| 1 | Giselle: Act 1. Introduction | Adolphe Adam | 2:19 |
| 2 | Giselle: Act 1. No. 1, Les vendangeurs | Adolphe Adam | 0:57 |
| 3 | Giselle: Act 1. No. 2, Entrée du Prince | Adolphe Adam | 1:09 |
| 4 | Giselle: Act 1. No. 3, Loys seul - Entrée de Giselle | Adolphe Adam | 4:34 |
| 5 | Giselle: Act 1. No. 4, Retour de la vendange - Valse | Adolphe Adam | 3:38 |
| 6 | Giselle: Act 1. Pas ds vendanges: d. Allegro un peu louré | Adolphe Adam | 2:14 |
| 7 | Giselle: Act 1. No. 5, La chasse | Adolphe Adam | 1:53 |
| 8 | Giselle: Act 1. No. 7, Marche des vignerons | Adolphe Adam | 2:00 |
| 9 | Giselle: Act 1. Pas de suel. Variation de Giselle | Adolphe Adam | 1:41 |
| 10 | Giselle: Act 1. No. 8, Galop général | Adolphe Adam | 1:20 |
| 11 | Giselle: Act 1. No. 8a, Finale | Adolphe Adam | 6:35 |
| 12 | Giselle: Act 2. No. 10, Apparition de Myrthe et évocation magique. Andante - Andantino poco allegretto - No. 10a, Pas des premières Wilis | Adolphe Adam | 11:41 |
| 13 | Giselle: Act 2. No. 11, Apparition de Giselle | Adolphe Adam | 1:52 |
| 14 | Giselle: Act 2. No. 13, Entreé de Loys et Wilfrede | Adolphe Adam | 5:59 |
| 15 | Giselle: Act 2. No. 14, Entrée d'Hilarion, scène et fugue des Wilis | Adolphe Adam | 0:39 |
| 16 | Giselle: Act 2. No. 15, Grand pas de deux: a. Adage. Andante | Adolphe Adam | 4:26 |
| 17 | Giselle: Act 2. No. 15, Grand pas de deux: b. Variation de Loys | Adolphe Adam | 0:32 |
| 18 | Giselle: Act 2. No. 15, Grand pas de deux: c. Variation de Giselle. Andante | Adolphe Adam | 3:00 |
| 19 | Giselle: Act 2. No. 16, Finale | Adolphe Adam | 3:37 |
| 20 | Orchestral Suite No. 2 in B Minor, BWV 1067: I. Ouverture | Johann Sebastian Bach | 8:52 |
| 21 | Orchestral Suite No. 2 in B Minor, BWV 1067: II. Rondeau | Johann Sebastian Bach | 1:42 |
| 22 | Orchestral Suite No. 2 in B Minor, BWV 1067: III. Sarabande | Johann Sebastian Bach | 2:59 |
| 23 | Orchestral Suite No. 2 in B Minor, BWV 1067: IV. Bourrée I-II | Johann Sebastian Bach | 2:04 |
| 24 | Orchestral Suite No. 2 in B Minor, BWV 1067: V. Polonaise I-II | Johann Sebastian Bach | 3:23 |
| 25 | Orchestral Suite No. 2 in B Minor, BWV 1067: VI. Menuet | Johann Sebastian Bach | 1:23 |
| 26 | Orchestral Suite No. 2 in B Minor, BWV 1067: VII. Badinerie | Johann Sebastian Bach | 1:23 |
| 27 | Orchestral Suite No. 3 in D Major, BWV 1068: I. Ouverture | Johann Sebastian Bach | 9:18 |
| 28 | Orchestral Suite No. 3 in D Major, BWV 1068: II. Air "on the G String" | Johann Sebastian Bach | 6:34 |
| 29 | Orchestral Suite No. 3 in D Major, BWV 1068: III. Gavotte I-II | Johann Sebastian Bach | 3:46 |
| 30 | Orchestral Suite No. 3 in D Major, BWV 1068: IV. Bourrée | Johann Sebastian Bach | 1:18 |
| 31 | Orchestral Suite No. 3 in D Major, BWV 1068: V. Gigue | Johann Sebastian Bach | 3:04 |
| 32 | Orchestral Suite No. 3 in D Major, BWV 1068: II. Air "on the G String" (Recorded 1983) | Johann Sebastian Bach | 6:00 |
| 33 | Brandenburg Concerto No. 1 in F Major, BWV 1046: I. [Allegro] (Recorded 1964) | Johann Sebastian Bach | 4:26 |
