Album · Compilation

The Complete Sony Recordings

Released 2016939 tracks · 4007:14Several languagesSony Classical

Tracks

#	Title	Sung by
1.1	“Schwingt freudig euch empor”, Cantata BWV 36: Part I. No. 1 Chorus: “Schwingt freudig euch empor”	Arnold Schoenberg Chor	4:00
1.2	“Schwingt freudig euch empor”, Cantata BWV 36: Part I. No. 2 Chorale (Duet): “Nun komm, der Heiden Heiland” (soprano, alto)	Elisabeth von Magnus, Julia Kleiter	4:49
1.3	“Schwingt freudig euch empor”, Cantata BWV 36: Part I. No. 3 Aria: “Die Liebe zeiht mit sanften Schritten” (tenor)	Kurt Streit	5:54
1.4	“Schwingt freudig euch empor”, Cantata BWV 36: Part I. No. 4 Chorale: “Zwingt die Saiten in Cythara”	Arnold Schoenberg Chor	1:30
1.5	“Schwingt freudig euch empor”, Cantata BWV 36: Part II. No. 5 Aria: “Willkommen, werter Schatz!” (bass)	Anton Scharinger	3:24
1.6	“Schwingt freudig euch empor”, Cantata BWV 36: Part II. No. 6 Chorale: “Der du bist dem Vater gleich” (tenor)	Kurt Streit	1:57
1.7	“Schwingt freudig euch empor”, Cantata BWV 36: Part II. No. 7 Aria: "Auch mit gedämpften, schwachen Stimmen” (soprano)	Julia Kleiter	7:26
1.8	“Schwingt freudig euch empor”, Cantata BWV 36: Part II. No. 8 Chorale: “Lob sei Gott, dem Vater”	Arnold Schoenberg Chor	0:44
1.9	“Ach wie flüchtig, ach wie nichtig”, Cantata BWV 26: No. 1 Chorus: “Ach wie flüchtig, ach wie nichtig”	Arnold Schoenberg Chor	3:05
1.10	“Ach wie flüchtig, ach wie nichtig”, Cantata BWV 26: No. 2 Aria: “So schnell ein rauschend Wasser schießt” (tenor)	Kurt Streit	7:02
1.11	“Ach wie flüchtig, ach wie nichtig”, Cantata BWV 26: No. 3 Recitative: “Die Freude wird zur Traurigkeit” (alto)	Elisabeth von Magnus	0:53
1.12	“Ach wie flüchtig, ach wie nichtig”, Cantata BWV 26: No. 4 Aria: “An irdische Schätze das Herze zu hängen” (bass)	Anton Scharinger	3:30
1.13	“Ach wie flüchtig, ach wie nichtig”, Cantata BWV 26: No. 5 Recitative: “Die höchste Herrlichkeit und Pracht” (soprano)	Julia Kleiter	0:46
1.14	“Ach wie flüchtig, ach wie nichtig”, Cantata BWV 26: No. 6 Chorale: “Ach wie flüchtig, ach wie nichtig”	Arnold Schoenberg Chor	0:49
2.1	“Wachet auf, ruft uns die Stimme”, Cantata BWV 140: No. 1 Chorus: “Wachet auf, ruft uns die Stimme”	Arnold Schoenberg Chor	6:56
2.2	“Wachet auf, ruft uns die Stimme”, Cantata BWV 140: No. 2 Recitative: “Er kommt, er kommt” (tenor)	Kurt Streit	0:59
2.3	“Wachet auf, ruft uns die Stimme”, Cantata BWV 140: No. 3 Aria (Duet): “Wenn kömmst du, mein Heil?” (soprano, bass)	Anton Scharinger, Julia Kleitner, Julia Kleiter	5:52
2.4	“Wachet auf, ruft uns die Stimme”, Cantata BWV 140: No. 4 Chorale: “Zion hört due Wächter singen”	Kurt Streit, Arnold Schoenberg Chor	3:57
2.5	“Wachet auf, ruft uns die Stimme”, Cantata BWV 140: No. 5 Recitative: “So geh herein zu mir” (bass)	Anton Scharinger	1:29
2.6	“Wachet auf, ruft uns die Stimme”, Cantata BWV 140: No. 6 Aria (Duet): “Mein Freund ist mein” (soprano, bass)	Anton Scharinger, Julia Kleitner, Julia Kleiter	6:34
2.7	“Wachet auf, ruft uns die Stimme”, Cantata BWV 140: No. 7 Chorale: “Gloria sei dir gesungen”	Arnold Schoenberg Chor	1:57
2.8	“Nun kommt, der Heiden Heiland”, Cantata BWV 61: No. 1 Overture: “Nun kommt, der Heiden Heiland” (chorus)	Arnold Schoenberg Chor	3:23
2.9	“Nun kommt, der Heiden Heiland”, Cantata BWV 61: No. 2 Recitative: “Der Heiland ist gekommen” (tenor)	Werner Güra	1:26
2.10	“Nun kommt, der Heiden Heiland”, Cantata BWV 61: No. 3 Aria: “Komm, Jesu, komm zu deiner Kirche” (tenor)	Werner Güra	3:46
2.11	“Nun kommt, der Heiden Heiland”, Cantata BWV 61: No. 4 Recitative: “Siehe, ich stehe vor der Tür” (bass)	Gerald Finley	1:00
2.12	“Nun kommt, der Heiden Heiland”, Cantata BWV 61: No. 5 Aria: “Offne dich, mein ganzes Herze” (soprano)	Christine Schäfer	3:48
2.13	“Nun kommt, der Heiden Heiland”, Cantata BWV 61: No. 6 Chorale: “Amen, amen!”	Arnold Schoenberg Chor	0:54
2.14	“Wir danken dir, Gott, wir danken dir”, Cantata BWV 29: No. 1 Sinfonia	Johann Sebastian Bach	3:38
2.15	“Wir danken dir, Gott, wir danken dir”, Cantata BWV 29: No. 2 Chorus: “Wir danken dir, Gott, wir danken dir”	Arnold Schoenberg Chor	2:20
2.16	“Wir danken dir, Gott, wir danken dir”, Cantata BWV 29: No. 3 Aria: “Halleluja, Stärk und Macht” (tenor)	Werner Güra	5:36
2.17	“Wir danken dir, Gott, wir danken dir”, Cantata BWV 29: No. 4 Recitative: “Gottlob! es geht uns wohl!” (baritone)	Christian Gerhaher	0:49
2.18	“Wir danken dir, Gott, wir danken dir”, Cantata BWV 29: No. 5 Aria: “Gedenk an uns mit deiner Liebe” (soprano)	Christine Schäfer	5:15
2.19	“Wir danken dir, Gott, wir danken dir”, Cantata BWV 29: No. 6 Recitative: “Vergiss es ferner nicht” (alto, chorus)	Bernarda Fink, Arnold Schoenberg Chor	0:26
2.20	“Wir danken dir, Gott, wir danken dir”, Cantata BWV 29: No. 7 Aria: “Halleluja, Stärk und Macht” (alto)	Bernarda Fink	1:41
2.21	“Wir danken dir, Gott, wir danken dir”, Cantata BWV 29: No. 8 Chorale: “Sei Lob und Preis mit Ehren”	Arnold Schoenberg Chor	2:02
3.1	Weihnachtsoratorium, BWV 248: Part I: For the First Day of Christmas. No. 1 Chorus: “Jauchzet, frohlocket!”	Arnold Schoenberg Chor	7:59
3.2	Weihnachtsoratorium, BWV 248: Part I: For the First Day of Christmas. No. 2 Recitative: “Es begab sich aber zu der Zeit” (tenor)	Werner Güra	1:20
3.3	Weihnachtsoratorium, BWV 248: Part I: For the First Day of Christmas. No. 3 Arioso: “Nun wird mein liebster Bräutigam” (alto)	Bernarda Fink	0:48
3.4	Weihnachtsoratorium, BWV 248: Part I: For the First Day of Christmas. No. 4 Aria: “Bereite dich, Zion” (alto)	Bernarda Fink	5:39
3.5	Weihnachtsoratorium, BWV 248: Part I: For the First Day of Christmas. No. 5 Chorale: “Wie soll ich dich empfangen”	Arnold Schoenberg Chor	1:11
3.6	Weihnachtsoratorium, BWV 248: Part I: For the First Day of Christmas. No. 6 Recitative: “Und sie gebar ihren ersten Sohn” (tenor)	Werner Güra	0:26
3.7	Weihnachtsoratorium, BWV 248: Part I: For the First Day of Christmas. No. 7 Chorale: “Er ist auf Erden kommen arm” / Recitative: “Wer will die Liebe recht erhöhen” (bass)	Arnold Schoenberg Chor	3:01
3.8	Weihnachtsoratorium, BWV 248: Part I: For the First Day of Christmas. No. 8 Aria: “Großer Herr, o starker König” (bass)	Gerald Finley	5:07
3.9	Weihnachtsoratorium, BWV 248: Part I: For the First Day of Christmas. No. 9 Chorale: “Ach mein herzliebes Jesulein”	Arnold Schoenberg Chor	1:08
3.10	Weihnachtsoratorium, BWV 248: Part II: For the Second Day of Christmas. No. 10 Sinfonia	Johann Sebastian Bach	5:18
3.11	Weihnachtsoratorium, BWV 248: Part II: For the Second Day of Christmas. No. 11 Recitative: “Und es waren Hirten in deselben Gegend” (tenor)	Werner Güra	0:37
3.12	Weihnachtsoratorium, BWV 248: Part II: For the Second Day of Christmas. No. 12 Chorale: “Brich an, o schönes Morgenlicht”	Arnold Schoenberg Chor	1:15
3.13	Weihnachtsoratorium, BWV 248: Part II: For the Second Day of Christmas. No. 13 Recitative: “Und der Engel sprach zu ihnen” (tenor, soprano)	Christine Schäfer, Werner Güra	0:45
3.14	Weihnachtsoratorium, BWV 248: Part II: For the Second Day of Christmas. No. 14 Recitative “Was Gott dem Abraham weheißen” (bass)	Gerald Finley	0:43
3.15	Weihnachtsoratorium, BWV 248: Part II: For the Second Day of Christmas. No. 15 Aria: “Frohe Hirten, eilt, ach eilet” (tenor)	Werner Güra	3:40
3.16	Weihnachtsoratorium, BWV 248: Part II: For the Second Day of Christmas. No. 16 Recitative: “Und das habt zum Zeichen” (tenor)	Werner Güra	0:19
3.17	Weihnachtsoratorium, BWV 248: Part II: For the Second Day of Christmas. No. 17 Chorale: “Schaut hin, dort liegt im finstern Stall”	Arnold Schoenberg Chor	0:38
3.18	Weihnachtsoratorium, BWV 248: Part II: For the Second Day of Christmas. No. 18 Recitative & Arioso: “So geht denn hin, ihr Hirten, geht” (bass)	Gerald Finley	0:55
3.19	Weihnachtsoratorium, BWV 248: Part II: For the Second Day of Christmas. No. 19 Aria: “Schlafe, mein Liebster, genieße der Ruh” (alto)	Bernarda Fink	9:03
3.20	Weihnachtsoratorium, BWV 248: Part II: For the Second Day of Christmas. No. 20 Recitative: “Und alsobald war da bei dem Engel” (tenor)	Werner Güra	0:13
3.21	Weihnachtsoratorium, BWV 248: Part II: For the Second Day of Christmas. No. 21 Chorus: “Ehre sei Gott in der Höhe”	Arnold Schoenberg Chor	2:59
3.22	Weihnachtsoratorium, BWV 248: Part II: For the Second Day of Christmas. No. 22 Recitative: “So recht, ihr Engel, jauchzt und singet” (bass)	Gerald Finley	0:20
3.23	Weihnachtsoratorium, BWV 248: Part II: For the Second Day of Christmas. No. 23 Chorale: “Wir singen dir in deinem Heer”	Arnold Schoenberg Chor	1:24
3.24	Weihnachtsoratorium, BWV 248: Part III: For the Third Day of Christmas. No. 24 Chorus: “Herrscher des Himmels. erhöre das Lallen”	Arnold Schoenberg Chor	1:59
3.25	Weihnachtsoratorium, BWV 248: Part III: For the Third Day of Christmas. No. 25 Recitative: “Und da die Engel” (tenor)	Werner Güra	0:09
3.26	Weihnachtsoratorium, BWV 248: Part III: For the Third Day of Christmas. No. 26 Chorus: “Lasset uns nun gehen”	Arnold Schoenberg Chor	0:49
3.27	Weihnachtsoratorium, BWV 248: Part III: For the Third Day of Christmas. No. 27 Recitative: “Er hat sein Volk getröst” (bass)	Gerald Finley	0:43
3.28	Weihnachtsoratorium, BWV 248: Part III: For the Third Day of Christmas. No. 28 Chorale: “Dies hat er alles uns getan”	Arnold Schoenberg Chor	0:46
3.29	Weihnachtsoratorium, BWV 248: Part III: For the Third Day of Christmas. No. 29 Duet: “Herr, dein Mitleid, dein Erbarmen” (soprano, bass)	Gerald Finley, Christine Schäfer	7:04
3.30	Weihnachtsoratorium, BWV 248: Part III: For the Third Day of Christmas. No. 30 Recitative: “Und sie kamen eilend” (tenor)	Werner Güra	1:10
3.31	Weihnachtsoratorium, BWV 248: Part III: For the Third Day of Christmas. No. 31 Aria: “Schließe, mein Herze, mein Herze, dies selige Wunder” (alto)	Bernarda Fink	4:55
3.32	Weihnachtsoratorium, BWV 248: Part III: For the Third Day of Christmas. No. 32 Recitative: “Ja, ja, mein Herz soll es bewahren” (alto)	Bernarda Fink	0:25
3.33	Weihnachtsoratorium, BWV 248: Part III: For the Third Day of Christmas. No. 33 Chorale: “Ich will dich mit Fleiß bewahren”	Arnold Schoenberg Chor	0:55
3.34	Weihnachtsoratorium, BWV 248: Part III: For the Third Day of Christmas. No. 34 Recitative: “Und die Hirten kehrten wieder um” (tenor)	Werner Güra	0:20
3.35	Weihnachtsoratorium, BWV 248: Part III: For the Third Day of Christmas. No. 35 Chorale: “Seid froh dieweil”	Arnold Schoenberg Chor	0:55
3.36	Weihnachtsoratorium, BWV 248: Part III: For the Third Day of Christmas. No. 36 Chorus da capo: “Herrscher des Himmels, erhöre das Lallen”	Arnold Schoenberg Chor	2:11
4.1	Weihnachtsoratorium, BWV 248: Part IV: Feast of Circumcision. No. 36 Chorus: “Fallt mit Danken”	Arnold Schoenberg Chor	6:07
4.2	Weihnachtsoratorium, BWV 248: Part IV: Feast of Circumcision. No. 37 Recitative: “Und da acht Tage um waren” (tenor)	Werner Güra	0:26
4.3	Weihnachtsoratorium, BWV 248: Part IV: Feast of Circumcision. No. 38 Recitative: “Immanuel, o süßes Wort!” (bass) / & Chorale: “Jesu, du mein liebstes Leben”	Christine Schäfer, Christian Gerhaher, Arnold Schoenberg Chor	2:29
4.4	Weihnachtsoratorium, BWV 248: Part IV: Feast of Circumcision. No. 39 Aria: “Flößt, mein Heiland, flößt dein Namen” (soprano)	Christine Schäfer	6:01
4.5	Weihnachtsoratorium, BWV 248: Part IV: Feast of Circumcision. No. 40 Recitative: “Wohlan, dein Name soll allein” (bass) / & Chorale: “Jesu, meine Freud und Wonne”	Christine Schäfer, Christian Gerhaher, Arnold Schoenberg Chor	1:29
4.6	Weihnachtsoratorium, BWV 248: Part IV: Feast of Circumcision. No. 41 Aria: “Ich will nur dir zu Ehren leben” (tenor)	Werner Güra	4:52
4.7	Weihnachtsoratorium, BWV 248: Part IV: Feast of Circumcision. No. 42 Chorale: “Jesus richte mein Beginnen”	Arnold Schoenberg Chor	2:04
4.8	Weihnachtsoratorium, BWV 248: Part V: For the Sunday after New Year. No. 43 Chorus: “Ehre sei dir, Gott, gesungen”	Arnold Schoenberg Chor	7:29
4.9	Weihnachtsoratorium, BWV 248: Part V: For the Sunday after New Year. No. 44 Recitative: “Da Jesus geboren war zu Bethlehem” (tenor)	Werner Güra	0:23
4.10	Weihnachtsoratorium, BWV 248: Part V: For the Sunday after New Year. No. 45 Chorus: “Wo ist der neugeborne König der Jüden?” / & Recitative: “Sucht ihn in meiner Brust” (alto)	Arnold Schoenberg Chor	1:43
4.11	Weihnachtsoratorium, BWV 248: Part V: For the Sunday after New Year. No. 46 Chorale: “Dein Glanz all Finsternis verzehrt”	Arnold Schoenberg Chor	0:56
4.12	Weihnachtsoratorium, BWV 248: Part V: For the Sunday after New Year. No. 47 Aria: “Erleucht auch meine finstre Sinnen” (bass)	Christian Gerhaher	4:23
4.13	Weihnachtsoratorium, BWV 248: Part V: For the Sunday after New Year. No. 48 Recitative: “Da das der König Herodes hörte” (tenor)	Werner Güra	0:12
4.14	Weihnachtsoratorium, BWV 248: Part V: For the Sunday after New Year. No. 49 Recitative: “Warum wollt ihr erschrecken?” (alto)	Bernarda Fink	0:33
4.15	Weihnachtsoratorium, BWV 248: Part V: For the Sunday after New Year. No. 50 Recitative: “Und ließ versammlen alle Hohepriester” (tenor)	Werner Güra	1:15
4.16	Weihnachtsoratorium, BWV 248: Part V: For the Sunday after New Year. No. 51 Trio: “Ach, wenn wird die Zeit erscheinen?” (soprano, alto, tenor)	Christine Schäfer, Bernarda Fink, Werner Güra	5:26
4.17	Weihnachtsoratorium, BWV 248: Part V: For the Sunday after New Year. No. 52 Recitative: “Mein Liebster herrschet schon” (alto)	Bernarda Fink	0:25
4.18	Weihnachtsoratorium, BWV 248: Part V: For the Sunday after New Year. No. 53 Chorale: “Zwar ist solche Herzensstube”	Arnold Schoenberg Chor	1:08
4.19	Weihnachtsoratorium, BWV 248: Part VI: For the Feast of Epiphany. No. 54 Chorus: “Herr, wenn die stolzen Feinde schnauben”	Arnold Schoenberg Chor	5:24
4.20	Weihnachtsoratorium, BWV 248: Part VI: For the Feast of Epiphany. No. 55 Recitative: “Da bereif Herodes die Weisen” (tenor, bass)	Werner Güra, Christian Gerhaher	0:40
4.21	Weihnachtsoratorium, BWV 248: Part VI: For the Feast of Epiphany. No. 56 Recitative: “Du Falscher, suche nur den Herrn zu fällen” (soprano)	Christine Schäfer	0:53
4.22	Weihnachtsoratorium, BWV 248: Part VI: For the Feast of Epiphany. No. 57 Aria: “Nur ein Wink von seinen Händen” (soprano)	Christine Schäfer	4:31
4.23	Weihnachtsoratorium, BWV 248: Part VI: For the Feast of Epiphany. No. 58 Recitative: “Als sie nun den König gehöret hatten” (tenor)	Werner Güra	1:10
4.24	Weihnachtsoratorium, BWV 248: Part VI: For the Feast of Epiphany. No. 59 Chorale: “Ich steh an deiner Krippen hier”	Arnold Schoenberg Chor	1:10
4.25	Weihnachtsoratorium, BWV 248: Part VI: For the Feast of Epiphany. No. 60 Recitative: “Und Gott befahl ihnen im Traum” (tenor)	Werner Güra	0:20
4.26	Weihnachtsoratorium, BWV 248: Part VI: For the Feast of Epiphany. No. 61 Recitative: “So geht! Genug, mein Schatz geht nicht von hier” (tenor)	Werner Güra	1:53
4.27	Weihnachtsoratorium, BWV 248: Part VI: For the Feast of Epiphany. No. 62 Aria: “Nun mögt ihr stolzen Feinde schrecken” (tenor)	Werner Güra	4:41
4.28	Weihnachtsoratorium, BWV 248: Part VI: For the Feast of Epiphany. No. 63 Recitative: “Was will der Höllen Schrecken nun” (soprano, alto, tenor, bass)	Christine Schäfer, Bernarda Fink, Werner Güra, Christian Gerhaher	0:34
