| 1.1 | Funeral Cantata on the Death of Emperor Joseph II for Solo Voices, Chorus, and Orchestra, WoO 87: I. Choir and Soli “Tot! Tot, stöhnt es durch die öde Nacht” | Charlotte Margiono, Chor der Deutschen Oper Berlin, Clemens Bieber, William Shimell, Ulrike Helzel, Veronica Verebély | 9:48 |
| 1.2 | Funeral Cantata on the Death of Emperor Joseph II for Solo Voices, Chorus, and Orchestra, WoO 87: IIa. Recitative (bass) “Ein Ungeheuer, sein Name Fanatismus” | William Shimell | 1:11 |
| 1.3 | Funeral Cantata on the Death of Emperor Joseph II for Solo Voices, Chorus, and Orchestra, WoO 87: IIb. Aria (bass) “Da kam Joseph” | William Shimell | 5:05 |
| 1.4 | Funeral Cantata on the Death of Emperor Joseph II for Solo Voices, Chorus, and Orchestra, WoO 87: III. Aria (Soprano) with Choir “Da stiegen die Menschen an’s Licht” | Charlotte Margiono, Chor der Deutschen Oper Berlin | 6:23 |
| 1.5 | Funeral Cantata on the Death of Emperor Joseph II for Solo Voices, Chorus, and Orchestra, WoO 87: IVa. Recitative (soprano) “Er Schläft, von den Sorgen seiner Welten entladen” | Charlotte Margiono | 2:54 |
| 1.6 | Funeral Cantata on the Death of Emperor Joseph II for Solo Voices, Chorus, and Orchestra, WoO 87: IVb. Aria (soprano) “Hier schlummert seinen stillen Frieden der grosse Dulder” | Charlotte Margiono | 8:14 |
| 1.7 | Funeral Cantata on the Death of Emperor Joseph II for Solo Voices, Chorus, and Orchestra, WoO 87: V. Choir and Soli “Tot! Tot, stöhnt es durch die öde Nacht” | Charlotte Margiono, Chor der Deutschen Oper Berlin, Clemens Bieber, William Shimell, Ulrike Helzel, Veronica Verebély | 10:22 |
| 1.8 | Cantata on the Accession of Emperor Leopold II for Solo Voices, Chorus, and Orchestra, WoO 88: Ia. Recitative (soprano, choir) “Er schlummert” - “Lasst sanft den grossen Fürsten ruhen!” | Chor der Deutschen Oper Berlin, Christine Schäfer | 4:22 |
| 1.9 | Cantata on the Accession of Emperor Leopold II for Solo Voices, Chorus, and Orchestra, WoO 88: 1b. Arie (soprano) “Fliesse, Wonnezähre, fliesse!” | Christine Schäfer | 12:08 |
| 1.10 | Cantata on the Accession of Emperor Leopold II for Solo Voices, Chorus, and Orchestra, WoO 88: II. Recitative (bass) “Ihr staunt, Völker der Erde!” | Victor von Halem | 0:50 |
| 1.11 | Cantata on the Accession of Emperor Leopold II for Solo Voices, Chorus, and Orchestra, WoO 88: IIIa. Recitative (tenor) “Wie bebt mein Herz vor Wonne!” | Clemens Bieber | 0:55 |
| 1.12 | Cantata on the Accession of Emperor Leopold II for Solo Voices, Chorus, and Orchestra, WoO 88: IIIb. Trio (tenor, bass, soprano) “Ihr, die Joseph ihren vater nannten” | Christine Schäfer, Victor von Halem, Clemens Bieber | 4:15 |
| 1.13 | Cantata on the Accession of Emperor Leopold II for Solo Voices, Chorus, and Orchestra, WoO 88: IV. Choir “Heil! Stürzet nieder, Millionen’” | Chor der Deutschen Oper Berlin, Christine Schäfer, Victor von Halem, Clemens Bieber, Ulrike Helzel | 5:10 |
| 2.1 | Cantata for 4 Solo Voices, Chorus, and Orchestra, op. 136 “The Moment of Glory”: I. Choir “Europa stet!” | Coro di voci bianche dell’Arcum, Coro dell’Accademia Nazionale di Santa Cecilia | 3:49 |
| 2.2 | Cantata for 4 Solo Voices, Chorus, and Orchestra, op. 136 “The Moment of Glory”: II. Recitative “O seht sie nah und näher treten!” (Führer des Volkes) - Choir “Vienna, Vienna, Vienna!” | Coro di voci bianche dell’Arcum, Coro dell’Accademia Nazionale di Santa Cecilia | 3:32 |
| 2.3 | Cantata for 4 Solo Voices, Chorus, and Orchestra, op. 136 “The Moment of Glory”: III. Recitative “O Himmel, wlch’ Entzüchekn!” (Vienna) - Aria with Choir “Alle die Herrscher darf ich grüssen” (Vienna) | Coro di voci bianche dell’Arcum, Coro dell’Accademia Nazionale di Santa Cecilia | 9:19 |