| 34 | Brandenburg Concerto No. 1 in F Major, BWV 1046: II. Adagio (Recorded 1964) | Johann Sebastian Bach | 5:06 |
| 35 | Brandenburg Concerto No. 1 in F Major, BWV 1046: III. Allegro (Recorded 1964) | Johann Sebastian Bach | 4:59 |
| 36 | Brandenburg Concerto No. 1 in F Major, BWV 1046: IV. Menuetto - Trio I - Polacca - Trio II (Recorded 1964) | Johann Sebastian Bach | 12:06 |
| 37 | Brandenburg Concerto No. 2 in F Major, BWV 1047: I. [Allegro] (Recorded 1964) | Johann Sebastian Bach | 5:26 |
| 38 | Brandenburg Concerto No. 2 in F Major, BWV 1047: II. Andante (Recorded 1964) | Johann Sebastian Bach | 4:11 |
| 39 | Brandenburg Concerto No. 2 in F Major, BWV 1047: III. Allegro assai (Recorded 1964) | Johann Sebastian Bach | 2:53 |
| 40 | Brandenburg Concerto No. 3 in G Major, BWV 1048: I. [Allegro] (Recorded 1964) | Johann Sebastian Bach | 6:49 |
| 41 | Brandenburg Concerto No. 3 in G Major, BWV 1048: II. Adagio (Recorded 1964) | Johann Sebastian Bach | 0:21 |
| 42 | Brandenburg Concerto No. 3 in G Major, BWV 1048: III. Allegro (Recorded 1964) | Johann Sebastian Bach | 5:54 |
| 43 | Brandenburg Concerto No. 4 in G Major, BWV 1049: I. Allegro (Recorded 1964) | Johann Sebastian Bach | 8:08 |
| 44 | Brandenburg Concerto No. 4 in G Major, BWV 1049: II. Andante (Recorded 1964) | Johann Sebastian Bach | 4:02 |
| 45 | Brandenburg Concerto No. 4 in G Major, BWV 1049: III. Presto (Recorded 1964) | Johann Sebastian Bach | 4:45 |
| 46 | Brandenburg Concerto No. 5 in D Major, BWV 1050: I. Allegro (Recorded 1964) | Johann Sebastian Bach | 11:01 |
| 47 | Brandenburg Concerto No. 5 in D Major, BWV 1050: II. Affetuoso (Recorded 1964) | Johann Sebastian Bach | 6:00 |
| 48 | Brandenburg Concerto No. 5 in D Major, BWV 1050: III. Allegro (Recorded 1964) | Johann Sebastian Bach | 5:42 |
| 49 | Brandenburg Concerto No. 6 in B-Flat Major, BWV 1051: I. [Allegro] (Recorded 1965) | Johann Sebastian Bach | 7:06 |
| 50 | Brandenburg Concerto No. 6 in B-Flat Major, BWV 1051: II. Adagio ma non tanto (Recorded 1965) | Johann Sebastian Bach | 5:55 |
| 51 | Brandenburg Concerto No. 6 in B-Flat Major, BWV 1051: III. Allegro | Johann Sebastian Bach | 5:45 |
| 52 | Brandenburg Concerto No. 1 in F Major, BWV 1046: I. [Allegro] (Recorded 1978) | Johann Sebastian Bach | 4:02 |
| 53 | Brandenburg Concerto No. 1 in F Major, BWV 1046: II. Adagio (Recorded 1978) | Johann Sebastian Bach | 4:44 |
| 54 | Brandenburg Concerto No. 1 in F Major, BWV 1046: III. Allegro (Recorded 1978) | Johann Sebastian Bach | 4:22 |
| 55 | Brandenburg Concerto No. 1 in F Major, BWV 1046: IV. Menuetto - Trio I - Polacca - Trio II (Recorded 1978) | Johann Sebastian Bach | 9:58 |
| 56 | Brandenburg Concerto No. 2 in F Major, BWV 1047: I. [Allegro] (Recorded 1978) | Johann Sebastian Bach | 5:27 |
| 57 | Brandenburg Concerto No. 2 in F Major, BWV 1047: II. Andante (Recorded 1978) | Johann Sebastian Bach | 4:23 |
| 58 | Brandenburg Concerto No. 2 in F Major, BWV 1047: III. Allegro assai (Recorded 1978) | Johann Sebastian Bach | 2:39 |