4.29	Weihnachtsoratorium, BWV 248: Part VI: For the Feast of Epiphany. No. 64 Chorale: “Nun seid ihr wohl gerochen”	Arnold Schoenberg Chor	3:24
5.1	Timotheus oder Die Gewalt der Musik: Part I. No. 1 Overture	George Frideric Handel	7:01
5.2	Timotheus oder Die Gewalt der Musik: Part I. No. 2 Recitative: “Am königlichen Feste” (tenor)	Werner Güra	1:04
5.3	Timotheus oder Die Gewalt der Musik: Part I. No. 3 Aria & Chorus: “Selig, selig, selig Paar!” (tenor)	Singverein der Gesellschaft der Musikfreunde Wien, Werner Güra	5:53
5.4	Timotheus oder Die Gewalt der Musik: Part I. No. 4 Recitative: “Der Sänger ragt hervor” (tenor)	Werner Güra	0:27
5.5	Timotheus oder Die Gewalt der Musik: Part I. No. 5 Accompagnato: “Das Lied begann vom Zeus” (soprano)	Roberta Invernizzi	1:01
5.6	Timotheus oder Die Gewalt der Musik: Part I. No. 6 Chorus: “Den stillen Trupp entzückt das hohe Lied”	Singverein der Gesellschaft der Musikfreunde Wien	2:33
5.7	Timotheus oder Die Gewalt der Musik: Part I. No. 7 Aria: “Der König horcht mit stolzem Ohr” (soprano)	Roberta Invernizzi	3:55
5.8	Timotheus oder Die Gewalt der Musik: Part I. No. 8 Recitative: “Des Bacchus Lob stimmt nun der süße Künstler an” (bass)	Gerald Finley	0:48
5.9	Timotheus oder Die Gewalt der Musik: Part I. No. 9 Aria & Chorus: “Bacchus, ewig jung und schön” (bass)	Singverein der Gesellschaft der Musikfreunde Wien, Gerald Finley	4:53
5.10	Timotheus oder Die Gewalt der Musik: Part I. No. 10 Recitative: “Siegprangend fühlt der Held das Lied!” (tenor)	Werner Güra	0:48
5.11	Timotheus oder Die Gewalt der Musik: Part I. No. 11 Accompagnato: “Nun flößt sein Tauerton” (soprano)	Roberta Invernizzi	1:21
5.12	Timotheus oder Die Gewalt der Musik: Part I. No. 12 Aria: “Er sang den Perser groß und gut” (soprano)	Roberta Invernizzi	3:10
5.13	Timotheus oder Die Gewalt der Musik: Part I. No. 13 Accompagnato: “Gesenkt das Haupt, sitzt traurig da der Held” (soprano)	Roberta Invernizzi	1:20
5.14	Timotheus oder Die Gewalt der Musik: Part I. No. 14 Chorus: “Seht an den Perser, groß und gut”	Singverein der Gesellschaft der Musikfreunde Wien	2:51
5.15	Timotheus oder Die Gewalt der Musik: Part I. No. 15 Recitative: “Der Meister lächelt, weil er sieht” (soprano)	Roberta Invernizzi	0:35
5.16	Timotheus oder Die Gewalt der Musik: Part I. No. 16 Arioso: “Töne sanft, du lydisch Brautlied!” (soprano)	Roberta Invernizzi	3:32
5.17	Timotheus oder Die Gewalt der Musik: Part I. No. 17 Aria: “Krieg, o Held, ist Sort und Arbeit” (tenor)	Werner Güra	5:05
5.18	Timotheus oder Die Gewalt der Musik: Part I. No. 18 Chorus: “Die ganze Schar erhebt ein Lobgeschrei”	Singverein der Gesellschaft der Musikfreunde Wien	4:34
5.19	Timotheus oder Die Gewalt der Musik: Part I. No. 19 Aria: “Der Held, der seine Glut umsonst verhehlt” (soprano)	Roberta Invernizzi	6:43
5.20	Timotheus oder Die Gewalt der Musik: Part I. No. 20 Chorus da capo: “Die ganze Schar erhebt ein Lobgeschrei”	Singverein der Gesellschaft der Musikfreunde Wien	5:02
6.1	Timotheus oder Die Gewalt der Musik: Part II. Speech by Nikolaus Harnoncourt / Audience singalong	Nikolaus Harnoncourt	6:00
6.2	Timotheus oder Die Gewalt der Musik: Part II. No. 20 Accompagnato: “Erschalle, goldnes Saitenspiel” (tenor) / Chorus: “Brich die Bande seines Schlummers” / Accompagnato: “Sieh da! Der Donneschlag hat ihn aufgeschreckt” (tenor)	Singverein der Gesellschaft der Musikfreunde Wien, Werner Güra	4:59
6.3	Timotheus oder Die Gewalt der Musik: Part II. No. 21 Aria: “Gib Rach'!” (bass)	Gerald Finley	8:26
6.4	Timotheus oder Die Gewalt der Musik: Part II. No. 22 Accompagnato: “Rache, Rache gib deinem wackren Heer!” (tenor)	Werner Güra	1:44
6.5	Timotheus oder Die Gewalt der Musik: Part II. No. 23 Aria: “Es jauchzen die Krieger” (tenor)	Werner Güra	2:15
6.6	Timotheus oder Die Gewalt der Musik: Part II. No. 24 Aria: “Thais führt ihn an” (soprano) / Chorus: “Die Krieger, sie jauchzen”	Singverein der Gesellschaft der Musikfreunde Wien, Roberta Invernizzi	5:24
6.7	Timotheus oder Die Gewalt der Musik: Part II. No. 25 Accompagnato: “So stimmte vor” (tenor) / Chorus: “Vom Himmel kam Caecilia”	Singverein der Gesellschaft der Musikfreunde Wien, Werner Güra	6:31
6.8	Timotheus oder Die Gewalt der Musik: Part II. No. 26 Recitative: “Timotheus, entsag dem Preis!” (tenor, bass)	Gerald Finley, Werner Güra	0:25
6.9	Timotheus oder Die Gewalt der Musik: Part II. No. 27 Soloists & Chorus: “Timotheus, entsag dem Preis!”	Singverein der Gesellschaft der Musikfreunde Wien, Gerald Finley, Roberta Invernizzi, Werner Güra, Wolfgang Adler	5:06
7.1	Messiah: Part I. No. 1 Sinfonia: Grave - Allegro moderato	George Frideric Handel	3:20
7.2	Messiah: Part I. No. 2 Accompagnato: “Comfort ye my people” (tenor)	Michael Schade	3:04
7.3	Messiah: Part I. No. 3 Air: “Ev'ry valley shall be exalted” (tenor)	Michael Schade	3:48
7.4	Messiah: Part I. No. 4 Chorus “And the glory of the Lord”	Arnold Schoenberg Chor	2:33
7.5	Messiah: Part I. No. 5 Accompagnato: “Thus saith the Lord” (bass)	Gerald Finley	1:33
7.6	Messiah: Part I. No. 6 Air: “But who may abide the day of His coming” (alto)	Gerald Finley	4:09
7.7	Messiah: Part I. No. 7 Chorus “And He shall purify” / Recitative: “Behold, a virgin shall conceive” (alto)	Arnold Schoenberg Chor	3:18
7.8	Messiah: Part I. No. 8 Air: “O thou that tellest good tidings to Zion” (alto, chorus)	Anna Larsson, Arnold Schoenberg Chor	5:49
7.9	Messiah: Part I. No. 9 Accompagnato: “For behold, darkness shall cover the earth” (bass)	Gerald Finley	1:53
7.10	Messiah: Part I. No. 10 Air: “The people that walked in darkness” (bass)	Gerald Finley	3:24
7.11	Messiah: Part I. No. 11 Chorus: “For unto us a Child is born”	Arnold Schoenberg Chor	4:53
7.12	Messiah: Part I. No. 12 Pifa - Recitative: “There were shepherds” (soprano)	Christine Schäfer	1:04
7.13	Messiah: Part I. No. 13 Accompagnato: “And lo! the angel of the Lord came upon them” (soprano) / Recitative: “And the angel said unto them” (soprano)	Christine Schäfer	1:04
7.14	Messiah: Part I. No. 14 Accompagnato: “And suddenly there was with the angel” (soprano)	Christine Schäfer	0:16
7.15	Messiah: Part I. No. 15 Chorus: “Glory to God in the highest”	Arnold Schoenberg Chor	2:12
7.16	Messiah: Part I. No. 16 Air: “Rejoice greatly, O daughter of Zion” (soprano) / Recitative: “Then shall the eyes of the blind” (alto)	Christine Schäfer, Anna Larsson	5:17
7.17	Messiah: Part I. No. 17 Duet: “He shall feed His flock” (alto, soprano)	Christine Schäfer, Anna Larsson	5:34
7.18	Messiah: Part I. No. 18 Chorus: “His yoke is easy”	Arnold Schoenberg Chor	3:00
7.19	Messiah: Part II. No. 19 Chorus: “Behold the Lamb of God”	Arnold Schoenberg Chor	2:47
7.20	Messiah: Part II. No. 20 Air: “He was despised” (alto)	Anna Larsson	10:44
8.1	Messiah: Part II. No. 21 Chorus: “Surely He hath borne our griefs”	Arnold Schoenberg Chor	2:02
8.2	Messiah: Part II. No. 22 Chorus: “And with His stripes we are healed”	Arnold Schoenberg Chor	1:50
8.3	Messiah: Part II. No. 23 Chorus: “All we like sheep have gone astray”	Arnold Schoenberg Chor	3:40
8.4	Messiah: Part II. No. 24 Accompagnato: “All they that see Him, laugh Him to scorn” (tenor)	Michael Schade	0:43
8.5	Messiah: Part II. No. 25 Chorus: “He trusted in God”	Arnold Schoenberg Chor	2:21
8.6	Messiah: Part II. No. 26 Accompagnato: “Thy rebuke hath broken His heart” (soprano)	Michael Schade	1:39
8.7	Messiah: Part II. No. 27 Arioso: “Behold, and see if there be any sorrow” (soprano)	Michael Schade	1:18
8.8	Messiah: Part II. No. 28 Accompagnato: “He was cut off out of the land of the living” (tenor)	Christine Schäfer	0:22
8.9	Messiah: Part II. No. 29 Air: “But Thou didst not leave” (tenor)	Christine Schäfer	2:17
8.10	Messiah: Part II. No. 30 Chorus: “Lift up your heads, O ye gates” / Recitative: “Unto which of the angels” (tenor)	Michael Schade, Arnold Schoenberg Chor	3:22
8.11	Messiah: Part II. No. 31 Chorus: “Let all the angels of God worship Him”	Arnold Schoenberg Chor	1:37
8.12	Messiah: Part II. No. 32 Air: “Thou art gone up on high” (alto)	Gerald Finley	3:09
8.13	Messiah: Part II. No. 33 Chorus: “The Lord gave the word”	Arnold Schoenberg Chor	1:16
8.14	Messiah: Part II. No. 34a Air: “How beautiful are the feet” (soprano)	Christine Schäfer, Anna Larsson, Arnold Schoenberg Chor	2:01
8.15	Messiah: Part II. No. 35a Chorus: “Their sound is gone out”	Arnold Schoenberg Chor	1:19
8.16	Messiah: Part II. No. 36 Air: “Why do the nations so furiously rage together?” (bass)	Gerald Finley	2:57
8.17	Messiah: Part II. No. 37 Chorus: “Let us break their bonds asunder” / Recitative: “He that dwelleth in Heaven” (tenor)	Michael Schade, Arnold Schoenberg Chor	1:59
8.18	Messiah: Part II. No. 38 Air: “Thou shalt break them” (tenor)	Michael Schade	2:05
8.19	Messiah: Part II. No. 39 Chorus: “Hallelujah!”	Arnold Schoenberg Chor	4:06
8.20	Messiah: Part III. No. 40 Air: “I know that my Redeemer liveth” (soprano)	Christine Schäfer	5:57
8.21	Messiah: Part III. No. 41 Chorus: “Since by man came death”	Arnold Schoenberg Chor	1:46
8.22	Messiah: Part III. No. 42 Accompagnato: “Behold, I tell you a mystery” (bass)	Gerald Finley	0:41
8.23	Messiah: Part III. No. 43 Air: “The trumpet shall sound” (bass)	Gerald Finley, Anna Larsson	8:36
8.24	Messiah: Part III. No. 43 Recitative: “Then shall be brought to pass” (alto) / No. 44 Duet: “O death, where is they sting?” (alto, tenor)	Michael Schade, Anna Larsson	0:58
8.25	Messiah: Part III. No. 45 Chorus: “But thanks be to God”	Arnold Schoenberg Chor	2:08
8.26	Messiah: Part III. No. 46 Air: “If God be for us” (soprano)	Christine Schäfer	4:46
8.27	Messiah: Part III. No. 47 Chorus: “Worthy is the Lamb”	Arnold Schoenberg Chor	6:40
9.1	Orlando Paladino, Hob. XXVIII:11: Act I. No. 1 Sinfonia	Joseph Haydn	3:43
9.2	Orlando Paladino, Hob. XXVIII:11: Act I. No. 2 Introduction: “Il lavorar l'è pur la brutta cosa” (Eurilla, Licone, Rodomonte)	Christian Gerhaher, Johannes Kalpers, Malin Hartelius	3:04
9.3	Orlando Paladino, Hob. XXVIII:11: Act I. No. 3 Recitative: “Presto rispondi, indegno” (Eurilla, Rodomonte, Licone)	Christian Gerhaher, Johannes Kalpers, Malin Hartelius	1:10
9.4	Orlando Paladino, Hob. XXVIII:11: Act I. No. 4 Aria: “Ah se dire io vi potessi” (Eurilla)	Malin Hartelius	3:19
9.5	Orlando Paladino, Hob. XXVIII:11: Act I. No. 5 Recitative: “Non perdiamo più tempo” (Rodomonte, Licone)	Christian Gerhaher, Johannes Kalpers	0:18
9.6	Orlando Paladino, Hob. XXVIII:11: Act I. No. 6 Aria: “Temerario! Senti e trema” (Rodomonte)	Christian Gerhaher	3:21
9.7	Orlando Paladino, Hob. XXVIII:11: Act I. No. 7 Cavatina: “Palpita ad ogni istante il povero mio cor” (Angelica)	Patricia Petibon	4:45
9.8	Orlando Paladino, Hob. XXVIII:11: Act I. No. 8 Recitative: “Poco di me mi cal, ma per Medoro” (Angelica)	Patricia Petibon	0:35
9.9	Orlando Paladino, Hob. XXVIII:11: Act I. No. 9 Sinfonia	Joseph Haydn	0:27
9.10	Orlando Paladino, Hob. XXVIII:11: Act I. No. 10 Recitative: “Che fami dalla fata?” (Alcina, Angelica)	Patricia Petibon, Elisabeth von Magnus	0:42
9.11	Orlando Paladino, Hob. XXVIII:11: Act I. No. 11 Aria: “Ad un guardo” (Alcina)	Elisabeth von Magnus	4:02
9.12	Orlando Paladino, Hob. XXVIII:11: Act I. No. 12 Recitative: “D'Alcina i detti mi consolano il cuore” (Angelica, Medoro)	Patricia Petibon, Werner Güra	0:44
9.13	Orlando Paladino, Hob. XXVIII:11: Act I. No. 13 Aria: “Parto. Ma, oh dio, non posso” (Medoro)	Werner Güra	6:11
9.14	Orlando Paladino, Hob. XXVIII:11: Act I. No. 14 Recitative: “Col mio Medoro accanto” (Angelica)	Patricia Petibon	0:17
9.15	Orlando Paladino, Hob. XXVIII:11: Act I. No. 15 Cavatina: “La mia bella m'ha detto di no” (Pasquale)	Markus Schäfer	1:21
9.16	Orlando Paladino, Hob. XXVIII:11: Act I. No. 16 Recitative: “Pasquale disgraziato” (Pasquale, Rodomonte, Eurilla)	Markus Schäfer, Christian Gerhaher, Malin Hartelius	1:44
9.17	Orlando Paladino, Hob. XXVIII:11: Act I. No. 17 Aria: “Ho viaggiato in Francia, in Spagna” (Pasquale)	Markus Schäfer	3:24
9.18	Orlando Paladino, Hob. XXVIII:11: Act I. No. 18 Recitative: “Si, regina, ho deciso” (Medoro, Angelica)	Patricia Petibon, Werner Güra	0:47
9.19	Orlando Paladino, Hob. XXVIII:11: Act I. No. 19 Aria: “Non partir, mia bella face” (Angelica)	Patricia Petibon	5:20
9.20	Orlando Paladino, Hob. XXVIII:11: Act I. No. 20 Recitative: “In odio al mio bel nume” (Medoro)	Werner Güra	0:17
9.21	Orlando Paladino, Hob. XXVIII:11: Act I. No. 21 Accompanied Recitative: “Angelica, mio ben” (Orlando)	Michael Schade	4:36
9.22	Orlando Paladino, Hob. XXVIII:11: Act I. No. 22 Aria: “D'Angelica il nome!” (Orlando)	Michael Schade	3:45
9.23	Orlando Paladino, Hob. XXVIII:11: Act I. No. 23 Recitative: “Ove si cela il furibondo Orlando?” (Rodomonte, Pasquale, Orlando, Eurilla)	Michael Schade, Markus Schäfer, Christian Gerhaher, Malin Hartelius	0:45
9.24	Orlando Paladino, Hob. XXVIII:11: Act I. No. 24 Finale I: “Presto rispondi, indegna” (Orlando)	Michael Schade	1:43
9.25	Orlando Paladino, Hob. XXVIII:11: Act I. Adagio: “Sento nel seno, oh dio” (Angelica, tutti)	Patricia Petibon	3:42
9.26	Orlando Paladino, Hob. XXVIII:11: Act I. Adagio: “Chi mi salva o tien nascoso” (Medoro, Angelica, tutti)	Patricia Petibon, Werner Güra	8:15
10.1	Orlando Paladino, Hob. XXVIII:11: Act II. No. 25 Recitative: “Stringi tosto quel brando” (Rodomonte, Orlando)	Michael Schade, Christian Gerhaher	0:18
10.2	Orlando Paladino, Hob. XXVIII:11: Act II. No. 26 Aria: “Mille lampi d'accese faville” (Rodomonte)	Christian Gerhaher	2:13
10.3	Orlando Paladino, Hob. XXVIII:11: Act II. No. 27 Recitative: “In questo solitario orrido luogo” (Medoro, Eurilla)	Werner Güra, Malin Hartelius	0:49
10.4	Orlando Paladino, Hob. XXVIII:11: Act II. No. 28 Aria: “Dille che un infelice” (Medoro)	Werner Güra	5:02
10.5	Orlando Paladino, Hob. XXVIII:11: Act II. No. 29 Recitative: “Sembra costui Pasquale” (Eurilla)	Malin Hartelius	0:18
10.6	Orlando Paladino, Hob. XXVIII:11: Act II. No. 30 Cavatina: “Vittoria, vittoria!” (Pasquale)	Markus Schäfer	1:50
10.7	Orlando Paladino, Hob. XXVIII:11: Act II. No. 31 Recitative: “Vuo' divertirmi” - “Aiuto, per pietà!” (Eurilla, Pasquale)	Markus Schäfer, Malin Hartelius	1:22
10.8	Orlando Paladino, Hob. XXVIII:11: Act II. No. 32 Duet: “Quel tuo visetto amabile” (Eurilla, Pasquale)	Markus Schäfer, Malin Hartelius	3:29
10.9	Orlando Paladino, Hob. XXVIII:11: Act II. No. 33 Aria: “Aure chete, verdi allori” (Angelica)	Patricia Petibon	5:31
10.10	Orlando Paladino, Hob. XXVIII:11: Act II. No. 34 Recitative: “Inutili saran del paladino” (Alcina)	Elisabeth von Magnus	0:34
10.11	Orlando Paladino, Hob. XXVIII:11: Act II. No. 35 Recitative accompagnato: “Fra queste selve invan” (Angelica, Medoro)	Patricia Petibon, Werner Güra	5:18
10.12	Orlando Paladino, Hob. XXVIII:11: Act II. No. 36 Duet: “Qual contento io provo in seno” (Medoro, Angelica)	Patricia Petibon, Werner Güra	3:48
10.13	Orlando Paladino, Hob. XXVIII:11: Act II. No. 37 Recitative: “Partiam, giacché n'arride” (Angelica, Medoro, Orlando, Alcina)	Patricia Petibon, Werner Güra, Michael Schade, Elisabeth von Magnus	3:11
10.14	Orlando Paladino, Hob. XXVIII:11: Act II. No. 38 Accompanied Recitative: “Oimè, qual tetro oggetto!” - Aria: “Cosa vedo! Cosa sento” (Orlando)	Michael Schade	3:16
