| 1.1 | Prelude in G major | John Blow | 3:09 |
| 1.2 | Ground in G major | John Blow | 4:48 |
| 1.3 | Lessons in D minor | John Blow | 5:11 |
| 1.4 | Lessons in A minor | John Blow | 7:26 |
| 1.5 | Lessons in G minor | John Blow | 6:53 |
| 1.6 | Chaconne in F major | John Blow | 6:48 |
| 1.7 | Suite No. 3 in C minor, D221 | William Croft | 12:03 |
| 1.8 | The Indian Queen, Z.630: Suite | Henry Purcell | 7:47 |
| 1.9 | Suite in A major | William Croft | 9:09 |
| 2.1 | 3 tunes new to John Playford's Dancing Master | [anonymous] | 4:24 |
| 2.2 | William Lawes: Why so pale / Henry Lawes: Bid me to live / Anonymous: 2 tunes new to John Playford's Dancing Master | [anonymous] | 10:44 |
| 2.3 | Nicola Matteis: Passages in Imitation of the Trumpet / Anonymous: 5 marches and tunes from John Playford's new tunes | Nicola Matteis | 9:53 |
| 2.4 | Fantazie, Suite in A major | Matthew Locke | 13:29 |
| 2.5 | Court Masques under Charles I and Charles II | William Lawes | 10:38 |
| 2.6 | Toccata / The Plaint / Ground in A major | Henry Purcell | 12:45 |
| 2.7 | The black Joak | [anonymous] | 5:35 |
| 2.8 | A Ground in D major | Henry Purcell | 3:05 |
| 3.1 | Barafostus' Dream | Thomas Tomkins | 6:25 |
| 3.2 | The King's Hunt | John Bull | 3:46 |
| 3.3 | Pavan & Gaillarde of Mr. Peter | William Byrd | 8:23 |
| 3.4 | Fantasia no. 6 in D | Orlando Gibbons | 1:19 |
| 3.5 | Pavane no. 16 in G | Orlando Gibbons | 5:50 |
| 3.6 | Walsingham-Variationen | William Byrd | 8:12 |
| 3.7 | Fancy no. 3 in d | Orlando Gibbons | 0:54 |
| 3.8 | Maske in G | Giles Farnaby | 2:09 |
| 3.9 | Fantasia in D | John Bull | 6:34 |
| 3.10 | English Toy | John Bull | 1:27 |
| 3.11 | Fantasia in D | Orlando Gibbons | 4:15 |
| 4.1 | Prelude & Symphony | Henry Purcell | 4:07 |
| 4.2 | If Music Be the Food of Love | Howard Crook | 3:41 |
| 4.3 | Hark! The Echoing Air | Howard Crook | 2:27 |
| 4.4 | Three Parts Upon a Ground | Henry Purcell | 4:54 |
| 4.5 | 'Tis Nature's Voice | Howard Crook | 5:01 |
| 4.6 | Round-O | Howard Crook | 1:55 |
| 4.7 | Overture in G Minor | Henry Purcell | 3:57 |
| 4.8 | A Divine Hymn: Lord, What Is Man | Howard Crook | 5:58 |
| 4.9 | Chacony | Henry Purcell | 4:37 |
| 4.10 | Music for a While | Howard Crook | 4:00 |
| 4.11 | Lovely Albina's Come Ashore | Howard Crook | 2:20 |
| 4.12 | Fantazia 5 | Henry Purcell | 3:26 |
| 4.13 | Ground & Two in One Upon a Ground | Henry Purcell | 5:03 |
| 4.14 | Thrice Happy Lovers | Howard Crook | 2:26 |
| 4.15 | Pavan in B Flat | Henry Purcell | 3:48 |
| 4.16 | An Evening Hymn | Howard Crook | 5:54 |
| 5.1 | Venus and Adonis: Prologue: Overture | John Blow | 2:37 |
| 5.2 | Venus and Adonis: Prologue: Cupid's Entry | John Blow | 1:12 |
| 5.3 | Venus and Adonis: Prologue: Behold my arrows and my bow (Cupid) | John Blow | 0:50 |
| 5.4 | Venus and Adonis: Prologue: Come shepherd's all, let's sing and play (Cupid, Choir) | John Blow | 4:35 |
| 5.5 | Venus and Adonis: Prologue: Cupid's Entry (da capo) | John Blow | 1:15 |
| 5.6 | Venus and Adonis: Act I: Introduction | John Blow | 1:48 |
| 5.7 | Venus and Adonis: Act I: Venus... - Adonis... / Come follow to the noblest game | John Blow | 8:14 |
| 5.8 | Venus and Adonis: Act I: Entry - a dance by a huntsman | John Blow | 1:06 |
