Benjamin Britten | 1:25 |
| 10.11 | The Prince of the Pagodas op. 57: Act 3, Scene 2. Pas de deux | Benjamin Britten | 4:06 |
| 10.12 | The Prince of the Pagodas op. 57: Act 3, Scene 2. Variation 4 | Benjamin Britten | 1:11 |
| 10.13 | The Prince of the Pagodas op. 57: Act 3, Scene 2. Variation 5 | Benjamin Britten | 2:16 |
| 10.14 | The Prince of the Pagodas op. 57: Act 3, Scene 2. Finale | Benjamin Britten | 6:10 |