| 59 | Brandenburg Concerto No. 3 in G Major, BWV 1048: I. [Allegro] (Recorded 1978) | Johann Sebastian Bach | 6:31 |
| 60 | Brandenburg Concerto No. 3 in G Major, BWV 1048: II. Andante (Recorded 1978) | Johann Sebastian Bach | 0:14 |
| 61 | Brandenburg Concerto No. 3 in G Major, BWV 1048: III. Allegro assai (Recorded 1978) | Johann Sebastian Bach | 5:11 |
| 62 | Brandenburg Concerto No. 4 in G Major, BWV 1049: I. Allegro (Recorded 1978) | Johann Sebastian Bach | 7:19 |
| 63 | Brandenburg Concerto No. 4 in G Major, BWV 1049: II. Andante (Recorded 1978) | Johann Sebastian Bach | 4:34 |
| 64 | Brandenburg Concerto No. 4 in G Major, BWV 1049: III. Presto (Recorded 1978) | Johann Sebastian Bach | 4:48 |
| 65 | Brandenburg Concerto No. 5 in D Major, BWV 1050: I. Allegro (Recorded 1978) | Johann Sebastian Bach | 10:51 |
| 66 | Brandenburg Concerto No. 5 in D Major, BWV 1050: II. Affetuoso (Recorded 1978) | Johann Sebastian Bach | 6:10 |
| 67 | Brandenburg Concerto No. 5 in D Major, BWV 1050: III. Allegro (Recorded 1978) | Johann Sebastian Bach | 5:52 |
| 68 | Brandenburg Concerto No. 6 in B-Flat Major, BWV 1051: I. [Allegro] (Recorded 1978) | Johann Sebastian Bach | 7:02 |
| 69 | Brandenburg Concerto No. 6 in B-Flat Major, BWV 1051: II. Adagio ma non tanto (Recorded 1978) | Johann Sebastian Bach | 5:43 |
| 70 | Brandenburg Concerto No. 6 in B-Flat Major, BWV 1051: III. Allegro (Recorded 1978) | Johann Sebastian Bach | 5:19 |
| 71 | Violin Concerto No. 1 in A Minor, BWV 1041: I. [Allegro moderato] | Johann Sebastian Bach | 4:11 |
| 72 | Violin Concerto No. 1 in A Minor, BWV 1041: II. Andante | Johann Sebastian Bach | 7:20 |
| 73 | Violin Concerto No. 1 in A Minor, BWV 1041: III. Allegro assai | Johann Sebastian Bach | 4:44 |
| 74 | Violin Concerto No. 2 in E Major, BWV 1042: I. Allegro | Johann Sebastian Bach | 9:01 |
| 75 | Violin Concerto No. 2 in E Major, BWV 1042: II. Adagio | Johann Sebastian Bach | 7:36 |
| 76 | Violin Concerto No. 2 in E Major, BWV 1042: III. Allegro assai | Johann Sebastian Bach | 3:19 |
| 77 | Concerto for 2 Violins in D Minor, BWV 1043: I. Vivace | Johann Sebastian Bach | 4:07 |
| 78 | Concerto for 2 Violins in D Minor, BWV 1043: II. Largo ma non tanto | Johann Sebastian Bach | 6:59 |
| 79 | Concerto for 2 Violins in D Minor, BWV 1043: III. Allegro | Johann Sebastian Bach | 5:21 |
| 80 | St. Matthew Passion, BWV 244: Part One: No. 1, Chorus. Kommt, ihr Töchter, helft mir klagen | Wiener Singverein, Chor der Deutschen Oper Berlin, Staats‐ und Domchor Berlin | 9:20 |
| 81 | St. Matthew Passion, BWV 244: Part One: No. 2, Recit. Da Jesus diese Rede vollendet hatte (Evangelist, Jesus) | Peter Schreier, Dietrich Fischer‐Dieskau | 0:52 |
| 82 | St. Matthew Passion, BWV 244: Part One: No. 3, Chorale. Herzliebster Jesu, was hast du verbrochen | Wiener Singverein | 1:14 |
| 83 | St. Matthew Passion, BWV 244: Part One: No. 4a-b, Recit. & Chorus. Da versammelten sich die Hohenpriester - Ja nicht auf das Fest (Evangelist, Chorus I/II) | Peter Schreier, Wiener Singverein | 0:41 |