| 5.9 | Venus and Adonis: Act II: Introduction | John Blow | 2:08 |
| 5.10 | Venus and Adonis: Act II: You place with such delicate care / The insolent, the arrogant | John Blow | 4:40 |
| 5.11 | Venus and Adonis: Act II: Dance of the Cupids | John Blow | 1:25 |
| 5.12 | Venus and Adonis: Act II: Call the Graces! / Mortals below, Cupids above | John Blow | 2:11 |
| 5.13 | Venus and Adonis: Act II: Dance of the Graces | John Blow | 1:22 |
| 5.14 | Venus and Adonis: Act II: Gavotte | John Blow | 0:54 |
| 5.15 | Venus and Adonis: Act II: Saraband for the Graces | John Blow | 1:06 |
| 5.16 | Venus and Adonis: Act II: A Ground | John Blow | 3:12 |
| 5.17 | Venus and Adonis: Act III: Introduction | John Blow | 1:59 |
| 5.18 | Venus and Adonis: Act III: Adonis, Adonis | John Blow | 5:59 |
| 5.19 | Venus and Adonis: Act III: With solemn pomp let mourning Cupids bear | John Blow | 5:12 |
| 5.20 | Cupid and Death: First Entry: Cupid: Curtain Music | Christopher Gibbons, Matthew Locke | 4:26 |
| 5.21 | Cupid and Death: First Entry: Cupid: Are all things in their preparation? | Christopher Gibbons, Matthew Locke | 5:17 |
| 5.22 | Cupid and Death: First Entry: Cupid: Entrance of Cupid and his Train of Folly and Madness | Christopher Gibbons, Matthew Locke | 1:33 |
| 5.23 | Cupid and Death: First Entry: Cupid: Song (Soprano): "Though little be the God of love"/Chorus: "Thus Love can fiery spirits tame" | Christopher Gibbons, Matthew Locke | 2:33 |
| 5.24 | Cupid and Death: Second Entry: Death: Suite of Dances | Christopher Gibbons, Matthew Locke | 1:57 |
| 6.1 | Cupid and Death: Second Entry: Death: Death's Entrance Dance | Christopher Gibbons, Matthew Locke | 1:40 |
| 6.2 | Cupid and Death: Second Entry: Death: Holla, within | Christopher Gibbons, Matthew Locke | 9:30 |
| 6.3 | Cupid and Death: Second Entry: Death: Suite of Dances | Christopher Gibbons, Matthew Locke | 3:39 |
| 6.4 | Cupid and Death: Second Entry: Death: Song (Soprano): "Victorious men of Earth" - Chorus: "He hath at will" | Christopher Gibbons, Matthew Locke | 2:15 |
| 6.5 | Cupid and Death: Third Entry: The Exchange of Arrows: Suite of Dances | Christopher Gibbons, Matthew Locke | 1:53 |
| 6.6 | Cupid and Death: Third Entry: The Exchange of Arrows: Ho master | Christopher Gibbons, Matthew Locke | 4:05 |
| 6.7 | Cupid and Death: Third Entry: The Exchange of Arrows: Song (Soprano): "Stay, Cupid, wither art thou flying?" - Chorus: "O let the weeping virgins strow" | Christopher Gibbons, Matthew Locke | 2:31 |
| 6.8 | Cupid and Death: Fourth Entry: Distraught Nature: Suite of Dances | Christopher Gibbons, Matthew Locke | 4:03 |
| 6.9 | Cupid and Death: Fourth Entry: Distraught Nature: Nature's Entrance and Aria: "Fly, fly my children" | Christopher Gibbons, Matthew Locke | 3:56 |
| 6.10 | Cupid and Death: Fourth Entry: Distraught Nature: Old Men and Women Dance | Christopher Gibbons, Matthew Locke | 0:33 |
| 6.11 | Cupid and Death: Fourth Entry: Distraught Nature: Song (Bass): "What will it, Death, advance thy name" - Chorus: "O Love! O Death!" | Christopher Gibbons, Matthew Locke | 2:05 |
| 6.12 | Cupid and Death: Fourth Entry: Distraught Nature: Soldier's Dance (The Hector's Dance) | Christopher Gibbons, Matthew Locke | 3:31 |