| 2.4 | Cantata for 4 Solo Voices, Chorus, and Orchestra, op. 136 “The Moment of Glory”: IV. Recitative “Das Auge schaut” (Seherin) - Kavatine with Choir “Dem die erste Zähre” (Seherin) | Coro di voci bianche dell’Arcum, Coro dell’Accademia Nazionale di Santa Cecilia | 7:09 |
| 2.5 | Cantata for 4 Solo Voices, Chorus, and Orchestra, op. 136 “The Moment of Glory”: V. Recitative “Der den Bund im Sturme festgehalten” - Quartet “In meinen Mauern bauen sich neue Zeiten auf” (Vienna, Genius, Führer des Volkes, Seherin) | Coro di voci bianche dell’Arcum, Coro dell’Accademia Nazionale di Santa Cecilia | 6:20 |
| 2.6 | Cantata for 4 Solo Voices, Chorus, and Orchestra, op. 136 “The Moment of Glory”: VI. Choir “Es treten vor die Scharen der Frauen” | Coro di voci bianche dell’Arcum, Coro dell’Accademia Nazionale di Santa Cecilia | 4:04 |
| 2.7 | Fantasy for Piano, Choir, and Orchestra in C minor, op. 80 “Choral Fantasy”: I. Adagio (live) | RIAS Kammerchor | 3:19 |
| 2.8 | Fantasy for Piano, Choir, and Orchestra in C minor, op. 80 “Choral Fantasy”: II‐i. Finale. Allegro - Meno allegro - Allegro molto (live) | RIAS Kammerchor | 6:18 |
| 2.9 | Fantasy for Piano, Choir, and Orchestra in C minor, op. 80 “Choral Fantasy”: II‐ii. Adagio ma non troppo (live) | RIAS Kammerchor | 2:52 |
| 2.10 | Fantasy for Piano, Choir, and Orchestra in C minor, op. 80 “Choral Fantasy”: II‐iii. Marcia, assai vivace - Allegro (live) | RIAS Kammerchor | 2:09 |
| 2.11 | Fantasy for Piano, Choir, and Orchestra in C minor, op. 80 “Choral Fantasy”: II‐iv. Allegretto, ma non troppo quasi andante con moto “Schmeichelnd hold un liblich klingen” (live) | RIAS Kammerchor | 2:18 |
| 2.12 | Fantasy for Piano, Choir, and Orchestra in C minor, op. 80 “Choral Fantasy”: II‐v. Presto (live) | RIAS Kammerchor | 1:37 |
| 3.1 | Mass for 4 Solo Voices, Chorus, and Orchestra in C major, op. 86: I. Kyrie. Andante con moto assai vivace quasi Allegretto ma non troppo | Monteverdi Choir, Charlotte Margiono, Catherine Robbin, William Kendall, Alastair Miles | 5:35 |
| 3.2 | Mass for 4 Solo Voices, Chorus, and Orchestra in C major, op. 86: II. Gloria. Allegro con brio | Monteverdi Choir, Charlotte Margiono, Catherine Robbin, William Kendall, Alastair Miles | 8:49 |
| 3.3 | Mass for 4 Solo Voices, Chorus, and Orchestra in C major, op. 86: III. Credo. Allegro con brio | Monteverdi Choir, Charlotte Margiono, Catherine Robbin, William Kendall, Alastair Miles | 10:30 |
| 3.4 | Mass for 4 Solo Voices, Chorus, and Orchestra in C major, op. 86: IV. Sanctus. Adagio - Allegro - Allegretto ma non troppo - Allegro | Monteverdi Choir, Charlotte Margiono, Catherine Robbin, William Kendall, Alastair Miles | 10:47 |
| 3.5 | Mass for 4 Solo Voices, Chorus, and Orchestra in C major, op. 86: V. Agnus Dei. Poco andante - Allegro ma non troppo - Andante con moto, tempo del kyrie | Monteverdi Choir, Charlotte Margiono, Catherine Robbin, William Kendall, Alastair Miles | 6:28 |
| 3.6 | Cantata for Mixed Chorus and Orchestra, op. 112 “Meeresstille und glückliche Fahrt”: I. Meeresstille. Sostenuto “Tiefe Stille herrscht im Wasser” Sostenuto / II. Glückliche Fahrt. Allegro vivace “Die Nebel zerreißen” | Monteverdi Choir, Charlotte Margiono, Catherine Robbin, William Kendall, Alastair Miles | 7:16 |
| 4.1 | Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, op. 123: Ia. Kyrie. Kyrie eleison (live) | Ludwig van Beethoven | 4:21 |
| 4.2 | Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, op. 123: Ib. Kyrie. Christe eleison (live) | Ludwig van Beethoven | 2:05 |