| 84 | St. Matthew Passion, BWV 244: Part One: No. 4c, Recit. Da nun Jesus war zu Bethanien (Evangelist) - No. 4d, Chorus. Wozu dienet dieser Unrat (Chorus I) | Peter Schreier, Wiener Singverein | 0:59 |
| 85 | St. Matthew Passion, BWV 244: Part One: No. 4e, Recit. Da das Jesus merkete (Evangelist, Jesus) | Peter Schreier, Dietrich Fischer‐Dieskau | 1:56 |
| 86 | St. Matthew Passion, BWV 244: Part One: No. 5, Recit. Du lieber Heiland du (Alto) | Christa Ludwig | 1:07 |
| 87 | St. Matthew Passion, BWV 244: Part One: No. 6, Aria. Buss und Reu (Alto) | Christa Ludwig | 5:24 |
| 88 | St. Matthew Passion, BWV 244: Part One: No. 7, Recit. Da ging hin der Zwölfen einer (Evangelist, Judas) | Peter Schreier, Anton Diakov | 0:35 |
| 89 | St. Matthew Passion, BWV 244: Part One: No. 8, Aria. Blute nur, du liebes Herz (Soprano) | Gundula Janowitz | 5:03 |
| 90 | St. Matthew Passion, BWV 244: Part One: No. 9a-b, Recit. & Chorus. Aber am ersten Tage der süssen Brot - Wo willst du? (Evangelist, Chorus I, Jesus) | Peter Schreier, Wiener Singverein | 0:40 |
| 91 | St. Matthew Passion, BWV 244: Part One: No. 9c, Er sprach. Gehet hin in die Stadt (Evangelist, Jesus) | Peter Schreier, Wiener Singverein, Dietrich Fischer‐Dieskau | 1:57 |
| 92 | St. Matthew Passion, BWV 244: Part One: No. 10, Chorale. Ich bin's, ich sollte büssen | Wiener Singverein | 1:11 |
| 93 | St. Matthew Passion, BWV 244: Part One: No. 11, Recit. Er antwortete und sprach (Evangelist, Jesus, Judas) | Peter Schreier, Dietrich Fischer‐Dieskau, Anton Diakov | |
| 94 | St. Matthew Passion, BWV 244: Part One: No. 12, Recit. Wiewohl mein Herz in Tränen schwimmt (Soprano) | Gundula Janowitz | |
| 95 | St. Matthew Passion, BWV 244: Part One: No. 13, Aria. Ich will dir mein Herz schenken (Soprano) | Gundula Janowitz | |
| 96 | St. Matthew Passion, BWV 244: Part One: No. 14, Recit. Und da sie den Lobgesang gesprochen hatten (Evengelist, Jesus) | Peter Schreier, Dietrich Fischer‐Dieskau | |
| 97 | St. Matthew Passion, BWV 244: Part One: No. 15, Chorale. Erkenne mich, mein Hüter | Wiener Singverein | |
| 98 | St. Matthew Passion, BWV 244: Part One: No. 16, Recit. Petrus aber antwortete (Evangelist, Jesus, Petrus) | Peter Schreier, Dietrich Fischer‐Dieskau, Anton Diakov | |
| 99 | St. Matthew Passion, BWV 244: Part One: No. 17, Chorale. Ich will hier bei dir stehen | Johann Sebastian Bach | |
| 100 | St. Matthew Passion, BWV 244: Part One: No. 18, Recit. Da kam Jesus mit ihnen zu einem Hofe (Evangelist, Jesus) | Peter Schreier, Dietrich Fischer‐Dieskau | |
| 101 | St. Matthew Passion, BWV 244: Part One: No. 19, Recit. O Schmerz! hier zittert das gequälte Herz (Tenor, Chorus II) | Horst Laubenthal | |
| 102 | St. Matthew Passion, BWV 244: Part One: No. 20, Aria. Ich will bei meinem Jesu wachen (Tenor, Chorus II) | Wiener Singverein, Chor der Deutschen Oper Berlin, Horst Laubenthal | |
| 103 | St. Matthew Passion, BWV 244: Part One: No. 21, Recit. Und ging hin ein wenig (Evengelist, Jesus) | Dietrich Fischer‐Dieskau | |
| 104 | St. Matthew Passion, BWV 244: Part One: No. 22, Recit. Der Heiland fällt vor seinem Vater nieder (Bass) | Walter Berry | |