10.15	Orlando Paladino, Hob. XXVIII:11: Act II. No. 39 Recitative: “Madama, al vostro bello di quel grugno” (Pasquale, Eurilla)	Markus Schäfer, Malin Hartelius	0:58
10.16	Orlando Paladino, Hob. XXVIII:11: Act II. No. 40 Aria: “Ecco spiano. Ecco il mio trillo” (Pasquale)	Markus Schäfer	4:12
10.17	Orlando Paladino, Hob. XXVIII:11: Act II. No. 41 Recitative: “Angelica dov'è?” (Rodomonte, Alcina)	Christian Gerhaher, Elisabeth von Magnus	1:11
10.18	Orlando Paladino, Hob. XXVIII:11: Act II. No. 42 Finale II: “Nel solitario speco” (tutti)	Joseph Haydn	11:52
10.19	Orlando Paladino, Hob. XXVIII:11: Act III. No. 43 Aria: “Ombre insepolte, di qua partite” (Caronte)	Florian Boesch	2:17
10.20	Orlando Paladino, Hob. XXVIII:11: Act III. No. 44 Recitative: “Con l'oblivione ti comando” (Alcina, Caronte)	Elisabeth von Magnus, Florian Boesch	0:35
10.21	Orlando Paladino, Hob. XXVIII:11: Act III. No. 45 Accompanied Recitative: “Sogno? Veglio?” (Orlando)	Michael Schade	3:07
10.22	Orlando Paladino, Hob. XXVIII:11: Act III. No. 46 Aria: “Miei pensieri, dove siete?” (Orlando)	Michael Schade	3:14
10.23	Orlando Paladino, Hob. XXVIII:11: Act III. No. 47 Accompanied Recitative: “L'irremeabil onda” (Caronte, Orlando)	Michael Schade, Florian Boesch	0:29
10.24	Orlando Paladino, Hob. XXVIII:11: Act III. No. 48 Recitative: “Oimè. Già il sangue” (Medoro, Angelica, Orlando, Rodomonte)	Patricia Petibon, Werner Güra, Michael Schade, Christian Gerhaher	0:43
10.25	Orlando Paladino, Hob. XXVIII:11: Act III. No. 49 Combattimento	Joseph Haydn	1:04
10.26	Orlando Paladino, Hob. XXVIII:11: Act III. No. 50 Accompanied Recitative: “Implacabili numil” (Angelica)	Patricia Petibon	4:29
10.27	Orlando Paladino, Hob. XXVIII:11: Act III. No. 51 Aria: “Dell'estreme sue voci dolenti”	Joseph Haydn	2:47
10.28	Orlando Paladino, Hob. XXVIII:11: Act III. No. 52 Recitative: “Il tuo Medoro fu già risanato” (Alcina, tutti)	Elisabeth von Magnus	1:28
10.29	Orlando Paladino, Hob. XXVIII:11: Act III. No. 53 Chorus: “Son confuso e stupefatto” (Orlando, tutti)	Michael Schade	2:54
11.1	Symphony no. 82 in C major “The Bear”, Hob. I:82: I. Vivace (assai)	Joseph Haydn	12:06
11.2	Symphony no. 82 in C major “The Bear”, Hob. I:82: II. Allegretto	Joseph Haydn	7:46
11.3	Symphony no. 82 in C major “The Bear”, Hob. I:82: III. Menuetto - Trio	Joseph Haydn	4:53
11.4	Symphony no. 82 in C major “The Bear”, Hob. I:82: IV. Finale. Vivace (assai)	Joseph Haydn	8:11
11.5	Symphony no. 83 in G minor “The Hen”, Hob. I:83: I. Allegro spiritoso	Joseph Haydn	10:45
11.6	Symphony no. 83 in G minor “The Hen”, Hob. I:83: II. Andante	Joseph Haydn	11:01
11.7	Symphony no. 83 in G minor “The Hen”, Hob. I:83: III. Menuetto. Allegretto - Trio	Joseph Haydn	3:54
11.8	Symphony no. 83 in G minor “The Hen”, Hob. I:83: IV. Finale. Vivace	Joseph Haydn	5:42
12.1	Symphony no. 84 in E-flat major, Hob. I:84: I. Largo - Allegro	Joseph Haydn	12:45
12.2	Symphony no. 84 in E-flat major, Hob. I:84: II. Andante	Joseph Haydn	6:32
12.3	Symphony no. 84 in E-flat major, Hob. I:84: III. Menuetto. Allegretto - Trio	Joseph Haydn	3:50
12.4	Symphony no. 84 in E-flat major, Hob. I:84: IV. Finale. Vivace	Joseph Haydn	9:23
12.5	Symphony no. 85 in B-flat major “The Queen”, Hob. I:85: I. Adagio - Vivace	Joseph Haydn	12:47
12.6	Symphony no. 85 in B-flat major “The Queen”, Hob. I:85: II. Romance. Allegretto	Joseph Haydn	6:47
12.7	Symphony no. 85 in B-flat major “The Queen”, Hob. I:85: III. Menuetto. Allegretto - Trio	Joseph Haydn	4:32
12.8	Symphony no. 85 in B-flat major “The Queen”, Hob. I:85: IV. Finale. Presto	Joseph Haydn	3:11
13.1	Symphony no. 86 in D major, Hob. I:86 (1786): I. Adagio - Allegro spiritoso	Joseph Haydn	12:35
13.2	Symphony no. 86 in D major, Hob. I:86 (1786): II. Capriccio. Largo	Joseph Haydn	6:47
13.3	Symphony no. 86 in D major, Hob. I:86 (1786): III. Menuet. Allegretto - Trio	Joseph Haydn	5:40
13.4	Symphony no. 86 in D major, Hob. I:86 (1786): IV. Finale. Allegro con spirito	Joseph Haydn	6:36
13.5	Symphony no. 87 in A major, Hob. I:87 (1785): I. Vivace	Joseph Haydn	11:17
13.6	Symphony no. 87 in A major, Hob. I:87 (1785): II. Adagio	Joseph Haydn	7:18
13.7	Symphony no. 87 in A major, Hob. I:87 (1785): III. Menuet - Trio	Joseph Haydn	4:56
13.8	Symphony no. 87 in A major, Hob. I:87 (1785): IV. Finale. Vivace	Joseph Haydn	6:31
14.1	Die Schöpfung, Hob. XXI:2: Part I. The Representation of Chaos	Joseph Haydn	5:40
14.2	Die Schöpfung, Hob. XXI:2: Part I. Recitative: “Im Anfange schuf Gott Himmel und Erde” (Raphael) - Chorus: “Und der Geist Gottes”	Christian Gerhaher, Arnold Schoenberg Chor	2:31
14.3	Die Schöpfung, Hob. XXI:2: Part I. Aria: “Nun Schwanden vor dem heiligen Strahle” (Uriel) / Chorus: “Verzweiflung, Wut und Schrecken”	Michael Schade, Arnold Schoenberg Chor	4:06
14.4	Die Schöpfung, Hob. XXI:2: Part I. Recitative: “Und Gott machte das Firmament” (Raphael)	Christian Gerhaher	2:13
14.5	Die Schöpfung, Hob. XXI:2: Part I. Soprano solo: “Mit Staunen sieht das Wunderwerk” (Gabriel) / Chorus: “Und laut ertönt aus ihren Kehlen...”	Dorothea Röschmann, Arnold Schoenberg Chor	2:16
14.6	Die Schöpfung, Hob. XXI:2: Part I. Recitative: “Und Gott sprach: Es sammle sich das Wasser” (Raphael)	Christian Gerhaher	0:42
14.7	Die Schöpfung, Hob. XXI:2: Part I. Aria: “Rollend in schäumenden Wellen” (Raphael)	Christian Gerhaher	4:03
14.8	Die Schöpfung, Hob. XXI:2: Part I. Recitative: “Und Gott sprach: Es bringe die Erde Gras hervor” (Gabriel)	Dorothea Röschmann	0:36
14.9	Die Schöpfung, Hob. XXI:2: Part I. Aria: “Nun beut die Flur das frische Grün” (Gabriel)	Dorothea Röschmann	5:19
14.10	Die Schöpfung, Hob. XXI:2: Part I. Recitative: “Und die himmlischen Heerscharen verkündigten den dritten Tag” (Uriel)	Michael Schade	0:15
14.11	Die Schöpfung, Hob. XXI:2: Part I. Chorus: “Stimmt an die Saiten, ergreift die Leyer!”	Arnold Schoenberg Chor	2:18
14.12	Die Schöpfung, Hob. XXI:2: Part I. Recitative: “Und Gott sprach: Es sei'n Lichter an der Feste des Himmels” (Uriel)	Michael Schade	0:48
14.13	Die Schöpfung, Hob. XXI:2: Part I. Recitative: “In vollem Glanze steiget jetzt die Sonne strahlend auf” (Uriel)	Michael Schade	3:16
14.14	Die Schöpfung, Hob. XXI:2: Part I. Chorus: “Die Himmel erzählen die Ehre Gottes” / Trio: “Dem kommenden Tage sagt es der Tag” (Gabriel, Uriel, Raphael)	Michael Schade, Dorothea Röschmann, Christian Gerhaher, Arnold Schoenberg Chor	4:25
15.1	Die Schöpfung, Hob. XXI:2: Part II. Recitative: “Und Gott sprach: Es bringe das Wasser in der Fülle hervor” (Gabriel)	Dorothea Röschmann	0:31
15.2	Die Schöpfung, Hob. XXI:2: Part II. Aria: “Auf starkem Fittige schwinget sich der Adler stolz” (Gabriel)	Dorothea Röschmann	7:48
15.3	Die Schöpfung, Hob. XXI:2: Part II. Recitative: “Und Gott schuf große Walfische” (Raphael)	Christian Gerhaher	2:12
15.4	Die Schöpfung, Hob. XXI:2: Part II. Recitative: “Und die Engel rührten ihr' unsterblichen Harrfen” (Raphael)	Christian Gerhaher	0:18
15.5	Die Schöpfung, Hob. XXI:2: Part II. Trio: “In holder Anmut stehn, mit jungem Grün geschmückt” (Gabriel, Uriel, Raphael) / Chorus: “Der Herr ist groß in siner Macht”	Michael Schade, Dorothea Röschmann, Christian Gerhaher, Arnold Schoenberg Chor	7:03
15.6	Die Schöpfung, Hob. XXI:2: Part II. Recitative: “Und Gott sprach: Es bringe die Erde hervor” (Raphael)	Christian Gerhaher	0:25
15.7	Die Schöpfung, Hob. XXI:2: Part II. Recitative: “Gleich öffnet sich der Erde Schoß” (Raphael)	Christian Gerhaher	3:11
15.8	Die Schöpfung, Hob. XXI:2: Part II. Aria: “Nun scheint in vollem Glanze der Himmel” (Raphael)	Christian Gerhaher	3:21
15.9	Die Schöpfung, Hob. XXI:2: Part II. Recitative: “Und Gott schuf den Menschen nach seinem Ebenbilde” (Uriel)	Michael Schade	0:48
15.10	Die Schöpfung, Hob. XXI:2: Part II. Aria: “Mit Würd' und Hoheit angetan” (Uriel)	Michael Schade	3:59
15.11	Die Schöpfung, Hob. XXI:2: Part II. Recitative: “Und Gott sah jedes Ding, was er gemacht hatte” (Raphael)	Christian Gerhaher	0:20
15.12	Die Schöpfung, Hob. XXI:2: Part II. Chorus: “Vollendet ist das große Werk” / Trio: “Zu dir, o Herr, blickt alles auf” (Gabriel, Uriel, Raphael)	Michael Schade, Dorothea Röschmann, Christian Gerhaher, Arnold Schoenberg Chor	9:18
15.13	Die Schöpfung, Hob. XXI:2: Part III. Recitative: “Aus Rosenwolken bricht, geweckt durch süßen Klang” (Uriel)	Michael Schade	3:56
15.14	Die Schöpfung, Hob. XXI:2: Part III. Duet: “Von deiner Güt', o Herr und Gott” (Adam, Eva) / Chorus: “Gesegnet sei des Herren Macht”	Dorothea Röschmann, Christian Gerhaher, Arnold Schoenberg Chor	10:21
15.15	Die Schöpfung, Hob. XXI:2: Part III. Recitative: “Nun ist die erste Pflicht erfüllt” (Adam, Eva)	Dorothea Röschmann, Christian Gerhaher	2:13
15.16	Die Schöpfung, Hob. XXI:2: Part III. Duet: “Holde Gattin! Dir zur Seite” (Adam, Eva)	Dorothea Röschmann, Christian Gerhaher	7:58
15.17	Die Schöpfung, Hob. XXI:2: Part III. Recitative: “O glücklich Paar, und glücklich immerfort” (Uriel)	Michael Schade	0:24
15.18	Die Schöpfung, Hob. XXI:2: Part III. Final Chorus & Soloists: “Singt dem Herren alle Stimmen!”	Michael Schade, Dorothea Röschmann, Christian Gerhaher, Arnold Schoenberg Chor	3:37
16.1	Die Jahreszeiten, Hob. XXI:3: Die Frühling. No. 1 Introduction - Recitative: “Seht, wie der strenge Winter flieht!” (Simon, Lukas, Hanne)	Werner Güra, Christian Gerhaher, Genia Kühmeier	6:06
16.2	Die Jahreszeiten, Hob. XXI:3: Die Frühling. No. 2 Chorus of Country People: “Komm, holder Lenz!”	Arnold Schoenberg Chor	3:53
16.3	Die Jahreszeiten, Hob. XXI:3: Die Frühling. No. 3 Recitative: “Vom Widder strahlet jetzt” (Simon)	Christian Gerhaher	0:30
16.4	Die Jahreszeiten, Hob. XXI:3: Die Frühling. No. 4 Aria: “Schon eilet froh der Ackermann” (Simon)	Christian Gerhaher	3:51
16.5	Die Jahreszeiten, Hob. XXI:3: Die Frühling. No. 5 Recitative: “Der Landmann hat sein Werk vollbracht” (Lukas)	Werner Güra	0:33
16.6	Die Jahreszeiten, Hob. XXI:3: Die Frühling. No. 6 Prayer of Supplication: Trio & Chorus: “Sei mir/uns nun gnädig, milder Himmel!”	Werner Güra, Christian Gerhaher, Genia Kühmeier, Arnold Schoenberg Chor	5:43
16.7	Die Jahreszeiten, Hob. XXI:3: Die Frühling. No. 7 Recitative: “Erhört ist unser Flehn” (Hanne)	Genia Kühmeier	1:08
16.8	Die Jahreszeiten, Hob. XXI:3: Die Frühling. No. 8 Song of Joy: “O wie lieblich ist der Anblick” (Hanne, Lukas, chorus, Simon)	Werner Güra, Christian Gerhaher, Genia Kühmeier, Arnold Schoenberg Chor	10:47
16.9	Die Jahreszeiten, Hob. XXI:3: Der Sommer: No. 9 Introduction - Recitative: “In grauem Schleier rückt heran” (Lukas, Simon)	Werner Güra, Christian Gerhaher	3:26
16.10	Die Jahreszeiten, Hob. XXI:3: Der Sommer: No. 10 Aria: “Der munt're Hirt versammelt nun” (Simon) / Recitative: “Die Morgenröte bricht hervor” (Hanne)	Christian Gerhaher, Genia Kühmeier	3:17
16.11	Die Jahreszeiten, Hob. XXI:3: Der Sommer: No. 11 Trio & Chorus: “Sie steigt herauf, die Sonne”	Werner Güra, Christian Gerhaher, Genia Kühmeier, Arnold Schoenberg Chor	4:40
16.12	Die Jahreszeiten, Hob. XXI:3: Der Sommer: No. 12 Recitative: “Nun regt und bewegt sich alles umher” (Simon, Lukas)	Werner Güra, Christian Gerhaher	1:48
16.13	Die Jahreszeiten, Hob. XXI:3: Der Sommer: No. 13 Cavatina: “Dem Druck erlieget die Natur” (Lukas)	Werner Güra	3:58
16.14	Die Jahreszeiten, Hob. XXI:3: Der Sommer: No. 14 Recitative: “Willkommen jetzt, o dunkler Hain” (Hanne)	Genia Kühmeier	3:47
16.15	Die Jahreszeiten, Hob. XXI:3: Der Sommer: No. 15 Aria: “Welche Labung für die Sinne!” (Hanne)	Genia Kühmeier	4:53
16.16	Die Jahreszeiten, Hob. XXI:3: Der Sommer: No. 16 Recitative: “O seht! Es steiget in der schwülen Luft” (Simon, Lukas, Hanne)	Werner Güra, Christian Gerhaher, Genia Kühmeier	2:21
16.17	Die Jahreszeiten, Hob. XXI:3: Der Sommer: No. 17 Chorus: “Ach! das Ungewitter naht!”	Arnold Schoenberg Chor	4:09
16.18	Die Jahreszeiten, Hob. XXI:3: Der Sommer: No. 18 Trio & Chorus: “Die düstren Wolken trennen sich”	Werner Güra, Christian Gerhaher, Genia Kühmeier, Arnold Schoenberg Chor	4:21
17.1	Die Jahreszeiten, Hob. XXI:3: Der Herbst: No. 19 Introduction: “Was durch deine Blüte” (Hanne, Lukas, Simon)	Werner Güra, Christian Gerhaher, Genia Kühmeier	2:21
17.2	Die Jahreszeiten, Hob. XXI:3: Der Herbst: No. 20 Trio & Chorus: “So lohnet die Natur den Fleiß”	Werner Güra, Christian Gerhaher, Genia Kühmeier, Arnold Schoenberg Chor	6:40
17.3	Die Jahreszeiten, Hob. XXI:3: Der Herbst: No. 21 Recitative: “Seht, wie zum Haselbusche dort” (Hanne, Simon, Lukas)	Werner Güra, Christian Gerhaher, Genia Kühmeier	1:00
17.4	Die Jahreszeiten, Hob. XXI:3: Der Herbst: No. 22 Duet: “Ihr Schönen aus der Stadt, kommt her” (Lukas, Hanne)	Werner Güra, Genia Kühmeier	8:30
17.5	Die Jahreszeiten, Hob. XXI:3: Der Herbst: No. 23 Recitative: “Nun zeiget das entblößte Feld” (Simon)	Christian Gerhaher	0:51
17.6	Die Jahreszeiten, Hob. XXI:3: Der Herbst: No. 24 Aria: “Seht auf die breiten Wiesen hin!”	Christian Gerhaher	3:15
17.7	Die Jahreszeiten, Hob. XXI:3: Der Herbst: No. 25 Recitative: “Hier treibt ein dichter Kreis” (Lukas)	Werner Güra	0:43
17.8	Die Jahreszeiten, Hob. XXI:3: Der Herbst: No. 26 Chorus of Country People and Hunters: “Hört! hört das laute Getön”	Arnold Schoenberg Chor	4:18
17.9	Die Jahreszeiten, Hob. XXI:3: Der Herbst: No. 27 Recitative: “Am Rebenstocke blinket jetzt” (Hanne, Simon, Lukas)	Werner Güra, Christian Gerhaher, Genia Kühmeier	0:57
17.10	Die Jahreszeiten, Hob. XXI:3: Der Herbst: No. 28 Chorus: “Juhe! Juhe! Der Wein ist da”	Arnold Schoenberg Chor	6:23
17.11	Die Jahreszeiten, Hob. XXI:3: Der Winter: No. 29 Introduction - Recitative: “Nun senket sich das blasse Jahr” (Simon, Hanne)	Christian Gerhaher, Genia Kühmeier	5:23
17.12	Die Jahreszeiten, Hob. XXI:3: Der Winter: No. 30 Cavatina: “Licht und Leben sind geschwächet” (Hanne)	Genia Kühmeier	2:03
17.13	Die Jahreszeiten, Hob. XXI:3: Der Winter: No. 31 Recitative: “Gefesselt steht der breite See” (Lukas)	Werner Güra	1:54
17.14	Die Jahreszeiten, Hob. XXI:3: Der Winter: No. 32 Aria: “Hier steht der Wand'rer nun” (Lukas)	Werner Güra	3:47
17.15	Die Jahreszeiten, Hob. XXI:3: Der Winter: No. 33 Recitative: “Sowie er naht” (Lukas, Hanne, Simon)	Werner Güra, Christian Gerhaher, Genia Kühmeier	1:08
17.16	Die Jahreszeiten, Hob. XXI:3: Der Winter: No. 34 Song & Chorus: “Knurre, schnurre, knurre” (Hanne)	Genia Kühmeier, Arnold Schoenberg Chor	2:51
17.17	Die Jahreszeiten, Hob. XXI:3: Der Winter: No. 35 Recitative: “Abgesponnen ist der Flachs” (Lukas)	Werner Güra	0:22
17.18	Die Jahreszeiten, Hob. XXI:3: Der Winter: No. 36 Song & Chorus: “Ein Mädchen, das auf Ehre hielt” (Hanne)	Genia Kühmeier, Arnold Schoenberg Chor	3:19
17.19	Die Jahreszeiten, Hob. XXI:3: Der Winter: No. 37 Recitative: “Von dürren Oste dringt” (Simon)	Christian Gerhaher	0:39
17.20	Die Jahreszeiten, Hob. XXI:3: Der Winter: No. 38 Aria: “Erblicke hier, betörter Mensch” (Simon)	Christian Gerhaher	4:53
17.21	Die Jahreszeiten, Hob. XXI:3: Der Winter: No. 39 Trio & Double Chorus: “Dann bricht der große Morgen an”	Werner Güra, Christian Gerhaher, Genia Kühmeier, Arnold Schoenberg Chor	6:14
18.1	Symphony no. 1 in E-flat major, K 16: I. Molto allegro	Wolfgang Amadeus Mozart	7:12
