| 1.1 | The Rite of Spring: Part I "Adoration of the Earth", Introduction | Igor Stravinsky | 2:52 |
| 1.2 | The Rite of Spring: Part I "Adoration of the Earth", The Augurs of Spring - Dances of the Young Girls | Igor Stravinsky | 3:12 |
| 1.3 | The Rite of Spring: Part I "Adoration of the Earth", Ritual of Abduction | Igor Stravinsky | 1:17 |
| 1.4 | The Rite of Spring: Part I "Adoration of the Earth", Spring Rounds | Igor Stravinsky | 3:03 |
| 1.5 | The Rite of Spring: Part I "Adoration of the Earth", Games of the Rival Clans | Igor Stravinsky | 1:48 |
| 1.6 | The Rite of Spring: Part I "Adoration of the Earth", Procession of the Wise Elder | Igor Stravinsky | 0:36 |
| 1.7 | The Rite of Spring: Part I "Adoration of the Earth", The Wise Elder | Igor Stravinsky | 0:21 |
| 1.8 | The Rite of Spring: Part I "Adoration of the Earth", Dance of the Earth | Igor Stravinsky | 1:10 |
| 1.9 | The Rite of Spring: Part II "The Sacrifice", Introduction | Igor Stravinsky | 3:55 |
| 1.10 | The Rite of Spring: Part II "The Sacrifice", Mystic Circles of the Young Girls | Igor Stravinsky | 2:53 |
| 1.11 | The Rite of Spring: Part II "The Sacrifice", Glorification of the Chosen One | Igor Stravinsky | 1:37 |
| 1.12 | The Rite of Spring: Part II "The Sacrifice", The Summoning of the Ancients | Igor Stravinsky | 0:46 |
| 1.13 | The Rite of Spring: Part II "The Sacrifice", Ritual of the Ancients | Igor Stravinsky | 3:00 |
| 1.14 | The Rite of Spring: Part II "The Sacrifice", Sacrificial Dance | Igor Stravinsky | 4:19 |
| 1.15 | A propos of Le Sacre (Commentary by Igor Stravinsky About the History of a Musical Landmark) | Igor Stravinsky | 16:40 |
| 2.1 | Petrushka Ballet Suite: Legerdemain Scene | Igor Stravinsky | 1:30 |
| 2.2 | Petrushka Ballet Suite: Russian Dance | Igor Stravinsky | 2:22 |
| 2.3 | Petrushka Ballet Suite: Petrushka's Room | Igor Stravinsky | 4:00 |
| 2.4 | Petrushka Ballet Suite: Dance of the Wet-Nurses | Igor Stravinsky | 2:17 |
| 2.5 | Petrushka Ballet Suite: Dance of the Peasant and the Bear | Igor Stravinsky | 1:07 |
| 2.6 | Petrushka Ballet Suite: Dance of the Gypsy Girls | Igor Stravinsky | 0:51 |
| 2.7 | Petrushka Ballet Suite: Dance of the Coachmen and the Grooms | Igor Stravinsky | 2:05 |
| 2.8 | Petrushka Ballet Suite: The Masqueraders | Igor Stravinsky | 1:49 |
| 2.9 | Scènes de ballet: Introduction | Igor Stravinsky | 0:52 |
| 2.10 | Scènes de ballet: Danses (Corps de ballet & Ballerine) | Igor Stravinsky | 4:01 |
| 2.11 | Scènes de ballet: Pantomime I | Igor Stravinsky | 2:05 |
| 2.12 | Scènes de ballet: Pas de deux | Igor Stravinsky | 2:48 |
| 2.13 | Scènes de ballet: Pantomime II | Igor Stravinsky | 0:32 |
| 2.14 | Scènes de ballet: Variations (Danseur & Ballerine) | Igor Stravinsky | 2:21 |
| 2.15 | Scènes de ballet: Pantomime III | Igor Stravinsky | 0:27 |
| 2.16 | Scènes de ballet: Danses (Corps de ballet) | Igor Stravinsky | 1:10 |
| 2.17 | Scènes de ballet: Apothéose | Igor Stravinsky | 2:14 |
| 2.18 | Divertimento from Le Baiser de la fée: I. Sinfonia | Igor Stravinsky | 6:03 |
| 2.19 | Divertimento from Le Baiser de la fée: II. Danses suisses | Igor Stravinsky | 7:23 |
| 2.20 | Divertimento from Le Baiser de la fée: III. Scherzo | Igor Stravinsky | 3:29 |
| 2.21 | Divertimento from Le Baiser de la fée: IV. Pas de deux (Adagio - Variation - Coda) | Igor Stravinsky | 6:30 |
| 3.1 | The Firebird: Introduction | Igor Stravinsky | 2:57 |
| 3.2 | The Firebird: Prelude and Dance of the Firebird | Igor Stravinsky | 1:14 |
| 3.3 | The Firebird: Pas de deux - Firebird and Ivan Tsarevich | Igor Stravinsky | 4:12 |
| 3.4 | The Firebird: Scherzo - Dance of the Princesses | Igor Stravinsky | 2:27 |
| 3.5 | The Firebird: Rondo (Khorovod) | Igor Stravinsky | 4:01 |
| 3.6 | The Firebird: Infernal Dance | Igor Stravinsky | 4:13 |
| 3.7 | The Firebird: Lullaby (The Firebird) | Igor Stravinsky | 3:49 |
| 3.8 | The Firebird: Final Hymn | Igor Stravinsky | 3:06 |
| 4.1 | Symphony of Psalms: I. Exaudi orationem meam, Domine | Columbia Broadcasting Mixed Chorus | 3:18 |
| 4.2 | Symphony of Psalms: II. Exspectans exspectavi Dominum | Columbia Broadcasting Mixed Chorus | 6:06 |
| 4.3 | Symphony of Psalms: III. Alleluia - Laudate Dominum | Columbia Broadcasting Mixed Chorus | 12:05 |
| 4.4 | Symphony in Three Movements: I. [q = 160] | Igor Stravinsky | 9:51 |
| 4.5 | Symphony in Three Movements: II. Andante - Interlude - L'istesso tempo | Igor Stravinsky | 5:32 |
| 4.6 | Symphony in Three Movements: III. Con moto | Igor Stravinsky | 5:57 |
| 5.1 | Concerto for Two Solo Pianos: I. Con moto | Igor Stravinsky | 5:45 |
| 5.2 | Concerto for Two Solo Pianos: II. Notturno - Adagietto | Igor Stravinsky | 5:21 |
| 5.3 | Concerto for Two Solo Pianos: III. Quattro variazioni | Igor Stravinsky | 4:26 |
| 5.4 | Concerto for Two Solo Pianos: IV. Preludio e Fuga | Igor Stravinsky | 4:25 |
| 5.5 | Scherzo à la Russe | Igor Stravinsky | 3:52 |
| 5.6 | The Snow Maiden: Dance of the Tumblers | Nikolai Rimsky-Korsakov | 3:10 |
| 5.7 | Russian Village | Victor Babin | 4:23 |
| 5.8 | Suite No. 1 for Two Pianos, Op. 15: Waltz | Anton Arensky | 4:14 |
| 5.9 | Sadko: Cradle Song | Nikolai Rimsky-Korsakov | 3:23 |
| 5.10 | Circus Polka | Igor Stravinsky | 3:20 |
| 5.11 | Tango | Igor Stravinsky | 3:07 |
| 6.1 | Orpheus: Premier tableau: Orpheus Weeps for Eurydice - Lento sostenuto | Igor Stravinsky | 2:46 |
| 6.2 | Orpheus: Premier tableau: Air de danse | Igor Stravinsky | 3:17 |
| 6.3 | Orpheus: Premier tableau: L'Ange de la Mort et sa danse | Igor Stravinsky | 2:37 |
| 6.4 | Orpheus: Premier tableau: Interlude | Igor Stravinsky | 1:50 |
| 6.5 | Orpheus: Deuxième tableau: Pas des Furies | Igor Stravinsky | 2:56 |
| 6.6 | Orpheus: Deuxième tableau: Air de danse - Interlude - Air de danse | Igor Stravinsky | 3:42 |
| 6.7 | Orpheus: Deuxième tableau: Pas d'action I | Igor Stravinsky | 2:14 |
| 6.8 | Orpheus: Deuxième tableau: Pas de deux | Igor Stravinsky | 4:56 |
| 6.9 | Orpheus: Deuxième tableau: Interlude | Igor Stravinsky | 1:23 |
| 6.10 | Orpheus: Deuxième tableau: Pas d'action II | Igor Stravinsky | 2:33 |
| 6.11 | Orpheus: Troisième tableau: Apothéose d'Orphée | Igor Stravinsky | 3:10 |
| 6.12 | Mass for Mixed Chorus and Double Wind Quintet: I. Kyrie | Choir of The Church of the Blessed Sacrament | 3:13 |
| 6.13 | Mass for Mixed Chorus and Double Wind Quintet: II. Gloria | Choir of The Church of the Blessed Sacrament | 4:18 |
| 6.14 | Mass for Mixed Chorus and Double Wind Quintet: III. Credo | Choir of The Church of the Blessed Sacrament | 4:16 |
| 6.15 | Mass for Mixed Chorus and Double Wind Quintet: IV. Sanctus | Choir of The Church of the Blessed Sacrament | 3:52 |
| 6.16 | Mass for Mixed Chorus and Double Wind Quintet: V. Agnus Dei | Choir of The Church of the Blessed Sacrament | 3:48 |
| 7.1 | Duo Concertant for Violin and Piano: I. Cantilene | Igor Stravinsky | 2:53 |
| 7.2 | Duo Concertant for Violin and Piano: II. Eclogue I | Igor Stravinsky | 2:05 |
| 7.3 | Duo Concertant for Violin and Piano: III. Eclogue II | Igor Stravinsky | 2:56 |
| 7.4 | Duo Concertant for Violin and Piano: IV. Gigue | Igor Stravinsky | 4:14 |
| 7.5 | Duo Concertant for Violin and Piano: V. Dithyrambe | Igor Stravinsky | 3:01 |
| 7.6 | Baal Shem: I. Vidui (Contrition) | Ernest Bloch | 2:56 |
| 7.7 | Baal Shem: II. Nigun (Improvisation) | Ernest Bloch | 5:39 |
| 7.8 | Baal Shem: III. Simchas Torah (Rejoicing) | Ernest Bloch | 4:38 |
| 7.9 | Pastorale, Song without Words for Violin & Woodwind Quartet - Remastered | Igor Stravinsky | 2:48 |
| 8.1 | Divertimento from Le baiser de la fée: I. Sinfonia | Igor Stravinsky | 6:09 |
| 8.2 | Divertimento from Le baiser de la fée: II. Danses Suisses | Igor Stravinsky | 7:10 |
| 8.3 | Divertimento from Le baiser de la fée: III. Scherzo (Au Moulin) | Igor Stravinsky | 3:15 |
| 8.4 | Divertimento from Le baiser de la fée: IV. Pas de deux | Igor Stravinsky | 6:43 |
| 8.5 | Danses concertantes for Chamber Orchestra: I. Marche - Introduction | Igor Stravinsky | 1:53 |
| 8.6 | Danses concertantes for Chamber Orchestra: II. Pas d'action | Igor Stravinsky | 3:18 |
| 8.7 | Danses concertantes for Chamber Orchestra: III. Theme varie | Igor Stravinsky | 8:18 |
| 8.8 | Danses concertantes for Chamber Orchestra: IV. Pas de deux | Igor Stravinsky | 4:54 |
| 8.9 | Danses concertantes for Chamber Orchestra: V. Marche - Conclusion | Igor Stravinsky | 0:59 |
| 8.10 | Concerto for Piano and Wind Instruments: I. Largo - Allegro - Maestoso | Igor Stravinsky | 7:04 |
| 8.11 | Concerto for Piano and Wind Instruments: II. Largo | Igor Stravinsky | 6:59 |
| 8.12 | Concerto for Piano and Wind Instruments: III. Allegro | Igor Stravinsky | 4:53 |
| 8.13 | Scherzo à la Russe | Igor Stravinsky | 3:44 |
| 8.14 | Pater Noster (Revised 1949 Version) | Choir of The Church of the Blessed Sacrament | 2:04 |
| 8.15 | Ave Maria (Revised 1949 Version) | Choir of The Church of the Blessed Sacrament | 2:26 |
| 9.1 | Apollon musagète: Naissance d'Apollon | Igor Stravinsky | 4:32 |
| 9.2 | Apollon musagète: Variation d'Apollon I | Igor Stravinsky | 3:09 |
| 9.3 | Apollon musagète: Pas d'action | Igor Stravinsky | 5:10 |
| 9.4 | Apollon musagète: Variation de Calliope | Igor Stravinsky | 1:28 |
| 9.5 | Apollon musagète: Variation de Polymnie | Igor Stravinsky | 1:07 |
| 9.6 | Apollon musagète: Variation de Terpsichore | Igor Stravinsky | 1:24 |
| 9.7 | Apollon musagète: Variation d'Apollon II | Igor Stravinsky | 2:03 |
| 9.8 | Apollon musagète: Pas de deux | Igor Stravinsky | 3:19 |
| 9.9 | Apollon musagète: Coda | Igor Stravinsky | 3:13 |
| 9.10 | Apollon musagète: Apotheose | Igor Stravinsky | 3:54 |
| 9.11 | Concerto en Re (pour orchestre a cordes) "Basle Concerto": I. Vivace | Igor Stravinsky | 6:09 |
| 9.12 | Concerto en Re (pour orchestre a cordes) "Basle Concerto": II. Arioso - Andantino | Igor Stravinsky | 2:34 |
| 9.13 | Concerto en Re (pour orchestre a cordes) "Basle Concerto": III. Rondo - Allegro | Igor Stravinsky | 3:09 |
| 10.1 | Fireworks, Op. 4 | Igor Stravinsky | 4:00 |
| 10.2 | Ode, Elegiacal Chant in 3 Parts for Orchestra: I. Eulogy | Igor Stravinsky | 4:13 |
| 10.3 | Ode, Elegiacal Chant in 3 Parts for Orchestra: II. Eclogue | Igor Stravinsky | 2:56 |
| 10.4 | Ode, Elegiacal Chant in 3 Parts for Orchestra: III. Epitaph | Igor Stravinsky | 3:36 |
| 10.5 | Russian Maiden's Song | Igor Stravinsky | 4:32 |
| 10.6 | Ebony Concerto: I. Allegro moderato | Igor Stravinsky | 3:02 |
| 10.7 | Ebony Concerto: II. Andante | Igor Stravinsky | 2:10 |
| 10.8 | Ebony Concerto: III. Moderato - Con moto - Moderato - Vivo | Igor Stravinsky | 3:24 |
| 10.9 | Four Norwegian Moods: I. Intrada | Igor Stravinsky | 2:23 |
| 10.10 | Four Norwegian Moods: II. Song | Igor Stravinsky | 2:13 |
| 10.11 | Four Norwegian Moods: III. Wedding Dance | Igor Stravinsky | 1:08 |
| 10.12 | Four Norwegian Moods: IV. Cortège | Igor Stravinsky | 2:24 |
| 10.13 | Circus Polka | Igor Stravinsky | 3:29 |
| 11.1 | Oedipus Rex, Opera-Oratorio in two acts after Sophocles: Prologue: "Spectateurs! Vous allez entendre une version latine d' Oedipe-Roi" (Narrator) | Jean Cocteau | 0:55 |
| 11.2 | Oedipus Rex, Opera-Oratorio in two acts after Sophocles: Acte I: "Caedit nos pestis" (Chorus) | WDR Rundfunkchor Köln | 3:25 |
| 11.3 | Oedipus Rex, Opera-Oratorio in two acts after Sophocles: Acte I: "Liberi, vos liberabo" (Oedipus, Chorus) | WDR Rundfunkchor Köln, Peter Pears | 3:36 |
| 11.4 | Oedipus Rex, Opera-Oratorio in two acts after Sophocles: Acte I: "Respondit deus" (Creon) | Heinz Rehfuss | 3:18 |
| 11.5 | Oedipus Rex, Opera-Oratorio in two acts after Sophocles: Acte I: "Non reperias vetus scelus" (Oedipus, Chorus) | WDR Rundfunkchor Köln, Peter Pears | 3:41 |
| 11.6 | Oedipus Rex, Opera-Oratorio in two acts after Sophocles: Acte I: "Oedipe interroge la fontaine de verite" (Narrator, Chorus) | Jean Cocteau, WDR Rundfunkchor Köln | 2:30 |
| 11.7 | Oedipus Rex, Opera-Oratorio in two acts after Sophocles: Acte I: "Dicere non possum" (Tiresias, Oedipus) | Peter Pears, Otto von Rohr | 2:42 |
| 11.8 | Oedipus Rex, Opera-Oratorio in two acts after Sophocles: Acte I: "Rex peremptor regis est" - "Invidia fortunam odit" (Tiresias, Oedipus) | Peter Pears, Otto von Rohr | 3:15 |
| 11.9 | Oedipus Rex, Opera-Oratorio in two acts after Sophocles: Acte I: "Gloria!" (Chorus) | WDR Rundfunkchor Köln | 1:10 |
| 11.10 | Oedipus Rex, Opera-Oratorio in two acts after Sophocles: Acte II: "La dispute des princes attire Jocaste" (Narrator) | Jean Cocteau | 0:55 |