| 105 | St. Matthew Passion, BWV 244: Part One: No. 23, Aria. Gerne will ich mich bequemen (Bass) | Walter Berry | |
| 106 | St. Matthew Passion, BWV 244: Part One: No. 24, Recit. Und er kam zu seinen Jüngern (Evangelist, Jesus) | Peter Schreier, Dietrich Fischer‐Dieskau | |
| 107 | St. Matthew Passion, BWV 244: Part One: No. 25, Chorale. Was mein Gott will, da g'scheh allzeit | Wiener Singverein, Chor der Deutschen Oper Berlin | |
| 108 | St. Matthew Passion, BWV 244: Part One: No. 26, Recit. Und er kam und fand sie aber schlafend (Evangelist, Jesus, Judas) | Peter Schreier, Dietrich Fischer‐Dieskau, Anton Diakov | |
| 109 | St. Matthew Passion, BWV 244: Part One: No. 27, Aria & Chorus. So ist mein Jesus nun gefangen - Sind Blitze, sind Donner (Soprano, Alto, Chorus) | Christa Ludwig, Wiener Singverein, Gundula Janowitz, Chor der Deutschen Oper Berlin | |
| 110 | St. Matthew Passion, BWV 244: Part One: No. 28, Recit. Und siehe, einer aus denen (Evangelist, Jesus) | Peter Schreier, Dietrich Fischer‐Dieskau | |
| 111 | St. Matthew Passion, BWV 244: Part One: No. 29, Chorale. O Mensch, bewein dein Sünde groß | Wiener Singverein, Chor der Deutschen Oper Berlin | |
| 112 | St. Matthew Passion, BWV 244: Part Two: No. 30, Aria. Ach nun ist mein Jesu hin (Alto, Chorus II) | Christa Ludwig, Wiener Singverein | |
| 113 | St. Matthew Passion, BWV 244: Part Two: No. 31, Recit. Die aber Jesum gegriffen hatten (Evangelist) | Peter Schreier | |
| 114 | St. Matthew Passion, BWV 244: Part Two: No. 32, Chorale. Mir hat die Welt trüglich gericht | Wiener Singverein | |
| 115 | St. Matthew Passion, BWV 244: Part Two: No. 33, Recit. Und wiewohl viel falsche Zeugen herzutraten (Evangelist, Pontifex, Testis I / II) | Peter Schreier, Christa Ludwig, Anton Diakov | |
| 116 | St. Matthew Passion, BWV 244: Part Two: No. 34, Recit. Mein Jesus schweigt zu falschen Lügen stille (Tenor) | Horst Laubenthal | |
| 117 | St. Matthew Passion, BWV 244: Part Two: No. 35, Aria. Geduld (Tenor) | Horst Laubenthal | |
| 118 | St. Matthew Passion, BWV 244: Part Two: No. 36a-b, Recit. & Chorus. Und der Hohepriester antwortete - Er ist des Todes schuldig (Evangelist, Pontifex, Jesus, Chorus I / II) | Peter Schreier, Wiener Singverein, Dietrich Fischer‐Dieskau, Anton Diakov | |
| 119 | St. Matthew Passion, BWV 244: Part Two: No. 36c-d, Recit. & Chorus. Da speieten sie aus in sein Angesicht - Weissage uns, Christe (Evangelist, Chorus I / II) | Peter Schreier, Wiener Singverein | |
| 120 | St. Matthew Passion, BWV 244: Part Two: No. 37, Chorale. Wer hat dich so geschlagen | Wiener Singverein | |
| 121 | St. Matthew Passion, BWV 244: Part Two: No. 38, Recit. & Chorus. Petrus aber sass draussen im Palast (Evangelist, Ancilla I / II, Petrus, Chorus II) | Peter Schreier, Christa Ludwig, Gundula Janowitz, Anton Diakov | |
| 122 | St. Matthew Passion, BWV 244: Part Two: No. 39, Aria. Erbarme dich (Alto) | Christa Ludwig | |
| 123 | St. Matthew Passion, BWV 244: Part Two: No. 40, Chorale. Bin ich gleich von dir gewichen | Wiener Singverein | |
