Album · Compilation
A Tribute
Tracks
| # | Title | Sung by | |
|---|
| 1.1 | Ariodante, HWV 33: Act I. Arioso “Quì d’amor” (Ariodante) | Lorraine Hunt | 2:00 |
| 1.2 | Ariodante, HWV 33: Act I. Aria “Con l’ali di costanza” (Ariodante) | Lorraine Hunt | 6:59 |
| 1.3 | Ariodante, HWV 33: Act II. Recitativo “E vivo ancora?” (Ariodante) | Lorraine Hunt | 0:24 |
| 1.4 | Ariodante, HWV 33: Act II. Aria “Scherza infida!” (Ariodante) | Lorraine Hunt | 8:46 |
| 1.5 | Ariodante, HWV 33: Act III. Aria “Dopo notte, atra e funesta” (Ariodante) | Lorraine Hunt | 7:03 |
| 1.6 | Theodora, HWV 68: Act I. Air “Angels, ever bright and fair” (Theodora) | Lorraine Hunt | 4:24 |
| 1.7 | Theodora, HWV 68: Act II. Recitative “O thou bright sun” (Theodora) | Lorraine Hunt | 0:27 |
| 1.8 | Theodora, HWV 68: Act II. Air “With darkness deep” (Theodora) | Lorraine Hunt | 3:43 |
| 1.9 | Theodora, HWV 68: Act II. Air “Oh! That I on wings could rise” (Theodora) | Lorraine Hunt | 4:08 |
| 1.10 | Theodora, HWV 68: Act II. Duet “To thee, thou glorious son of worth” (Theodora, Didymus) | Lorraine Hunt, Drew Minter | 4:53 |
| 1.11 | Messiah, HWV 56: “Rejoice greatly, O daughter of Zion” | Lorraine Hunt | 4:16 |
| 1.12 | Messiah, HWV 56: “But who may abide the day of His coming” | Lorraine Hunt | 4:24 |
| 1.13 | Messiah, HWV 56: “He was despised and rejected of men” | Lorraine Hunt | 11:09 |
| 1.14 | Messiah, HWV 56: “I know that my Redeemer liveth” | Lorraine Hunt | 6:38 |
| 1.15 | Dido and Aeneas Z. 626: Act III. “Thy hand, Belinda” – “When I am laid in earth” (Dido) | Lorraine Hunt | 4:07 |
| 2.1 | Clori, Tirsi e Fileno, HWV 96: Part I. Aria “Va col canto lusingando” (Clori) | Lorraine Hunt | 8:10 |
| 2.2 | Clori, Tirsi e Fileno, HWV 96: Part II. Aria “Barbaro! Tu non credi” (Clori) | Lorraine Hunt | 6:43 |
| 2.3 | Susanna, HWV 66: Act I. “On Joacim may every joy attend” (Susanna) | Lorraine Hunt | 1:13 |
| 2.4 | Susanna, HWV 66: Act I. “Bending to the throne of glory” (Susanna) | Lorraine Hunt | 5:24 |
| 2.5 | Susanna, HWV 66: Act II. “Lead me to some cool retreat” (Susanna) | Lorraine Hunt | 0:17 |
| 2.6 | Susanna, HWV 66: Act II. “Crystal streams in murmurs flowing” (Susanna) | Lorraine Hunt | 8:33 |
| 2.7 | Susanna, HWV 66: Act II. “If guiltless blood be your intent” (Susanna) | Lorraine Hunt | 8:40 |
| 2.8 | Susanna, HWV 66: Act III. “Guilt trembling spoke my doom” (Susanna) | Lorraine Hunt | 6:35 |
| 2.9 | Radamisto, HWV 12: Act III. Recitativo “Oh Dio!” (Zenobia) | Lorraine Hunt | 0:24 |
| 2.10 | Radamisto, HWV 12: Act III. Aria “Qual nave smarrita” (Zenobia) | Lorraine Hunt | 5:52 |
| 2.11 | Ottone, HWV 15: Act II. Recitativo “Ben a ragion” | Lorraine Hunt | 1:04 |
| 2.12 | Ottone, HWV 15: Act II. Aria “Vieni, o figlio” | Lorraine Hunt | 6:52 |
| 2.13 | Giulio Cesare, HWV 17: Act I. Recitativo “Vani sono i lamenti” | Lorraine Hunt | 0:18 |
| 2.14 | Giulio Cesare, HWV 17: Act I. Aria “Svegliatevi nel core” | Lorraine Hunt | 4:52 |
| 2.15 | Arianna in Creta, HWV 32: Act II. Aria “Qual leon“ | Lorraine Hunt | 5:57 |
| 2.16 | The Notebook of Anna Magdalena Bach (1725): Aria “Bist du bei mir”, BWV 508 | Lorraine Hunt | 2:53 |
Source: MusicBrainz release group f98c50fb-ff28-4257-a835-19aa7f937663 (CC0). Cover: Cover Art Archive.