| 11.11 | Oedipus Rex, Opera-Oratorio in two acts after Sophocles: Acte II: "Gloria!" (Chorus) | WDR Rundfunkchor Köln | 1:07 |
| 11.12 | Oedipus Rex, Opera-Oratorio in two acts after Sophocles: Acte II: "Nonn' erubescite, reges" (Jocasta) | Martha Mödl | 4:19 |
| 11.13 | Oedipus Rex, Opera-Oratorio in two acts after Sophocles: Acte II: "Ne probentur oracula" (Jocasta) | Martha Mödl | 1:58 |
| 11.14 | Oedipus Rex, Opera-Oratorio in two acts after Sophocles: Acte II: "Cave oracula!" - "Trivium, trivium" (Jocasta, Chorus, Oedipus) | WDR Rundfunkchor Köln, Peter Pears, Martha Mödl | 1:25 |
| 11.15 | Oedipus Rex, Opera-Oratorio in two acts after Sophocles: Acte II: "Oracula mentiuntur" (Jocasta, Chorus, Oedipus) | WDR Rundfunkchor Köln, Peter Pears, Martha Mödl | 1:57 |
| 11.16 | Oedipus Rex, Opera-Oratorio in two acts after Sophocles: Acte II: "Le témoin du meurtre sort de l'ombre" (Narrator) | Jean Cocteau | 0:38 |
| 11.17 | Oedipus Rex, Opera-Oratorio in two acts after Sophocles: Acte II: "Adest omniscius pastor" (Chorus, Messenger) | WDR Rundfunkchor Köln, Heinz Rehfuss | 2:27 |
| 11.18 | Oedipus Rex, Opera-Oratorio in two acts after Sophocles: Acte II: "Oportebat tacere" (Shepherd) | Helmut Krebs | 1:39 |
| 11.19 | Oedipus Rex, Opera-Oratorio in two acts after Sophocles: Acte II: "Nonne monstrum rescituri" (Oedipus) | Peter Pears | 1:16 |
| 11.20 | Oedipus Rex, Opera-Oratorio in two acts after Sophocles: Acte II: "In monte reppertus est" (Shepherd, Messenger) | Helmut Krebs, Heinz Rehfuss | 1:05 |
| 11.21 | Oedipus Rex, Opera-Oratorio in two acts after Sophocles: Acte II: "Natus sum quo nefastum est" (Oedipus) | Peter Pears | 0:51 |
| 11.22 | Oedipus Rex, Opera-Oratorio in two acts after Sophocles: Acte II: "Et maintenant, vous allez entendre" (Narrator) | Jean Cocteau | 1:32 |
| 11.23 | Oedipus Rex, Opera-Oratorio in two acts after Sophocles: Acte II: "Divum Iocastea caput mortuum!" (Messenger, Chorus) | WDR Rundfunkchor Köln, Heinz Rehfuss | 3:31 |
| 11.24 | Oedipus Rex, Opera-Oratorio in two acts after Sophocles: Acte II: "Ecce! Regem Oedipoda" (Chorus) | WDR Rundfunkchor Köln | 2:23 |
| 12.1 | The Rake’s Progress: Act I. Prelude | Igor Stravinsky | 0:30 |
| 12.2 | The Rake’s Progress: Act I, Scene 1. Duet and Trio: “The Woods Are Green” – Recitative: “Anne, My Dear” (Anne, Rakewell, Trulove) | Norman Scott, Hilde Güden, Eugene Conley | 4:44 |
| 12.3 | The Rake’s Progress: Act I, Scene 1. Recitative: “Here I stand” – Aria: “Since It Is Not by Merit” (Rakewell) | Eugene Conley | 2:42 |
| 12.4 | The Rake’s Progress: Act I, Scene 1. Recitative: “Tom Rakewell?” – Recitative: “Fair Lady, Gracious Gentlemen” – Quartet: “I Wished But Once” – Recitative: “I’ll Call the Coachman, Sir” (Shadow, Rakewell, Anne, Trulove) | Norman Scott, Mack Harrell, Hilde Güden, Eugene Conley | 7:34 |
| 12.5 | The Rake’s Progress: Act I, Scene 1. Duettino: “Farewell for Now” – Recitative: “All Is Ready, Sir” – Arioso: “Dear Father Truelove” – Terzettino: “Laughter and Light” (Anne, Rakewell, Trulove, Shadow) | Norman Scott, Mack Harrell, Hilde Güden, Eugene Conley | 5:10 |
| 12.6 | The Rake’s Progress: Act I, Scene 2. Chorus: “With Air Commanding and Weapon Handy” (Chorus) | Chorus of the Metropolitan Opera Association | 2:38 |
| 12.7 | The Rake’s Progress: Act I, Scene 2. Recitative and Scene: “Come, Tom” – Chorus: “Soon Dawn Will Glitter” – Recitative: “Sisters of Venus, Brothers of Mars” (Shadow, Rakewell, Mother Goose, Chorus) | Martha Lipton, Chorus of the Metropolitan Opera Association, Mack Harrell, Eugene Conley | 5:34 |
| 12.8 | The Rake’s Progress: Act I, Scene 2. Cavatina: “Love, too Frequently Betrayed” – Chorus: “How Sad a Song” – Chorus: “The Sun Is Bright, the Grass Is Green” (Rakewell, Chorus, Mother Goose) | Martha Lipton, Chorus of the Metropolitan Opera Association, Eugene Conley | 3:40 |
| 12.9 | The Rake’s Progress: Act I, Scene 2. Chorus: “Lanterloo, My Lady” (Chorus, Shadow) | Chorus of the Metropolitan Opera Association, Mack Harrell | 2:35 |
| 12.10 | The Rake’s Progress: Act I, Scene 3. Recitative: “No Word from Tom” – Aria: “Quietly, Night” – Recitative: “My Father! Can I Desert Him” (Anne, Truelove) | Norman Scott, Hilde Güden | 5:31 |
| 12.11 | The Rake’s Progress: Act I, Scene 3. Cabaletta: “I Go, I Go to Him” (Anne) | Hilde Güden | 2:40 |
| 12.12 | The Rake’s Progress: Act II, Scene 1. Aria: “Vary the Song, O London, Change!” – Recitative: O Nature, Green Unnatural Mother" – Aria (reprise): “Always the Quarry” (Rakewell) | Eugene Conley | 7:53 |
| 12.13 | The Rake’s Progress: Act II, Scene 1. Recitative: “Master, Are You Alone?” – Aria: “In Youth the Panting Slave” (Shadow, Rakewell) | Mack Harrell, Eugene Conley | 4:47 |
| 12.14 | The Rake’s Progress: Act II, Scene 1. Duet‐Finale: “My Tale Shall Be Told” (Rakewell, Shadow) | Mack Harrell, Eugene Conley | 2:32 |
| 12.15 | The Rake’s Progress: Act II, Scene 2. Introduction – Recitative: “How Strange” – Arioso: “O Heart Be Stronger” (Anne) | Hilde Güden | 5:06 |
| 12.16 | The Rake’s Progress: Act II, Scene 2. Duet: “Anne! Here!” – Recitative: “My Love, Am I to Remain in Here for Ever?” (Rakewell, Anne, Baba) | Hilde Güden, Eugene Conley, Blanche Thebom | 3:22 |
| 12.17 | The Rake’s Progress: Act II, Scene 2. Trio: “Could It Then Have Been Known” – Finale: “I Have Not Run Away” (Anne, Rakewell, Baba) | Hilde Güden, Eugene Conley, Blanche Thebom | 6:04 |
| 13.1 | The Rake’s Progress: Act II, Scene 3. Aria: “As I Was Saying” – Baba’s Song: “Come, Sweet, Come” – Aria: “Scorned! Abused!” – Recitative: “My Heart Is Cold, I Cannot Weep” – Pantomime: “Fa la la” – Recitative: “Oh, I Wish It Were True” (Baba, Rakewell, Shadow) | Mack Harrell, Eugene Conley, Blanche Thebom | 5:41 |
| 13.2 | The Rake’s Progress: Act II, Scene 3. Arioso‐Recitative: “You! O Nick, I’ve Had the Strangest Dream” – Duet: “Thanks to This Excellent Device” – Recitative: “Forgive Me, Master” (Rakewell, Shadow) | Mack Harrell, Eugene Conley | 5:57 |
| 13.3 | The Rake’s Progress: Act III, Scene 1. “Ruin, Disaster, Shame” (Chorus, Anne) | Chorus of the Metropolitan Opera Association, Hilde Güden | 2:53 |
| 13.4 | The Rake’s Progress: Act III, Scene 1. “Aha!” (Sellem, Chorus) | Paul Franke, Chorus of the Metropolitan Opera Association | 5:44 |
| 13.5 | The Rake’s Progress: Act III, Scene 1. Aria: “Sold! Annoyed!” – Recitative: “Now What Was That!” – Duet: “You Love Him” – Ballad Tune: “If Boys Had Wings” (Baba, Chorus, Rakewell, Shadow, Anne, Sellem) | Paul Franke, Chorus of the Metropolitan Opera Association, Mack Harrell, Hilde Güden, Eugene Conley, Blanche Thebom | 6:41 |
| 13.6 | The Rake’s Progress: Act III, Scene 1. Stretto‐Finale: “I Go to Him” – Ballad Tune (reprise): “Who Cares a Fig” (Anne, Baba, Sellem, Chorus, Rakewell) | Paul Franke, Chorus of the Metropolitan Opera Association, Hilde Güden, Eugene Conley, Blanche Thebom | 2:04 |
| 13.7 | The Rake’s Progress: Act III, Scene 2. Prelude | Igor Stravinsky | 1:56 |
| 13.8 | The Rake’s Progress: Act III, Scene 2. Duet: “How Dark and Dreadful Is This Place” (Rakewell, Shadow) | Mack Harrell, Eugene Conley | 4:15 |
| 13.9 | The Rake’s Progress: Act III, Scene 2. Recitative: “Very Well, Then, My Dear and Good Tom” – Duet: “Well, Then” – “My heart Is Wild with Fear” (Shadow, Rakewell, Anne) | Mack Harrell, Hilde Güden, Eugene Conley | 8:52 |
| 13.10 | The Rake’s Progress: Act III, Scene 2. “I Burn! I Burn! I Freeze!” (Shadow, Rakewell) | Mack Harrell, Eugene Conley | 3:37 |
| 13.11 | The Rake’s Progress: Act III, Scene 3. Arioso: “Prepare Yourselves, Heroic Shades” – Dialogue: “Madmen’s Words Are All Untrue” – Chorus‐Minuet: “Leave All Love and Hope Behind” (Rakewell, Chorus) | Chorus of the Metropolitan Opera Association, Eugene Conley | 3:59 |
| 13.12 | The Rake’s Progress: Act III, Scene 3. Recitative: “There He Is. Have no Fear” – Arioso: “I Have Waited” – Duet: “In a Foolish Dream” – Recitative: “I Am Exceedingly Weary” (Keeper, Anne, Rakewell) | Lawrence Davidson, Hilde Güden, Eugene Conley | 6:17 |
| 13.13 | The Rake’s Progress: Act III, Scene 3. Lullaby: “Gently, Little Boat” – Recitative: “Anne, My Dear, the Tale Is Ended Now” – Duettino: “Every Wearied Body” (Anne, Truelove) | Norman Scott, Hilde Güden | 5:46 |
| 13.14 | The Rake’s Progress: Act III, Scene 3. Finale‐Recitative: “Where Art Thou, Venus?” – Mourning Chorus: “Mourn for Adonis” (Rakewell, Chorus) | Chorus of the Metropolitan Opera Association, Eugene Conley | 5:12 |
| 13.15 | The Rake’s Progress: Act III, Scene 3. Epilogue: “Good People, Just a Moment” (Anne, Baba, Rakewell, Shadow, Truelove) | Norman Scott, Mack Harrell, Hilde Güden, Eugene Conley, Blanche Thebom | 2:37 |
| 14.1 | Pulcinella, Ballet in One Act for Small Orchestra with 3 Solo Voices after Pergolesi: Overture. Allegro moderato | Igor Stravinsky | 1:58 |
| 14.2 | Pulcinella, Ballet in One Act for Small Orchestra with 3 Solo Voices after Pergolesi: Serenata. Larghetto - "Mentre l'erbetta, pasce l'agnella" | Glenn Schnittke | 2:36 |
| 14.3 | Pulcinella, Ballet in One Act for Small Orchestra with 3 Solo Voices after Pergolesi: Scherzino. Allegro | Igor Stravinsky | 1:35 |
| 14.4 | Pulcinella, Ballet in One Act for Small Orchestra with 3 Solo Voices after Pergolesi: Poco più vivo - Allegro | Igor Stravinsky | 1:11 |
| 14.5 | Pulcinella, Ballet in One Act for Small Orchestra with 3 Solo Voices after Pergolesi: Andantino | Igor Stravinsky | 1:12 |
| 14.6 | Pulcinella, Ballet in One Act for Small Orchestra with 3 Solo Voices after Pergolesi: Allegro | Igor Stravinsky | 1:46 |
| 14.7 | Pulcinella, Ballet in One Act for Small Orchestra with 3 Solo Voices after Pergolesi: Allegretto - "Contento forse vivere" | Mary Simmons | 1:38 |
| 14.8 | Pulcinella, Ballet in One Act for Small Orchestra with 3 Solo Voices after Pergolesi: Allegro assai | Igor Stravinsky | 1:45 |
| 14.9 | Pulcinella, Ballet in One Act for Small Orchestra with 3 Solo Voices after Pergolesi: Allegro (alla breve) - "Con queste paroline" | Phillip MacGregor | 2:08 |
| 14.10 | Pulcinella, Ballet in One Act for Small Orchestra with 3 Solo Voices after Pergolesi: Largo - "Sento dire: no nc' è pace" - "Chi disse cà la femmena" | Glenn Schnittke, Mary Simmons, Phillip MacGregor | 4:04 |
| 14.11 | Pulcinella, Ballet in One Act for Small Orchestra with 3 Solo Voices after Pergolesi: Allegro - "Ncè sta quacuna pò" - "Una te fa la nzemprece" | Glenn Schnittke, Mary Simmons | 0:32 |
| 14.12 | Pulcinella, Ballet in One Act for Small Orchestra with 3 Solo Voices after Pergolesi: Presto - "Una te fa la nzemprece" | Glenn Schnittke | 1:02 |
| 14.13 | Pulcinella, Ballet in One Act for Small Orchestra with 3 Solo Voices after Pergolesi: Tempo I (Largo) | Igor Stravinsky | 0:36 |
| 14.14 | Pulcinella, Ballet in One Act for Small Orchestra with 3 Solo Voices after Pergolesi: Allegro alle breve | Igor Stravinsky | 1:16 |
| 14.15 | Pulcinella, Ballet in One Act for Small Orchestra with 3 Solo Voices after Pergolesi: Tarantella | Igor Stravinsky | 1:07 |
| 14.16 | Pulcinella, Ballet in One Act for Small Orchestra with 3 Solo Voices after Pergolesi: Andantino - "Se tu m'ami" | Mary Simmons | 2:33 |
| 14.17 | Pulcinella, Ballet in One Act for Small Orchestra with 3 Solo Voices after Pergolesi: Allegro | Igor Stravinsky | 0:55 |
| 14.18 | Pulcinella, Ballet in One Act for Small Orchestra with 3 Solo Voices after Pergolesi: Gavotta con due variazioni. Allegro moderato | Igor Stravinsky | 1:34 |
| 14.19 | Pulcinella, Ballet in One Act for Small Orchestra with 3 Solo Voices after Pergolesi: Var. I. Allegretto | Igor Stravinsky | 0:49 |
| 14.20 | Pulcinella, Ballet in One Act for Small Orchestra with 3 Solo Voices after Pergolesi: Var. II. Allegro più tosto moderato | Igor Stravinsky | 1:25 |
| 14.21 | Pulcinella, Ballet in One Act for Small Orchestra with 3 Solo Voices after Pergolesi: Vivo | Igor Stravinsky | 1:28 |
| 14.22 | Pulcinella, Ballet in One Act for Small Orchestra with 3 Solo Voices after Pergolesi: Tempo di minuetto - "Pupillette, fiammette d'amore" | Glenn Schnittke, Mary Simmons, Phillip MacGregor | 2:09 |
| 14.23 | Pulcinella, Ballet in One Act for Small Orchestra with 3 Solo Voices after Pergolesi: Allegro assai | Igor Stravinsky | 1:56 |
| 15.1 | Symphony in C: I. Moderato alla breve | Igor Stravinsky | 9:56 |
| 15.2 | Symphony in C: II. Larghetto concertante | Igor Stravinsky | 5:52 |
| 15.3 | Symphony in C: III. Allegretto | Igor Stravinsky | 4:58 |
| 15.4 | Symphony in C: IV. Largo - Tempo giusto, alla breve | Igor Stravinsky | 7:43 |