| 124 | St. Matthew Passion, BWV 244: Part Two: No. 41, Recit. & Chorus. Des Morgens aber hielten alle Hohepriester (Evangelist, Judas, Chorus I / II, Pontifex I / II) | Peter Schreier, Wiener Singverein, Chor der Deutschen Oper Berlin, Anton Diakov | |
| 125 | St. Matthew Passion, BWV 244: Part Two: No. 42, Aria. Gebt mir meinen Jesum wieder (Bass) | Walter Berry | |
| 126 | St. Matthew Passion, BWV 244: Part Two: No. 43, Recit. Sie hielten aber einen Rat (Evangelist, Pilatus, Jesus) | Peter Schreier, Dietrich Fischer‐Dieskau, Anton Diakov | |
| 127 | St. Matthew Passion, BWV 244: Part Two: No. 44, Chorale. Befiel du deine Wege | Wiener Singverein | |
| 128 | St. Matthew Passion, BWV 244: Part Two: No. 45, Recit. & Chorus. Auf das Fest aber hatte der Landpfleger Gewohnheit - Lass ihn Kreuzigen! (Evangelist, Pilatus, Uxor Pilati, Chorus I / II) | Peter Schreier, Wiener Singverein, Gundula Janowitz, Anton Diakov | |
| 129 | St. Matthew Passion, BWV 244: Part Two: No. 46, Chorale. Wie wunderbarlich ist doch diese Strafe | Wiener Singverein | |
| 130 | St. Matthew Passion, BWV 244: Part Two: No. 47, Recit. Der Landpfleger sagte (Evangelist, Pilatus) | Peter Schreier, Anton Diakov | |
| 131 | St. Matthew Passion, BWV 244: Part Two: No. 48, Recit. Er hat uns allen wohlgetan (Soprano) | Johann Sebastian Bach | |
| 132 | St. Matthew Passion, BWV 244: Part Two: No. 49, Aria. Aus Liebe will mein Heiland Sterben (Soprano) | Gundula Janowitz | |
| 133 | St. Matthew Passion, BWV 244: Part Two: No. 50, Recit. Sie schrieen aber noch mehr (Evangelist, Chorus I / II, Pilatus) | Peter Schreier, Wiener Singverein, Anton Diakov | |
| 134 | St. Matthew Passion, BWV 244: Part Two: No.51, Recit. Erbarm es Gott (Alto) | Christa Ludwig | |
| 135 | St. Matthew Passion, BWV 244: Part Two: No. 52, Aria. Können Tränen meiner Wangen (Alto) | Christa Ludwig | |
| 136 | St. Matthew Passion, BWV 244: Part Two: No. 53, Recit. Da nahmen die Kriegsknechte (Evangelist, Chorus I / II) | Peter Schreier, Wiener Singverein | |
| 137 | St. Matthew Passion, BWV 244: Part Two: No. 54, Chorale. O Haupt voll Blut und Wunden | Wiener Singverein | |
| 138 | St. Matthew Passion, BWV 244: Part Two: No. 55, Recit. Und da sie ihn verspotten hatten (Evangelist) | Peter Schreier | |
| 139 | St. Matthew Passion, BWV 244: Part Two: No. 56, Recit. Ja freilich will in uns das Fleisch und Blut (Bass) | Walter Berry | |
| 140 | St. Matthew Passion, BWV 244: Part Two: No. 57, Aria .Komm, süsses Kreuz (Bass) | Walter Berry | |
| 141 | St. Matthew Passion, BWV 244: Part Two: No. 58a-d, Recit. & Chorus. Und da sie an die Stätte kamen... Andern hat er geholfen (Evangelist, Chorus I / II) | Peter Schreier, Wiener Singverein | |
| 142 | St. Matthew Passion, BWV 244: Part Two: No. 58e, Recit. Desgleichen schmäheten ihn auch die Mörder (Evangelist) | Peter Schreier | |
| 143 | St. Matthew Passion, BWV 244: Part Two: No. 59, Recit. Ach Golgatha (Alto) | Christa Ludwig | |