| 6.13 | Cupid and Death: Fourth Entry: Distraught Nature: Nature's Song: "Change, o change your fatal bows" - Chorus: "Take pity, gods!" | Christopher Gibbons, Matthew Locke | 2:08 |
| 6.14 | Cupid and Death: Fifth Entry: Mercury Descends: Suite of Dances | Christopher Gibbons, Matthew Locke | 1:36 |
| 6.15 | Cupid and Death: Fifth Entry: Mercury Descends: Chamberlain's and Apes' Entrance and Aria: "O yes ..." | Christopher Gibbons, Matthew Locke | 6:38 |
| 6.16 | Cupid and Death: Fifth Entry: Mercury Descends: Apes and Satyr Dance | Christopher Gibbons, Matthew Locke | 1:35 |
| 6.17 | Cupid and Death: Fifth Entry: Mercury Descends: A Symphony for Mercury's Entrance | Christopher Gibbons, Matthew Locke | 1:21 |
| 6.18 | Cupid and Death: Fifth Entry: Mercury Descends: Mercury's Aria: "Hence ye profane" | Christopher Gibbons, Matthew Locke | 2:46 |
| 6.19 | Cupid and Death: Fifth Entry: Mercury Descends: Cupid, Mercury, Death, Nature: "I am here. What send the gods by Mercury? | Christopher Gibbons, Matthew Locke | 7:44 |
| 6.20 | Cupid and Death: Fifth Entry: Mercury Descends: Music for Elysium Nature, Mercury: "Where am I?" | Christopher Gibbons, Matthew Locke | 1:12 |
| 6.21 | Cupid and Death: Fifth Entry: Mercury Descends: Song (Soprano, Bass): "Open bless'd Elysian grove" - Chorus: "If this place be not heaven" - Nature, Mercury: "O who shall guide me hence?" | Christopher Gibbons, Matthew Locke | 3:59 |
| 6.22 | Cupid and Death: Fifth Entry: Mercury Descends: The Grand Dance | Christopher Gibbons, Matthew Locke | 2:08 |
| 6.23 | Cupid and Death: Fifth Entry: Mercury Descends: Mercury's Aria: "Return, return you happy men" | Christopher Gibbons, Matthew Locke | 2:04 |
| 6.24 | Cupid and Death: Fifth Entry: Mercury Descends: Chorus: "Like a perfurming gale o' er flowers" | Christopher Gibbons, Matthew Locke | 0:58 |
| 7.1 | Joyne Hands | Thomas Morley | 1:41 |
| 7.2 | Now, o now I needs must part | John Dowland | 5:20 |
| 7.3 | O let me live, o let me die | Thomas Tomkins | 7:39 |
| 7.4 | Sola, soletta | Girolamo Conversi, Thomas Morley | 2:11 |
| 7.5 | If that a sinners sighes | John Dowland | 3:17 |
| 7.6 | Almighty God | Thomas Ford | 2:16 |
| 7.7 | My Lord Willoughby's Welcome Home | John Dowland | 2:00 |
| 7.8 | The three ravens (partsong) | Thomas Ravenscroft | 5:15 |
| 7.9 | Gather your rosebuds (partsong) | William Lawes | 1:28 |
| 7.10 | See how in gathering (catch) | William Lawes | 1:20 |
| 7.11 | Though I am young (partsong) | Nicholas Laniere | 2:17 |
| 7.12 | Oedipus, Z. 593: Hear ye sullen powers - Music for a while - Come away, do not stay | Henry Purcell | 9:24 |
| 7.13 | Lost is my quiet for ever | Henry Purcell | 4:19 |
| 7.14 | Arise, ye subterranean winds | Henry Purcell | 3:27 |
| 7.15 | 'Tis wine was made to rule the day | Henry Purcell | 5:15 |
| 8.1 | It was a lover and his lass | Thomas Morley | 2:55 |
| 8.2 | Take, o take those lips away | John Wilson | 1:31 |
| 8.3 | O mistress mine | Thomas Morley | 1:21 |
| 8.4 | Strike it up Tabor | Thomas Weelkes | 1:37 |
| 8.5 | Willow song | [anonymous] | 4:52 |
| 8.6 | Where the bee sucks | Robert Johnson | 1:20 |
| 8.7 | How should I your love know | [anonymous] | 1:47 |
| 8.8 | Walsingham variations | Francis Cutting | 2:57 |
| 8.9 | We be soldiers three | [anonymous] | 1:55 |