| 15.5 | Cantata for Soprano, Tenor, Female Chorus and a Small Instrumental Ensemble: A Lyke-Wake Dirge - Versus I (Prelude): "This ae Nighte" | Members of the New York Concert Choir | 1:55 |
| 15.6 | Cantata for Soprano, Tenor, Female Chorus and a Small Instrumental Ensemble: Ricercar I: "The Maidens Came" | Jennie Tourel | 4:24 |
| 15.7 | Cantata for Soprano, Tenor, Female Chorus and a Small Instrumental Ensemble: A Lyke-Wake Dirge - Versus II (First Interlude): "If Ever Thou Gav'st Hos'n and Shoon" | Members of the New York Concert Choir | 1:54 |
| 15.8 | Cantata for Soprano, Tenor, Female Chorus and a Small Instrumental Ensemble: Ricercar II (Sacred History): "Tomorrow Shall Be" | Hugues Cuénod | 11:32 |
| 15.9 | Cantata for Soprano, Tenor, Female Chorus and a Small Instrumental Ensemble: A Lyke-Wake Dirge - Versus III (Second Interlude): "From Whinnymuir When Thou May'st Pass" | Members of the New York Concert Choir | 1:54 |
| 15.10 | Cantata for Soprano, Tenor, Female Chorus and a Small Instrumental Ensemble: Westron Wind | Jennie Tourel, Hugues Cuénod | 2:08 |
| 15.11 | Cantata for Soprano, Tenor, Female Chorus and a Small Instrumental Ensemble: A Lyke-Wake Dirge - Versus IV (Postlude) - "If Ever Thou Gav'st Meat or Drink" | Members of the New York Concert Choir | 2:37 |
| 16.1 | L'Histoire du Soldat, Suite: The Soldier's March | Igor Stravinsky | 1:41 |
| 16.2 | L'Histoire du Soldat, Suite: Airs by a Stream | Igor Stravinsky | 2:44 |
| 16.3 | L'Histoire du Soldat, Suite: Pastorale | Igor Stravinsky | 2:59 |
| 16.4 | L'Histoire du Soldat, Suite: The Royal March | Igor Stravinsky | 2:39 |
| 16.5 | L'Histoire du Soldat, Suite: The Little Concerto | Igor Stravinsky | 2:43 |
| 16.6 | L'Histoire du Soldat, Suite: Tango | Igor Stravinsky | 2:01 |
| 16.7 | L'Histoire du Soldat, Suite: Waltz | Igor Stravinsky | 1:55 |
| 16.8 | L'Histoire du Soldat, Suite: Ragtime | Igor Stravinsky | 2:04 |
| 16.9 | L'Histoire du Soldat, Suite: The Devil's Dance | Igor Stravinsky | 1:19 |
| 16.10 | L'Histoire du Soldat, Suite: Great Chorale | Igor Stravinsky | 2:57 |
| 16.11 | L'Histoire du Soldat, Suite: Triumphal March of the Devil | Igor Stravinsky | 2:09 |
| 16.12 | Octet for Wind Instruments: I. Sinfonia | Igor Stravinsky | 3:54 |
| 16.13 | Octet for Wind Instruments: II. Tema con variazioni | Igor Stravinsky | 0:53 |
| 16.14 | Octet for Wind Instruments: Variazione A | Igor Stravinsky | 0:30 |
| 16.15 | Octet for Wind Instruments: Variazione B | Igor Stravinsky | 0:58 |
| 16.16 | Octet for Wind Instruments: Variazione A (Reprise I) | Igor Stravinsky | 0:26 |
| 16.17 | Octet for Wind Instruments: Variazione C | Igor Stravinsky | 0:48 |
| 16.18 | Octet for Wind Instruments: Variazione D | Igor Stravinsky | 1:01 |
| 16.19 | Octet for Wind Instruments: Variazione A (Reprise II) | Igor Stravinsky | 0:31 |
| 16.20 | Octet for Wind Instruments: Variazione E | Igor Stravinsky | 2:30 |
| 16.21 | Octet for Wind Instruments: Finale (Tempo giusto) | Igor Stravinsky | 3:49 |
| 16.22 | Symphonies of Wind Instruments (Revised Version, 1947) | Igor Stravinsky | 9:11 |
| 17.1 | In Memorium Dylan Thomas: Dirge-Canons (Prelude) | Richard Robinson | 1:32 |
| 17.2 | In Memorium Dylan Thomas: Do Not Go Gentle into That Good Night | Richard Robinson | 4:25 |
| 17.3 | In Memorium Dylan Thomas: Dirge-Canons (Postlude) | Richard Robinson | 1:31 |
| 17.4 | Three Songs from William Shakespeare: I. Musick to Heare | Grace-Lynne Martin | 3:00 |
| 17.5 | Three Songs from William Shakespeare: II. Full Fadom Five | Grace-Lynne Martin | 1:56 |
| 17.6 | Three Songs from William Shakespeare: III. When Dasies Pied | Grace-Lynne Martin | 2:34 |
| 17.7 | Septet: I. [sonata allegro] quarter note = 88 | Igor Stravinsky | 3:27 |
| 17.8 | Septet: II. Passacaglia | Igor Stravinsky | 4:53 |
| 17.9 | Septet: III. Gigue | Igor Stravinsky | 3:33 |
| 17.10 | Four Russian Songs for Soprano, Flute, Harp and Guitar: I. The Drake | Marni Nixon | 1:18 |
| 17.11 | Four Russian Songs for Soprano, Flute, Harp and Guitar: II. A Russian Spiritual | Marni Nixon | 1:40 |
| 17.12 | Four Russian Songs for Soprano, Flute, Harp and Guitar: III. Geese and Swans | Marni Nixon | 0:34 |
| 17.13 | Four Russian Songs for Soprano, Flute, Harp and Guitar: IV. Tilim-bom | Marni Nixon | 1:03 |
| 17.14 | Two Poems of Konstantin Balmont: I. Forget-me-nots | Marni Nixon | 1:05 |
| 17.15 | Two Poems of Konstantin Balmont: II. The Dove | Marni Nixon | 1:36 |
| 17.16 | Three Japanese Lyrics: I. Akahito | Marni Nixon | 0:42 |
| 17.17 | Three Japanese Lyrics: II. Mazatsumi | Marni Nixon | 1:00 |
| 17.18 | Three Japanese Lyrics: III. Tsaraiuki | Marni Nixon | 1:18 |
| 17.19 | Three Little Songs "Recollections of my Childhood": I. The Magpie | Marilyn Horne | 1:01 |
| 17.20 | Three Little Songs "Recollections of my Childhood": II. The Rook | Marilyn Horne | 1:02 |
| 17.21 | Three Little Songs "Recollections of my Childhood": III. The Jackdaw | Marilyn Horne | 1:01 |
| 17.22 | Four Russian Peasant Songs for Female Choir "Saucer": I. On Saints' Days in Chigisakh | Marni Nixon | 1:21 |
| 17.23 | Four Russian Peasant Songs for Female Choir "Saucer": II. Ovsen | Igor Stravinsky | 0:42 |
| 17.24 | Four Russian Peasant Songs for Female Choir "Saucer": III. The Pike | Igor Stravinsky | 1:39 |
| 17.25 | Four Russian Peasant Songs for Female Choir "Saucer": IV. Master Portly | Marilyn Horne | 0:58 |
| 18.1 | The Fairy's Kiss: Scene I: Prologue. The Lullaby in the Storm (Andante - Allegro sostenuto - Vivace agitato) | Igor Stravinsky | 8:40 |
| 18.2 | The Fairy's Kiss: Scene II: A Village Fête (Tempo giusto - Valse, poco più lento - Tempo I) | Igor Stravinsky | 11:24 |
| 18.3 | The Fairy's Kiss: Scene III: At the Mill (Moderato - Allegretto grazioso) | Igor Stravinsky | 6:25 |
| 18.4 | The Fairy's Kiss: Pas de deux: a) Entrée (Moderato) | Igor Stravinsky | 1:28 |
| 18.5 | The Fairy's Kiss: Pas de deux: b) Adagio | Igor Stravinsky | 3:08 |
| 18.6 | The Fairy's Kiss: Pas de deux: c) Variation (Allegretto grazioso) | Igor Stravinsky | 1:24 |
| 18.7 | The Fairy's Kiss: Pas de deux: d) Coda (Presto) | Igor Stravinsky | 2:06 |
| 18.8 | The Fairy's Kiss: Scène (Andante non tanto - Più lento) | Igor Stravinsky | 4:49 |
| 18.9 | The Fairy's Kiss: Scene IV: Epilogue. Berceuse of the Eternal Dwellings (L'istesso tempo - Andante non tanto) | Igor Stravinsky | 5:20 |
| 19.1 | Perséphone, Melodrame en Trois Tableaux: I. Perséphone Ravie | Westminster Choir, Vera Zorina, Richard Robinson | 10:34 |
| 19.2 | Perséphone, Melodrame en Trois Tableaux: II. Perséphone aux Enfers | Westminster Choir, Vera Zorina, Richard Robinson | 26:15 |
| 19.3 | Perséphone, Melodrame en Trois Tableaux: III. Perséphone renaissante | Westminster Choir, Vera Zorina, Richard Robinson | 16:22 |
| 20.1 | Agon, Ballet for Twelve Dancers: Pas de quatre | Igor Stravinsky | 1:49 |
| 20.2 | Agon, Ballet for Twelve Dancers: Double pas de quatre | Igor Stravinsky | 1:38 |
| 20.3 | Agon, Ballet for Twelve Dancers: Triple pas de quatre | Igor Stravinsky | 1:10 |
| 20.4 | Agon, Ballet for Twelve Dancers: Prelude | Igor Stravinsky | 0:50 |
| 20.5 | Agon, Ballet for Twelve Dancers: Sarabande-Step | Igor Stravinsky | 1:19 |
| 20.6 | Agon, Ballet for Twelve Dancers: Gailliarde | Igor Stravinsky | 1:18 |
| 20.7 | Agon, Ballet for Twelve Dancers: Coda I | Igor Stravinsky | 1:27 |
| 20.8 | Agon, Ballet for Twelve Dancers: Interlude I | Igor Stravinsky | 0:50 |
| 20.9 | Agon, Ballet for Twelve Dancers: Bransle simple | Igor Stravinsky | 0:58 |
| 20.10 | Agon, Ballet for Twelve Dancers: Bransle gay | Igor Stravinsky | 0:54 |
| 20.11 | Agon, Ballet for Twelve Dancers: Bransle double | Igor Stravinsky | 1:31 |
| 20.12 | Agon, Ballet for Twelve Dancers: Interlude II | Igor Stravinsky | 0:52 |
| 20.13 | Agon, Ballet for Twelve Dancers: Pas de deux | Igor Stravinsky | 4:14 |
| 20.14 | Agon, Ballet for Twelve Dancers: Coda II | Igor Stravinsky | 1:41 |
| 20.15 | Agon, Ballet for Twelve Dancers: Four Duos | Igor Stravinsky | 0:33 |
| 20.16 | Agon, Ballet for Twelve Dancers: Four Trios - Coda | Igor Stravinsky | 2:34 |
| 20.17 | Canticum Sacrum (Ad Honorem Sancti Marci Nominis): Dedicatio: "Urbi Venetiae, in laude Sancti sui Presidis" | Richard Robinson, Howard Chitjian, Los Angeles Festival Symphony Chorus | 0:43 |
| 20.18 | Canticum Sacrum (Ad Honorem Sancti Marci Nominis): I. "Euntes in mundum" | Richard Robinson, Howard Chitjian, Los Angeles Festival Symphony Chorus | 1:39 |
| 20.19 | Canticum Sacrum (Ad Honorem Sancti Marci Nominis): II. "Surge, aquilo" | Richard Robinson, Howard Chitjian, Los Angeles Festival Symphony Chorus | 2:45 |
| 20.20 | Canticum Sacrum (Ad Honorem Sancti Marci Nominis): III. Ad Tres Virtutes Hortationes (Caritas - Spes - Fides): "Diliges Dominus Deum tuum" | Richard Robinson, Howard Chitjian, Los Angeles Festival Symphony Chorus | 8:04 |
| 20.21 | Canticum Sacrum (Ad Honorem Sancti Marci Nominis): IV. Brevis Motus Cantilenea: "Jesus autem ait illi" | Richard Robinson, Howard Chitjian, Los Angeles Festival Symphony Chorus | 3:07 |
| 20.22 | Canticum Sacrum (Ad Honorem Sancti Marci Nominis): V. "Illi autem profecti" | Richard Robinson, Howard Chitjian, Los Angeles Festival Symphony Chorus | 1:50 |
| 21.1 | Threni: Introduction: "Incipit lamentatio Jeremiae Prophetae" | Schola Cantorum, Bethany Beardslee, William Lewis, Beatrice Krebs, Robert Oliver, James Wainner, Mac Morgan | 0:55 |
| 21.2 | Threni: De elegia prima: "Aleph. Quomodo sedet sola civitas" - Diphona I: "Plorans ploravit" - Diphona II: "Vide, Domino" | Schola Cantorum, Bethany Beardslee, William Lewis, Beatrice Krebs, Robert Oliver, James Wainner, Mac Morgan | 7:43 |
| 21.3 | Threni: De elegia tertia: I Querimonia: "Aleph. Ego vir videns" - II Sensus spei: "Heth. Misericordiae Domini" - III Solacium: "Res. Judicasti, Domine" | Schola Cantorum, Bethany Beardslee, William Lewis, Beatrice Krebs, Robert Oliver, James Wainner, Mac Morgan | 18:06 |
| 21.4 | Threni: De elegia quinta: "Oratio Jeremiae Prophetae" | Schola Cantorum, Bethany Beardslee, William Lewis, Beatrice Krebs, Robert Oliver, James Wainner, Mac Morgan | 3:10 |
| 22.1 | The Rite of Spring: Part I "Adoration of the Earth", Introduction | Igor Stravinsky | 2:58 |
| 22.2 | The Rite of Spring: Part I "Adoration of the Earth", The Augurs of Spring - Dances of the Young Girls | Igor Stravinsky | 3:03 |
| 22.3 | The Rite of Spring: Part I "Adoration of the Earth", Ritual of Abduction | Igor Stravinsky | 1:17 |
| 22.4 | The Rite of Spring: Part I "Adoration of the Earth", Spring Rounds | Igor Stravinsky | 3:05 |
| 22.5 | The Rite of Spring: Part I "Adoration of the Earth", Games of the Rival Clans | Igor Stravinsky | 2:00 |
| 22.6 | The Rite of Spring: Part I "Adoration of the Earth", Procession of the Wise Elder | Igor Stravinsky | 0:43 |
| 22.7 | The Rite of Spring: Part I "Adoration of the Earth", The Wise Elder | Igor Stravinsky | 0:25 |
| 22.8 | The Rite of Spring: Part I "Adoration of the Earth", Dance of the Earth | Igor Stravinsky | 1:15 |
| 22.9 | The Rite of Spring: Part II "The Sacrifice", Introduction | Igor Stravinsky | 3:42 |
| 22.10 | The Rite of Spring: Part II "The Sacrifice", Mystic Circles of the Young Girls | Igor Stravinsky | 2:50 |
| 22.11 | The Rite of Spring: Part II "The Sacrifice", Glorification of the Chosen One | Igor Stravinsky | 1:38 |
| 22.12 | The Rite of Spring: Part II "The Sacrifice", The Summoning of the Ancients | Igor Stravinsky | 0:43 |
| 22.13 | The Rite of Spring: Part II "The Sacrifice", Ritual of the Ancients | Igor Stravinsky | 3:19 |
| 22.14 | The Rite of Spring: Part II "The Sacrifice", Sacrificial Dance | Igor Stravinsky | 4:40 |
| 22.15 | Petrushka: Tableau I: The Shrovetide Fair | Igor Stravinsky | 0:52 |
| 22.16 | Petrushka: Tableau I: The Crowds | Igor Stravinsky | 4:19 |
| 22.17 | Petrushka: Tableau I: The Charlatan's Booth | Igor Stravinsky | 1:49 |
| 22.18 | Petrushka: Tableau I: Russian Dance | Igor Stravinsky | 2:42 |
| 22.19 | Petrushka: Tableau II: Petrushka's Room | Igor Stravinsky | 4:03 |
| 22.20 | Petrushka: Tableau III: The Moor's Room | Igor Stravinsky | 2:33 |
| 22.21 | Petrushka: Tableau III: Dance of the Ballerina | Igor Stravinsky | 0:45 |
| 22.22 | Petrushka: Tableau III: Waltz | Igor Stravinsky | 3:05 |
| 22.23 | Petrushka: Tableau IV: Grand Carnival | Igor Stravinsky | 1:18 |
| 22.24 | Petrushka: Tableau IV: Wet Nurses' Dance | Igor Stravinsky | 2:39 |
| 22.25 | Petrushka: Tableau IV: Peasant and Bear | Igor Stravinsky | 1:29 |