18.2	Symphony no. 1 in E-flat major, K 16: II. Andante	Wolfgang Amadeus Mozart	5:09
18.3	Symphony no. 1 in E-flat major, K 16: III. Presto	Wolfgang Amadeus Mozart	1:28
18.4	Symphony no. 4 in D major, K 19: I. Allegro	Wolfgang Amadeus Mozart	2:31
18.5	Symphony no. 4 in D major, K 19: II. Andante	Wolfgang Amadeus Mozart	3:49
18.6	Symphony no. 4 in D major, K 19: III. Presto	Wolfgang Amadeus Mozart	2:55
18.7	Symphony no. 4a in F major, K Anh 223 (19a): I. Allegro assai	Wolfgang Amadeus Mozart	5:55
18.8	Symphony no. 4a in F major, K Anh 223 (19a): II. Andante	Wolfgang Amadeus Mozart	4:39
18.9	Symphony no. 4a in F major, K Anh 223 (19a): III. Presto	Wolfgang Amadeus Mozart	2:21
18.10	Symphony no. 5 in B-flat major, K 22: I. Allegro	Wolfgang Amadeus Mozart	2:49
18.11	Symphony no. 5 in B-flat major, K 22: II. Andante	Wolfgang Amadeus Mozart	2:11
18.12	Symphony no. 5 in B-flat major, K 22: III. Molto allegro	Wolfgang Amadeus Mozart	1:14
18.13	Symphony no. 43 in F major, K 76 (42a): I. Allegro maestoso	Wolfgang Amadeus Mozart	4:53
18.14	Symphony no. 43 in F major, K 76 (42a): II. Andante	Wolfgang Amadeus Mozart	3:05
18.15	Symphony no. 43 in F major, K 76 (42a): III. Menuetto - Trio	Wolfgang Amadeus Mozart	3:16
18.16	Symphony no. 43 in F major, K 76 (42a): IV. Allegro	Wolfgang Amadeus Mozart	3:20
18.17	Symphony no. 6 in F major, K 43: I. Allegro	Wolfgang Amadeus Mozart	6:24
18.18	Symphony no. 6 in F major, K 43: II. Andante	Wolfgang Amadeus Mozart	5:59
18.19	Symphony no. 6 in F major, K 43: III. Menuetto - Trio	Wolfgang Amadeus Mozart	2:15
18.20	Symphony no. 6 in F major, K 43: IV. Allegro	Wolfgang Amadeus Mozart	3:49
19.1	Symphony no. 7a in G major “Alte Lambach”, K Anh 221 (45a): I. Allegro maestoso	Wolfgang Amadeus Mozart	5:30
19.2	Symphony no. 7a in G major “Alte Lambach”, K Anh 221 (45a): II. Andante	Wolfgang Amadeus Mozart	6:46
19.3	Symphony no. 7a in G major “Alte Lambach”, K Anh 221 (45a): III. Presto	Wolfgang Amadeus Mozart	2:21
19.4	Symphony no. 7 in D major, K 45: I. Molto allegro	Wolfgang Amadeus Mozart	2:36
19.5	Symphony no. 7 in D major, K 45: II. Andante	Wolfgang Amadeus Mozart	2:09
19.6	Symphony no. 7 in D major, K 45: III. Menuetto - Trio	Wolfgang Amadeus Mozart	3:52
19.7	Symphony no. 7 in D major, K 45: IV. Molto allegro	Wolfgang Amadeus Mozart	2:41
19.8	Symphony no. 55 in B-flat major, K Anh 214 (45b): I. Allegro	Wolfgang Amadeus Mozart	2:16
19.9	Symphony no. 55 in B-flat major, K Anh 214 (45b): II. Andante	Wolfgang Amadeus Mozart	3:31
19.10	Symphony no. 55 in B-flat major, K Anh 214 (45b): III. Menuetto - Trio	Wolfgang Amadeus Mozart	3:08
19.11	Symphony no. 55 in B-flat major, K Anh 214 (45b): IV. Allegro	Wolfgang Amadeus Mozart	3:57
19.12	Symphony no. 8 in D major. K 48: I. Allegro	Wolfgang Amadeus Mozart	4:41
19.13	Symphony no. 8 in D major. K 48: II. Andante	Wolfgang Amadeus Mozart	2:26
19.14	Symphony no. 8 in D major. K 48: III. Menuetto - Trio	Wolfgang Amadeus Mozart	4:07
19.15	Symphony no. 8 in D major. K 48: IV. Molto allegro	Wolfgang Amadeus Mozart	3:27
19.16	Symphony no. 9 in C major, K 73 (75a): I. Allegro	Wolfgang Amadeus Mozart	3:24
19.17	Symphony no. 9 in C major, K 73 (75a): II. Andante	Wolfgang Amadeus Mozart	3:59
19.18	Symphony no. 9 in C major, K 73 (75a): III. Menuetto - Trio	Wolfgang Amadeus Mozart	2:37
19.19	Symphony no. 9 in C major, K 73 (75a): IV. Molto allegro	Wolfgang Amadeus Mozart	1:55
19.20	Symphony no. 44 in D major, K 81 (73l): I. Allegro	Wolfgang Amadeus Mozart	3:17
19.21	Symphony no. 44 in D major, K 81 (73l): II. Andante	Wolfgang Amadeus Mozart	4:53
19.22	Symphony no. 44 in D major, K 81 (73l): III. Allegro molto	Wolfgang Amadeus Mozart	2:35
20.1	Symphony no. 47 in D major, K 97 (73m): I. Allegro	Wolfgang Amadeus Mozart	2:49
20.2	Symphony no. 47 in D major, K 97 (73m): II. Andante	Wolfgang Amadeus Mozart	2:34
20.3	Symphony no. 47 in D major, K 97 (73m): III. Menuetto - Trio	Wolfgang Amadeus Mozart	2:37
20.4	Symphony no. 47 in D major, K 97 (73m): IV. Presto	Wolfgang Amadeus Mozart	1:32
20.5	Symphony no. 45 in D major, K 95 (73n): I. Allegro	Wolfgang Amadeus Mozart	1:59
20.6	Symphony no. 45 in D major, K 95 (73n): II. Andante	Wolfgang Amadeus Mozart	3:54
20.7	Symphony no. 45 in D major, K 95 (73n): III. Menuetto - Trio	Wolfgang Amadeus Mozart	2:58
20.8	Symphony no. 45 in D major, K 95 (73n): IV. Allegro	Wolfgang Amadeus Mozart	3:36
20.9	Symphony no. 11 in D major, K 84 (73q): I. Allegro	Wolfgang Amadeus Mozart	3:47
20.10	Symphony no. 11 in D major, K 84 (73q): II. Andante	Wolfgang Amadeus Mozart	1:38
20.11	Symphony no. 11 in D major, K 84 (73q): III. Allegro	Wolfgang Amadeus Mozart	4:45
20.12	Symphony no. 10 in G major, K 74: I. Allegro - attacca	Wolfgang Amadeus Mozart	3:16
20.13	Symphony no. 10 in G major, K 74: II. Andante	Wolfgang Amadeus Mozart	2:14
20.14	Symphony no. 10 in G major, K 74: III. Allegro	Wolfgang Amadeus Mozart	2:15
20.15	Symphony no. 42 in F major, K 75: I. Allegro	Wolfgang Amadeus Mozart	3:24
20.16	Symphony no. 42 in F major, K 75: II. Menuetto - Trio	Wolfgang Amadeus Mozart	3:32
20.17	Symphony no. 42 in F major, K 75: III. Andantino	Wolfgang Amadeus Mozart	4:48
20.18	Symphony no. 42 in F major, K 75: IV. Allegro	Wolfgang Amadeus Mozart	2:39
20.19	Symphony no. 12 in G major, K 110 (75b): I. Allegro	Wolfgang Amadeus Mozart	5:57
20.20	Symphony no. 12 in G major, K 110 (75b): II. Andante	Wolfgang Amadeus Mozart	4:06
20.21	Symphony no. 12 in G major, K 110 (75b): III. Menuetto - Trio	Wolfgang Amadeus Mozart	3:48
20.22	Symphony no. 12 in G major, K 110 (75b): IV. Allegro	Wolfgang Amadeus Mozart	2:01
20.23	Symphony no. 48 in D major: I. Allegro assai	Wolfgang Amadeus Mozart	3:54
20.24	Symphony no. 48 in D major: II. Andante grazioso	Wolfgang Amadeus Mozart	1:28
20.25	Symphony no. 48 in D major: III. Finale. Presto	Wolfgang Amadeus Mozart	1:10
21.1	Symphony no. 46 in C major, K96 (111b): I. Allegro	Wolfgang Amadeus Mozart	2:06
21.2	Symphony no. 46 in C major, K96 (111b): II. Andante	Wolfgang Amadeus Mozart	4:21
21.3	Symphony no. 46 in C major, K96 (111b): III. Menuetto - Trio	Wolfgang Amadeus Mozart	3:32
21.4	Symphony no. 46 in C major, K96 (111b): IV. Molto allegro	Wolfgang Amadeus Mozart	3:13
21.5	Symphony no. 13 in F major, K 112: I. Allegro	Wolfgang Amadeus Mozart	5:39
21.6	Symphony no. 13 in F major, K 112: II. Andante	Wolfgang Amadeus Mozart	4:33
21.7	Symphony no. 13 in F major, K 112: III. Menuetto - Trio	Wolfgang Amadeus Mozart	2:28
21.8	Symphony no. 13 in F major, K 112: IV. Molto allegro	Wolfgang Amadeus Mozart	2:12
21.9	Symphony no. 14 in A major, K 114: I. Allegro moderato	Wolfgang Amadeus Mozart	7:42
21.10	Symphony no. 14 in A major, K 114: II. Andante	Wolfgang Amadeus Mozart	4:44
21.11	Symphony no. 14 in A major, K 114: III. Menuetto - Trio	Wolfgang Amadeus Mozart	3:41
21.12	Symphony no. 14 in A major, K 114: IV. Molto allegro	Wolfgang Amadeus Mozart	4:38
21.13	Symphony no. 15 in G major, K 124: I. Allegro	Wolfgang Amadeus Mozart	5:19
21.14	Symphony no. 15 in G major, K 124: II. Andante	Wolfgang Amadeus Mozart	4:21
21.15	Symphony no. 15 in G major, K 124: III. Menuetto - Trio	Wolfgang Amadeus Mozart	2:16
21.16	Symphony no. 15 in G major, K 124: IV. Presto	Wolfgang Amadeus Mozart	2:08
21.17	Sinfonie-Menuett in C major, K 409 (383f): Menuetto - Trio	Wolfgang Amadeus Mozart	7:08
22.1	Symphony no. 16 in C major, K 128: I. Allegro maestoso	Wolfgang Amadeus Mozart	5:10
22.2	Symphony no. 16 in C major, K 128: II. Andante grazioso	Wolfgang Amadeus Mozart	4:27
22.3	Symphony no. 16 in C major, K 128: III. Allegro	Wolfgang Amadeus Mozart	4:18
22.4	Symphony no. 17 in G major, K 129: I. Allegro	Wolfgang Amadeus Mozart	4:50
22.5	Symphony no. 17 in G major, K 129: II. Andante	Wolfgang Amadeus Mozart	4:05
22.6	Symphony no. 17 in G major, K 129: III. Allegro	Wolfgang Amadeus Mozart	3:09
22.7	Symphony no. 18 in F major, K 130: I. Allegro	Wolfgang Amadeus Mozart	5:45
22.8	Symphony no. 18 in F major, K 130: II. Andantino grazioso	Wolfgang Amadeus Mozart	6:53
22.9	Symphony no. 18 in F major, K 130: III. Menuetto - Trio	Wolfgang Amadeus Mozart	2:42
22.10	Symphony no. 18 in F major, K 130: IV. Molto allegro	Wolfgang Amadeus Mozart	7:14
22.11	Symphony no. 19 in E-flat major, K 132: I. Allegro	Wolfgang Amadeus Mozart	4:06
22.12	Symphony no. 19 in E-flat major, K 132: II. Andantino [Version 2]	Wolfgang Amadeus Mozart	10:25
22.13	Symphony no. 19 in E-flat major, K 132: III. Menuetto - Trio	Wolfgang Amadeus Mozart	3:51
22.14	Symphony no. 19 in E-flat major, K 132: IV. Allegro	Wolfgang Amadeus Mozart	4:02
22.15	Symphony no. 19 in E-flat major, K 132: II. Andantino grazioso [Version 1]	Wolfgang Amadeus Mozart	2:43
23.1	Symphony no. 20 in D major, K 133: I. Allegro	Wolfgang Amadeus Mozart	10:44
23.2	Symphony no. 20 in D major, K 133: II. Andante	Wolfgang Amadeus Mozart	7:44
23.3	Symphony no. 20 in D major, K 133: III. Menuetto - Trio	Wolfgang Amadeus Mozart	4:23
23.4	Symphony no. 20 in D major, K 133: IV. Allegro	Wolfgang Amadeus Mozart	5:35
23.5	Symphony no. 21 in A major, K 134: I. Allegro	Wolfgang Amadeus Mozart	5:29
23.6	Symphony no. 21 in A major, K 134: II. Andante	Wolfgang Amadeus Mozart	5:11
23.7	Symphony no. 21 in A major, K 134: III. Menuetto - Trio	Wolfgang Amadeus Mozart	3:48
23.8	Symphony no. 21 in A major, K 134: IV. Allegro	Wolfgang Amadeus Mozart	4:35
23.9	Symphony no. 50 in D major, K 161 (141a): I. Allegro moderato	Wolfgang Amadeus Mozart	3:28
23.10	Symphony no. 50 in D major, K 161 (141a): II. Andante	Wolfgang Amadeus Mozart	1:51
23.11	Symphony no. 50 in D major, K 161 (141a): III. Presto	Wolfgang Amadeus Mozart	1:52
23.12	Symphony no. 22 in C major, K 162: I. Allegro assai	Wolfgang Amadeus Mozart	3:55
23.13	Symphony no. 22 in C major, K 162: II. Andantino grazioso	Wolfgang Amadeus Mozart	2:48
23.14	Symphony no. 22 in C major, K 162: III. Presto assai	Wolfgang Amadeus Mozart	1:58
23.15	Symphony no. 26 in E-flat major, K 184 (161a): I. Molto presto	Wolfgang Amadeus Mozart	2:54
23.16	Symphony no. 26 in E-flat major, K 184 (161a): II. Andante - attacca	Wolfgang Amadeus Mozart	3:06
23.17	Symphony no. 26 in E-flat major, K 184 (161a): III. Allegro	Wolfgang Amadeus Mozart	2:16
24.1	Symphony no. 27 in G major, K 199 (161b): I. Allegro	Wolfgang Amadeus Mozart	6:43
24.2	Symphony no. 27 in G major, K 199 (161b): II. Andantino grazioso	Wolfgang Amadeus Mozart	10:06
24.3	Symphony no. 27 in G major, K 199 (161b): III. Presto	Wolfgang Amadeus Mozart	5:25
24.4	Symphony no. 23 in D major, K 181 (162b): I. Allegro spiritoso - attacca	Wolfgang Amadeus Mozart	4:57
24.5	Symphony no. 23 in D major, K 181 (162b): II. Andantino grazioso - attacca	Wolfgang Amadeus Mozart	2:36
24.6	Symphony no. 23 in D major, K 181 (162b): III. Presto assai	Wolfgang Amadeus Mozart	2:03
24.7	Symphony no. 24 in B-flat major, K 182 (173dA): I. Allegro spiritoso	Wolfgang Amadeus Mozart	4:12
24.8	Symphony no. 24 in B-flat major, K 182 (173dA): II. Andantino grazioso	Wolfgang Amadeus Mozart	3:29
24.9	Symphony no. 24 in B-flat major, K 182 (173dA): III. Allegro	Wolfgang Amadeus Mozart	3:10
24.10	Symphony no. 25 in G minor, K 183 (173dB): I. Allegro con brio	Wolfgang Amadeus Mozart	10:45
24.11	Symphony no. 25 in G minor, K 183 (173dB): II. Andante	Wolfgang Amadeus Mozart	6:07
24.12	Symphony no. 25 in G minor, K 183 (173dB): III. Menuetto - Trio	Wolfgang Amadeus Mozart	3:34
24.13	Symphony no. 25 in G minor, K 183 (173dB): IV. Allegro	Wolfgang Amadeus Mozart	7:03
24.14	Symphony no. 51 in D major: I. Allegro molto	Wolfgang Amadeus Mozart	2:32
24.15	Symphony no. 51 in D major: II. Andantino grazioso	Wolfgang Amadeus Mozart	2:13
24.16	Symphony no. 51 in D major: III. Allegro	Wolfgang Amadeus Mozart	2:30
25.1	“Mein Herz ist völlig entzücket” (Wolfgang Amadeus Mozart)	Maximilian Harnoncourt	0:22
25.2	Symphony no. 1 in E-flat major, K 16: I. Molto allegro	Wolfgang Amadeus Mozart	7:11
25.3	Symphony no. 1 in E-flat major, K 16: II. Andante	Wolfgang Amadeus Mozart	5:09
25.4	Symphony no. 1 in E-flat major, K 16: III. Presto	Wolfgang Amadeus Mozart	1:22
25.5	“Wie kostbar die Zeit für die Jugend ist” (Leopold Mozart)	Nikolaus Harnoncourt	0:29
25.6	Symphony no. 4 in D major, K 19: I. Allegro	Wolfgang Amadeus Mozart	2:31
25.7	Symphony no. 4 in D major, K 19: II. Andante	Wolfgang Amadeus Mozart	3:49
25.8	Symphony no. 4 in D major, K 19: III. Presto	Wolfgang Amadeus Mozart	2:49
25.9	“Das heist auf der Schneckenpost gereiset!" (Leopold Mozart)	Nikolaus Harnoncourt	0:57
25.10	Symphony no. 4a in F major, K Anh 223 (19a): I. Allegro assai	Wolfgang Amadeus Mozart	5:55
25.11	Symphony no. 4a in F major, K Anh 223 (19a): II. Andante	Wolfgang Amadeus Mozart	4:39
25.12	Symphony no. 4a in F major, K Anh 223 (19a): III. Presto	Wolfgang Amadeus Mozart	2:16
25.13	“Meine Kinder haben ganz Schwetzingen in Bewegung gesetzet” (Leopold Mozart & Maria Anna (“Nannerl”) Mozart)	Nikolaus Harnoncourt, Laya Harnoncourt	1:00
25.14	Symphony no. 5 in B-flat major, K 22: I. Allegro	Wolfgang Amadeus Mozart	2:49
25.15	Symphony no. 5 in B-flat major, K 22: II. Andante	Wolfgang Amadeus Mozart	2:11
25.16	Symphony no. 5 in B-flat major, K 22: III. Molto allegro	Wolfgang Amadeus Mozart	1:07
25.17	“Bei Erblickung meiner Kinder stille gehalten” (Leopold Mozart)	Nikolaus Harnoncourt	1:13
25.18	Symphony no. 7a in G major, K Anh 221 (45a) “Alte Lambach”: I. Allegro maestoso	Wolfgang Amadeus Mozart	5:30
25.19	Symphony no. 7a in G major, K Anh 221 (45a) “Alte Lambach”: II. Andante	Wolfgang Amadeus Mozart	6:46
25.20	Symphony no. 7a in G major, K Anh 221 (45a) “Alte Lambach”: III. Presto	Wolfgang Amadeus Mozart	2:16
25.21	“Wir sind, Gott Lob, glücklich über den Maxlaner-Bach gekommen” (Leopold Mozart)	Nikolaus Harnoncourt	1:12
25.22	Symphony no. 6 in F major, K 43: I. Allegro	Wolfgang Amadeus Mozart	6:24
25.23	Symphony no. 6 in F major, K 43: II. Andante	Wolfgang Amadeus Mozart	5:59
25.24	Symphony no. 6 in F major, K 43: III. Menuetto - Trio	Wolfgang Amadeus Mozart	2:15
25.25	Symphony no. 6 in F major, K 43: IV. Allegro	Wolfgang Amadeus Mozart	3:49
26.1	Symphony no. 7 in D major, K 45: I. Molto allegro	Wolfgang Amadeus Mozart	2:37
26.2	Symphony no. 7 in D major, K 45: II. Andante	Wolfgang Amadeus Mozart	2:09
26.3	Symphony no. 7 in D major, K 45: III. Menuetto - Trio	Wolfgang Amadeus Mozart	3:52
26.4	Symphony no. 7 in D major, K 45: IV. Molto allegro	Wolfgang Amadeus Mozart	2:35
26.5	“Te Deum laudmaus!” (Leopold Mozart)	Nikolaus Harnoncourt	1:51
26.6	Symphony no. 43 in F major, K 76 (42a): I. Allegro maestoso	Wolfgang Amadeus Mozart	4:53
26.7	Symphony no. 43 in F major, K 76 (42a): II. Andante	Wolfgang Amadeus Mozart	3:05
26.8	Symphony no. 43 in F major, K 76 (42a): III. Menuetto - Trio	Wolfgang Amadeus Mozart	3:16
26.9	Symphony no. 43 in F major, K 76 (42a): IV. Allegro	Wolfgang Amadeus Mozart	3:12
26.10	“Ich erfuhr, dass alle Clavieristen und Componisten in Wien” (Leopold Mozart)	Nikolaus Harnoncourt	1:39
26.11	Symphony no. 55 in B-flat major, K Anh 214 (45b): I. Allegro	Wolfgang Amadeus Mozart	2:16
26.12	Symphony no. 55 in B-flat major, K Anh 214 (45b): II. Andante	Wolfgang Amadeus Mozart	3:31