| 144 | St. Matthew Passion, BWV 244: Part Two: No. 60, Aria & Chorus. Sehet, Jesus hat die Hand - Wohin? (Alto, Chorus II) | Christa Ludwig, Wiener Singverein | |
| 145 | St. Matthew Passion, BWV 244: Part Two: No. 61, Recit. Und von der sechsten Stunde an (Evangelist, Jesus, Chorus I / II) | Peter Schreier, Wiener Singverein, Dietrich Fischer‐Dieskau | |
| 146 | St. Matthew Passion, BWV 244: Part Two: No. 62, Chorale. Wenn ich einmal soll scheiden | Wiener Singverein, Chor der Deutschen Oper Berlin | |
| 147 | St. Matthew Passion, BWV 244: Part Two: No. 64, Recit. Am Abend, da es kühle war | Walter Berry | |
| 148 | St. Matthew Passion, BWV 244: Part Two: No. 65, Aria. Mache dich, mein Herze, rein (Bass) | Walter Berry | |
| 149 | St. Matthew Passion, BWV 244: Part Two: No. 66, Recit. Und Joseph nahm den Leib (Evangelist, Chorus I / II, Pilatus) | Peter Schreier, Wiener Singverein, Anton Diakov | |
| 150 | St. Matthew Passion, BWV 244: Part Two: No. 67, Recit. Nun ist der Herr zur Ruh gebracht (Soprano, Alto, Tenor, Bass, Chorus II) | Christa Ludwig, Wiener Singverein, Gundula Janowitz, Walter Berry, Chor der Deutschen Oper Berlin, Horst Laubenthal | |
| 151 | St. Matthew Passion, BWV 244: Part Two: No. 68, Chorus. Wir setzen uns mit Tränen nieder | Wiener Singverein, Chor der Deutschen Oper Berlin | |
| 152 | Mass in B Minor, BWV 232: Kyrie: I. Kyrie (Chorus) | Wiener Singverein | |
| 153 | Mass in B Minor, BWV 232: Kyrie: II. Christe eleison (Soprano I, II) | Christa Ludwig, Gundula Janowitz | |
| 154 | Mass in B Minor, BWV 232: Kyrie: III. Kyrie eleison (Soprano II) | Wiener Singverein | |
| 155 | Mass in B Minor, BWV 232: Gloria: I. Gloria in excelsis Deo (Chorus) | Wiener Singverein | |
| 156 | Mass in B Minor, BWV 232: Gloria: II. Et in terra pax (Chorus) | Wiener Singverein | |
| 157 | Mass in B Minor, BWV 232: Gloria: III. Laudamus te (Soprano II) | Christa Ludwig | |
| 158 | Mass in B Minor, BWV 232: Gloria: IV. Gratias agimus tibi (Chorus) | Wiener Singverein | |
| 159 | Mass in B Minor, BWV 232: Gloria: V. Domine Deus (Soprano I, Tenor) | Peter Schreier, Gundula Janowitz | |
| 160 | Mass in B Minor, BWV 232: Gloria: VI. Qui tollis peccata mundi (Chorus) | Wiener Singverein | |
| 161 | Mass in B Minor, BWV 232: Gloria: VII. Qui sedes ad dexteram Patris (Alto) | Christa Ludwig | |
| 162 | Mass in B Minor, BWV 232: Gloria: VIII. Quoniam tu solus sanctus (Bass) | Karl Ridderbusch | |
| 163 | Mass in B Minor, BWV 232: Gloria: IX. Cum Sancto Spiritu (Chorus) | Wiener Singverein | |
| 164 | Mass in B Minor, BWV 232: Credo: I. Credo in unum Deum (Chorus) | Wiener Singverein | |
| 165 | Mass in B Minor, BWV 232: Credo: II. Patrem omnipotentem (Chorus) | Wiener Singverein | |
| 166 | Mass in B Minor, BWV 232: Credo: III. Et in unum Dominum (Soprano I, Alto) | Christa Ludwig, Gundula Janowitz | |
| 167 | Mass in B Minor, BWV 232: Credo: IV. Et incarnatus est (Chorus) | Wiener Singverein | |
| 168 | Mass in B Minor, BWV 232: Credo: V. Crucifixus etiam pro nobis (Chorus) | Wiener Singverein | |