| 22.26 | Petrushka: Tableau IV: Dance of the Gipsy Girls | Igor Stravinsky | 0:55 |
| 22.27 | Petrushka: Tableau IV: Dance of the Coachmen | Igor Stravinsky | 2:10 |
| 22.28 | Petrushka: Tableau IV: The Masqueraders | Igor Stravinsky | 2:22 |
| 22.29 | Petrushka: Tableau IV: Death of Petrushka | Igor Stravinsky | 2:51 |
| 23.1 | Serenade for Piano in A Major: I. Hymne | Igor Stravinsky | 3:32 |
| 23.2 | Serenade for Piano in A Major: II. Romanza | Igor Stravinsky | 2:50 |
| 23.3 | Serenade for Piano in A Major: III. Rondoletto | Igor Stravinsky | 3:02 |
| 23.4 | Serenade for Piano in A Major: IV. Cadenza Finala | Igor Stravinsky | 3:29 |
| 23.5 | Piano Sonata: I. Quarter Note = 112 | Igor Stravinsky | 3:26 |
| 23.6 | Piano Sonata: II. Adagietto | Igor Stravinsky | 4:57 |
| 23.7 | Piano Sonata: III. Quarter Note = 112 | Igor Stravinsky | 2:39 |
| 23.8 | Piano Piece, Op. 33a | Arnold Schoenberg | 2:10 |
| 23.9 | Piano Piece, Op. 33b | Arnold Schoenberg | 3:23 |
| 23.10 | Suite for Piano, Op. 25: I. Präludium - Rasch | Arnold Schoenberg | 0:57 |
| 23.11 | Suite for Piano, Op. 25: II. Gavotte - Etwas langsam, nicht hastig | Arnold Schoenberg | 1:07 |
| 23.12 | Suite for Piano, Op. 25: III. Musette - Rascher | Arnold Schoenberg | 2:20 |
| 23.13 | Suite for Piano, Op. 25: IV. Intermezzo | Arnold Schoenberg | 3:31 |
| 23.14 | Suite for Piano, Op. 25: V. Menuett - Moderato - Trio | Arnold Schoenberg | 3:40 |
| 23.15 | Suite for Piano, Op. 25: VI. Gigue - Rasch | Arnold Schoenberg | 2:25 |
| 24.1 | Movements for Piano and Orchestra: I. Eighth Note = 110 | Igor Stravinsky | 2:20 |
| 24.2 | Movements for Piano and Orchestra: II. Quarter Note = 52 | Igor Stravinsky | 1:34 |
| 24.3 | Movements for Piano and Orchestra: III. Eighth Note = 72 | Igor Stravinsky | 1:12 |
| 24.4 | Movements for Piano and Orchestra: IV. Eighth Note = 80 | Igor Stravinsky | 1:32 |
| 24.5 | Movements for Piano and Orchestra: V. Eighth Note = 104 | Igor Stravinsky | 2:25 |
| 24.6 | Double Canon "Raoul Dufy in Memoriam" for String Quartet | Igor Stravinsky | 1:24 |
| 24.7 | Epitaphium (For the Tombstone of Prince Max Egon zu Fürstenberg) | Igor Stravinsky | 1:14 |
| 24.8 | Octet for Wind Instruments: I. Sinfonia | Igor Stravinsky | 3:58 |
| 24.9 | Octet for Wind Instruments: II. Tema con variazioni | Igor Stravinsky | 0:47 |
| 24.10 | Octet for Wind Instruments: Variazione A | Igor Stravinsky | 0:30 |
| 24.11 | Octet for Wind Instruments: Variazione B | Igor Stravinsky | 0:57 |
| 24.12 | Octet for Wind Instruments: Variazione A (Reprise I) | Igor Stravinsky | 0:25 |
| 24.13 | Octet for Wind Instruments: Variazione C | Igor Stravinsky | 0:51 |
| 24.14 | Octet for Wind Instruments: Variazione D | Igor Stravinsky | 1:01 |
| 24.15 | Octet for Wind Instruments: Variazione A (Reprise II) | Igor Stravinsky | 0:27 |
| 24.16 | Octet for Wind Instruments: Variazione E | Igor Stravinsky | 2:15 |
| 24.17 | Octet for Wind Instruments: III. Finale | Igor Stravinsky | 3:34 |
| 24.18 | The Soldier's Tale Suite: I. The Soldier's March | Igor Stravinsky | 1:39 |
| 24.19 | The Soldier's Tale Suite: II. Airs by a Stream | Igor Stravinsky | 2:28 |
| 24.20 | The Soldier's Tale Suite: III. Pastorale | Igor Stravinsky | 2:36 |
| 24.21 | The Soldier's Tale Suite: IV. The Royal March | Igor Stravinsky | 2:38 |
| 24.22 | The Soldier's Tale Suite: V. The Little Concert | Igor Stravinsky | 2:58 |
| 24.23 | The Soldier's Tale Suite: VI. Three Dances: Tango - Waltz - Ragtime | Igor Stravinsky | 5:51 |
| 24.24 | The Soldier's Tale Suite: VII. The Devil's Dance | Igor Stravinsky | 1:24 |
| 24.25 | The Soldier's Tale Suite: VIII. Great Chorale | Igor Stravinsky | 2:29 |
| 24.26 | The Soldier's Tale Suite: IX. Triumphal March of the Devil | Igor Stravinsky | 2:11 |
| 25.1 | Volgi, mia luce, Madrigal for 6 Voices | Marilyn Horne, Richard Robinson, Richard Levitt, Grace-Lynne Martin, Cora Lauridsen, Charles Scharbach | 1:59 |
| 25.2 | O dolorosa gioia, Madridgal for 5 Voices | Marilyn Horne, Richard Robinson, Richard Levitt, Grace-Lynne Martin, Cora Lauridsen, Charles Scharbach | 3:58 |
| 25.3 | Ardo per te, mio bene, Madrigal for 5 Voices | Marilyn Horne, Richard Robinson, Richard Levitt, Grace-Lynne Martin, Cora Lauridsen, Charles Scharbach | 2:26 |
| 25.4 | Gagliarda | Carlo Gesualdo | 1:53 |
| 25.5 | Quando ridente e bella, Madrigal for 5 Voices | Marilyn Horne, Richard Robinson, Richard Levitt, Grace-Lynne Martin, Cora Lauridsen, Charles Scharbach | 2:49 |
| 25.6 | Dolcissima mia vita, Madrigal for 5 Voices | Marilyn Horne, Richard Robinson, Richard Levitt, Grace-Lynne Martin, Cora Lauridsen, Charles Scharbach | 2:49 |
| 25.7 | Recessit pastor noster, Motet for 6 Voices | Marilyn Horne, Richard Robinson, Richard Levitt, Grace-Lynne Martin, Cora Lauridsen, Charles Scharbach | 5:43 |
| 25.8 | Che fai meco, Madrigal for 5 Voices | Marilyn Horne, Richard Robinson, Richard Levitt, Grace-Lynne Martin, Cora Lauridsen, Charles Scharbach | 2:22 |
| 25.9 | Questa crudele e pia, Madrigal for 5 Voices | Marilyn Horne, Richard Robinson, Richard Levitt, Grace-Lynne Martin, Cora Lauridsen, Charles Scharbach | 2:49 |
| 25.10 | Ardita zanzaretta, Madrigal for 5 Voices | Marilyn Horne, Richard Robinson, Richard Levitt, Grace-Lynne Martin, Cora Lauridsen, Charles Scharbach | 3:02 |
| 25.11 | Aestimatus sum, Madrigal for 6 Voices | Marilyn Horne, Richard Robinson, Richard Levitt, Grace-Lynne Martin, Cora Lauridsen, Charles Scharbach | 5:04 |
| 25.12 | Canzon francese del principe | Carlo Gesualdo | 4:56 |
| 25.13 | Monumentum pro Gesualdo di Venosa ad CD Annum: I. Asciugate i begli occhi (Book V/14) | Igor Stravinsky | 2:27 |
| 25.14 | Monumentum pro Gesualdo di Venosa ad CD Annum: II. Ma tu, cagion di quella (Book V/18) | Igor Stravinsky | 1:54 |
| 25.15 | Monumentum pro Gesualdo di Venosa ad CD Annum: III. Beltà, poi che t'assenti (Book VI/2) | Igor Stravinsky | 2:48 |
| 25.16 | Illumina nos, Motet for 7 Voices | Marilyn Horne, Paul Salamunovich, Richard Robinson, Howard Chitjian, Grace-Lynne Martin, Cora Lauridsen, Charles Scharbach | 5:05 |
| 26.1 | The Nightingale, Musical Fairy Tale in 3 Acts after Hans Christian Andersen: Introduction - Act I: "Nevod brosal nebesny dukh" - "Akh! S neba vysoty blesnuv" - "Vat i dostigli my opushki lesa" (Fisherman; Nightingale; Cook; Chorus; Chamberlain; Bonze) | Loren Driscoll, Reri Grist, Kenneth Smith, Chorus of the Opera Society of Washington, D.C., Herbert Beattie, Marina Picassi | 16:37 |
| 26.2 | The Nightingale, Musical Fairy Tale in 3 Acts after Hans Christian Andersen: Act II: Entr'acte (Courants d'air) - "Ognya, ognya" (Chorus; Cook; Chamberlain) | Kenneth Smith, Chorus of the Opera Society of Washington, D.C., Marina Picassi | 2:13 |
| 26.3 | The Nightingale, Musical Fairy Tale in 3 Acts after Hans Christian Andersen: Chinese March - "Veliky imperator!" (Chamberlain) | Kenneth Smith | 3:38 |
| 26.4 | The Nightingale, Musical Fairy Tale in 3 Acts after Hans Christian Andersen: Song of the Nightingale: "Akh! Serdtse dobroye" (Nightingale; Emperor) | Donald Gramm, Reri Grist | 3:48 |
| 26.5 | The Nightingale, Musical Fairy Tale in 3 Acts after Hans Christian Andersen: "Ocharovatel'no! Kakoye miloye koketstvo" (Chorus; Chamberlain) | Kenneth Smith, Chorus of the Opera Society of Washington, D.C. | 0:40 |
| 26.6 | The Nightingale, Musical Fairy Tale in 3 Acts after Hans Christian Andersen: "Kogda solntse zashlo" (Japanese Envoys) | Stanley Kolk, William Murphy, Carl Kaiser | 1:03 |
| 26.7 | The Nightingale, Musical Fairy Tale in 3 Acts after Hans Christian Andersen: Performance of the Mechanical Nightingale | Igor Stravinsky | 0:59 |
| 26.8 | The Nightingale, Musical Fairy Tale in 3 Acts after Hans Christian Andersen: "Tsk, tsk, tsk, tsk..." (Chorus; Emperor; Chamberlain; Fisherman) | Loren Driscoll, Donald Gramm, Kenneth Smith, Chorus of the Opera Society of Washington, D.C. | 2:28 |
| 26.9 | The Nightingale, Musical Fairy Tale in 3 Acts after Hans Christian Andersen: Act III: Introduction | Igor Stravinsky | 2:49 |
| 26.10 | The Nightingale, Musical Fairy Tale in 3 Acts after Hans Christian Andersen: "My vse pred toboy" (Chorus; Emperor) | Donald Gramm, Chorus of the Opera Society of Washington, D.C. | 1:18 |
| 26.11 | The Nightingale, Musical Fairy Tale in 3 Acts after Hans Christian Andersen: "Akh, muzyki, muzyki!" (Nightingale; Death; Emperor) | Donald Gramm, Reri Grist, Elaine Bonazzi | 7:00 |
| 26.12 | The Nightingale, Musical Fairy Tale in 3 Acts after Hans Christian Andersen: Solemn Procession | Igor Stravinsky | 1:09 |
| 26.13 | The Nightingale, Musical Fairy Tale in 3 Acts after Hans Christian Andersen: "Zdravstvuyte!" (Emperor; Fisherman) | Loren Driscoll, Donald Gramm | 1:20 |
| 27.1 | L'Oiseau de feu: Introduction | Igor Stravinsky | 2:22 |
| 27.2 | L'Oiseau de feu: Le Jardin enchanté de Kachtchei | Igor Stravinsky | 1:31 |
| 27.3 | L'Oiseau de feu: Apparition de l'Oiseau de feu, poursuivi par Ivan Tsarévitch | Igor Stravinsky | 2:21 |
| 27.4 | L'Oiseau de feu: Danse de l'Oiseau de feu | Igor Stravinsky | 1:28 |
| 27.5 | L'Oiseau de feu: Capture de l'Oiseau de feu par Ivan Tsarévitch | Igor Stravinsky | 1:00 |
| 27.6 | L'Oiseau de feu: Supplication de l'Oiseau de feu | Igor Stravinsky | 5:16 |
| 27.7 | L'Oiseau de feu: Apparition des treize princesses enchantées | Igor Stravinsky | 2:24 |
| 27.8 | L'Oiseau de feu: Jeu des princesses avec les pommes d'or (Scherzo) | Igor Stravinsky | 2:22 |
| 27.9 | L'Oiseau de feu: Brusque apparition d'Ivan Tsarévitch | Igor Stravinsky | 1:02 |
| 27.10 | L'Oiseau de feu: Khorovod: Ronde des princesses | Igor Stravinsky | 4:00 |
| 27.11 | L'Oiseau de feu: Lever du jour - Ivan Tsarévitch pénètre dans le palais de Kachtchei | Igor Stravinsky | 1:36 |
| 27.12 | L'Oiseau de feu: Carillon féerique, apparition des monstres-gardiens de Kachtchei et capture d'Ivan Tsarévitch | Igor Stravinsky | 1:26 |
| 27.13 | L'Oiseau de feu: Arrivée de Kachtchei L'Immortel | Igor Stravinsky | 1:10 |
| 27.14 | L'Oiseau de feu: Dialogue de Kachtchei avec Ivan Tsarévitch | Igor Stravinsky | 1:03 |
| 27.15 | L'Oiseau de feu: Intercession des princesses | Igor Stravinsky | 1:01 |
| 27.16 | L'Oiseau de feu: Apparition de l'Oiseau de feu | Igor Stravinsky | 0:36 |
| 27.17 | L'Oiseau de feu: Danse de la suite de Kachtchei, enchantée par l'Oiseau de feu | Igor Stravinsky | 0:49 |
| 27.18 | L'Oiseau de feu: Danse infernale de tous les sujets de Kachtchei | Igor Stravinsky | 4:41 |
| 27.19 | L'Oiseau de feu: Berceuse (L'Oiseau de feu) | Igor Stravinsky | 2:33 |
| 27.20 | L'Oiseau de feu: Réveil de Kachtchei | Igor Stravinsky | 1:07 |
| 27.21 | L'Oiseau de feu: Mort de Kachtchei - Profonds ténèbres | Igor Stravinsky | 1:20 |
| 27.22 | L'Oiseau de feu: Disparition du palais et des sortilèges de Kachtchei, animation des chevaliers pétrifiés, allégresse générale | Igor Stravinsky | 2:46 |
| 28.1 | Concerto in D Major for Violin and Orchestra: I. Toccata | Igor Stravinsky | 5:36 |
| 28.2 | Concerto in D Major for Violin and Orchestra: II. Aria I | Igor Stravinsky | 4:10 |
| 28.3 | Concerto in D Major for Violin and Orchestra: III. Aria II | Igor Stravinsky | 5:09 |
| 28.4 | Concerto in D Major for Violin and Orchestra: IV. Cappricio | Igor Stravinsky | 6:01 |
| 28.5 | Symphony in 3 Movements: I. Overture - Allegro | Igor Stravinsky | 9:28 |
| 28.6 | Symphony in 3 Movements: II. Andante - Interlude. L'istesso tempo | Igor Stravinsky | 5:59 |
| 28.7 | Symphony in 3 Movements: III. Con moto | Igor Stravinsky | 5:57 |
| 29.1 | Concerto for Two Solo Pianos: I. Con moto | Igor Stravinsky | 6:41 |
| 29.2 | Concerto for Two Solo Pianos: II. Notturno. Adagietto | Igor Stravinsky | 5:30 |
| 29.3 | Concerto for Two Solo Pianos: III. Quattro variazioni | Igor Stravinsky | 3:55 |
| 29.4 | Concerto for Two Solo Pianos: IV. Preludio e fuga. Lento - Fuga a 4 voci | Igor Stravinsky | 4:40 |
| 29.5 | Three Easy Pieces for Piano Duet: 1. March | Igor Stravinsky | 1:08 |
| 29.6 | Three Easy Pieces for Piano Duet: 2. Waltz | Igor Stravinsky | 1:50 |
| 29.7 | Three Easy Pieces for Piano Duet: 3. Polka | Igor Stravinsky | 0:56 |
| 29.8 | Five Easy Pieces for Piano Duet: 1. Andante | Igor Stravinsky | 1:16 |
| 29.9 | Five Easy Pieces for Piano Duet: 2. Española | Igor Stravinsky | 0:55 |
| 29.10 | Five Easy Pieces for Piano Duet: 3. Balalaika | Igor Stravinsky | 0:41 |
| 29.11 | Five Easy Pieces for Piano Duet: 4. Napolitana | Igor Stravinsky | 1:05 |
| 29.12 | Five Easy Pieces for Piano Duet: 5. Galop | Igor Stravinsky | 1:45 |