26.13	Symphony no. 55 in B-flat major, K Anh 214 (45b): III. Menuetto - Trio	Wolfgang Amadeus Mozart	3:08
26.14	Symphony no. 55 in B-flat major, K Anh 214 (45b): IV. Allegro	Wolfgang Amadeus Mozart	3:48
26.15	“Was die Rettung der Ehre meines Kindes erheischet” (Leopold Mozart)	Nikolaus Harnoncourt	1:02
26.16	Symphony no. 8 in D major, K 48: I. Allegro	Wolfgang Amadeus Mozart	4:41
26.17	Symphony no. 8 in D major, K 48: II. Andante	Wolfgang Amadeus Mozart	2:26
26.18	Symphony no. 8 in D major, K 48: III. Menuetto - Trio	Wolfgang Amadeus Mozart	4:07
26.19	Symphony no. 8 in D major, K 48: IV. Allegro	Wolfgang Amadeus Mozart	3:20
26.20	“Freundin! Ich bitte um Verzeihung” (Wolfgang Amadeus Mozart)	Maximilian Harnoncourt	0:43
26.21	Symphony no. 9 in C major, K 73 (75a): I. Allegro	Wolfgang Amadeus Mozart	3:24
26.22	Symphony no. 9 in C major, K 73 (75a): II. Andante	Wolfgang Amadeus Mozart	3:59
26.23	Symphony no. 9 in C major, K 73 (75a): III. Menuetto - Trio	Wolfgang Amadeus Mozart	2:37
26.24	Symphony no. 9 in C major, K 73 (75a): IV. Molto allegro	Wolfgang Amadeus Mozart	1:50
27.1	First travels, 1762/63 (Leopold & Nannerl Mozart) - Symphony no. 1 in E-flat major, K 16: I. Molto allegro	Nikolaus Harnoncourt, Laya Harnoncourt	8:30
27.2	Travels through Germany, July - November 1763 (Leopold Mozart) - Symphony no. 1 in E-flat major, K 16: II. Andante	Nikolaus Harnoncourt	5:10
27.3	First travel to Paris, 1763/64 (Leopold & Nannerl Mozart)	Nikolaus Harnoncourt, Laya Harnoncourt	4:42
27.4	Travel to London, 1764/66 (Leopold & Nannerl Mozart) - Symphony no. 5 in B-flat major, K22: III. Molto allegro	Nikolaus Harnoncourt, Laya Harnoncourt	8:18
27.5	Munich, November 10, 1766 (Leopold Mozart) - Symphony no. 43 in F major, K 76 (42a): I. Allegro maestoso	Nikolaus Harnoncourt	2:10
27.6	Olomouc (Olmütz), November 10, 1767 (Leopold Mozart) - Symphony no. 6 in F major, K 43: III. Menuetto - Trio	Nikolaus Harnoncourt	5:08
27.7	Vienna, January & September 1768 (Leopold Mozart) - Symphony no. 8 in D major, K 48: II. Andante	Nikolaus Harnoncourt	8:59
27.8	First letter, Salzburg, ca. 1769 (Wolfgang Amadeus Mozart) - Symphony no. 8 in D major, K 48: II. Andante	Maximilian Harnoncourt	1:08
27.9	First travel to Italy, 1769/70 (Leopold & Wolfgang Amadeus Mozart)	Nikolaus Harnoncourt, Maximilian Harnoncourt	5:26
27.10	Milan, February / March 1770 (Leopold & Wolfgang Amadeus Mozart) - Symphony no. 9 in C major, K 73 (75a): I. Allegro	Nikolaus Harnoncourt, Maximilian Harnoncourt	5:06
27.11	First travel to Rome, April / May 1770 (Leopold & Wolfgang Amadeus Mozart)	Nikolaus Harnoncourt, Maximilian Harnoncourt	5:16
27.12	Naples, May / June 1770 (Leopold & Wolfgang Amadeus Mozart)	Nikolaus Harnoncourt, Maximilian Harnoncourt	2:56
27.13	Second stay in Rome, July / August 1770 (Leopold & Wolfgang Amadeus Mozartq) - Symphony no. 47 in D major, K 97 (73m): IV. Presto	Nikolaus Harnoncourt, Maximilian Harnoncourt	4:28
27.14	Milan II, 1770/71 (Leopold & Wolfgang Amadeus Mozart)	Nikolaus Harnoncourt, Maximilian Harnoncourt	6:29
27.15	Milan III, 1771/72 (Leopold & Wolfgang Amadeus Mozart) - Symphony no. 25 in G minor, K 183 (173dB): I. Allegro con brio	Nikolaus Harnoncourt, Maximilian Harnoncourt	6:08
28.1	“Was mich vergnügt...” (Leopold Mozart, Bologna, March 27, 1770) / “Wenn man die Sau nennt, so kommt sie gerent” (Wolfgang Amadeus Mozart, MIlan, February 10, 1770)	Nikolaus Harnoncourt, Maximilian Harnoncourt	0:58
28.2	Symphony no. 47 in D major, K 97 (73m): I. Allegro	Wolfgang Amadeus Mozart	2:47
28.3	Symphony no. 47 in D major, K 97 (73m): II. Andante	Wolfgang Amadeus Mozart	2:35
28.4	Symphony no. 47 in D major, K 97 (73m): III. Menuetto - Trio	Wolfgang Amadeus Mozart	2:37
28.5	Symphony no. 47 in D major, K 97 (73m): IV. Presto	Wolfgang Amadeus Mozart	1:25
28.6	“Dieser Monat ist in der grösten Geschwindickeit hingeflossen” (Leopold Mozart, Milan September 28, 1771) / “Allerliebste Schwester” (Wolfgang Amadeus Mozart, Milan, February 10, 1770)	Nikolaus Harnoncourt, Maximilian Harnoncourt	1:12
28.7	Symphony no. 48 in D major: I. Allegro assai	Wolfgang Amadeus Mozart	3:53
28.8	Symphony no. 48 in D major: II. Andante grazioso	Wolfgang Amadeus Mozart	1:29
28.9	Symphony no. 48 in D major: III. Finale. Presto	Wolfgang Amadeus Mozart	1:01
28.10	“Von unsern Sachen mag ich dir nichts schreiben” (Leopold Mozart, Rome, April 21, 1770) / “Ich bin got lob und danck samt meiner miserablen feder gesund” (Wolfgang Amadeus Mozart, Rome, April 14, 1770)	Nikolaus Harnoncourt, Maximilian Harnoncourt	1:14
28.11	Symphony no. 15 in G major, K 124: I. Allegro	Wolfgang Amadeus Mozart	5:19
28.12	Symphony no. 15 in G major, K 124: II. Andante	Wolfgang Amadeus Mozart	4:21
28.13	Symphony no. 15 in G major, K 124: III. Menuetto - Trio	Wolfgang Amadeus Mozart	2:16
28.14	Symphony no. 15 in G major, K 124: IV. Presto	Wolfgang Amadeus Mozart	2:00
28.15	“Dies ist der 3te Brief den ich dir von Neapl schreibe” (Leopold Mozart, Naples, May 26, 1770) / “Cara sorella mia” (Wolfgang Amadeus Mozart, Naples, July 5, 1770)	Nikolaus Harnoncourt, Maximilian Harnoncourt	1:15
28.16	Symphony no. 50 in D major, K 161 (141a): I. Allegro moderato	Wolfgang Amadeus Mozart	3:27
28.17	Symphony no. 50 in D major, K 161 (141a): II. Andante	Wolfgang Amadeus Mozart	1:51
28.18	Symphony no. 50 in D major, K 161 (141a): III. Presto	Wolfgang Amadeus Mozart	1:44
28.19	“Wir sollen morgen eine Neuigkeit erfahren” (Leopold Mozart) / “p:s: an alle gute freund” (Wolfgang Amadeus Mozart, Rome, July 4/7, 1770)	Nikolaus Harnoncourt, Maximilian Harnoncourt	1:09
28.20	Symphony no. 22 in C major, K 162: I. Allegro assai	Wolfgang Amadeus Mozart	3:56
28.21	Symphony no. 22 in C major, K 162: II. Andantino	Wolfgang Amadeus Mozart	2:47
28.22	Symphony no. 22 in C major, K 162: III. Presto assai	Wolfgang Amadeus Mozart	1:48
28.23	“Ich kann ohnmöglich schöner schreiben” (Wolfgang Amadeus Mozart, Bologna, August 4, 1770)	Maximilian Harnoncourt	0:28
28.24	Symphony no. 26 in E-flat major, K 184 (161a): I. Molto presto	Wolfgang Amadeus Mozart	2:54
28.25	Symphony no. 26 in E-flat major, K 184 (161a): II. Andante - attacca	Wolfgang Amadeus Mozart	3:06
28.26	Symphony no. 26 in E-flat major, K 184 (161a): III. Allegro	Wolfgang Amadeus Mozart	2:15
29.1	Symphony no. 27 in G major, K 199 (161b): I. Allegro	Wolfgang Amadeus Mozart	6:41
29.2	Symphony no. 27 in G major, K 199 (161b): II. Andantino grazioso	Wolfgang Amadeus Mozart	10:06
29.3	Symphony no. 27 in G major, K 199 (161b): III. Presto	Wolfgang Amadeus Mozart	5:20
29.4	“Ich denke hin und her” (Leopold Mozart, Bologna, August 11, 1770)	Nikolaus Harnoncourt, Maximilian Harnoncourt	1:16
29.5	Symphony no. 25 in G minor, K 183 (173 dB): I. Allegro con brio	Wolfgang Amadeus Mozart	10:45
29.6	Symphony no. 25 in G minor, K 183 (173 dB): II. Andante	Wolfgang Amadeus Mozart	6:07
29.7	Symphony no. 25 in G minor, K 183 (173 dB): III. Menuetto - Trio	Wolfgang Amadeus Mozart	3:34
29.8	Symphony no. 25 in G minor, K 183 (173 dB): IV. Allegro	Wolfgang Amadeus Mozart	6:59
29.9	“Nun will ich dir ausführkicher schreiben” (Leopold Mozart, Verona, August 18, 1771) / “Allerliebste Schwester” (Wolfgang Amadeus Mozart, Verona, August 24, 1771)	Nikolaus Harnoncourt, Maximilian Harnoncourt	1:33
29.10	Symphony no. 51 in D major: I. Allergro molto	Wolfgang Amadeus Mozart	2:32
29.11	Symphony no. 51 in D major: II. Andantino grazioso	Wolfgang Amadeus Mozart	2:13
29.12	Symphony no. 51 in D major: III. Allegro	Wolfgang Amadeus Mozart	2:21
29.13	“Vielleicht wird von dem grossen Beyfahl” (Leopold Mozart, Milan, October 26, 1771)	Nikolaus Harnoncourt	0:49
29.14	Sinfonie-Menuett in C major, K 409 (383f): Menuetto - Trio	Wolfgang Amadeus Mozart	7:06
29.15	“Allerliebste schwester! Ich bin auch gott lob und danck gesund” (Wolfgang Amadeus Mozart, Milan, October 26, 1771)	Maximilian Harnoncourt	0:38
30.1	Symphony no. 26 in E-flat major, K 184 (161a): I. Molto presto / II. Andante / III. Allegro	Wolfgang Amadeus Mozart	8:11
30.2	Zaide, K 344 (336b): Act I. Introduction: “Jetzt hören Sie doch auft...” (narrator)	Tobias Moretti	5:12
30.3	Zaide, K 344 (336b): Act I. No. 1 Chorus of the 4 slaves: “Brüder, lasst uns lustig sein”	Wolfgang Amadeus Mozart	0:58
30.4	Zaide, K 344 (336b): Act I. No. 2 Melologue: “Was für ein Schicksall” (Gomatz)	Michael Schade	6:46
30.5	Zaide, K 344 (336b): Act I. Intermediate Text: “Dieser ohnmächtige, kraftlose, matte Gomatz” (narrator)	Tobias Moretti	2:20
30.6	Zaide, K 344 (336b): Act I. No. 3 Aria: “Ruhe sanft, mein holdes Leben” (Zaide)	Diana Damrau	7:15
30.7	Zaide, K 344 (336b): Act I. No. 4 Aria: “Rase, Schicksal, wüte immer” (Gomatz)	Michael Schade	4:20
30.8	Zaide, K 344 (336b): Act I. Intermediate Text: “Zaide hat ihn natürlich heimlich beobachtet” (narrator)	Tobias Moretti	0:51
30.9	Zaide, K 344 (336b): Act I. No. 5 Duet: “Meine Seele hüpft vor Freuden” (Zaide, Gomatz)	Michael Schade, Diana Damrau	2:36
30.10	Zaide, K 344 (336b): Act I. Intermediate Text: “Ach, die beiden haben ein Glück” (narrator)	Tobias Moretti	1:05
30.11	Zaide, K 344 (336b): Act I. No. 6 Aria: “Herr und Freund, wie dank' ich dir!” (Gomatz)	Michael Schade	3:44
30.12	Zaide, K 344 (336b): Act I. Intermediate Text: “Und in Allazim entbrennt nun auch ein Kampf” (narrator)	Tobias Moretti	0:24
30.13	Zaide, K 344 (336b): Act I. No. 7 Aria: “Nur mutig, mein Herze” (Allazim)	Florian Boesch	4:29
30.14	Zaide, K 344 (336b): Act I. Intermediate Text: “Und Zaide ist jetzt weider dazugekommen” (narrator)	Tobias Moretti	0:42
30.15	Zaide, K 344 (336b): Act I. No. 8 Trio: “O selige Wonne” (Zaide, Gomatz, Allazim)	Michael Schade, Diana Damrau, Florian Boesch	6:10
31.1	Zaide, K 344 (336b): Act II. Intermediate Text: “Ja, und wie's der Teufel halt so will” (narrator)	Tobias Moretti	1:52
31.2	Zaide, K 344 (336b): Act II. No. 9 Melologue & Aria: “Zaide geflohen!” (Soliman, narrator)	Rudolf Schasching, Tobias Moretti	7:58
31.3	Zaide, K 344 (336b): Act II. Intermediate Text: “Natürlich ist auch Soliman, wie alle Reichen” (narrator)	Tobias Moretti	1:14
31.4	Zaide, K 344 (336b): Act II. No. 10 Aria: “Wer hungrig bei der Tafel sitzt” (Osmin)	Anton Scharinger	3:44
31.5	Zaide, K 344 (336b): Act II. Intermediate Text: “Für Soliman ist der Fall klar” (narrator)	Tobias Moretti	0:52
31.6	Zaide, K 344 (336b): Act II. No. 11 Aria: “Ich bin so bös als gut” (Soliman)	Rudolf Schasching	5:44
31.7	Zaide, K 344 (336b): Act II. Intermediate Text: “Jetzt wird's eng für Zaide” (narrator)	Tobias Moretti	0:56
31.8	Zaide, K 344 (336b): Act II. No. 12 Aria: “Treulos schluchzet Philomele” (Zaide)	Diana Damrau	7:04
31.9	Zaide, K 344 (336b): Act II. Intermediate Text: “Jetzt dreht sich's um Zaide weint, schluchzt, klagt” (narrator)	Tobias Moretti	1:05
31.10	Zaide, K 344 (336b): Act II. No. 13 Aria: “Tiger! Wetze nur die Klauen” (Zaide)	Diana Damrau	4:38
31.11	Zaide, K 344 (336b): Act II. Intermediate Text: “Allazim stößt ins gleiche Horn” (narrator)	Tobias Moretti	0:39
31.12	Zaide, K 344 (336b): Act II. No. 14 Aria: “Ihr Mächtigen seht ungerührt” (Allazim)	Florian Boesch	4:32
31.13	Zaide, K 344 (336b): Act II. Intermediate Text: “Das letzte Quartett!” (narrator)	Tobias Moretti	1:11
31.14	Zaide, K 344 (336b): Act II. No. 15 Quartet: “Freundin, stille deine Tränen” (Gomatz, Allazim, Soliman, Zaide)	Michael Schade, Diana Damrau, Rudolf Schasching, Florian Boesch	7:07
31.15	Zaide, K 344 (336b): Act II. Finale: “Und hier, am tiefsten Punkt des Konflikts” (narrator)	Tobias Moretti	3:20
32.1	March in D major, K 335/1 (K 320a/1)	Wolfgang Amadeus Mozart	4:01
32.2	Serenade in D major “Posthorn-Serenade”, K 320: I. Adagio Maestoso - Allegro con spirito	Wolfgang Amadeus Mozart	8:46
32.3	Serenade in D major “Posthorn-Serenade”, K 320: II. Menuetto. Allegro - Trio	Wolfgang Amadeus Mozart	5:26
32.4	Serenade in D major “Posthorn-Serenade”, K 320: III. Concertante. Andante grazioso	Wolfgang Amadeus Mozart	8:36
32.5	Serenade in D major “Posthorn-Serenade”, K 320: IV. Rondeau. Allegro ma non troppo	Wolfgang Amadeus Mozart	6:30
32.6	Serenade in D major “Posthorn-Serenade”, K 320: V. Andantino	Wolfgang Amadeus Mozart	6:27
32.7	Serenade in D major “Posthorn-Serenade”, K 320: VI. Menuetto - Trio I - Trio II	Wolfgang Amadeus Mozart	5:11
32.8	Serenade in D major “Posthorn-Serenade”, K 320: VII. Finale. Presto	Wolfgang Amadeus Mozart	4:25
32.9	Symphony no. 35 in D major “Haffner”, K 385: I. Allegro con spirito	Wolfgang Amadeus Mozart	6:07
32.10	Symphony no. 35 in D major “Haffner”, K 385: II. Andante	Wolfgang Amadeus Mozart	8:07
32.11	Symphony no. 35 in D major “Haffner”, K 385: III. Menuetto - Trio	Wolfgang Amadeus Mozart	3:39
32.12	Symphony no. 35 in D major “Haffner”, K 385: IV. Presto	Wolfgang Amadeus Mozart	4:11
33.1	Concerto for Piano and Orchestra no. 25 in C major, K 503: I. Allegro maestoso	Wolfgang Amadeus Mozart	15:05
33.2	Concerto for Piano and Orchestra no. 25 in C major, K 503: II. Andante	Wolfgang Amadeus Mozart	6:48
33.3	Concerto for Piano and Orchestra no. 25 in C major, K 503: III. [Allegretto]	Wolfgang Amadeus Mozart	8:41
33.4	Concerto for Piano and Orchestra no. 23 in A major, K 488: I. Allegro	Wolfgang Amadeus Mozart	11:01
33.5	Concerto for Piano and Orchestra no. 23 in A major, K 488: II. Adagio	Wolfgang Amadeus Mozart	6:15
33.6	Concerto for Piano and Orchestra no. 23 in A major, K 488: III. Allegro assai	Wolfgang Amadeus Mozart	8:17
34.1	Concerto for Piano and Orchestra no. 24 in C minor, K 491: I. Allegro	Wolfgang Amadeus Mozart	15:29
34.2	Concerto for Piano and Orchestra no. 24 in C minor, K 491: II. [Larghetto]	Wolfgang Amadeus Mozart	7:47
34.3	Concerto for Piano and Orchestra no. 24 in C minor, K 491: III. [Allegretto]	Wolfgang Amadeus Mozart	9:52
34.4	Concerto for Piano and Orchestra no. 17 in G major, K 453: I. Allegro	Wolfgang Amadeus Mozart	13:10
34.5	Concerto for Piano and Orchestra no. 17 in G major, K 453: II. Andante	Wolfgang Amadeus Mozart	11:58
34.6	Concerto for Piano and Orchestra no. 17 in G major, K 453: III. Allegretto - Finale. Presto	Wolfgang Amadeus Mozart	8:18
35.1	Symphony no. 39 in E-flat major, K 543: I. Adagio - Allegro	Nikolaus Harnoncourt	10:42
35.2	Symphony no. 39 in E-flat major, K 543: II. Andante con moto	Nikolaus Harnoncourt	7:36
35.3	Symphony no. 39 in E-flat major, K 543: III. Menuetto. Allegretto - Trio	Nikolaus Harnoncourt	3:51
35.4	Symphony no. 39 in E-flat major, K 543: IV. Finale. Allegro	Nikolaus Harnoncourt	8:21
35.5	Symphony no. 40 in G minor, K 550: I. Molto allegro	Nikolaus Harnoncourt	7:27
35.6	Symphony no. 40 in G minor, K 550: II. Andante	Nikolaus Harnoncourt	12:08
35.7	Symphony no. 40 in G minor, K 550: III. Menuetto. Allegretto - Trio	Nikolaus Harnoncourt	4:19
35.8	Symphony no. 40 in G minor, K 550: IV. Allegro assai	Nikolaus Harnoncourt	10:37
36.1	Symphony no. 41 in C major “Jupiter”, K 551: I. Allegro vivace	Nikolaus Harnoncourt	13:00
36.2	Symphony no. 41 in C major “Jupiter”, K 551: II. Andante cantabile	Nikolaus Harnoncourt	9:30
36.3	Symphony no. 41 in C major “Jupiter”, K 551: III. Menuetto. Allegretto - Trio	Nikolaus Harnoncourt	5:14
36.4	Symphony no. 41 in C major “Jupiter”, K 551: IV. Molto allegro	Nikolaus Harnoncourt	11:39