| 169 | Mass in B Minor, BWV 232: Credo: VI. Et resurrexit tertia die (Chorus) | Wiener Singverein | |
| 170 | Mass in B Minor, BWV 232: Credo: VII. Et in Spiritum Sanctum (Aria) | Robert Kerns | |
| 171 | Mass in B Minor, BWV 232: Credo: VIII. Confiteor unum baptisma (Chorus) | Wiener Singverein | |
| 172 | Mass in B Minor, BWV 232: Credo: IX. Et exspecto resurrectionem (Chorus) | Wiener Singverein | |
| 173 | Mass in B Minor, BWV 232: Sanctus: I. Sanctus, Domine Deus (Chorus) | Wiener Singverein | |
| 174 | Mass in B Minor, BWV 232: Sanctus: II. Osanna in excelsis (Chorus) | Wiener Singverein | |
| 175 | Mass in B Minor, BWV 232: Benedictus: I. Benedictus qui venit (Tenor) | Peter Schreier | |
| 176 | Mass in B Minor, BWV 232: Benedictus: II. Osanna in excelsis (Chorus) | Wiener Singverein | |
| 177 | Mass in B Minor, BWV 232: Agnus Dei: I. Agnus Dei (Aria) | Christa Ludwig | |
| 178 | Mass in B Minor, BWV 232: Agnus Dei: II. Dona nobis pacem (Chorus) | Wiener Singverein | |
| 179 | Magnificat in D Major, BWV 243: I. Chorus. Magnificat anima mea | Chor der Deutschen Oper Berlin | |
| 180 | Magnificat in D Major, BWV 243: II. Aria. Et exsultavit spiritus meus | Agnes Baltsa | |
| 181 | Magnificat in D Major, BWV 243: III. Aria. Quia respexit humilitatem | Anna Tomowa‐Sintow | |
| 182 | Magnificat in D Major, BWV 243: IV. Chorus. Omnes generationes | Chor der Deutschen Oper Berlin | |
| 183 | Magnificat in D Major, BWV 243: V. Aria. Quia fecit mihi magna | Benjamin Luxon | |
| 184 | Magnificat in D Major, BWV 243: VI. Duet. Et misericordia | Agnes Baltsa, Peter Schreier | |
| 185 | Magnificat in D Major, BWV 243: VII. Chorus. Fecit potentiam | Chor der Deutschen Oper Berlin | |
| 186 | Magnificat in D Major, BWV 243: VIII. Aria. Deposuit potentes | Peter Schreier | |
| 187 | Magnificat in D Major, BWV 243: IX. Aria. Esurientes implevit bonis | Agnes Baltsa | |
| 188 | Magnificat in D Major, BWV 243: X. Trio Suscepit Israel | Agnes Baltsa, Anna Tomowa‐Sintow | |
| 189 | Magnificat in D Major, BWV 243: XI. Chorus. Sicut locutus est | Chor der Deutschen Oper Berlin | |
| 190 | Magnificat in D Major, BWV 243: XII. Chorus. Gloria Patri | Chor der Deutschen Oper Berlin | |
| 191 | Concerto for Orchestra, Sz. 116: I. Introduction. Andante non troppo - Allegro vivace | Béla Bartók | |
| 192 | Concerto for Orchestra, Sz. 116: II. Giuoco della coppie. Allegretto scherzando | Béla Bartók | |
| 193 | Concerto for Orchestra, Sz. 116: III. Elegia. Andante, non troppo | Béla Bartók | |
| 194 | Concerto for Orchestra, Sz. 116: IV. Intermezzo interrotto. Allegretto | Béla Bartók | |
| 195 | Concerto for Orchestra, Sz. 116: V. Finale. Pesante - Presto | Béla Bartók | |
| 196 | Music for Strings, Percussion and Celesta, Sz. 106: I. Andante tranquillo | Béla Bartók | |
| 197 | Music for Strings, Percussion and Celesta, Sz. 106: II. Allegro | Béla Bartók | |
| 198 | Music for Strings, Percussion and Celesta, Sz. 106: III. Adagio | Béla Bartók | |
| 199 | Music for Strings, Percussion and Celesta, Sz. 106: IV. Allegro molto | Béla Bartók | |