| 29.13 | Sonata for Two Pianos: I. Moderato | Igor Stravinsky | 3:55 |
| 29.14 | Sonata for Two Pianos: II. Thème avec variations. Largo - Var. 1-4 | Igor Stravinsky | 4:32 |
| 29.15 | Sonata for Two Pianos: III. Allegretto | Igor Stravinsky | 1:35 |
| 30.1 | The Flood, A Musical Play (Adapted from the York & Chester Cycles of Miracle Plays & the Book of Genesis): Prelude: "Te Deum laudamus" | John Reardon, Richard Robinson, Laurence Harvey, Columbia Symphony Chorus | 6:08 |
| 30.2 | The Flood, A Musical Play (Adapted from the York & Chester Cycles of Miracle Plays & the Book of Genesis): Melodrama: "In a Worm's Likeness Will He Wend" | Sebastian Cabot, John Reardon, Richard Robinson, Laurence Harvey | 4:50 |
| 30.3 | The Flood, A Musical Play (Adapted from the York & Chester Cycles of Miracle Plays & the Book of Genesis): The Building of the Ark (Choreography) | Igor Stravinsky | 2:33 |
| 30.4 | The Flood, A Musical Play (Adapted from the York & Chester Cycles of Miracle Plays & the Book of Genesis): The Catalogue of the Animals: "The Lord Bade That I Should Bring" | Sebastian Cabot, Paul Tripp | 1:33 |
| 30.5 | The Flood, A Musical Play (Adapted from the York & Chester Cycles of Miracle Plays & the Book of Genesis): The Comedy (Noah and His Wife): "Wife, Come in!" | Elsa Lanchester, Sebastian Cabot, John Reardon, Robert Oliver | 1:43 |
| 30.6 | The Flood, A Musical Play (Adapted from the York & Chester Cycles of Miracle Plays & the Book of Genesis): The Flood (Choreography) | Igor Stravinsky | 2:32 |
| 30.7 | The Flood, A Musical Play (Adapted from the York & Chester Cycles of Miracle Plays & the Book of Genesis): The Covenant of the Rainbow: "A Covenant, Noah, With Thee I Make" | Sebastian Cabot, John Reardon, Richard Robinson, Laurence Harvey, Columbia Symphony Chorus | 3:35 |
| 30.8 | Mass for Mixed Chorus and Double Wind Quintet: Kyrie | Columbia Symphony Chorus, Annette Baxter | 2:44 |
| 30.9 | Mass for Mixed Chorus and Double Wind Quintet: Gloria | Adrienne Albert, Columbia Symphony Chorus, Annette Baxter | 4:10 |
| 30.10 | Mass for Mixed Chorus and Double Wind Quintet: Credo | Columbia Symphony Chorus, Annette Baxter | 4:03 |
| 30.11 | Mass for Mixed Chorus and Double Wind Quintet: Sanctus | Columbia Symphony Chorus, Annette Baxter | 3:32 |
| 30.12 | Mass for Mixed Chorus and Double Wind Quintet: Agnus Dei | Columbia Symphony Chorus, Annette Baxter | 2:47 |
| 31.1 | Les Noces: Premier tableau: Chez la mariée (La Tresse) | Loren Driscoll, Regina Sarfaty, American Concert Choir, Robert Oliver, Mildred Allen | 5:12 |
| 31.2 | Les Noces: Deuxieme tableau: Chez le marié | Loren Driscoll, Regina Sarfaty, American Concert Choir, Robert Oliver, Mildred Allen | 6:06 |
| 31.3 | Les Noces: Troisieme tableau: Le Départ de la mariee | Loren Driscoll, Regina Sarfaty, American Concert Choir, Robert Oliver, Mildred Allen | 3:11 |
| 31.4 | Les Noces: Quatrieme tableau: Le Repas de noces | Loren Driscoll, Regina Sarfaty, American Concert Choir, Robert Oliver, Mildred Allen | 10:28 |
| 31.5 | Renard, Histoire burlesque chantée et jouée | Loren Driscoll, Donald Gramm, George Shirley, William Murphy | 15:35 |
| 31.6 | Ragtime | Igor Stravinsky | 4:38 |
| 32.1 | Oedipus Rex, Opera-Oratorio in two acts after Sophocles: Prologue (Narrator) | John Westbrook | 0:58 |
| 32.2 | Oedipus Rex, Opera-Oratorio in two acts after Sophocles: Act I: "Caedit nos pestis" (Chorus) | Chorus of the Opera Society of Washington, D.C. | 3:33 |
| 32.3 | Oedipus Rex, Opera-Oratorio in two acts after Sophocles: Act I: "Liberi, vos liberabo" (Oedipus, Chorus) | George Shirley, Chorus of the Opera Society of Washington, D.C. | 3:46 |
| 32.4 | Oedipus Rex, Opera-Oratorio in two acts after Sophocles: Act I: "Respondit deus" (Creon) | Donald Gramm | 3:09 |
| 32.5 | Oedipus Rex, Opera-Oratorio in two acts after Sophocles: Act I: "Non reperias vetus scelus" (Oedipus, Chorus) | George Shirley, Chorus of the Opera Society of Washington, D.C. | 3:33 |
| 32.6 | Oedipus Rex, Opera-Oratorio in two acts after Sophocles: Act I: "Oedipus Questions Teiresias the Seer" (Narrator, Chorus) | John Westbrook, Chorus of the Opera Society of Washington, D.C. | 2:26 |
| 32.7 | Oedipus Rex, Opera-Oratorio in two acts after Sophocles: Act I: "Dicere non possum" (Tiresias, Oedipus) | George Shirley, Chester Watson | 2:29 |
| 32.8 | Oedipus Rex, Opera-Oratorio in two acts after Sophocles: Act I: "Rex peremptor regis est" - "Invidia fortunam odit" (Tiresias, Oedipus) | George Shirley, Chester Watson | 3:02 |
| 32.9 | Oedipus Rex, Opera-Oratorio in two acts after Sophocles: Act I: "Gloria!" (Chorus) | Chorus of the Opera Society of Washington, D.C. | 1:04 |
| 32.10 | Oedipus Rex, Opera-Oratorio in two acts after Sophocles: Act II: "The Dispute of the Princes Summons Jocasta" (Narrator) | John Westbrook | 1:04 |
| 32.11 | Oedipus Rex, Opera-Oratorio in two acts after Sophocles: Act II: "Gloria!" (Chorus) | Chorus of the Opera Society of Washington, D.C. | 1:01 |
| 32.12 | Oedipus Rex, Opera-Oratorio in two acts after Sophocles: Act II: "Nonn' erubescite, reges" (Jocasta) | Shirley Verrett | 4:00 |
| 32.13 | Oedipus Rex, Opera-Oratorio in two acts after Sophocles: Act II: "Ne probentur oracula" (Jocasta) | Shirley Verrett | 1:59 |
| 32.14 | Oedipus Rex, Opera-Oratorio in two acts after Sophocles: Act II: "Cave oracula!" - "Trivium, trivium" (Jocasta, Chorus, Oedipus) | Shirley Verrett, George Shirley, Chorus of the Opera Society of Washington, D.C. | 1:18 |
| 32.15 | Oedipus Rex, Opera-Oratorio in two acts after Sophocles: Act II: "Oracula mentiuntur" (Jocasta, Chorus, Oedipus) | Shirley Verrett, George Shirley, Chorus of the Opera Society of Washington, D.C. | 1:51 |
| 32.16 | Oedipus Rex, Opera-Oratorio in two acts after Sophocles: Act II: "A Messenger Announces that King Polybus of Corinth is Dead" (Narrator) | John Westbrook | 0:39 |
| 32.17 | Oedipus Rex, Opera-Oratorio in two acts after Sophocles: Act II: "Adest omniscius pastor" (Chorus, Messenger) | John Reardon, Chorus of the Opera Society of Washington, D.C. | 2:20 |
| 32.18 | Oedipus Rex, Opera-Oratorio in two acts after Sophocles: Act II: "Oportebat tacere" (Shepherd) | Loren Driscoll | 1:34 |
| 32.19 | Oedipus Rex, Opera-Oratorio in two acts after Sophocles: Act II: "Nonne monstrum rescituri" (Oedipus) | George Shirley | 1:20 |
| 32.20 | Oedipus Rex, Opera-Oratorio in two acts after Sophocles: Act II: "In monte reppertus est" (Shepherd, Messenger) | Loren Driscoll, John Reardon | 1:13 |
| 32.21 | Oedipus Rex, Opera-Oratorio in two acts after Sophocles: Act II: "Natus sum quo nefastum est" (Oedipus) | George Shirley | 0:46 |
| 32.22 | Oedipus Rex, Opera-Oratorio in two acts after Sophocles: Act II: "And Now, You Will Hear the Messenger" (Narrator) | John Westbrook | 1:15 |
| 32.23 | Oedipus Rex, Opera-Oratorio in two acts after Sophocles: Act II: "Divum Jocastae caput mortuum!" (Messenger, Chorus) | John Reardon, Chorus of the Opera Society of Washington, D.C. | 3:11 |
| 32.24 | Oedipus Rex, Opera-Oratorio in two acts after Sophocles: Act II: "Ecce! Regem Oedipoda" (Chorus) | Chorus of the Opera Society of Washington, D.C. | 2:32 |
| 33.1 | Symphony of Psalms (1948 Version): I. Exaudi orationem meam, Domine | Festival Singers Of Toronto | 3:24 |
| 33.2 | Symphony of Psalms (1948 Version): II. Exspectans exspectavi Dominum | Festival Singers Of Toronto | 6:17 |
| 33.3 | Symphony of Psalms (1948 Version): III. Alleluia. Laudate Dominum | Festival Singers Of Toronto | 12:02 |
| 33.4 | Symphony in C Major: I. Moderato alla breve | Igor Stravinsky | 9:25 |
| 33.5 | Symphony in C Major: II. Larghetto concertante | Igor Stravinsky | 5:43 |
| 33.6 | Symphony in C Major: III. Allegretto | Igor Stravinsky | 4:35 |
| 33.7 | Symphony in C Major: IV. Largo - Tempo giusto, alla breve | Igor Stravinsky | 7:20 |
| 34.1 | Orphée, Ballet en trois tableux: Premier Tableau: Orphée pleure Eurydice | Igor Stravinsky | 2:52 |
| 34.2 | Orphée, Ballet en trois tableux: Air de danse. Andante con moto | Igor Stravinsky | 3:14 |
| 34.3 | Orphée, Ballet en trois tableux: L'ange de la mort et sa danse | Igor Stravinsky | 2:21 |
| 34.4 | Orphée, Ballet en trois tableux: Interlude. L'istesso tempo | Igor Stravinsky | 2:01 |
| 34.5 | Orphée, Ballet en trois tableux: Deuxieme Tableau: Pas des furies. Agitato in piano | Igor Stravinsky | 3:10 |
| 34.6 | Orphée, Ballet en trois tableux: Air de danse - Interlude - Air de danse (Conclusion). Grave | Igor Stravinsky | 3:35 |
| 34.7 | Orphée, Ballet en trois tableux: Pas d'action. Andantino leggiadro | Igor Stravinsky | 1:56 |
| 34.8 | Orphée, Ballet en trois tableux: Pas de deux. Andante sostenuto | Igor Stravinsky | 5:03 |
| 34.9 | Orphée, Ballet en trois tableux: Interlude. Moderato assai | Igor Stravinsky | 1:05 |
| 34.10 | Orphée, Ballet en trois tableux: Pas d'action. Vivace | Igor Stravinsky | 2:33 |
| 34.11 | Orphée, Ballet en trois tableux: Troisieme Tableau: Apothéose d'Orphée | Igor Stravinsky | 2:58 |
| 34.12 | Apollon musagète, Ballet en deux tableux: Premier Tableau: Naissance d'Apollon. Largo - Allegro - Tempo I | Igor Stravinsky | 4:31 |
| 34.13 | Apollon musagète, Ballet en deux tableux: Variation d'Apollon. Apollon et les Muses | Igor Stravinsky | 2:55 |
| 34.14 | Apollon musagète, Ballet en deux tableux: Pas d'action. Apollon et les trois Muses: Calliope, Polymnie et Terpsichore. Moderato | Igor Stravinsky | 4:37 |
| 34.15 | Apollon musagète, Ballet en deux tableux: Variation de Calliope (l'Alexandrine). Allegretto | Igor Stravinsky | 1:31 |
| 34.16 | Apollon musagète, Ballet en deux tableux: Variation de Polymnie. Allegro | Igor Stravinsky | 1:16 |
| 34.17 | Apollon musagète, Ballet en deux tableux: Variation de Terpsichore. Allegretto | Igor Stravinsky | 1:30 |
| 34.18 | Apollon musagète, Ballet en deux tableux: Variation d'Apollon. Lento | Igor Stravinsky | 2:07 |
| 34.19 | Apollon musagète, Ballet en deux tableux: Pas de deux: Apollon et Terpsichore. Adagio | Igor Stravinsky | 3:49 |
| 34.20 | Apollon musagète, Ballet en deux tableux: Coda: Apollon et les Muses. Vivo - Tempo sostenuto - Agitato | Igor Stravinsky | 3:19 |
| 34.21 | Apollon musagète, Ballet en deux tableux: Apothéose. Largo et tranquillo | Igor Stravinsky | 3:10 |
| 35.1 | Greeting Prelude | Igor Stravinsky | 0:54 |
| 35.2 | Concerto in E-Flat Major for Chamber Orchestra "Dumbarton Oaks": I. Tempo giusto | Igor Stravinsky | 4:22 |
| 35.3 | Concerto in E-Flat Major for Chamber Orchestra "Dumbarton Oaks": II. Allegretto | Igor Stravinsky | 4:16 |
| 35.4 | Concerto in E-Flat Major for Chamber Orchestra "Dumbarton Oaks": III. Con moto | Igor Stravinsky | 5:09 |
| 35.5 | Eight Instrumental Miniatures for Fifteen Players: I. Andantino | Igor Stravinsky | 0:57 |
| 35.6 | Eight Instrumental Miniatures for Fifteen Players: II. Vivace | Igor Stravinsky | 0:27 |
| 35.7 | Eight Instrumental Miniatures for Fifteen Players: III. Lento | Igor Stravinsky | 0:48 |
| 35.8 | Eight Instrumental Miniatures for Fifteen Players: IV. Allegretto | Igor Stravinsky | 0:59 |
| 35.9 | Eight Instrumental Miniatures for Fifteen Players: V. Moderato alla breve | Igor Stravinsky | 0:56 |
| 35.10 | Eight Instrumental Miniatures for Fifteen Players: VI. Tempo di Marcia | Igor Stravinsky | 1:04 |
| 35.11 | Eight Instrumental Miniatures for Fifteen Players: VII. Larghetto | Igor Stravinsky | 1:26 |
| 35.12 | Eight Instrumental Miniatures for Fifteen Players: VIII. Tempo di Tango | Igor Stravinsky | 1:08 |
| 35.13 | Quatre Études pour Orchestre: I. Danse. Con moto | Igor Stravinsky | 1:04 |
| 35.14 | Quatre Études pour Orchestre: II. Excentrique. Moderato | Igor Stravinsky | 2:21 |
| 35.15 | Quatre Études pour Orchestre: III. Cantique. Largo | Igor Stravinsky | 4:17 |
| 35.16 | Quatre Études pour Orchestre: IV. Madrid. Allegro con moto | Igor Stravinsky | 2:31 |
| 35.17 | Circus Polka | Igor Stravinsky | 3:31 |
| 35.18 | Suite No. 1 for Small Orchestra: I. Andante | Igor Stravinsky | 1:17 |
| 35.19 | Suite No. 1 for Small Orchestra: II. Napolitana | Igor Stravinsky | 1:13 |
| 35.20 | Suite No. 1 for Small Orchestra: III. Espanola | Igor Stravinsky | 1:09 |
| 35.21 | Suite No. 1 for Small Orchestra: IV. Balalaika | Igor Stravinsky | 0:55 |
| 35.22 | Suite No. 2 for Small Orchestra: I. Marche | Igor Stravinsky | 1:14 |
| 35.23 | Suite No. 2 for Small Orchestra: II. Valse | Igor Stravinsky | 2:06 |
| 35.24 | Suite No. 2 for Small Orchestra: III. Polka | Igor Stravinsky | 1:01 |