37.1	Requiem in D minor, K 626 (unfinished): I. Introitus: Requiem (chorus, soprano)	Christine Schäfer, Arnold Schoenberg Chor	4:58
37.2	Requiem in D minor, K 626 (unfinished): II. Kyrie: Kyrie (chorus)	Arnold Schoenberg Chor	2:56
37.3	Requiem in D minor, K 626 (unfinished): III. Sequentia: Dies irae (chorus)	Arnold Schoenberg Chor	1:50
37.4	Requiem in D minor, K 626 (unfinished): III. Sequentia: Tuba mirum (soprano, alto, tenor, bass)	Gerald Finley, Christine Schäfer, Kurt Streit, Bernarda Fink	3:52
37.5	Requiem in D minor, K 626 (unfinished): III. Sequentia: Rex tremendae (chorus)	Arnold Schoenberg Chor	1:58
37.6	Requiem in D minor, K 626 (unfinished): III. Sequentia: Recordare (soprano, alto, tenor, bass)	Gerald Finley, Christine Schäfer, Kurt Streit, Bernarda Fink	6:20
37.7	Requiem in D minor, K 626 (unfinished): III. Sequentia: Confutatis (chorus)	Arnold Schoenberg Chor	2:36
37.8	Requiem in D minor, K 626 (unfinished): III. Sequentia: Lacrimosa (chorus)	Arnold Schoenberg Chor	3:08
37.9	Requiem in D minor, K 626 (unfinished): IV. Offertorium: Domine Jesu Christe (chorus, soprano, alto, tenor, bass)	Gerald Finley, Christine Schäfer, Kurt Streit, Bernarda Fink, Arnold Schoenberg Chor	3:50
37.10	Requiem in D minor, K 626 (unfinished): IV. Offertorium: Hostias (chorus)	Arnold Schoenberg Chor	3:03
37.11	Requiem in D minor, K 626 (unfinished): V. Sanctus: Sanctus (chorus)	Arnold Schoenberg Chor	1:20
37.12	Requiem in D minor, K 626 (unfinished): VI. Benedictus: Benedictus (chorus, soprano, alto, tenor, bass)	Gerald Finley, Christine Schäfer, Kurt Streit, Bernarda Fink, Arnold Schoenberg Chor	5:20
37.13	Requiem in D minor, K 626 (unfinished): VII. Agnus Dei: Agnus Dei (chorus)	Arnold Schoenberg Chor	3:24
37.14	Requiem in D minor, K 626 (unfinished): VIII. Communio: Lex aeterna (chorus, soprano)	Christine Schäfer, Arnold Schoenberg Chor	5:46
38.1	Christus am Ölberge, op. 85: No. 1 Introduction	Ludwig van Beethoven	5:42
38.2	Christus am Ölberge, op. 85: No. 1 Recitative: “Jehovah, du mein Vater!” (Jesus)	Herbert Lippert	3:35
38.3	Christus am Ölberge, op. 85: No. 1 Aria: “Meine Seele ist erschüttert” (Jesus)	Herbert Lippert	5:05
38.4	Christus am Ölberge, op. 85: No. 2 “Erzittre, Erde!” (Seraph)	Laura Aikin	1:33
38.5	Christus am Ölberge, op. 85: No. 2 Aria: “Preist des Erlösers Güte” (Seraph) / Chorus: “O Heil euch, ihr Erlösten!” (Seraph & angels)	Arnold Schoenberg Chor, Laura Aikin	8:32
38.6	Christus am Ölberge, op. 85: No. 3 Recitative: “Verkündet, Seraph” (Jesus, Seraph)	Herbert Lippert, Laura Aikin	1:03
38.7	Christus am Ölberge, op. 85: No. 3 Duet: “So ruhe denn mit ganzer Schwere” (Jesus, Seraph)	Herbert Lippert, Laura Aikin	5:24
38.8	Christus am Ölberge, op. 85: No. 4 Recitative: “Willkommen, Tod!” (Jesus)	Herbert Lippert	1:10
38.9	Christus am Ölberge, op. 85: No. 4 Chorus: “Wir haben ihn gesehen” (warriors)	Arnold Schoenberg Chor	1:55
38.10	Christus am Ölberge, op. 85: No. 5 “Die mich zu fangen ausgezogen sind” (Jesus)	Herbert Lippert	1:31
38.11	Christus am Ölberge, op. 85: No. 5 Chorus: “Hier ist er” (warriors & disciples)	Arnold Schoenberg Chor	2:05
38.12	Christus am Ölberge, op. 85: No. 6 “Nicht ungestraft soll der Verweg'nen Schar” (Peter, Jesus)	Herbert Lippert, Florian Boesch	1:17
38.13	Christus am Ölberge, op. 85: No. 6 Trio: “In meinen Adern wühlen” (Peter, Jesus, Seraph)	Herbert Lippert, Florian Boesch, Laura Aikin	4:26
38.14	Christus am Ölberge, op. 85: No. 6 Chorus: “Auf, auf! ergreifet den Verräter” (warriors, disciples, Jesus)	Herbert Lippert, Arnold Schoenberg Chor	3:11
38.15	Christus am Ölberge, op. 85: No. 6 Final Chorus: “Welten singen” (angels)	Arnold Schoenberg Chor	1:09
38.16	Christus am Ölberge, op. 85: No. 6 “Preiset, ihn, ihr Engelschöre!” (angels)	Arnold Schoenberg Chor	3:04
39.1	Symphony no. 4 in B-flat major, op. 60: I. Adagio - Allegro vivace	Ludwig van Beethoven	12:30
39.2	Symphony no. 4 in B-flat major, op. 60: II. Adagio	Ludwig van Beethoven	9:28
39.3	Symphony no. 4 in B-flat major, op. 60: III. Allegro vivace - Trio. Un poco meno allegro	Ludwig van Beethoven	6:01
39.4	Symphony no. 4 in B-flat major, op. 60: IV. Allegro ma non troppo	Ludwig van Beethoven	7:03
39.5	Symphony no. 5 in C minor, op. 67: I. Allegro con brio	Ludwig van Beethoven	7:24
39.6	Symphony no. 5 in C minor, op. 67: II. Andante con moto	Ludwig van Beethoven	9:06
39.7	Symphony no. 5 in C minor, op. 67: III. Allegro - attacca	Ludwig van Beethoven	8:18
39.8	Symphony no. 5 in C minor, op. 67: IV. Allegro	Ludwig van Beethoven	10:57
40.1	Missa solemnis, op. 123: I. Kyrie: “Kyrie”. Assai sostenuto. Mit Andacht [𝄵] - Andante assai ben marcato [3/2] - Tempo I [𝄵]	Bernarda Fink, Johannes Chum, Arnold Schoenberg Chor, Ruben Drole, Laura Aikin	9:56
40.2	Missa solemnis, op. 123: II. Gloria: “Gloria”. Allegro vivace [3/4] - Meno Allegro - Tempo I - attacca	Bernarda Fink, Johannes Chum, Arnold Schoenberg Chor, Ruben Drole, Laura Aikin	5:48
40.3	Missa solemnis, op. 123: II. Gloria: “Qui tollis”. Larghetto [2/4] - attacca	Bernarda Fink, Johannes Chum, Arnold Schoenberg Chor, Ruben Drole, Laura Aikin	4:56
40.4	Missa solemnis, op. 123: II. Gloria: “Quoniam”. Allegro maestoso [3/4] - Allegro, ma non troppo e ben marcato [𝄴] - Poco più Allegro [𝄵] - Presto [3/4]	Bernarda Fink, Johannes Chum, Arnold Schoenberg Chor, Ruben Drole, Laura Aikin	7:04
40.5	Missa solemnis, op. 123: III. Credo: “Credo”. Allegro ma non troppo [𝄴] - attacca	Bernarda Fink, Johannes Chum, Arnold Schoenberg Chor, Ruben Drole, Laura Aikin	4:14
40.6	Missa solemnis, op. 123: III. Credo: “Et incarnatus”. Adagio [𝄴] - Andante [3/4] Adagio espressivo [3/4] - attacca	Bernarda Fink, Johannes Chum, Arnold Schoenberg Chor, Ruben Drole, Laura Aikin	5:01
40.7	Missa solemnis, op. 123: III. Credo: “Et resurrexit”. Allegro [𝄴] - Allegro molto [𝄵] - Allegro ma non troppo un poco maestoso. Tempo I - Allegretto ma non troppo [3/2] 0 Allegro con moto [3/2] - Grave [3/2]	Bernarda Fink, Johannes Chum, Arnold Schoenberg Chor, Ruben Drole, Laura Aikin	10:41
40.8	Missa solemnis, op. 123: IV. Sanctus: “Pleni sunt coeli - Osanna”. Adagio. Mit Andacht [2/4] - Allegro pesante [𝄴] - Presto [3/4] - Preso [3/4] - attacca	Bernarda Fink, Johannes Chum, Arnold Schoenberg Chor, Ruben Drole, Laura Aikin	3:44
40.9	Missa solemnis, op. 123: IV. Benedictus: Praeludium - “Benedictus”. Sostenuto ma non troppo [3/4] - Andante molto cantabile e non troppo mosso [12/8]	Bernarda Fink, Johannes Chum, Arnold Schoenberg Chor, Ruben Drole, Laura Aikin	13:07
40.10	Missa solemnis, op. 123: V. Agnus Dei: “Agnus Dei”. Adagio [𝄴] - attacca	Bernarda Fink, Johannes Chum, Arnold Schoenberg Chor, Ruben Drole, Laura Aikin	7:05
40.11	Missa solemnis, op. 123: V. Agnus Dei “Dona nobis pacem”. Bitte um innern und äußern Frieden. Allegretto vivace [6/8] - Allegro assai [𝄴] - Recitativo - Tempo I - Presto [𝄵] - Tempo I	Bernarda Fink, Johannes Chum, Arnold Schoenberg Chor, Ruben Drole, Laura Aikin	9:57
41.1	Das Paradies und die Peri, op. 50: Part I. No. 1 “Vor Edens Tor im Morgen prangen” (alto)	Bernarda Fink	3:13
41.2	Das Paradies und die Peri, op. 50: Part I. No. 2 “Wie glücklich sie wanderln” (Peri)	Dorothea Röschmann	2:44
41.3	Das Paradies und die Peri, op. 50: Part I. No. 3 “Der hehre Engel, der die Pforte” (tenor, Angel)	Bernarda Fink, Werner Güra	1:58
41.4	Das Paradies und die Peri, op. 50: Part I. No. 4 “Wo find ich sie?” (Peri)	Dorothea Röschmann	2:39
41.5	Das Paradies und die Peri, op. 50: Part I. No. 5 “So sann sie nach” (tenor) / “O süßes Land!” (quartet)	Bernarda Fink, Werner Güra, Christian Gerhaher, Malin Hartelius	1:25
41.6	Das Paradies und die Peri, op. 50: Part I. No. 6 “Doch seine Ströme sind jetzt rot” (chorus)	Chor des Bayerischen Rundfunks	3:24
41.7	Das Paradies und die Peri, op. 50: Part I. No. 7 “Und einsam steht ein Jüngling noch”	Chor des Bayerischen Rundfunks, Werner Güra, Christian Gerhaher, Christoph Strehl	2:52
41.8	Das Paradies und die Peri, op. 50: Part I. No. 8 “Weh, weh, weh, er fehlte das Ziel” (chorus)	Chor des Bayerischen Rundfunks	2:13
41.9	Das Paradies und die Peri, op. 50: Part I. No. 9 “Die Peri sah das Mal der Wunde” (tenor, Peri, quartet, chorus)	Chor des Bayerischen Rundfunks, Dorothea Röschmann	6:42
41.10	Das Paradies und die Peri, op. 50: Part II. No. 10 “Die Peri tritt mit schüchterner Gebärde” (tenor, Angel)	Chor des Bayerischen Rundfunks, Bernarda Fink, Werner Güra	3:17
41.11	Das Paradies und die Peri, op. 50: Part II. No. 11 “Ihn erstes Himmelshoffen schwand” (tenor, chorus, Peri)	Chor des Bayerischen Rundfunks, Werner Güra, Dorothea Röschmann	3:50
41.12	Das Paradies und die Peri, op. 50: Part II. No. 12 “Fort streift von hier das Kind der Lüfte” (tenor, Peri)	Werner Güra, Dorothea Röschmann	3:31
41.13	Das Paradies und die Peri, op. 50: Part II. No. 13 “Die Peri weint, von ihrer Tränen scheint” (tenor, quartet)	Chor des Bayerischen Rundfunks, Bernarda Fink, Werner Güra, Christian Gerhaher, Malin Hartelius	2:42
41.14	Das Paradies und die Peri, op. 50: Part II. No. 14 “Im Waldesgrün am stillen See” (alto, Young Man)	Bernarda Fink, Werner Güra, Christoph Strehl	3:03
41.15	Das Paradies und die Peri, op. 50: Part II. No. 15 “Verlassener Jüngling, nur das eine” (mezzo-soprano, tenor, Young Man)	Werner Güra, Christoph Strehl, Rebecca Martin	4:35
41.16	Das Paradies und die Peri, op. 50: Part II. No. 16 “O lass mich von der Luft durchdringen” (Maiden, tenor)	Werner Güra, Malin Hartelius	4:52
41.17	Das Paradies und die Peri, op. 50: Part II. No. 17 “Schlaf nunn und ruhe in Träumen voll Duft” (Peri, chorus)	Chor des Bayerischen Rundfunks, Dorothea Röschmann	3:49
42.1	Das Paradies und die Peri, op. 50: Part III. No. 18 “Schmücket die Stufen zu Allahs Thron” (chorus, soloists, soprano)	Chor des Bayerischen Rundfunks	3:10
42.2	Das Paradies und die Peri, op. 50: Part III. No. 19 “Dem Sang von ferne lauschend” (tenor, Angel)	Bernarda Fink, Werner Güra	3:03
42.3	Das Paradies und die Peri, op. 50: Part III. No. 20 “Verstoßen! Verschlossen aufs Neu das Goldportal!” (Peri)	Dorothea Röschmann	4:27
42.4	Das Paradies und die Peri, op. 50: Part III. No. 21 “Jetzt sank des Abends goldner Schein” (baritone)	Christian Gerhaher	4:25
42.5	Das Paradies und die Peri, op. 50: Part III. No. 22 “Und wie sie niederwärts sich schwingt” (tenor, quartet, baritone)	Chor des Bayerischen Rundfunks, Bernarda Fink, Werner Güra, Christian Gerhaher, Malin Hartelius	3:59
42.6	Das Paradies und die Peri, op. 50: Part III. No. 23 “Hinab zu jenem Sonnentempel!” (Peri, tenor, mezzo-soprano, Man)	Werner Güra, Dorothea Röschmann, Rebecca Martin, Gerald Häußler	6:53
42.7	Das Paradies und die Peri, op. 50: Part III. No. 24 “O heil'ge Tränen inn'ger Reue” (quartet, chorus)	Chor des Bayerischen Rundfunks, Bernarda Fink, Werner Güra, Christian Gerhaher, Malin Hartelius	4:12
42.8	Das Paradies und die Peri, op. 50: Part III. No. 25 “Es fällt ein Tropfen aufs Land” (Peri, tenor, chorus)	Chor des Bayerischen Rundfunks, Werner Güra, Dorothea Röschmann	7:20
42.9	Das Paradies und die Peri, op. 50: Part III. No. 26 “Freud', ew'ge Freude, main Werk ist getan!” (Peri, chorus)	Chor des Bayerischen Rundfunks, Dorothea Röschmann	6:55
43.1	Messa da Requiem: I. Requiem & Kyrie (chorus, soloists)	Ildebrando d’Arcangelo, Bernarda Fink, Michael Schade, Arnold Schoenberg Chor, Eva Mei	8:36
43.2	Messa da Requiem: II. Sequence: Dies irae: “Dies irae” (chorus)	Arnold Schoenberg Chor	2:34
43.3	Messa da Requiem: II. Sequence: Dies irae: “Tuba mirum” (chorus, bass)	Ildebrando d’Arcangelo, Arnold Schoenberg Chor	3:33
43.4	Messa da Requiem: II. Sequence: Dies irae: “Liber scriptus” (mezzo-soprano, chorus)	Bernarda Fink, Arnold Schoenberg Chor	5:20
43.5	Messa da Requiem: II. Sequence: Dies irae: “Quid sum miser” (soprano, mezzo-soprano, tenor)	Bernarda Fink, Michael Schade, Eva Mei	3:51
43.6	Messa da Requiem: II. Sequence: Dies irae: “Rex tremendae” (chorus, soloists)	Ildebrando d’Arcangelo, Bernarda Fink, Michael Schade, Arnold Schoenberg Chor, Eva Mei	3:38
43.7	Messa da Requiem: II. Sequence: Dies irae: “Recordare” (soprano, mezzo-soprano)	Bernarda Fink, Eva Mei	4:17
43.8	Messa da Requiem: II. Sequence: Dies irae: “Ingemisco” (tenor)	Michael Schade	3:43
43.9	Messa da Requiem: II. Sequence: Dies irae: “Confutatis” (bass, chorus)	Ildebrando d’Arcangelo, Arnold Schoenberg Chor	5:57
43.10	Messa da Requiem: II. Sequence: Dies irae: “Lacrymosa” (soloists, chorus)	Ildebrando d’Arcangelo, Bernarda Fink, Michael Schade, Arnold Schoenberg Chor, Eva Mei	5:46
44.1	Messa da Requiem: III. Offertorio: “Domine Jesu” (soloists)	Ildebrando d’Arcangelo, Bernarda Fink, Michael Schade, Eva Mei	4:52
44.2	Messa da Requiem: III. Offertorio: “Hostias” (soloists)	Ildebrando d’Arcangelo, Bernarda Fink, Michael Schade	5:58
44.3	Messa da Requiem: IV. Sanctus (chorus)	Arnold Schoenberg Chor	3:01
44.4	Messa da Requiem: V. Agnus Dei (soprano, mezzo-soprano, chorus)	Bernarda Fink, Arnold Schoenberg Chor, Eva Mei	4:55
44.5	Messa da Requiem: VI. Lux Aeterna (mezzo-soprano, tenor, bass)	Ildebrando d’Arcangelo, Bernarda Fink, Michael Schade	6:29
44.6	Messa da Requiem: VII. Libera me (soprano, chorus)	Arnold Schoenberg Chor, Eva Mei	2:39
44.7	Messa da Requiem: VII. Libera me: “Dies irae” (chorus)	Arnold Schoenberg Chor, Eva Mei	5:41
44.8	Messa da Requiem: VII. Libera me: “Libera me” (soprano, chorus)	Arnold Schoenberg Chor, Eva Mei	6:50
45.1	Symphony no. 5 in B-flat major, WAB 105: I. Introduction. Adagio - Allegro	Anton Bruckner	20:34
45.2	Symphony no. 5 in B-flat major, WAB 105: II. Adagio. Sehr langsam	Anton Bruckner	14:57
45.3	Symphony no. 5 in B-flat major, WAB 105: III. Scherzo. Molto vivace (Schnell) - Trio. Im gleichen Tempo	Anton Bruckner	13:35
45.4	Symphony no. 5 in B-flat major, WAB 105: IV. Finale. Adagio - Allegro moderato	Anton Bruckner	23:59
46.1	Symphony no. 5 in B-flat major, WAB 105 (rehearsal excerpt): Mvt. I, mm. 1-22 “Vor den Sechzehnteln bitte wegfedern!”	Anton Bruckner	2:46
46.2	Symphony no. 5 in B-flat major, WAB 105 (rehearsal excerpt): Mvt. I, mm. 161-224 “Die Synopken so, als würden wir mit Ellenbogen”	Anton Bruckner	4:38
46.3	Symphony no. 5 in B-flat major, WAB 105 (rehearsal excerpt): Mvt. I, mm. 315-319, 325-327, 381-398 “Kann ich einmal nur diesen kleinen, ganz schnellen Holz-Kanon haben?”	Anton Bruckner	1:58
46.4	Symphony no. 5 in B-flat major, WAB 105 (rehearsal excerpt): Mvt. II, mm. 31-38, 107-124 “Gehen wir bitte gleich zum zweiten Satz, und zwar wo er eigentlich anfängtm Takt 31...”	Anton Bruckner	4:12
46.5	Symphony no. 5 in B-flat major, WAB 105 (rehearsal excerpt): Mvt. II, mm. 163-196, 203-211 “Von 169 bis 170, diese Harmoniefolge, die kommt aus dem Mozart-Requiem: 'Qua resurget ex favilla homo reus'...”	Anton Bruckner	8:57
46.6	Symphony no. 5 in B-flat major, WAB 105 (rehearsal excerpt): Mvt. II, mm. 1-18, 39-70 “So, jetzt gehen wir zu dem Anfang von dem Satz...”	Anton Bruckner	3:24
46.7	Symphony no. 5 in B-flat major, WAB 105 (rehearsal excerpt): Mvt. II, mm. 71-84, 101-144, 195-202 “Geben Sie mir bitte einmal nur die Triolen, nur Steicher von 'D'...”	Anton Bruckner	4:44
