| 1.1 | La Pellegrina: Intermezzo "Dalle pìu alte sfere" (instrumental) | Antonio Archilei | 0:43 |
| 1.2 | La Pellegrina: Intermezzo "Dalle pìu alte sfere" (vocal) | Patricia Clark | 5:06 |
| 1.3 | Ancor che col partire (Renaissance style) | The Deller Consort, Alfred Deller, Maurice Bevan, Max Worthley, Honor Shephard | 3:30 |
| 1.4 | Ancor che col partire (Baroque style) | Alfred Deller | 4:12 |
| 1.5 | La zambeccara: Canzona (instrumental consort) | Claudio Merulo | 2:07 |
| 1.6 | La zambeccara: Canzona (keyboard version) | Claudio Merulo | 3:48 |
| 1.7 | Ay me sospiri: Frottola (original) | Jean Allister | 1:03 |
| 1.8 | Ay me sospiri (Renaissance ornamentation) | Jean Allister | 2:08 |
| 1.9 | Four-part Madrigal: "Lasciar il velo" (as written) | Francesco de Layolle | 0:39 |
| 1.10 | Four-part Madrigal: "Lasciar il velo" (vocal ornamentation) | Francesco de Layolle | 1:11 |
| 1.11 | Nach willen dein | Paul Hofhaimer | 1:40 |
| 1.12 | Nach willen dein (organ version) | Paul Hofhaimer | 1:02 |
| 1.13 | Douce mémoire | Pierre Sandrin | 1:34 |
| 1.14 | Douce mémoire (ornamentation instrumental) | Pierre Sandrin | 3:31 |
| 1.15 | Pandolpho (voice) | Alfred Deller | 4:04 |
| 1.16 | Pandolpho (voice with lute) | Alfred Deller | 3:48 |
| 1.17 | Il combattimento di Tancredi e Clorinda: two verse excerpt (plain version) | Edgar Fleet | 1:01 |
| 1.18 | Il combattimento di Tancredi e Clorinda: two verse excerpt (editorial ornamentation version) | Edgar Fleet | 3:27 |
| 1.19 | Four-part French air de cour: "N'esperez plus, mes yeux" | Antoine Boësset | 0:51 |
| 1.20 | Four-part French air de cour: "N'esperez plus, mes yeux" (with ornamentation vocal line) | Antoine Boësset | 0:55 |
| 1.21 | "O That Mine Eyes" | Edgar Fleet | 1:21 |
| 1.22 | "O That Mine Eyes" (ornamentation) | Edgar Fleet | 1:22 |
| 1.23 | Sonata in C Major, Op. 3, No. 3: Adagio (violon solo) | Arcangelo Corelli | 2:22 |
| 1.24 | Sonata in C Major, Op. 3, No. 3: Adagio (ornamentation) | Arcangelo Corelli | 2:34 |
| 2.1 | Menuet (harpsichord) | François Couperin | 1:03 |
| 2.2 | Menuet (harpsichord with ornamentation double) | François Couperin | 1:04 |
| 2.3 | Oboe Concerto in C minor: Adagio (concerto movement) | Alessandro Marcello | 3:17 |
| 2.4 | Oboe Concerto in C minor: Adagio (ornamentation keyboard transcription) | Alessandro Marcello | 3:11 |
| 2.5 | Violin Concerto in D Major, Op. 3, No. 9, RV 230: Finale (concerto movement) | Antonio Vivaldi | 2:09 |
| 2.6 | Violin Concerto in D Major, Op. 3, No. 9, RV 230: Finale (ornamentation keyboard transcription by J.S. Bach) | Antonio Vivaldi | 2:29 |
| 2.7 | Violin Concerto in C Major for two trumpets, strings and continuo, RV 537: Largo (as in score) | Antonio Vivaldi | 0:58 |
| 2.8 | Violin Concerto in C Major for two trumpets, strings and continuo, RV 537: Largo (modern realization and embellishment of bass following Baroque practice) | Antonio Vivaldi | 1:16 |
| 2.9 | Rinaldo: Lascia ch'io pianga (as written) | Anneliese Hückl | 2:32 |
| 2.10 | Rinaldo: Lascia ch'io pianga (embellishment repeat, da capo) | Anneliese Hückl | 1:57 |
| 2.11 | Suite in D minor: Air (as written) | George Frideric Handel | 0:46 |
| 2.12 | Suite in D minor: Air (composer's own ornamentation) | George Frideric Handel | 2:08 |
| 2.13 | Sonata in F Major for violin and harpsichord: Adagio (violon solo as written) | Pietro Nardini | 0:48 |
| 2.14 | Sonata in F Major for violin and harpsichord: Adagio (composer's own ornamentation) | Pietro Nardini | 3:45 |
| 2.15 | Concerto for flute, oboe and violin: Andante (plain version) | Georg Philipp Telemann | 1:55 |
| 2.16 | Concerto for flute, oboe and violin: Andante (with three ornamentation instrumental parts) | Georg Philipp Telemann | 1:53 |
| 2.17 | Adagio for flute and harpsichord (plain version) | Johann Joachim Winckelmann | 1:59 |
| 2.18 | Adagio for flute and harpsichord (ornamentation version in composer's own treatise) | Johann Joachim Winckelmann | 3:56 |
| 2.19 | Castor et Pollux: Tristes apprêts | Patricia Clark | 1:37 |
| 2.20 | Castor et Pollux: Tristes apprêts (embellishment of repeat (da capo) as done by a singer of the period) | Patricia Clark | 2:09 |
| 2.21 | Sonata in F Major: Allegretto | Carl Philipp Emanuel Bach | 0:36 |
| 2.22 | Sonata in F Major: Allegretto (keyboard sonata with ornamentation reprise) | Carl Philipp Emanuel Bach | 2:15 |
| 2.23 | Trio Sonata in G Major for flute, violin, and harpsichord: Grave | Georg Philipp Telemann | 0:37 |
| 2.24 | Trio Sonata in G Major for flute, violin, and harpsichord: Grave (instructional work in which the composer follows each plain section with ornamentation of two instrumental lines) | Georg Philipp Telemann | 2:29 |
| 2.25 | Orfeo ed Euridice: Che farò (modern application of ornamentation) | Maureen Forrester | 1:44 |
| 2.26 | Orfeo ed Euridice: Che farò (modern application of ornamentation) | Maureen Forrester | 1:17 |
| 2.27 | Orfeo ed Euridice: Che farò (modern application of ornamentation) | Maureen Forrester | 1:22 |