| 35.25 | Suite No. 2 for Small Orchestra: IV. Galop | Igor Stravinsky | 1:43 |
| 36.1 | Jeu de Cartes, Ballet en trois donnes: Première donne | Igor Stravinsky | 5:17 |
| 36.2 | Jeu de Cartes, Ballet en trois donnes: Deuxième donne | Igor Stravinsky | 9:44 |
| 36.3 | Jeu de Cartes, Ballet en trois donnes: Troisième donne | Igor Stravinsky | 7:38 |
| 36.4 | The Sleeping Beauty: Bluebird Pas de Deux: Adagio | Pyotr Ilyich Tchaikovsky | 2:01 |
| 36.5 | The Sleeping Beauty: Bluebird Pas de Deux: Variation I | Pyotr Ilyich Tchaikovsky | 0:46 |
| 36.6 | The Sleeping Beauty: Bluebird Pas de Deux: Variation II | Pyotr Ilyich Tchaikovsky | 0:41 |
| 36.7 | The Sleeping Beauty: Bluebird Pas de Deux: Coda | Pyotr Ilyich Tchaikovsky | 1:42 |
| 36.8 | Scènes de ballet: Introduction. Andante | Igor Stravinsky | 0:54 |
| 36.9 | Scènes de ballet: Danses (Corps de ballet). Moderato - Variation (Ballerine). Con moto | Igor Stravinsky | 4:14 |
| 36.10 | Scènes de ballet: Pantomime. Lento | Igor Stravinsky | 2:06 |
| 36.11 | Scènes de ballet: Pas de deux. Adagio | Igor Stravinsky | 2:49 |
| 36.12 | Scènes de ballet: Pantomime. Agitato ma tempo giusto | Igor Stravinsky | 0:31 |
| 36.13 | Scènes de ballet: Variations: (Danseur) Risoluto - (Ballerine) Andantino | Igor Stravinsky | 2:24 |
| 36.14 | Scènes de ballet: Pantomime. Andantino | Igor Stravinsky | 0:28 |
| 36.15 | Scènes de ballet: Danses (Corps de ballet). Con moto | Igor Stravinsky | 1:03 |
| 36.16 | Scènes de ballet: Apothéose. Poco meno mosso | Igor Stravinsky | 2:13 |
| 37.1 | Le Roi des étoiles (Zvezdolikiy) | Festival Singers of Toronto | 4:21 |
| 37.2 | Anthem "The Dove Descending Breaks the Air" | Festival Singers of Toronto | 3:43 |
| 37.3 | Chorale Variations on the Christmas Carol "Vom Himmel hoch da komm' ich her", BWV 769: Chorale | Johann Sebastian Bach | 0:40 |
| 37.4 | Chorale Variations on the Christmas Carol "Vom Himmel hoch da komm' ich her", BWV 769: Variation I (In Canone all' Ottava) | Johann Sebastian Bach | 1:17 |
| 37.5 | Chorale Variations on the Christmas Carol "Vom Himmel hoch da komm' ich her", BWV 769: Variation II (Alio modo in Canone alla Quinta) | Festival Singers of Toronto | 1:10 |
| 37.6 | Chorale Variations on the Christmas Carol "Vom Himmel hoch da komm' ich her", BWV 769: Variation III (In Canone alla Settima) | Festival Singers of Toronto | 2:17 |
| 37.7 | Chorale Variations on the Christmas Carol "Vom Himmel hoch da komm' ich her", BWV 769: Variation IV (In Canone all' Ottava per augmentationem) | Festival Singers of Toronto | 2:34 |
| 37.8 | Chorale Variations on the Christmas Carol "Vom Himmel hoch da komm' ich her", BWV 769: Variation V (L'altra sorte del Canone al rovescio) | Festival Singers of Toronto | 2:46 |
| 37.9 | Babel | Festival Singers of Toronto, John Calicos | 5:17 |
| 37.10 | A Sermon, a Narrative, and a Prayer: I. A Sermon (From St. Paul) | Loren Driscoll, Shirley Verrett, John Horton | 4:01 |
| 37.11 | A Sermon, a Narrative, and a Prayer: II. A Narrative | Loren Driscoll, Shirley Verrett, John Horton | 7:28 |
| 37.12 | A Sermon, a Narrative, and a Prayer: III. A Prayer | Loren Driscoll, Shirley Verrett, John Horton | 3:48 |
| 38.1 | The Rake's Progress, Opera in 3 Acts: Act I: Prelude | Igor Stravinsky | 0:33 |
| 38.2 | The Rake's Progress, Opera in 3 Acts: Act I, Scene 1: Duet and Trio: "The Woods Are Green" - Recitative: "Anne, My Dear" (Anne, Rakewell, Trulove) | Alexander Young, Judith Raskin, Don Garrard | 4:41 |
| 38.3 | The Rake's Progress, Opera in 3 Acts: Act I, Scene 1: Recitative: "Here I stand" - Aria: "Since It Is Not by Merit" (Rakewell) | Alexander Young | 2:34 |
| 38.4 | The Rake's Progress, Opera in 3 Acts: Act I, Scene 1: Recitative: "Tom Rakewell?" - Recitative: "Fair Lady, Gracious Gentlemen" - Quartet: "I Wished But Once" - Recitative: "I'll Call the Coachman, Sir" (Shadow, Rakewell, Anne, Trulove) | Alexander Young, John Reardon, Judith Raskin, Don Garrard | 7:03 |
| 38.5 | The Rake's Progress, Opera in 3 Acts: Act I, Scene 1: Duettino: "Farewell for Now" - Recitative: "All Is Ready, Sir" - Arioso: "Dear Father Truelove" - Terzettino: "Laughter and Light" (Anne, Rakewell, Trulove, Shadow) | Alexander Young, John Reardon, Judith Raskin, Don Garrard | 5:10 |
| 38.6 | The Rake's Progress, Opera in 3 Acts: Act I, Scene 2: Chorus: "With Air Commanding and Weapon Handy" (Chorus) | Sadler’s Wells Opera Chorus | 2:34 |
| 38.7 | The Rake's Progress, Opera in 3 Acts: Act I, Scene 2: Recitative and Scene: "Come, Tom" - Chorus: "Soon Dawn Will Glitter" - Recitative: "Sisters of Venus, Brothers of Mars" (Shadow, Rakewell, Mother Goose, Chorus) | Alexander Young, Jean Manning, John Reardon | 5:01 |
| 38.8 | The Rake's Progress, Opera in 3 Acts: Act I, Scene 2: Cavatina: "Love, too Frequently Betrayed" - Chorus: "How Sad a Song" - Chorus: "The Sun Is Bright, the Grass Is Green" (Rakewell, Chorus, Mother Goose) | Alexander Young, Jean Manning, Sadler’s Wells Opera Chorus | 3:40 |
| 38.9 | The Rake's Progress, Opera in 3 Acts: Act I, Scene 2: Chorus: "Lanterloo, My Lady" (Chorus, Shadow) | John Reardon, Sadler’s Wells Opera Chorus | 2:28 |
| 38.10 | The Rake's Progress, Opera in 3 Acts: Act I, Scene 3: Recitative: "No Word from Tom" - Aria: "Quietly, Night" - Recitative: "My Father! Can I Desert Him" (Anne, Truelove) | Judith Raskin, Don Garrard | 5:40 |
| 38.11 | The Rake's Progress, Opera in 3 Acts: Act I, Scene 3: Cabaletta: "I Go, I Go to Him" (Anne) | Judith Raskin | 2:51 |
| 38.12 | The Rake's Progress, Opera in 3 Acts: Act II, Scene 1: Aria: "Vary the Song, O London, Change!" - Recitative: O Nature, Green Unnatural Mother" - Aria (reprise): "Always the Quarry" (Rakewell) | Alexander Young | 6:42 |
| 38.13 | The Rake's Progress, Opera in 3 Acts: Act II, Scene 1: Recitative: "Master, Are You Alone?" - Aria: "In Youth the Panting Slave" (Shadow, Rakewell) | Alexander Young, John Reardon | 4:46 |
| 38.14 | The Rake's Progress, Opera in 3 Acts: Act II, Scene 1: Duet-Finale: "My Tale Shall Be Told" (Rakewell, Shadow) | Alexander Young, John Reardon | 2:12 |
| 38.15 | The Rake's Progress, Opera in 3 Acts: Act II, Scene 2: Introduction - Recitative: "How Strange" - Arioso: "O Heart Be Stronger" (Anne) | Judith Raskin | 5:41 |
| 38.16 | The Rake's Progress, Opera in 3 Acts: Act II, Scene 2: Duet: "Anne! Here!" - Recitative: "My Love, Am I to Remain in Here for Ever?" (Rakewell, Anne, Baba) | Alexander Young, Regina Sarfaty, Judith Raskin | 3:30 |
| 38.17 | The Rake's Progress, Opera in 3 Acts: Act II, Scene 2: Trio: "Could It Then Have Been Known" - Finale: "I Have Not Run Away" (Anne, Rakewell, Baba) | Alexander Young, Regina Sarfaty, Judith Raskin, Sadler’s Wells Opera Chorus | 5:26 |
| 39.1 | The Rake's Progress, Opera in 3 Acts: Act II, Scene 3: Aria: "As I Was Saying" - Baba's Song: "Come, Sweet, Come" - Aria: "Scorned! Abused!" - Recitative: "My Heart Is Cold, I Cannot Weep" - Pantomime: "Fa la la" - Recitative: "Oh, I Wish It Were True" (Baba, Rakewell, Shadow) | Alexander Young, Regina Sarfaty, John Reardon | 5:34 |
| 39.2 | The Rake's Progress, Opera in 3 Acts: Act II, Scene 3: Arioso-Recitative: "You! O Nick, I've Had the Strangest Dream" - Duet: "Thanks to This Excellent Device" - Recitative: "Forgive Me, Master" (Rakewell, Shadow) | Alexander Young, John Reardon | 5:19 |
| 39.3 | The Rake's Progress, Opera in 3 Acts: Act III, Scene 1: "Ruin, Disaster, Shame" (Chorus, Anne) | Judith Raskin, Sadler’s Wells Opera Chorus | 2:52 |
| 39.4 | The Rake's Progress, Opera in 3 Acts: Act III, Scene 1: "Aha!" (Sellem, Chorus) | Regina Sarfaty, Sadler’s Wells Opera Chorus, Kevin Miller | 5:33 |
| 39.5 | The Rake's Progress, Opera in 3 Acts: Act III, Scene 1: Aria: "Sold! Annoyed!" - Recitative: "Now What Was That!" - Duet: "You Love Him" - Ballad Tune: "If Boys Had Wings" (Baba, Chorus, Rakewell, Shadow, Anne, Sellem) | Alexander Young, Regina Sarfaty, John Reardon, Judith Raskin, Sadler’s Wells Opera Chorus, Kevin Miller | 6:28 |
| 39.6 | The Rake's Progress, Opera in 3 Acts: Act III, Scene 1: Stretto-Finale: "I Go to Him" - Ballad Tune (reprise): "Who Cares a Fig" (Anne, Baba, Sellem, Chorus, Rakewell) | Alexander Young, Regina Sarfaty, John Reardon, Judith Raskin, Sadler’s Wells Opera Chorus, Kevin Miller | 1:57 |
| 39.7 | The Rake's Progress, Opera in 3 Acts: Act III, Scene 2: Prelude | Igor Stravinsky | 2:22 |
| 39.8 | The Rake's Progress, Opera in 3 Acts: Act III, Scene 2: Duet: "How Dark and Dreadful Is This Place" (Rakewell, Shadow) | Alexander Young, John Reardon | 4:42 |
| 39.9 | The Rake's Progress, Opera in 3 Acts: Act III, Scene 2: Recitative: "Very Well, Then, My Dear and Good Tom" - Duet: "Well, Then" - "My heart Is Wild with Fear" (Shadow, Rakewell, Anne) | Alexander Young, John Reardon, Judith Raskin | 8:30 |
| 39.10 | The Rake's Progress, Opera in 3 Acts: Act III, Scene 2: "I Burn! I Burn! I Freeze!" (Shadow, Rakewell) | Alexander Young, John Reardon | 3:38 |
| 39.11 | The Rake's Progress, Opera in 3 Acts: Act III, Scene 3: Arioso: "Prepare Yourselves, Heroic Shades" - Dialogue: "Madmen's Words Are All Untrue" - Chorus-Minuet: "Leave All Love and Hope Behind" (Rakewell, Chorus) | Alexander Young, Sadler’s Wells Opera Chorus | 3:46 |
| 39.12 | The Rake's Progress, Opera in 3 Acts: Act III, Scene 3: Recitative: "There He Is. Have no Fear" - Arioso: "I Have Waited" - Duet: "In a Foolish Dream" - Recitative: "I Am Exceedingly Weary" (Keeper, Anne, Rakewell) | Alexander Young, Judith Raskin, Peter Tracey | 6:18 |
| 39.13 | The Rake's Progress, Opera in 3 Acts: Act III, Scene 3: Lullaby: "Gently, Little Boat" - Recitative: "Anne, My Dear, the Tale Is Ended Now" - Duettino: "Every Wearied Body" (Anne, Truelove) | Judith Raskin, Don Garrard | 5:50 |
| 39.14 | The Rake's Progress, Opera in 3 Acts: Act III, Scene 3: Finale-Recitative: "Where Art Thou, Venus?" - Mourning Chorus: "Mourn for Adonis" (Rakewell, Chorus) | Alexander Young, Sadler’s Wells Opera Chorus | 5:01 |
| 39.15 | The Rake's Progress, Opera in 3 Acts: Act III, Scene 3: Epilogue: "Good People, Just a Moment" (Anne, Baba, Rakewell, Shadow, Truelove) | Alexander Young, Regina Sarfaty, John Reardon, Judith Raskin, Don Garrard | 2:34 |
| 40.1 | The Fairy's Kiss, Ballet in 4 Scenes: Scene 1: Prologue. The Lullaby in the Storm. Andante - Allegro sostenuto - Vivace agitato | Igor Stravinsky | 8:15 |
| 40.2 | The Fairy's Kiss, Ballet in 4 Scenes: Scene 2: A Village Fête. Tempo giusto - Valse. Poco più lento - Tempo I | Igor Stravinsky | 11:19 |
| 40.3 | The Fairy's Kiss, Ballet in 4 Scenes: Scene 3: At the Mill. Moderato - Allegretto grazioso | Igor Stravinsky | 6:56 |
| 40.4 | The Fairy's Kiss, Ballet in 4 Scenes: Pas de deux. a) Entrée. Moderato | Igor Stravinsky | 1:33 |
| 40.5 | The Fairy's Kiss, Ballet in 4 Scenes: b) Adagio | Igor Stravinsky | 3:02 |
| 40.6 | The Fairy's Kiss, Ballet in 4 Scenes: c) Variation. Allegretto grazioso | Igor Stravinsky | 1:22 |
| 40.7 | The Fairy's Kiss, Ballet in 4 Scenes: d) Coda. Presto | Igor Stravinsky | 2:12 |
| 40.8 | The Fairy's Kiss, Ballet in 4 Scenes: Scène. Andante non tanto - Più lento | Igor Stravinsky | 4:49 |
| 40.9 | The Fairy's Kiss, Ballet in 4 Scenes: Scene 4: Epilogue. Berceuse of the Eternal Dwellings. L'istesso tempo - Andante non tanto | Igor Stravinsky | 6:17 |
| 41.1 | Prelude, Fugue & Riffs: I. Prelude | Leonard Bernstein | 1:51 |
| 41.2 | Prelude, Fugue & Riffs: II. Fugue | Leonard Bernstein | 1:47 |
| 41.3 | Prelude, Fugue & Riffs: III. Riffs | Leonard Bernstein | 4:15 |
| 41.4 | Concerto for Clarinet, Strings & Harp | Aaron Copland | 16:59 |
| 41.5 | Ebony Concerto: I. Allegro moderato | Igor Stravinsky | 3:03 |
| 41.6 | Ebony Concerto: II. Andante | Igor Stravinsky | 2:36 |
| 41.7 | Ebony Concerto: III. Moderato - Con moto | Igor Stravinsky | 3:46 |
| 41.8 | Derivations for Clarinet and Band: I. Warm-up | Morton Gould | 3:11 |
| 41.9 | Derivations for Clarinet and Band: II. Contrapuntal Blues | Morton Gould | 6:31 |
| 41.10 | Derivations for Clarinet and Band: III. Rag | Morton Gould | 2:21 |
| 41.11 | Derivations for Clarinet and Band: IV. Ride-Out | Morton Gould | 4:00 |
| 42.1 | Pulcinella, Ballet in One Act for Small Orchestra with 3 Solo Voices after Pergolesi: Overture. Allegro moderato | Igor Stravinsky | 1:56 |
| 42.2 | Pulcinella, Ballet in One Act for Small Orchestra with 3 Solo Voices after Pergolesi: Serenata. Larghetto - "Mentre l'erbetta, pasce l'agnella" | George Shirley | 2:26 |
| 42.3 | Pulcinella, Ballet in One Act for Small Orchestra with 3 Solo Voices after Pergolesi: Scherzino. Allegro | Igor Stravinsky | 1:34 |