46.8	Symphony no. 5 in B-flat major, WAB 105 (rehearsal excerpt): Mvt. III, Scherzo, mm. 1-39, 133-187 “Ich hätte gern wirklich so einen magischen Schnelltanz...”	Anton Bruckner	6:25
46.9	Symphony no. 5 in B-flat major, WAB 105 (rehearsal excerpt): Mvt. III, Scherzo, mm. 341-382; Trio, mm. 1-55 “Können Sie ein bisschen so eine oberösterrechische Melancholie hineinbringen?”	Anton Bruckner	2:36
46.10	Symphony no. 5 in B-flat major, WAB 105 (rehearsal excerpt): Mvt. III, Trio, mm. 56-1479; Scherzo da capo, mm. 1-132 “Jetzt spielen Sie bitte wirklich 'Um-Pa'!”	Anton Bruckner	6:28
46.11	Symphony no. 5 in B-flat major, WAB 105 (rehearsal excerpt): Mvt. IV, mm. 1-22, 29-36, 67-82 “Es muss die Eins immer sehr energisch sein und die Zwei etwas weniger...”	Anton Bruckner	7:01
46.12	Symphony no. 5 in B-flat major, WAB 105 (rehearsal excerpt): Mvt. IV, mm. 83-136, 137-165 “Tutti von 'Etwas mehr langsam'...”	Anton Bruckner	5:41
46.13	Symphony no. 5 in B-flat major, WAB 105 (rehearsal excerpt): Mvt. IV, mm. 175-210, 223-231 “Stellen Sie sich zu dem Choral einen Text vor: 'Was Gott tut, das ist wohl getan...'”	Anton Bruckner	3:34
46.14	Symphony no. 5 in B-flat major, WAB 105 (rehearsal excerpt): Mvt. IV, mm. 310-340 “Jeder von diesen Einsätzen muss klingen, als, wäre er eine Eins...”	Anton Bruckner	2:59
46.15	Symphony no. 5 in B-flat major, WAB 105 (rehearsal excerpt): Mvt. IV, mm. 362-373, 450-499, 500-635 “Schön wäre es, wenn man eine totale Erschöpfung hört auf diesem Des...”	Anton Bruckner	9:24
47.1	Symphony no. 9 in D minor, WAB 109 (unfinished): I. Feierlich, misterioso	Anton Bruckner	24:17
47.2	Symphony no. 9 in D minor, WAB 109 (unfinished): II. Scherzo. Bewegt, lebhaft - Trio. Schnell - Scherzo da capo	Anton Bruckner	10:39
47.3	Symphony no. 9 in D minor, WAB 109 (unfinished): III. Adagio. Langsam, feierlich	Anton Bruckner	23:56
48.1	Symphony no. 9 in D minor, WAB 109 (unfinished): IV. Finale (fragments): “Wie ein Stein vom Mond”: “Warum hat man eigentlich 100 Jahre lang gedacht, es gäbe nichts von diesem 4. Satz?”	Anton Bruckner	11:13
48.2	Symphony no. 9 in D minor, WAB 109 (unfinished): IV. Finale (fragments): “Wie ein Stein vom Mond”: Dokumentation, T. 1-278	Anton Bruckner	9:15
48.3	Symphony no. 9 in D minor, WAB 109 (unfinished): IV. Finale (fragments): “Wie ein Stein vom Mond”: “Gegen Ende eine extreme Dissonanz in den Trompeten”	Anton Bruckner	2:21
48.4	Symphony no. 9 in D minor, WAB 109 (unfinished): IV. Finale (fragments): “Wie ein Stein vom Mond”: “Nach dem Ende der Durchfährung folgt eine wilde Fuge”	Anton Bruckner	0:51
48.5	Symphony no. 9 in D minor, WAB 109 (unfinished): IV. Finale (fragments): “Wie ein Stein vom Mond”: Dokumentation, T. 279-342	Anton Bruckner	2:26
48.6	Symphony no. 9 in D minor, WAB 109 (unfinished): IV. Finale (fragments): “Wie ein Stein vom Mond”: “Quasi ein Schreckensbild des Todes”	Anton Bruckner	1:53
48.7	Symphony no. 9 in D minor, WAB 109 (unfinished): IV. Finale (fragments): “Wie ein Stein vom Mond”: Dokumentation, T. 343-478	Anton Bruckner	4:45
48.8	Symphony no. 9 in D minor, WAB 109 (unfinished): IV. Finale (fragments): “Wie ein Stein vom Mond”: “Danach fehlen 16 Takte; dazu ist nichts zu erklären; wir spielen einfach nicht”	Anton Bruckner	1:49
48.9	Symphony no. 9 in D minor, WAB 109 (unfinished): IV. Finale (fragments): “Wie ein Stein vom Mond”: Dokumentation T. 479-510 - Lücke / fehlender Partiturbogen - T. 511-526	Anton Bruckner	1:42
48.10	Symphony no. 9 in D minor, WAB 109 (unfinished): IV. Finale (fragments): “Like a stone from the moon”: “Wy did we think for over a hundred years that nothing of this finale existed?”	Anton Bruckner	10:52
48.11	Symphony no. 9 in D minor, WAB 109 (unfinished): IV. Finale (fragments): “Like a stone from the moon”: Documentation, mm. 1-278	Anton Bruckner	9:15
48.12	Symphony no. 9 in D minor, WAB 109 (unfinished): IV. Finale (fragments): “Like a stone from the moon”: “Extreme dissonances in the trumpets towards the end of the block”	Anton Bruckner	2:25
48.13	Symphony no. 9 in D minor, WAB 109 (unfinished): IV. Finale (fragments): “Like a stone from the moon”: “At the end of the development a wild fugue begins”	Anton Bruckner	0:41
48.14	Symphony no. 9 in D minor, WAB 109 (unfinished): IV. Finale (fragments): “Like a stone from the moon”: Documentation, mm. 279-342	Anton Bruckner	2:25
48.15	Symphony no. 9 in D minor, WAB 109 (unfinished): IV. Finale (fragments): “Like a stone from the moon”: “A sudden vision of death”	Anton Bruckner	1:47
48.16	Symphony no. 9 in D minor, WAB 109 (unfinished): IV. Finale (fragments): “Like a stone from the moon”: Documentation, mm. 343-478	Anton Bruckner	4:43
48.17	Symphony no. 9 in D minor, WAB 109 (unfinished): IV. Finale (fragments): “Like a stone from the moon”: “Then there are sixteen bars missing; we will just leave them out”	Anton Bruckner	1:40
48.18	Symphony no. 9 in D minor, WAB 109 (unfinished): IV. Finale (fragments): “Like a stone from the moon”: Documentation mm. 479-510 - gap/missing score bifolio - mm. 511-526	Anton Bruckner	1:37
49.1	Má vlast: Vyšehrad. Lento - Largo maestoso - Grandioso poco largamente - Allegro vivo ma non agitato - Lento ma non troppo	Bedřich Smetana	15:55
49.2	Má vlast: Vltava. Allegro comodo non agitato - L'istesso temp ma moderato - L'istesso tempo - Tempo I - Più moto	Bedřich Smetana	12:54
49.3	Má vlast: Šárka. Allegro con fuoco ma non agitato - Più moderato assai - Moderato ma con calore - Moderato - Molto vivo - Più vivo	Bedřich Smetana	10:41
50.1	Má vlast: Zčesk ých luhů a hájů. Molto moderato - Allegro poco vivo, ma non troppo - Allegro (Quasi Polka) - Tempo I - Allegro - Presto	Bedřich Smetana	13:52
50.2	Má vlast: Tábor. Lento - Grandioso - Molto vivace - Lento - Molto vivace - Lento maestoso - Più animato	Bedřich Smetana	14:25
50.3	Má vlast: Blanik. Allegro moderato - Andante non troppo - Più allegro ma non molto - Tempo di marcia - Grandioso - Tempo I - Largamente maestoso - Grandioso, meno Allegro - Vivace	Bedřich Smetana	15:27
51.1	Ein deutsches Requiem, op. 45: I. “Selig sind, die da Leid tragen”. Ziemlich langsam und mit Ausdruck (chorus)	Arnold Schoenberg Chor	9:58
51.2	Ein deutsches Requiem, op. 45: II. “Denn alles Fleisch, es ist wie Gras”. Langsam, marschmäßig (chorus)	Arnold Schoenberg Chor	16:03
51.3	Ein deutsches Requiem, op. 45: III. “Herr, lehre doch mich, dass ein Ende mit mir haben muss”. Andante bewegt (baritone, chorus)	Thomas Hampson, Arnold Schoenberg Chor	10:48
51.4	Ein deutsches Requiem, op. 45: IV. “Wie lieblich sind deine Wohnungen”. Mäßig bewegt (chorus)	Arnold Schoenberg Chor	5:54
51.5	Ein deutsches Requiem, op. 45: V. “Ihr habt nun Traurigkeit”. Langsam (soprano, chorus)	Genia Kühmeier, Arnold Schoenberg Chor	7:01
51.6	Ein deutsches Requiem, op. 45: VI. “Denn wir haben hie keine bleibende Statt”. Andante - Allegro (baritone, chorus)	Thomas Hampson, Arnold Schoenberg Chor	12:36
51.7	Ein deutsches Requiem, op. 45: VII. “Selig sind die Toten, die in dem Herren sterben”. Feierlich (chorus)	Arnold Schoenberg Chor	9:46
52.1	Stabat Mater, op. 58: No. 1 Quartet & Chorus: “Stabat Mater dolorosa”. Andante con moto	Chor des Bayerischen Rundfunks, Birgit Remmert, Ľuba Orgonášová, Franz Hawlata, Piotr Beczała	20:38
52.2	Stabat Mater, op. 58: No. 2 Quartet: “Quis est homo qui non fieret”. Andante sostenuto	Birgit Remmert, Ľuba Orgonášová, Franz Hawlata, Piotr Beczała	11:35
52.3	Stabat Mater, op. 58: No. 3 Chorus: “Eia, Mater, fons, amoris”. Andante con moto	Chor des Bayerischen Rundfunks	7:12
52.4	Stabat Mater, op. 58: No. 4 Bass & Chorus: “Fac ut ardeat cor meum”. Largo	Chor des Bayerischen Rundfunks, Franz Hawlata	9:15
53.1	Stabat Mater, op. 58: No. 5 Chorus: “Tui nati vulnerati”. Andante con moto, quasi allegretto	Chor des Bayerischen Rundfunks	5:14
53.2	Stabat Mater, op. 58: No. 6 Tenor & Chorus: “Fac me vere tecum flere”. Andante con moto	Chor des Bayerischen Rundfunks, Piotr Beczała	6:59
53.3	Stabat Mater, op. 58: No. 7 Chorus: “Virgo virginum praeclara”. Largo	Chor des Bayerischen Rundfunks	6:51
53.4	Stabat Mater, op. 58: No. 8 Soprano & Tenor Duet: “Fac ut portem Christi mortem”. Larghetto	Ľuba Orgonášová, Piotr Beczała	5:26
53.5	Stabat Mater, op. 58: No. 9 Alto: “Inflammatus et accesnsus”. Andante maestoso	Birgit Remmert	6:10
53.6	Stabat Mater, op. 58: No. 10 Quartet & Chorus: “Quando corpus morietur”. Andante con moto	Chor des Bayerischen Rundfunks, Birgit Remmert, Ľuba Orgonášová, Franz Hawlata, Piotr Beczała	7:40
54.1	Music for Strings, Percussion and Celesta, Sz 106: I. Andante tranquillo	Béla Bartók	9:10
54.2	Music for Strings, Percussion and Celesta, Sz 106: II. Allegro	Béla Bartók	7:49
54.3	Music for Strings, Percussion and Celesta, Sz 106: III. Adagio	Béla Bartók	8:05
54.4	Music for Strings, Percussion and Celesta, Sz 106: IV. Allegro molto	Béla Bartók	8:08
54.5	Divertimento for String Orchestra, Sz 113: I. Allegro non troppo	Béla Bartók	9:17
54.6	Divertimento for String Orchestra, Sz 113: II. Molto adagio	Béla Bartók	10:12
54.7	Divertimento for String Orchestra, Sz 113: III. Allegro assai	Béla Bartók	7:53
55.1	Porgy & Bess: Act I, Scene 1. Introduction	George Gershwin	1:46
55.2	Porgy & Bess: Act I, Scene 1. “Summertime and the livin' is easy” (Clara)	Bibiana Nwobilo	2:15
55.3	Porgy & Bess: Act I, Scene 1. “Seems like these bones don't give me nothin' but boxcars tonight” (Jake, Sportin' Life, Mingo, Serena, Robbins, chorus, Jim, Clara, crap shooters)	Rodney Earl Clarke, Arnold Schoenberg Chor, Michael Forest, Previn Moore, Angela Renée Simpson	4:28
55.4	Porgy & Bess: Act I, Scene 1. “Lissen to yo' daddy warn you” - “Oh, a woman is a sometime thing” (Jake, Mingo, Sportin' Life, chorus, Peter, Lily, Maria)	Roberta Alexander, Rodney Earl Clarke, Arnold Schoenberg Chor, Michael Forest, Previn Moore	3:04
55.5	Porgy & Bess: Act I, Scene 1. “Here's the ol' crap shark!” ... “No, no, brudder” (Jake, Mingo, Porgy, Sportin' Life, Robbins, Jim, Maria, Serena)	Roberta Alexander, Rodney Earl Clarke, Michael Forest, Previn Moore, Angela Renée Simpson	4:31
55.6	Porgy & Bess: Act I, Scene 1. “Here comes the Big Boy!” (Mingo, Jake, Jim, Crown, Sportin' Life, Serena, Bess, Robbins, Porgy, chorus)	Gregg Baker, Rodney Earl Clarke, Arnold Schoenberg Chor, Michael Forest, Jonathan Lemalu, Previn Moore, Isabelle Kabatu, Angela Renée Simpson	4:53
55.7	Porgy & Bess: Act I, Scene 1. “Six to make!” (Sportin' Life, Jim, Mingo, Jake, Porgy, Crown, Robbins, Maria, Serena, Bess, chorus)	Roberta Alexander, Gregg Baker, Rodney Earl Clarke, Arnold Schoenberg Chor, Michael Forest, Jonathan Lemalu, Previn Moore, Isabelle Kabatu, Angela Renée Simpson	4:00
55.8	Porgy & Bess: Act I, Scene 1. “Jesus, he's killed him!” ... “That you, Sportin' Life?” (Mingo, Bess, Crown, Sportin' Life, Maria)	Roberta Alexander, Gregg Baker, Michael Forest, Previn Moore, Isabelle Kabatu	5:04
55.9	Porgy & Bess: Act I, Scene 2. “Where is brudder Robbins?” (woman, chorus, Man, Serena, Maria, Bess)	Roberta Alexander, Arnold Schoenberg Chor, Isabelle Kabatu, Angela Renée Simpson	3:38
55.10	Porgy & Bess: Act I, Scene 2. “Come on, sister” ... “Overflow, overflow” (soprano, chorus, Jake, Peter, Serena, Maria, Porgy, Clara)	Roberta Alexander, Arnold Schoenberg Chor, Jonathan Lemalu, Previn Moore, Bibiana Nwobilo, Angela Renée Simpson	3:18
55.11	Porgy & Bess: Act I, Scene 2. “Um! A saucer-buryin' set-up, I see” (detective, Serena, Jake, Porgy, chorus)	Rodney Earl Clarke, Arnold Schoenberg Chor, Angela Renée Simpson	3:44
55.12	Porgy & Bess: Act I, Scene 2. “My man's gone now” (Serena, chorus)	Arnold Schoenberg Chor, Angela Renée Simpson	4:16
55.13	Porgy & Bess: Act I, Scene 2. “How de saucer stan' now, my sister?” (undertaker, Serena, Jake, Porgy, chorus)	Rodney Earl Clarke, Arnold Schoenberg Chor, Jonathan Lemalu, Angela Renée Simpson	2:07
55.14	Porgy & Bess: Act I, Scene 2. “Oh, the train is at the station” (Bess, chorus)	Arnold Schoenberg Chor, Isabelle Kabatu	3:07
55.15	Porgy & Bess: Act II, Scene 1. “Oh, I'm a-goin' out to the Blackfish banks” (Jake, chorus)	Rodney Earl Clarke, Arnold Schoenberg Chor	3:37
55.16	Porgy & Bess: Act II, Scene 1. “Mus' be you mens forgot about de picnic” - “Oh, I got plenty o' nuttin'” (Annie, Jake, Clara, Porgy, chorus, Serena, Maria)	Roberta Alexander, Rodney Earl Clarke, Arnold Schoenberg Chor, Jonathan Lemalu, Bibiana Nwobilo, Angela Renée Simpson	2:13
55.17	Porgy & Bess: Act II, Scene 1. “I got plenty o' nuttin'” (Porgy, chorus)	Arnold Schoenberg Chor, Jonathan Lemalu	1:18
55.18	Porgy & Bess: Act II, Scene 1. “Listen there what I tells you” (Maria, Serena, Sportin' Life)	Roberta Alexander, Michael Forest, Angela Renée Simpson	1:23
55.19	Porgy & Bess: Act II, Scene 1. “I hates yo' struttin' style” (Maria)	Roberta Alexander	1:17
55.20	Porgy & Bess: Act II, Scene 1. “Mornin', Lawyer, lookin' for somebody?” (Maria, Frazier, Porgy, Bess, chorus, Lily, Man, Scipio, Annie, Serena)	Roberta Alexander, Arnold Schoenberg Chor, Isabelle Kabatu, Angela Renée Simpson	5:22
55.21	Porgy & Bess: Act II, Scene 1. “Boy! Come here, boy!” (Archdale, Scipio, Clara, Serena, Mingo, Jake, Porgy, chorus)	Rodney Earl Clarke, Arnold Schoenberg Chor, Jonathan Lemalu, Previn Moore, Bibiana Nwobilo, Angela Renée Simpson	2:52
55.22	Porgy & Bess: Act II, Scene 1. “Buzzard keep on flyin' over” (Porgy, chorus)	Arnold Schoenberg Chor, Jonathan Lemalu	3:23
56.1	Porgy & Bess: Act II, Scene 1. “Lo, Bess, goin' to de picnic?” (Sportin' Life, Bess, Porgy)	Michael Forest, Jonathan Lemalu, Isabelle Kabatu	3:17
56.2	Porgy & Bess: Act II, Scene 1. “Honey, we sure goin' strut our stuff today!” (Jake, Porgy, Bess)	Rodney Earl Clarke, Isabelle Kabatu	0:43
56.3	Porgy & Bess: Act II, Scene 1. “Bess, you is my woman now” (Porgy, Bess)	Jonathan Lemalu, Isabelle Kabatu	5:09
56.4	Porgy & Bess: Act II, Scene 1. “Oh, I can't sit down” (chorus, Maria, Bess, Porgy)	Roberta Alexander, Arnold Schoenberg Chor, Jonathan Lemalu, Isabelle Kabatu	4:12
56.5	Porgy & Bess: Act II, Scene 2. “I ain't got no shame doin' what I like to do” (chorus)	Arnold Schoenberg Chor	3:09
56.6	Porgy & Bess: Act II, Scene 2. “It ain't necessarily so” (Sportin' Life, chorus)	Arnold Schoenberg Chor, Michael Forest	4:30
56.7	Porgy & Bess: Act II, Scene 2. “Shame on all you sinners” (Serena, Maria)	Roberta Alexander, Angela Renée Simpson	1:53
56.8	Porgy & Bess: Act II, Scene 2. “Crown!” ... “You know very well dis Crown!” (Bess, Crown)	Gregg Baker, Isabelle Kabatu	3:24
56.9	Porgy & Bess: Act II, Scene 2. “Oh, what you want wid Bess?” (Bess, Crown)	Gregg Baker, Isabelle Kabatu	4:03
56.10	Porgy & Bess: Act II, Scene 3. “Honey, dat's all de breakfast I got time for” (Jake, Nelson, Jim, Maria, chorus)	Roberta Alexander, Rodney Earl Clarke, Arnold Schoenberg Chor	2:53
56.11	Porgy & Bess: Act II, Scene 3. “Well, if it ain' ole Peter!” (Maria, Peter, Bess, Porgy, Serena)	Roberta Alexander, Jonathan Lemalu, Previn Moore, Isabelle Kabatu, Angela Renée Simpson	2:24
56.12	Porgy & Bess: Act II, Scene 3. “Oh Doctor Jesus” (Serena, Porgy, Peter, Lily)	Jonathan Lemalu, Previn Moore, Angela Renée Simpson	2:33