| 8.10 | When griping griefs | [anonymous] | 3:00 |
| 8.11 | Full fathom five | Robert Johnson | 1:56 |
| 8.12 | Caleno custure me | [anonymous] | 3:09 |
| 8.13 | Then they for sudden joy did weep | [anonymous] | 1:23 |
| 8.14 | Bonny sweet Robin | [anonymous] | 0:43 |
| 8.15 | When that I was | [anonymous] | 2:28 |
| 8.16 | Kemp's jig | [anonymous] | 0:49 |
| 8.17 | Greensleeves | [anonymous] | 3:24 |
| 8.18 | He that will an alehouse keep | [anonymous] | 0:57 |
| 8.19 | Non nobis Domine | William Byrd | 1:24 |
| 8.20 | Hark, all ye | Thomas Weelkes | 2:54 |
| 8.21 | Sweet Phillida | Francis Pilkington | 2:32 |
| 8.22 | The sheep shearing | [traditional] | 2:31 |
| 8.23 | The sailor and the young | [traditional] | 3:23 |
| 8.24 | O waly, waly | [traditional] | 3:43 |
| 9.1 | A Fancy | John Dowland | 3:48 |
| 9.2 | My lady Hunsdons Puffe | John Dowland | 1:47 |
| 9.3 | Alman | William Byrd | 1:20 |
| 9.4 | Frogg galliard | John Dowland | 2:02 |
| 9.5 | Scott's Lament | [anonymous] | 2:08 |
| 9.6 | Pavana lacrima | John Dowland | 5:10 |
| 9.7 | Suzanna Galliard | John Dowland | 1:37 |
| 9.8 | Rowland | William Byrd, John Dowland | 1:50 |
| 9.9 | Can shee excuse | John Dowland | 1:16 |
| 9.10 | Robin | John Dowland | 2:31 |
| 9.11 | Praeludium to ye Fancie | William Byrd | 0:57 |
| 9.12 | Fantasia | William Byrd | 9:32 |
| 9.13 | Coranto | William Byrd | 1:00 |
| 9.14 | A Gigg | William Byrd | 0:55 |
| 9.15 | Tarletons Jigge | John Dowland | 0:39 |
| 9.16 | Mrs Winter's Jumpp | John Dowland | 0:37 |
| 9.17 | Tarletones Riserrectione | John Dowland | 0:57 |
| 9.18 | Cormacke | Cormack MacDermott | 3:00 |
| 9.19 | Allmane | Cormack MacDermott | 0:54 |
| 9.20 | Mr: Cormake Allman | Cormack MacDermott | 1:00 |
| 9.21 | Schoc.a.torum Cormacke | Cormack MacDermott | 1:26 |
| 9.22 | The Queens Maske | Jean le Flelle | 4:28 |
| 9.23 | Fine knacks for ladies | John Dowland | 1:05 |
| 9.24 | Awake, sweet loue, thou art returnd | John Dowland | 1:22 |
| 9.25 | Go christall teares | John Dowland | 1:49 |
| 9.26 | My thoughts are wingd with hopes | John Dowland | 1:24 |
| 9.27 | Semper Dowland semper dolens | John Dowland | 3:24 |
| 9.28 | Farwell | John Dowland | 5:10 |
| 9.29 | My dear adieu, my sweet love farewell | John Dowland | 1:53 |
| 10.1 | Graduale Sarisburiense: Kyrie "Orbis Factor" (cum veribus) | Pro Cantione Antiqua | 1:28 |
| 10.2 | Missa sine nomine ("The Meane Mass"): I. Gloria | Pro Cantione Antiqua | 6:05 |
| 10.3 | Missa sine nomine ("The Meane Mass"): II. Credo | Pro Cantione Antiqua | 5:38 |
| 10.4 | Missa sine nomine ("The Meane Mass"): III. Sanctus und Benedictus | Pro Cantione Antiqua | 5:01 |
| 10.5 | Missa sine nomine ("The Meane Mass"): IV. Agnus Dei | Pro Cantione Antiqua | 4:24 |
| 10.6 | Lamentationes for 5 voices | Pro Cantione Antiqua | 7:35 |
| 10.7 | "Playnsong Mass for a Meane": I. Kyrie | Pro Cantione Antiqua | 1:32 |
| 10.8 | "Playnsong Mass for a Meane": II. Gloria | Pro Cantione Antiqua | 4:25 |
| 10.9 | "Playnsong Mass for a Meane": III. Credo | Pro Cantione Antiqua | 5:18 |
| 10.10 | "Playnsong Mass for a Meane": IV. Sanctus und Benedictus | Pro Cantione Antiqua | 2:41 |
| 10.11 | "Playnsong Mass for a Meane": V. Agnus Dei | Pro Cantione Antiqua | 2:15 |