| 42.4 | Pulcinella, Ballet in One Act for Small Orchestra with 3 Solo Voices after Pergolesi: Poco più vivo - Allegro | Igor Stravinsky | 1:14 |
| 42.5 | Pulcinella, Ballet in One Act for Small Orchestra with 3 Solo Voices after Pergolesi: Andantino | Igor Stravinsky | 1:14 |
| 42.6 | Pulcinella, Ballet in One Act for Small Orchestra with 3 Solo Voices after Pergolesi: Allegro | Igor Stravinsky | 1:50 |
| 42.7 | Pulcinella, Ballet in One Act for Small Orchestra with 3 Solo Voices after Pergolesi: Allegretto - "Contento forse vivere" | Irene Jordan | 1:43 |
| 42.8 | Pulcinella, Ballet in One Act for Small Orchestra with 3 Solo Voices after Pergolesi: Allegro assai | Igor Stravinsky | 1:58 |
| 42.9 | Pulcinella, Ballet in One Act for Small Orchestra with 3 Solo Voices after Pergolesi: Allegro (alla breve) - "Con queste paroline" | Donald Gramm | 2:21 |
| 42.10 | Pulcinella, Ballet in One Act for Small Orchestra with 3 Solo Voices after Pergolesi: Largo - "Sento dire: no nc'è pace" - "Chi disse cà la femmena" | Donald Gramm, George Shirley, Irene Jordan | 4:56 |
| 42.11 | Pulcinella, Ballet in One Act for Small Orchestra with 3 Solo Voices after Pergolesi: Allegro - "Nce sta quacuna pò" - "Una te fa la nzemprece" | George Shirley, Irene Jordan | 0:34 |
| 42.12 | Pulcinella, Ballet in One Act for Small Orchestra with 3 Solo Voices after Pergolesi: Presto - "Una te fa la nzemprece" | George Shirley | 1:06 |
| 42.13 | Pulcinella, Ballet in One Act for Small Orchestra with 3 Solo Voices after Pergolesi: Tempo I (Largo) | Igor Stravinsky | 0:40 |
| 42.14 | Pulcinella, Ballet in One Act for Small Orchestra with 3 Solo Voices after Pergolesi: Allegro (alle breve) | Igor Stravinsky | 1:23 |
| 42.15 | Pulcinella, Ballet in One Act for Small Orchestra with 3 Solo Voices after Pergolesi: Tarantella | Igor Stravinsky | 1:14 |
| 42.16 | Pulcinella, Ballet in One Act for Small Orchestra with 3 Solo Voices after Pergolesi: Andantino - "Se tu m'ami" | Irene Jordan | 2:08 |
| 42.17 | Pulcinella, Ballet in One Act for Small Orchestra with 3 Solo Voices after Pergolesi: Allegro | Igor Stravinsky | 0:57 |
| 42.18 | Pulcinella, Ballet in One Act for Small Orchestra with 3 Solo Voices after Pergolesi: Gavotta con due variazioni. Allegro moderato | Igor Stravinsky | 1:16 |
| 42.19 | Pulcinella, Ballet in One Act for Small Orchestra with 3 Solo Voices after Pergolesi: Var. I. Allegretto | Igor Stravinsky | 0:58 |
| 42.20 | Pulcinella, Ballet in One Act for Small Orchestra with 3 Solo Voices after Pergolesi: Var. II. Allegro più tosto moderato | Igor Stravinsky | 1:23 |
| 42.21 | Pulcinella, Ballet in One Act for Small Orchestra with 3 Solo Voices after Pergolesi: Vivo | Igor Stravinsky | 1:38 |
| 42.22 | Pulcinella, Ballet in One Act for Small Orchestra with 3 Solo Voices after Pergolesi: Tempo di minuetto - "Pupillette, fiammette d'amore" | Donald Gramm, George Shirley, Irene Jordan | 2:10 |
| 42.23 | Pulcinella, Ballet in One Act for Small Orchestra with 3 Solo Voices after Pergolesi: Allegro assai | Igor Stravinsky | 2:05 |
| 43.1 | Perséphone, Melodrame en Trois Tableaux: I. Perséphone ravie | Gregg Smith Singers, Texas Boys Choir of Fort Worth, The Ithaca College Concert Choir, Vera Zorina, Michele Molese | 11:37 |
| 43.2 | Perséphone, Melodrame en Trois Tableaux: II. Perséphone aux enfers | Gregg Smith Singers, Texas Boys Choir of Fort Worth, The Ithaca College Concert Choir, Vera Zorina, Michele Molese | 26:36 |
| 43.3 | Perséphone, Melodrame en Trois Tableaux: III. Perséphone renaissante | Gregg Smith Singers, Texas Boys Choir of Fort Worth, The Ithaca College Concert Choir, Vera Zorina, Michele Molese | 17:40 |
| 44.1 | Symphony in E-Flat Major, Op.1: I. Allegro moderato | Igor Stravinsky | 11:27 |
| 44.2 | Symphony in E-Flat Major, Op.1: II. Scherzo. Allegretto | Igor Stravinsky | 6:06 |
| 44.3 | Symphony in E-Flat Major, Op.1: III. Largo | Igor Stravinsky | 13:57 |
| 44.4 | Symphony in E-Flat Major, Op.1: IV. Finale. Allegro molto | Igor Stravinsky | 8:25 |
| 45.1 | Mavra, Opera buffa in One Act: Overture | Igor Stravinsky | 2:45 |
| 45.2 | Mavra, Opera buffa in One Act: "Drug moy milyy" (Parasha) | Susan Belinck | 1:02 |
| 45.3 | Mavra, Opera buffa in One Act: "Kolokol'chiki zvenyat" (Hussar, Parasha) | Stanley Kolk, Susan Belinck | 0:53 |
| 45.4 | Mavra, Opera buffa in One Act: "U pesen vsekh slova odni" (Parasha, Hussar) | Stanley Kolk, Susan Belinck | 1:36 |
| 45.5 | Mavra, Opera buffa in One Act: "Moya strast' sil'neye stanovitsya" (Parasha, Hussar) | Stanley Kolk, Susan Belinck | 1:09 |
| 45.6 | Mavra, Opera buffa in One Act: "Izbavi Bog prislugu" (Mother, Parasha) | Patricia Rideout, Susan Belinck | 0:52 |
| 45.7 | Mavra, Opera buffa in One Act: "Net, ne zabyt' vo veki mne pokoynitsu" (Mother) | Patricia Rideout | 2:45 |
| 45.8 | Mavra, Opera buffa in One Act: "Zhelayu zdravstvovat'! " (Neighbour, Mother) | Patricia Rideout, Mary Simmons | 3:41 |
| 45.9 | Mavra, Opera buffa in One Act: "Gde tak dolgo ty byla?" (Mother, Neighbour, Parasha, Cook) | Stanley Kolk, Patricia Rideout, Mary Simmons, Susan Belinck | 3:18 |
| 45.10 | Mavra, Opera buffa in One Act: "Parasha!" / "Ya, Vasiliy milyy!" (Parasha, Cook) | Stanley Kolk, Susan Belinck | 1:16 |
| 45.11 | Mavra, Opera buffa in One Act: "Ya pamyat'yu ne izmenyu" (Parasha, Cook) | Stanley Kolk, Susan Belinck | 3:06 |
| 45.12 | Mavra, Opera buffa in One Act: "Parasha!" / "Slyshish'?" (Mother, Parasha, Cook) | Stanley Kolk, Patricia Rideout, Susan Belinck | 0:51 |
| 45.13 | Mavra, Opera buffa in One Act: "Ya zhdu, ya zhdu pokorno" (Cook) | Stanley Kolk | 2:40 |
| 45.14 | Mavra, Opera buffa in One Act: "Pozhaluy vremya nastupilo pobrit'sya" (Cook, Mother, Parasha, Neighbour) | Stanley Kolk, Patricia Rideout, Mary Simmons, Susan Belinck | 1:59 |
| 45.15 | Les Noces (1923): Part I, Scene 1: Chez le mariée "Kosal moya ko" | Gregg Smith Singers, Adrienne Albert, The Ithaca College Concert Choir, Mildred Allen, Jack Litten, William Metcalf | 4:58 |
| 45.16 | Les Noces (1923): Part I, Scene 2: che le marié "Prechistaya Mat, khodi" | Gregg Smith Singers, Adrienne Albert, The Ithaca College Concert Choir, Mildred Allen, Jack Litten, William Metcalf | 5:38 |
| 45.17 | Les Noces (1923): Part I, Scene 3: Le départ de la mariée "Blagoslavyalsya svetyol mesyats" | Gregg Smith Singers, Adrienne Albert, The Ithaca College Concert Choir, Mildred Allen, Jack Litten, William Metcalf | 2:57 |
| 45.18 | Les Noces (1923): Part II, Scene 4: Le repas de noces | Gregg Smith Singers, Adrienne Albert, The Ithaca College Concert Choir, Mildred Allen, Jack Litten, William Metcalf | 9:38 |
| 46.1 | Cantata on Old English Texts: A Lyke-Wake Dirge - Versus I (Prelude): "This Ae Nighte" | Gregg Smith Singers | 1:45 |
| 46.2 | Cantata on Old English Texts: Ricercar I: "The Maidens Came" | Adrienne Albert | 4:44 |
| 46.3 | Cantata on Old English Texts: A Lyke-Wake Dirge - Versus II (First Interlude): "If Ever Thou Gav'st Hos'n and Shoon" | Gregg Smith Singers | 1:41 |
| 46.4 | Cantata on Old English Texts: Ricercar II (Sacred History): "Tomorrow Shall Be" | Alexander Young | 11:56 |
| 46.5 | Cantata on Old English Texts: A Lyke-Wake Dirge - Versus III (Second Interlude): "From Whinnymuir When Thou May'st Pass" | Gregg Smith Singers | 1:41 |
| 46.6 | Cantata on Old English Texts: Westron Wind | Alexander Young, Adrienne Albert | 2:12 |
| 46.7 | Cantata on Old English Texts: A Lyke-Wake Dirge - Versus IV (Postlude): "If Ever Thou Gav'st Meat or Drink" | Gregg Smith Singers | 2:29 |
| 46.8 | Mass for Mixed Chorus and Double Wind Quintet: I. Kyrie | Gregg Smith Singers, Linda Anderson | 2:46 |
| 46.9 | Mass for Mixed Chorus and Double Wind Quintet: II. Gloria | Gregg Smith Singers, Linda Anderson | 4:02 |
| 46.10 | Mass for Mixed Chorus and Double Wind Quintet: III. Credo | Gregg Smith Singers, Linda Anderson | 4:07 |
| 46.11 | Mass for Mixed Chorus and Double Wind Quintet: IV. Sanctus | Gregg Smith Singers, Linda Anderson | 3:21 |
| 46.12 | Mass for Mixed Chorus and Double Wind Quintet: V. Agnus Dei | Gregg Smith Singers, Linda Anderson | 3:09 |
| 46.13 | In Memorium Dylan Thomas: Dirge-Canons (Prelude) | Alexander Young | 1:32 |
| 46.14 | In Memorium Dylan Thomas: Do Not Go Gentle into That Good Night | Alexander Young | 4:17 |
| 46.15 | In Memorium Dylan Thomas: Dirge-Canons (Postlude) | Alexander Young | 1:35 |
| 46.16 | Fanfare for a New Theatre | Igor Stravinsky | 0:36 |
| 46.17 | The Owl and the Pussy-Cat | Adrienne Albert | 2:36 |
| 46.18 | Septet: I. [Sonata Allegro] Quarter Note = 88 | Igor Stravinsky | 3:20 |
| 46.19 | Septet: II. Passacaglia | Igor Stravinsky | 4:35 |
| 46.20 | Septet: III. Gigue | Igor Stravinsky | 3:56 |
| 46.21 | Elegy for J.F.K. | Cathy Berberian | 1:53 |
| 47.1 | The Firebird Suite: Introduction | Igor Stravinsky | 2:51 |
| 47.2 | The Firebird Suite: Prelude and Dance of the Firebird | Igor Stravinsky | 0:17 |
| 47.3 | The Firebird Suite: Variations (Firebird) | Igor Stravinsky | 1:21 |
| 47.4 | The Firebird Suite: Pantomime I | Igor Stravinsky | 0:26 |
| 47.5 | The Firebird Suite: Pas de deux. Firebird and Ivan Tsarevitch | Igor Stravinsky | 4:21 |
| 47.6 | The Firebird Suite: Pantomime II | Igor Stravinsky | 0:23 |
| 47.7 | The Firebird Suite: Scherzo. Dance of the Princesses | Igor Stravinsky | 2:32 |
| 47.8 | The Firebird Suite: Pantomime III | Igor Stravinsky | 1:01 |
| 47.9 | The Firebird Suite: Rondo (Khorovod) | Igor Stravinsky | 4:13 |
| 47.10 | The Firebird Suite: Infernal Dance | Igor Stravinsky | 4:35 |
| 47.11 | The Firebird Suite: Lullabye (The Firebird) | Igor Stravinsky | 3:53 |
| 47.12 | The Firebird Suite: Final Hymn | Igor Stravinsky | 3:28 |
| 47.13 | Petrushka Suite: The Shrovetide Fair | Igor Stravinsky | 0:52 |
| 47.14 | Petrushka Suite: The Crowds | Igor Stravinsky | 4:17 |
| 47.15 | Petrushka Suite: The Charlatan's Booth | Igor Stravinsky | 1:51 |
| 47.16 | Petrushka Suite: Russian Dance | Igor Stravinsky | 2:41 |
| 47.17 | Petrushka Suite: Petruchka's Room | Igor Stravinsky | 4:10 |
| 47.18 | Petrushka Suite: The Shrovetide Fair (Towards Evening) | Igor Stravinsky | 1:11 |
| 47.19 | Petrushka Suite: Dance of the Wet-Nurses | Igor Stravinsky | 2:39 |
| 47.20 | Petrushka Suite: Dance of the Peasant and the Bear | Igor Stravinsky | 1:16 |
| 47.21 | Petrushka Suite: Dance of the Gypsy Girls | Igor Stravinsky | 1:08 |
| 47.22 | Petrushka Suite: Dance of the Coachmen and the Grooms | Igor Stravinsky | 2:10 |
| 47.23 | Petrushka Suite: The Masqueraders | Igor Stravinsky | 1:49 |
| 48.1 | Capriccio for Piano and Orchestra: I. Presto | Igor Stravinsky | 6:30 |
| 48.2 | Capriccio for Piano and Orchestra: II. Andante rapsodico | Igor Stravinsky | 5:02 |
| 48.3 | Capriccio for Piano and Orchestra: III. Allegro capriccioso ma tempo guisto | Igor Stravinsky | 5:31 |
| 48.4 | Concerto for Piano and Wind Instruments: I. Largo - Allegro | Igor Stravinsky | 7:12 |
| 48.5 | Concerto for Piano and Wind Instruments: II. Largo | Igor Stravinsky | 7:00 |
| 48.6 | Concerto for Piano and Wind Instruments: III. Allegro | Igor Stravinsky | 5:04 |
| 49.1 | Pulcinella Suite: I. Sinfonia (Ouverture). Allegro moderato | Igor Stravinsky | 1:57 |
| 49.2 | Pulcinella Suite: II. Serenata. Larghetto | Igor Stravinsky | 3:05 |
| 49.3 | Pulcinella Suite: IIIa. Scherzino | Igor Stravinsky | 1:46 |
| 49.4 | Pulcinella Suite: IIIb. Allegro | Igor Stravinsky | 1:02 |
| 49.5 | Pulcinella Suite: IIIc. Andantino | Igor Stravinsky | 1:17 |
| 49.6 | Pulcinella Suite: IV. Tarantella | Igor Stravinsky | 1:14 |
| 49.7 | Pulcinella Suite: V. Toccata. Allegro | Igor Stravinsky | 0:56 |
| 49.8 | Pulcinella Suite: VI. Gavotta con due variazioni. Allegro moderato - Var. I. Allegretto - Var. II. Allegro più tosto moderato | Igor Stravinsky | 4:17 |
| 49.9 | Pulcinella Suite: VII. Vivo | Igor Stravinsky | 1:38 |
| 49.10 | Pulcinella Suite: VIIIa. Minuetto. Molto moderato | Igor Stravinsky | 2:07 |
| 49.11 | Pulcinella Suite: VIIIb. Finale. Allegro assai | Igor Stravinsky | 2:10 |
| 49.12 | Scherzo Fantastique, Op. 3 | Igor Stravinsky | 11:45 |
| 49.13 | Fireworks, Op.4 | Igor Stravinsky | 3:46 |
| 49.14 | Scherzo à la russe | Igor Stravinsky | 4:00 |
| 50.1 | Variations, Aldous Huxley in Memoriam | Igor Stravinsky | 4:56 |
| 50.2 | Abraham and Isaac, Sacred Ballad for Baritone and Chamber Orchestra | Richard Frisch | 10:32 |
| 50.3 | Introitus, T.S. Elliot in Memoriam | Gregg Smith Singers | 3:53 |