56.13	Porgy & Bess: Act II, Scene 3. “Oh, dey's so fresh an' fine” (strawberry woman)	George Gershwin	1:11
56.14	Porgy & Bess: Act II, Scene 3. “I'm talkin' about devil crabs” (crab man, Porgy, Maria)	Roberta Alexander, Jonathan Lemalu, Previn Moore	2:28
56.15	Porgy & Bess: Act II, Scene 3. “Porgy, Porgy, dat you there, ain' it?” (Bess, Porgy)	Jonathan Lemalu, Isabelle Kabatu	3:04
56.16	Porgy & Bess: Act II, Scene 3. “If dere warn't no Crown, Bess” (Porgy, Bess)	Jonathan Lemalu, Isabelle Kabatu	2:37
56.17	Porgy & Bess: Act II, Scene 3. “Why you been out on that wharf so long, Clara?” (Maria, Clara)	Roberta Alexander, Bibiana Nwobilo	1:40
56.18	Porgy & Bess: Act II, Scene 4. “Oh, de Lawd shake de Heavens an' de Lawd rock de groun'” (chorus, man, woman, Porgy, Clara, Serena, Sportin' Life)	Arnold Schoenberg Chor, Michael Forest, Jonathan Lemalu, Bibiana Nwobilo, Angela Renée Simpson	2:34
56.19	Porgy & Bess: Act II, Scene 4. “One of dese mornin's you goin' to rise up singin'” (Clara, chorus)	Arnold Schoenberg Chor, Bibiana Nwobilo	1:11
56.20	Porgy & Bess: Act II, Scene 4. “Oh, dere's somebody knockin' at de do'” (chorus, Peter, Lily, Mingo, Maria, Bess)	Roberta Alexander, Arnold Schoenberg Chor, Previn Moore, Isabelle Kabatu	1:30
56.21	Porgy & Bess: Act II, Scene 4. “You is a nice parcel of Christians” (Crown, Serena, Bess, Porgy, woman, chorus)	Gregg Baker, Arnold Schoenberg Chor, Jonathan Lemalu, Isabelle Kabatu, Angela Renée Simpson	4:06
56.22	Porgy & Bess: Act II, Scene 4. “A red-headed woman make a choo-choo jump its track” (Crown, chorus)	Gregg Baker, Arnold Schoenberg Chor	1:36
56.23	Porgy & Bess: Act II, Scene 4. “Jake's boat in de river upside down!” (Bess, Clara, Crown)	Gregg Baker, Isabelle Kabatu, Bibiana Nwobilo	1:02
56.24	Porgy & Bess: Act II, Scene 4. “All right, I'm goin' out to get Clara” ... “Oh Doctor Jesus” (Crown, Porgy, all)	Gregg Baker, Jonathan Lemalu	2:18
57.1	Porgy & Bess: Act III, Scene 1. “Clara, Clara, don't you be downhearted” ... “You low-life skunk, ain' you got no shame” (chorus, Sportin' Life, Maria)	Roberta Alexander, Arnold Schoenberg Chor, Michael Forest	6:23
57.2	Porgy & Bess: Act III, Scene 1. “Summertime an' the livin' is easy” (Bess, Porgy)	Jonathan Lemalu, Isabelle Kabatu	3:48
57.3	Porgy & Bess: Act III, Scene 2. “Wait for us at the corner, Al” (detective, Annie, Serena, other woman, coroner, 3 women, Porgy, policeman)	Jonathan Lemalu, Angela Renée Simpson	5:02
57.4	Porgy & Bess: Act III, Scene 2. “Oh Gawd! They goin' make him look on Crown's face!” (Bess, Sportin' Life)	Michael Forest, Isabelle Kabatu	2:10
57.5	Porgy & Bess: Act III, Scene 2. “There's a boat dat's leavin' soon for New York” (Sportin' Life, Bess)	Michael Forest, Isabelle Kabatu	4:07
57.6	Porgy & Bess: Act III, Scene 3. Introduction	George Gershwin	1:17
57.7	Porgy & Bess: Act III, Scene 3. Symphony of Noise	George Gershwin	4:18
57.8	Porgy & Bess: Act III, Scene 3. “Good mornin', sistuh!” ... “It's Porgy comin' home” (man, woman, chorus, children, Mingo, Porgy)	Arnold Schoenberg Chor, Jonathan Lemalu, Previn Moore	2:58
57.9	Porgy & Bess: Act III, Scene 3. “Dem white folks sure ain' put nuttin' over on this baby” (Porgy, Lily)	Jonathan Lemalu	2:57
57.10	Porgy & Bess: Act III, Scene 3. “Here Mingo, what's de matter wid you all?” (Porgy)	Jonathan Lemalu	1:39
57.11	Porgy & Bess: Act III, Scene 3. “Maria, Maria, where's Bess?” (Porgy, Maria, Serena)	Roberta Alexander, Jonathan Lemalu, Angela Renée Simpson	3:19
57.12	Porgy & Bess: Act III, Scene 3. “Where Bess gone?” (Porgy, Mingo, Maria, Serena, chorus)	Roberta Alexander, Arnold Schoenberg Chor, Jonathan Lemalu, Previn Moore, Angela Renée Simpson	1:47
57.13	Porgy & Bess: Act III, Scene 3. “Oh Lawd, I'm on my way” (Porgy, chorus)	Arnold Schoenberg Chor, Jonathan Lemalu	1:23
58.1	Kaiser Franz Joseph I. Rettungs-Jubel-Marsch, op. 126	Johann Strauss	3:39
58.2	Schatz Walzer, op. 418	Johann Strauss	9:00
58.3	Niko Polka, op. 228	Johann Strauss	4:05
58.4	Scherz Polka, op. 72	Johann Strauss	3:45
58.5	Delirien, op. 212	Josef Strauss	10:20
58.6	Pêle-Mêle Polka, op. 161	Josef Strauss	2:21
58.7	Aufforderung zum Tanz, op. 65	Carl Maria von Weber	9:45
58.8	Sekunden Polka, op. 258	Johann Strauss	3:31
58.9	Hellenen Polka, op. 203	Johann Strauss	2:20
59.1	Kaiser Walzer, op. 437	Johann Strauss	12:01
59.2	Bauern Polka, op. 276	Johann Strauss	3:08
59.3	Lob der Frauen, op. 315	Johann Strauss	4:21
59.4	Chineser Galopp, op. 20	Johann Strauss	1:52
59.5	Ungarischer Tanz Nr. 5 g-Moll, WoO 1/5	Johannes Brahms	2:45
59.6	Ungarischer Tanz Nr. 6 D-Dur, WoO 1/6	Johannes Brahms	3:42
59.7	Krönungslieder, op. 184	Johann Strauss	9:30
59.8	Leichtes Blut, op. 319	Johann Strauss	2:43
59.9	Furioso Polka, op. 260	Johann Strauss	2:34
59.10	New Year's Address	[no artist]	1:06
59.11	An der schönen blauen Donau, op. 314	Johann Strauss	10:19
59.12	Radetzky-Marsch, op. 228	Johann Strauss	3:32
60.1	Kontretanz in D major, K 603/1	Wolfgang Amadeus Mozart	1:09
60.2	Kontretanz in C major, K 609/1	Wolfgang Amadeus Mozart	1:14
60.3	Kontretanz in C major, K 609/4	Wolfgang Amadeus Mozart	2:05
60.4	6 deutsche Tänze, K 571: No. 1 in D major	Wolfgang Amadeus Mozart	1:29
60.5	6 deutsche Tänze, K 571: No. 2 in A minor	Wolfgang Amadeus Mozart	1:23
60.6	6 deutsche Tänze, K 571: No. 3 in C major	Wolfgang Amadeus Mozart	1:35
60.7	6 deutsche Tänze, K 571: No. 4 in G major	Wolfgang Amadeus Mozart	1:42
60.8	6 deutsche Tänze, K 571: No. 5 in B-flat major	Wolfgang Amadeus Mozart	1:33
60.9	6 deutsche Tänze, K 571: No. 6 in D major	Wolfgang Amadeus Mozart	3:06
60.10	Radetzky-Marsch, op. 228 (original version)	Johann Strauss	3:38
60.11	Kettenbrücke-Walzer, op. 4	Johann Strauss	6:43
60.12	Schäfer-Quadrille, op. 217	Johann Strauss	5:50
60.13	Der Karneval in Paris, op. 100 (Walzer)	Johann Strauss	2:34
60.14	Walzer à la Paganini, op. 11	Johann Strauss	7:56
61.1	Pas de neuf, WoO (after Saverio Mercadante)	Josef Lanner	14:24
61.2	Sehnsuchts-Mazur, op. 89	Josef Lanner	9:06
61.3	Hans-Jörgel-Polka, op. 194	Josef Lanner	3:45
61.4	Malapou-Galopp, op. 148a	Josef Lanner	1:26
61.5	Hexen-Tanz, op. 203 (Walzer)	Josef Lanner	9:36
61.6	March from the Ballet Corso Donati	Josef Lanner	4:14
61.7	Cerrito-Polka, op. 189	Josef Lanner	3:58
61.8	Jägers Lust, op. 82 (Jagd-Galopp)	Josef Lanner	2:40
61.9	Die Schönbrunner, op. 200 (Walzer)	Josef Lanner	9:08
62.1	Die Zauberflöte, K 620: Opening Credits	Wolfgang Amadeus Mozart	0:59
62.2	Die Zauberflöte, K 620: Overture	Wolfgang Amadeus Mozart	6:16
62.3	Die Zauberflöte, K 620: Act I. No. 1 Introduction: “Zu Hilfe! Zu Hilfe!” (Tamino, 3 Ladies)	Wiebke Lehmkuhl, Bernard Richter, Sandra Trattnigg, Anja Schlosser	7:04
62.4	Die Zauberflöte, K 620: Act I. No. 1 Dialogue: “Wo bin ich!” (Tamino) / No. 2 Aria: “Der Vogelfänger bin ich ja” (Papageno)	Markus Werba, Bernard Richter	3:18
62.5	Die Zauberflöte, K 620: Act I. No. 2 Dialogue: “He da!” - “Was da!” (Tamino, Papageno, 3 Ladies)	Markus Werba, Wiebke Lehmkuhl, Bernard Richter, Sandra Trattnigg, Anja Schlosser	5:49
62.6	Die Zauberflöte, K 620: Act I. No. 3 Aria: “Dies Bildnis ist bezaubernd schön” (Tamino) / Dialogue: “Rüste dich mit Mut und Standhaftigkeit” (3 Ladies, Tamino)	Wiebke Lehmkuhl, Bernard Richter, Sandra Trattnigg, Anja Schlosser	5:45
62.7	Die Zauberflöte, K 620: Act I. No. 4 Recitative & Aria: “O zittre nicht, mein lieber Sohn!” (Queen of the Night)	Mandy Fredrich	4:55
62.8	Die Zauberflöte, K 620: Act I. No. 4 Dialogue: “Ist es denn auch Wirklichkeit, was ich sah” (Tamino) / No. 5 Quintet: “Hm! Hm! Hm! Hm!” (Papagenom Tamino, 3 Ladies)	Markus Werba, Wiebke Lehmkuhl, Bernard Richter, Sandra Trattnigg, Anja Schlosser	7:18
62.9	Die Zauberflöte, K 620: Act I. No. 5 Dialogue: “Was soll denn das Lachen?” (slaves, Manostatos) / No. 6 Trio: “Du feines Täubchen, nur herein!” (Manostatos, Pamina, Papageno)	Markus Werba, Julia Kleiter, Rudolf Schasching	3:30
62.10	Die Zauberflöte, K 620: Act I. No. 6 Dialogue: “Mutter! Mutter! Mutter!” (Pamina, Papageno)	Markus Werba, Julia Kleiter	5:01
62.11	Die Zauberflöte, K 620: Act I. No. 7 Duet: “Bein Männern, welche Liebe fühlen” (Pamina, Papageno)	Markus Werba, Julia Kleiter	3:53
62.12	Die Zauberflöte, K 620: Act I. No. 8 Finale: “Zum Ziele führt dich diese Bahn” (3 Boys, Tamino)	Bernard Richter, Jakob Göpfert, Leopold Lampelsdorfer, Marvin Vitcu	1:47
62.13	Die Zauberflöte, K 620: Act I. No. 8 Finale: “Die Weisheitslehre dieser Knaben” (Tamino, Speaker, chorus)	Konzertvereinigung Wiener Staatsopernchor, Bernard Richter, Martin Gantner	9:20
62.14	Die Zauberflöte, K 620: Act I. No. 8 Finale: “Wie stark ist nicht dein Zauberton” (Tamino)	Bernard Richter	3:17
62.15	Die Zauberflöte, K 620: Act I. No. 8 Finale: “Schnelle Füße, rascher Mut” (Pamina, Papageno, Manostatos, slaves)	Markus Werba, Julia Kleiter, Rudolf Schasching	3:39
62.16	Die Zauberflöte, K 620: Act I. No. 8 Finale: “Es lebe Sarastro, Sarastro lebe!” (chorus, Papageno, Pamina, Sarastro)	Markus Werba, Julia Kleiter, Georg Zeppenfeld, Konzertvereinigung Wiener Staatsopernchor	4:45
62.17	Die Zauberflöte, K 620: Act I. No. 8 Finale: “Nun, stolzer Jüngling, nur hieher!” (Manostatos, Pamina, Tamino, Sarastro)	Julia Kleiter, Georg Zeppenfeld, Rudolf Schasching, Bernard Richter	2:16
62.18	Die Zauberflöte, K 620: Act I. No. 8 Finale: “Wenn Tugend und Gerechtigkeit” (chorus)	Konzertvereinigung Wiener Staatsopernchor	1:09
63.1	Die Zauberflöte, K 620: Act II. No. 9 March of the Priests	Wolfgang Amadeus Mozart	2:35
63.2	Die Zauberflöte, K 620: Act II. No. 9 Dialogue: “Ihr in dem Weisheitstempel eingeweihten Diener” (Sarastro, Priests, Speaker)	Georg Zeppenfeld, Martin Gantner	4:19
63.3	Die Zauberflöte, K 620: Act II. No. 10 Aria & Chorus: “O Isis und Osiris” (Sarastro, chorus)	Georg Zeppenfeld, Konzertvereinigung Wiener Staatsopernchor	3:23
63.4	Die Zauberflöte, K 620: Act II. No. 10 Dialogue: “Eine schreckliche Nacht!” (Tamino, Papageno, Speaker, First Priest) / No. 11 Duet: “Bewahret euch vor Weibertücken” (First Priest, Speaker) / No. 11 Dialogue: “He, Lichter her!” (Papageno, Tamino)	Markus Werba, Bernard Richter, Martin Gantner, Lucian Krasznec	5:49
63.5	Die Zauberflöte, K 620: Act II. No. 11 Dialogue: “Das ist ja wunderlich” (Papageno, Tamino) / No. 12 Quintet: “Wie? Wie? Wie? Ihr an diesem Schreckensort?” (3 Ladies, Papageno, Tamino, chorus, Speaker, First Priest) / No. 12 Dialogue: “Heil dir, Jüngling!” (3 Ladies, Papageno)	Markus Werba, Konzertvereinigung Wiener Staatsopernchor, Wiebke Lehmkuhl, Bernard Richter, Martin Gantner, Sandra Trattnigg, Anja Schlosser, Lucian Krasznec	5:37
63.6	Die Zauberflöte, K 620: Act II. No. 12 Dialogue: “Ha, da find' ich ja die spröde Schöne!" (Manostatos) / No. 13 Aria: “Alles fühlt der Liebe Freuden” (Manostatos) / No. 13 Dialogue: “Mutter!” (Pamina, Queen of the Night)	Julia Kleiter, Rudolf Schasching, Mandy Fredrich	4:55
63.7	Die Zauberflöte, K 620: Act II. No. 14 Aria: “Der Hölle Rache” (Queen of the Night) / No. 14 Dialogue: “Morden soll ich?” (Pamina, Manostatos, Sarastro)	Julia Kleiter, Georg Zeppenfeld, Rudolf Schasching, Mandy Fredrich	6:17
63.8	Die Zauberflöte, K 620: Act II. No. 15 Aria: “In diesen heil'gen Hallen” (Sarastro) / No. 15 Dialogue: “Prinz, lebt wohl!” (Speaker, First Priest, Papageno, Tamino, old woman)	Markus Werba, Georg Zeppenfeld, Bernard Richter, Martin Gantner, Lucian Krasznec	8:08
63.9	Die Zauberflöte, K 620: Act II. No. 16 Trio: “Seid uns zum zweiten Mal willkommen” (3 Boys) / No. 16 Dialogue: “Tamino, wollen wir nicht speisen?” (Papageno, Pamina)	Markus Werba, Julia Kleiter, Bernard Richter, Jakob Göpfert, Leopold Lampelsdorfer, Marvin Vitcu	4:21
63.10	Die Zauberflöte, K 620: Act II. No. 17 Aria: “Ach, ich fühl's” (Pamina) / No. 17 Dialogue: “Nicht wahr Tamino, ich kann auch schweigen” (Papageno)	Markus Werba, Julia Kleiter, Bernard Richter	5:06
63.11	Die Zauberflöte, K 620: Act II. No. 18 Chorus: “O Isis und Osiris, welche Wonne!” (Priests) / No. 18 Dialogue: “Prinz, dein Betragen war bis hieher männlich” (Sarastro, Pamina, Tamino)	Julia Kleiter, Georg Zeppenfeld, Konzertvereinigung Wiener Staatsopernchor, Bernard Richter	3:56
63.12	Die Zauberflöte, K 620: Act II. No. 19 Trio: “Soll ich dich, Teurer, nicht mehr seh'n?” (Pamina, Sarastro, Tamino)	Julia Kleiter, Georg Zeppenfeld, Bernard Richter	3:32
63.13	Die Zauberflöte, K 620: Act II. No. 19 Dialogue: “Tamino! Tamino!” (Papageno, Speaker) / No. 20 Aria: “Ein Mädchen oder Weibchen” (Papageno) / No. 20 Dialogue: “Da bin ich schon, mein Engel!” (old woman, Papageno, Speaker)	Markus Werba, Martin Gantner	9:21
63.14	Die Zauberflöte, K 620: Act II. No. 21 Finale: “Bald prangt, den Morgen zu verkünden” (3 Boys, Pamina)	Julia Kleiter, Jakob Göpfert, Leopold Lampelsdorfer, Marvin Vitcu	7:09
63.15	Die Zauberflöte, K 620: Act II. No. 21 Finale: “Der, welcher wandert diese Straße” (2 Men in Armour, Tamino, Pamina)	Julia Kleiter, Andreas Hörl, Bernard Richter, Lucian Krasznec	5:11
63.16	Die Zauberflöte, K 620: Act II. No. 21 Finale: “Tamino mein! O welch ein Glück!” (Pamina, Tamino, 2 Men in Armour, chorus)	Julia Kleiter, Konzertvereinigung Wiener Staatsopernchor, Andreas Hörl, Bernard Richter, Lucian Krasznec	7:21
63.17	Die Zauberflöte, K 620: Act II. No. 21 Finale: “Papagena! Papagena! Papagena!” (Papageno, 3 Boys)	Markus Werba, Jakob Göpfert, Leopold Lampelsdorfer, Marvin Vitcu	6:05
63.18	Die Zauberflöte, K 620: Act II. No. 21 Finale: “Pa-Pa-Papagena! - Pa-Pa-Papageno!” (Papageno, Papagena)	Markus Werba, Elisabeth Schwarz	2:53
63.19	Die Zauberflöte, K 620: Act II. No. 21 Finale: “Nur stille, stille, stille, stille!” (Manostatos, 3 Ladies, Queen of the Night) / No. 21 Finale: “Die Strahlen der Sonne” (Sarastro, chorus)	Georg Zeppenfeld, Rudolf Schasching, Konzertvereinigung Wiener Staatsopernchor, Wiebke Lehmkuhl, Sandra Trattnigg, Mandy Fredrich, Anja Schlosser	4:49
63.20	Die Zauberflöte, K 620: Curtain Calls and Credits	Markus Werba, Julia Kleiter, Georg Zeppenfeld, Rudolf Schasching, Wiebke Lehmkuhl, Andreas Hörl, Bernard Richter, Martin Gantner, Sandra Trattnigg, Mandy Fredrich, Elisabeth Schwarz, Anja Schlosser, Jakob Göpfert, Leopold Lampelsdorfer, Marvin Vitcu, Lucian Krasznec	4:55
64.1	Opening	Nikolaus Harnoncourt, Lang Lang	6:25
64.2	First Day of Recording: Concerto for Piano and Orchestra no. 17 in G major, K 453: I. Allegro	Nikolaus Harnoncourt, Lang Lang / Wolfgang Amadeus Mozart	20:19
64.3	Second Day of Recording: Concerto for Piano and Orchestra no. 17 in G major, K 453: III. Allegretto - Finale. Presto	Nikolaus Harnoncourt, Lang Lang / Wolfgang Amadeus Mozart	6:55
64.4	Third Day of Recording: Concerto for Piano and Orchestra no. 24 in C minor, K 591: I. Allegro / II. Larghetto	Nikolaus Harnoncourt, Lang Lang / Wolfgang Amadeus Mozart	10:20
64.5	Last Day of Recording: Concerto for Piano and Orchestra no. 24 in C minor, K 591: III. Allegretto	Nikolaus Harnoncourt, Lang Lang / Wolfgang Amadeus Mozart	8:00
64.6	Credits	Nikolaus Harnoncourt, Lang Lang	0:32

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Source: MusicBrainz release group a790a212-bed8-46cc-871b-ef280a47f47c (CC0). Cover: Cover Art Archive.