| 50.4 | Requiem Canticles (To the Memory of Helen Buchanan Seeger): I. Prelude | Igor Stravinsky | 1:06 |
| 50.5 | Requiem Canticles (To the Memory of Helen Buchanan Seeger): II. Exaudi | The Ithaca College Concert Choir | 1:44 |
| 50.6 | Requiem Canticles (To the Memory of Helen Buchanan Seeger): III. Dies irae | The Ithaca College Concert Choir | 0:53 |
| 50.7 | Requiem Canticles (To the Memory of Helen Buchanan Seeger): IV. Tuba mirum | Donald Gramm | 0:57 |
| 50.8 | Requiem Canticles (To the Memory of Helen Buchanan Seeger): V. Interlude | Igor Stravinsky | 2:53 |
| 50.9 | Requiem Canticles (To the Memory of Helen Buchanan Seeger): VI. Rex tremendae | The Ithaca College Concert Choir | 1:24 |
| 50.10 | Requiem Canticles (To the Memory of Helen Buchanan Seeger): VII. Lacrimosa | Elaine Bonazzi | 1:39 |
| 50.11 | Requiem Canticles (To the Memory of Helen Buchanan Seeger): VIII. Libera me | The Ithaca College Concert Choir | 1:00 |
| 50.12 | Requiem Canticles (To the Memory of Helen Buchanan Seeger): IX. Postlude | Igor Stravinsky | 2:12 |
| 51.1 | The Faun and the Shepherdess, Op. 2: I. The Shepherdess | Mary Simmons | 2:57 |
| 51.2 | The Faun and the Shepherdess, Op. 2: II. The Faun | Mary Simmons | 3:21 |
| 51.3 | The Faun and the Shepherdess, Op. 2: III. The River | Mary Simmons | 3:32 |
| 51.4 | Two Poems by Paul Verlaine, Op. 9: La Lune blanche | Donald Gramm | 3:49 |
| 51.5 | Two Poems by Paul Verlaine, Op. 9: Un grand sommeil noir | Donald Gramm | 1:40 |
| 51.6 | 2 Poems by Konstantin Balmont: I. Forget-me-nots | Evelyn Lear | 1:11 |
| 51.7 | 2 Poems by Konstantin Balmont: II. The Dove | Evelyn Lear | 1:34 |
| 51.8 | 3 Japanese Lyrics: I. Akahito (à Maurice Delage) | Evelyn Lear | 0:51 |
| 51.9 | 3 Japanese Lyrics: II. Mazatsumi (à Florent Schmitt) | Evelyn Lear | 1:00 |
| 51.10 | 3 Japanese Lyrics: III. Tsaraiuki (à Maurice Ravel) | Evelyn Lear | 1:28 |
| 51.11 | Three Little Songs "Recollections of My Childhood": I. The Magpie | Cathy Berberian | 1:00 |
| 51.12 | Three Little Songs "Recollections of My Childhood": II. The Rook | Cathy Berberian | 1:09 |
| 51.13 | Three Little Songs "Recollections of My Childhood": III. The Jackdaw | Cathy Berberian | 1:06 |
| 51.14 | Pleasant Songs (Pribaoutki): I. Uncle Armand | Cathy Berberian | 0:51 |
| 51.15 | Pleasant Songs (Pribaoutki): II. The Oven | Cathy Berberian | 0:24 |
| 51.16 | Pleasant Songs (Pribaoutki): III. The Colonel | Cathy Berberian | 0:44 |
| 51.17 | Pleasant Songs (Pribaoutki): IV. The Old Man and the Hare | Cathy Berberian | 1:55 |
| 51.18 | Tilim-bom | Evelyn Lear | 1:07 |
| 51.19 | Cat's Cradle Song: I. On the Stove | Cathy Berberian | 0:41 |
| 51.20 | Cat's Cradle Song: II. At Home | Cathy Berberian | 0:59 |
| 51.21 | Cat's Cradle Song: III. Lullaby | Cathy Berberian | 1:16 |
| 51.22 | Cat's Cradle Song: IV. The Cat Has... | Cathy Berberian | 0:54 |
| 51.23 | 4 Russian Songs for Voice, Flute, Harp and Guitar: I. The Drake | Adrienne Albert | 1:17 |
| 51.24 | 4 Russian Songs for Voice, Flute, Harp and Guitar: II. A Russian Spiritual | Adrienne Albert | 1:45 |
| 51.25 | 4 Russian Songs for Voice, Flute, Harp and Guitar: III. Geese and Swans | Adrienne Albert | 0:35 |
| 51.26 | 4 Russian Songs for Voice, Flute, Harp and Guitar: IV. Tilim-bom | Adrienne Albert | 1:10 |
| 51.27 | Three Songs from William Shakespeare: I. Musick to Heare | Cathy Berberian | 2:33 |
| 51.28 | Three Songs from William Shakespeare: II. Full Fadom Five | Cathy Berberian | 2:00 |
| 51.29 | Three Songs from William Shakespeare: III. When Dasies Pied | Cathy Berberian | 2:29 |
| 52.1 | Danses Concertantes for Chamber Orchestra: I. Marche - Introduction | Igor Stravinsky | 1:56 |
| 52.2 | Danses Concertantes for Chamber Orchestra: II. Pas d'action. Con moto | Igor Stravinsky | 3:12 |
| 52.3 | Danses Concertantes for Chamber Orchestra: III. Thème varié. Lento - Var. 1. Allegretto - Var. 2. Scherzando - Var. 3. Andantino - Var. 4. Tempo giusto | Igor Stravinsky | 7:34 |
| 52.4 | Danses Concertantes for Chamber Orchestra: IV. Pas de deux. Risoluto - Andante sostenuto | Igor Stravinsky | 4:50 |
| 52.5 | Danses Concertantes for Chamber Orchestra: V. Marche - Conclusion | Igor Stravinsky | 0:58 |
| 52.6 | Four Norwegian Moods for Orchestra: I. Intrada | Igor Stravinsky | 2:27 |
| 52.7 | Four Norwegian Moods for Orchestra: II. Song | Igor Stravinsky | 2:35 |
| 52.8 | Four Norwegian Moods for Orchestra: III. Wedding Dance | Igor Stravinsky | 1:15 |
| 52.9 | Four Norwegian Moods for Orchestra: IV. Cortège | Igor Stravinsky | 2:18 |
| 52.10 | Ode, Elegiacal Chant in Three Parts for Orchestra: I. Eulogy. Lento | Igor Stravinsky | 3:29 |
| 52.11 | Ode, Elegiacal Chant in Three Parts for Orchestra: II. Eclogue. Con moto | Igor Stravinsky | 2:50 |
| 52.12 | Ode, Elegiacal Chant in Three Parts for Orchestra: III. Epitaph. Lento | Igor Stravinsky | 4:05 |
| 52.13 | Concerto in D for String Orchestra "Basle Concerto": I. Vivace | Igor Stravinsky | 5:25 |
| 52.14 | Concerto in D for String Orchestra "Basle Concerto": II. Arioso. Andantino | Igor Stravinsky | 2:41 |
| 52.15 | Concerto in D for String Orchestra "Basle Concerto": III. Rondo. Allegro | Igor Stravinsky | 3:18 |
| 53.1 | Praeludium | Igor Stravinsky | 1:31 |
| 53.2 | Pastorale (Version for Violin & Chamber Ensemble) | Igor Stravinsky | 2:54 |
| 53.3 | Tango, Version for 19 Instruments, 1953 | Igor Stravinsky | 4:09 |
| 53.4 | Concertino for 12 Instruments | Igor Stravinsky | 6:25 |
| 53.5 | The Star-Spangled Banner | Festival Singers of Toronto | 1:27 |
| 53.6 | Four Russian Peasant Songs "Saucers", For Equal Voices with Four Horns: I. On Saints' Days in Chigisakh | Gregg Smith Singers | 1:22 |
| 53.7 | Four Russian Peasant Songs "Saucers", For Equal Voices with Four Horns: II. Ovsen | Gregg Smith Singers | 0:45 |
| 53.8 | Four Russian Peasant Songs "Saucers", For Equal Voices with Four Horns: III. The Pike | Gregg Smith Singers | 0:58 |
| 53.9 | Four Russian Peasant Songs "Saucers", For Equal Voices with Four Horns: IV. Master Portly | Gregg Smith Singers | 1:09 |
| 53.10 | Ave Maria (Revised 1949 version) | Festival Singers of Toronto | 1:26 |
| 53.11 | Credo (Revised 1964 version) | Gregg Smith Singers | 2:43 |
| 53.12 | Pater Noster (Revised 1949 Version) | Festival Singers of Toronto | 1:49 |
| 53.13 | Pastorale, Song Without Words for Soprano and Piano | Jennie Tourel | 2:02 |
| 53.14 | Stravinsky in Rehearsal: Apollon musagète | Igor Stravinsky | 4:46 |
| 53.15 | Stravinsky in Rehearsal: The Sleeping Beauty: Bluebird Pas de deux | Igor Stravinsky | 2:17 |
| 53.16 | Stravinsky in Rehearsal: 3 Little Songs "Recollections of My Childhood" with Cathy Berberian | Igor Stravinsky | 1:18 |
| 53.17 | Stravinsky in Rehearsal: Pulcinella | Igor Stravinsky | 2:46 |
| 53.18 | Stravinsky in Rehearsal: Concerto for Piano and Wind Instruments with Philippe Entremont | Igor Stravinsky | 5:48 |
| 53.19 | Stravinsky in Rehearsal: Symphony in C | Igor Stravinsky | 7:55 |
| 53.20 | Stravinsky in His Own Words: Excerpts from Portrait of Stravinsky | Igor Stravinsky | 7:14 |
| 53.21 | Rehearsal Fragment: Symphony in C (Near End of the First Movement) | Igor Stravinsky | 3:11 |
| 54.1 | Symphonies of Wind Instruments - Revised 1947 version | Igor Stravinsky | 8:41 |
| 54.2 | Les Noces (1917 version for Solo Voices, Chorus and Orchestra): Part I, Scene 1: Chez la mariée "Kosal moya ko" | Gregg Smith Singers, Rosalind Rees, Rose Taylor, Bruce Fifer, Richard Nelson | 4:49 |
| 54.3 | Les Noces (1917 version for Solo Voices, Chorus and Orchestra): Part I, Scene 2: Chez le mariée "Prechistaya Mat, khodi" | Gregg Smith Singers, Rosalind Rees, Rose Taylor, Bruce Fifer, Richard Nelson | 5:31 |
| 54.4 | Les Noces (1917 version for Solo Voices, Chorus and Orchestra): Part I, Scene 3: Le Départ de la mariée "Blagoslavyalsya svetyol mesyats" | Gregg Smith Singers, Rosalind Rees, Rose Taylor, Bruce Fifer, Richard Nelson | 2:40 |
| 54.5 | Les Noces (1917 version for Solo Voices, Chorus and Orchestra): Part II, Scene 4: Le Repas de noces "Yagoda s yagodoi sokatilasya" | Gregg Smith Singers, Rosalind Rees, Rose Taylor, Bruce Fifer, Richard Nelson | 9:16 |
| 54.6 | Les Noces (1919 version for Solo Voices, Chorus, Pianola, 2 Cimbaloms, Harmonium and Percussion): Scene 1: Chez la mariée "Kosal moya ko" | Gregg Smith Singers, Rosalind Rees, Rose Taylor, Bruce Fifer, Richard Nelson | 4:58 |
| 54.7 | Les Noces (1919 version for Solo Voices, Chorus, Pianola, 2 Cimbaloms, Harmonium and Percussion): Scene 2: Chez le marié "Prechistay Mat, khodi" | Gregg Smith Singers, Rosalind Rees, Rose Taylor, Bruce Fifer, Richard Nelson | 5:43 |
| 54.8 | Chant du rossignol: I. Introduction | Igor Stravinsky | 2:11 |
| 54.9 | Chant du rossignol: II. Marche chinoise | Igor Stravinsky | 3:19 |
| 54.10 | Chant du rossignol: III. Chant du rossignol | Igor Stravinsky | 3:20 |
| 54.11 | Chant du rossignol: IV. Jeu du rossignol mécanique | Igor Stravinsky | 9:53 |
| 55.1 | The Soldier's Tale, Version for Clarinet, Violin and Piano (1919): I. The Soldier's March | Igor Stravinsky | 1:31 |
| 55.2 | The Soldier's Tale, Version for Clarinet, Violin and Piano (1919): II. The Soldier's Violin | Igor Stravinsky | 2:45 |
| 55.3 | The Soldier's Tale, Version for Clarinet, Violin and Piano (1919): III. The Little Concert | Igor Stravinsky | 2:55 |
| 55.4 | The Soldier's Tale, Version for Clarinet, Violin and Piano (1919): IV. Tango - Waltz - Ragtime | Igor Stravinsky | 6:03 |
| 55.5 | The Soldier's Tale, Version for Clarinet, Violin and Piano (1919): V. The Devil's Dance | Igor Stravinsky | 1:25 |
| 55.6 | Septet for Clarinet, Bassoon, Horn, Piano, Violin, Viola & Cello: I. [Sonata allegro] Quarter Note = 88 | Igor Stravinsky | 3:29 |
| 55.7 | Septet for Clarinet, Bassoon, Horn, Piano, Violin, Viola & Cello: II. Passacaglia | Igor Stravinsky | 4:52 |
| 55.8 | Septet for Clarinet, Bassoon, Horn, Piano, Violin, Viola & Cello: III. Gigue | Igor Stravinsky | 3:45 |
| 55.9 | Pastorale, Song Without Words Version for Violin and Piano (1933) | Igor Stravinsky | 2:57 |
| 55.10 | Three Pieces for Clarinet: I. Sempre piano e molto tranquillo | Igor Stravinsky | 2:38 |
| 55.11 | Three Pieces for Clarinet: II. Eighth Note = 168 | Igor Stravinsky | 1:22 |
| 55.12 | Three Pieces for Clarinet: III. Eighth Note = 160 | Igor Stravinsky | 1:19 |
| 55.13 | Suite italienne, Arrangement for Cello and Piano from "Pulcinella": I. Introduzione. Allegro moderato | Igor Stravinsky | 2:15 |
| 55.14 | Suite italienne, Arrangement for Cello and Piano from "Pulcinella": II. Serenata. Larghetto | Igor Stravinsky | 3:05 |
| 55.15 | Suite italienne, Arrangement for Cello and Piano from "Pulcinella": III. Aria. Allegro alla breve | Igor Stravinsky | 6:39 |
| 55.16 | Suite italienne, Arrangement for Cello and Piano from "Pulcinella": IV. Tarantella. Vivace | Igor Stravinsky | 2:25 |
| 55.17 | Suite italienne, Arrangement for Cello and Piano from "Pulcinella": V. Minuetto e Finale. Moderato - Molto vivace | Igor Stravinsky | 4:45 |
| 56.1 | The Soldier's Tale: Part 1: Introduction: The Soldier's March | Jeremy Irons | 3:13 |
| 56.2 | The Soldier's Tale: Part 1: Music for Scene One: Airs by a Stream | Jeremy Irons | 7:34 |
| 56.3 | The Soldier's Tale: Part 1: The Soldier's March (Reprise) | Jeremy Irons | 4:37 |
| 56.4 | The Soldier's Tale: Part 1: Music for Scene Two: Pastorale | Jeremy Irons | 7:23 |
| 56.5 | The Soldier's Tale: Part 1: Airs by a Stream (Reprise) | Jeremy Irons | 3:55 |
| 56.6 | The Soldier's Tale: Part 1: Music for Scene Three: Airs by a Stream (Reprise) | Igor Stravinsky | 0:45 |
| 56.7 | The Soldier's Tale: Part 2: The Soldier's March (Reprise) | Jeremy Irons | 4:40 |
| 56.8 | The Soldier's Tale: Part 2: The Royal March | Jeremy Irons | 8:32 |
| 56.9 | The Soldier's Tale: Part 2: The Little Concert | Jeremy Irons | 3:18 |
| 56.10 | The Soldier's Tale: Part 2: Three Dances: 1. Tango | Igor Stravinsky | 1:56 |
| 56.11 | The Soldier's Tale: Part 2: Three Dances: 2. Valse | Igor Stravinsky | 1:54 |
| 56.12 | The Soldier's Tale: Part 2: Three Dances: 3. Ragtime | Jeremy Irons | 2:11 |
| 56.13 | The Soldier's Tale: Part 2: The Devil's Dance | Jeremy Irons | 1:35 |
| 56.14 | The Soldier's Tale: Part 2: Little Chorale | Igor Stravinsky | 0:36 |
| 56.15 | The Soldier's Tale: Part 2: The Devil's Song | Jeremy Irons | 0:37 |
| 56.16 | The Soldier's Tale: Part 2: Great Choral | Jeremy Irons | 4:57 |
| 56.17 | The Soldier's Tale: Part 2: Triumphal March of the Devil | Igor Stravinsky | 2:11 |