| 4.3 | Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, op. 123: Ic. Kyrie. Kyrie eleison (live) | Ludwig van Beethoven | 5:00 |
| 4.4 | Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, op. 123: IIa. Gloria. Gloria in excelsis Deo (live) | Ludwig van Beethoven | 2:36 |
| 4.5 | Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, op. 123: IIb. Gloria. Gratias agimus (live) | Ludwig van Beethoven | 2:14 |
| 4.6 | Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, op. 123: IIc. Gloria. Qui tollis peccata mundi (live) | Ludwig van Beethoven | 5:33 |
| 4.7 | Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, op. 123: IId. Gloria. Quoniam tu solus Sanctus (live) | Ludwig van Beethoven | 1:39 |
| 4.8 | Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, op. 123: IIe. Gloria. In gloria Dei Patris (live) | Ludwig van Beethoven | 3:15 |
| 4.9 | Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, op. 123: IIf. Gloria. Amen, in gloria dei Patris (live) | Ludwig van Beethoven | 2:15 |
| 4.10 | Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, op. 123: IIIa. Credo. Credo in unum Deum (live) | Ludwig van Beethoven | 4:04 |
| 4.11 | Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, op. 123: IIIb. Credo. Et incarnatus est (live) | Ludwig van Beethoven | 5:37 |
| 4.12 | Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, op. 123: IIIc. Credo. Et resurrexit - Et ascendit in coelum (live) | Ludwig van Beethoven | 2:46 |
| 4.13 | Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, op. 123: IIId. Credo. Et vitam venturi sauculi (live) | Ludwig van Beethoven | 2:09 |
| 4.14 | Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, op. 123: IIIe. Credo. Amen, et vitam venturi sauculi. Amen (live) | Ludwig van Beethoven | 4:12 |
| 4.15 | Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, op. 123: IVa. Sanctus. Sanctus, Sanctus, Sanctus Dominus, Desu Sabaoth (live) | Ludwig van Beethoven | 2:50 |
| 4.16 | Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, op. 123: IVb. Sanctus. Pleni sunt coeli et terra - Osanna in excelsis (live) | Ludwig van Beethoven | 1:16 |
| 4.17 | Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, op. 123: IVc. Sanctus. Praeludium (live) | Ludwig van Beethoven | 2:03 |
| 4.18 | Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, op. 123: IVd. Sanctus. Benedictus qui venit in nomine Domini (live) | Ludwig van Beethoven | 12:22 |
| 5.1 | Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, op. 123: Va. Agnus Dei. Agnus Dei, qui tollis peccata mundi (live) | Plácido Domingo, Jessye Norman, Cheryl Studer, MDR Rundfunkchor Leipzig, Kurt Moll, Radiokören, Eric Ericsons Kammarkör | 7:21 |
| 5.2 | Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, op. 123: Vb. Agnus Dei. Dona nobis pacem (live) | Plácido Domingo, Jessye Norman, Cheryl Studer, MDR Rundfunkchor Leipzig, Kurt Moll, Radiokören, Eric Ericsons Kammarkör | 2:10 |
| 5.3 | Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, op. 123: Vc. Agnus Dei. Agnus Dei, qui tollis peccata mundi (live) | Plácido Domingo, Jessye Norman, Cheryl Studer, MDR Rundfunkchor Leipzig, Kurt Moll, Radiokören, Eric Ericsons Kammarkör | 2:52 |
| 5.4 | Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, op. 123: Vd. Agnus Dei. Agnus Dei - Dona nobis pacem (live) | Plácido Domingo, Jessye Norman, Cheryl Studer, MDR Rundfunkchor Leipzig, Kurt Moll, Radiokören, Eric Ericsons Kammarkör | 3:42 |
| 5.5 | Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, op. 85: Ia. Introduction. Grave - Adagio | Ludwig van Beethoven | 6:52 |
| 5.6 | Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, op. 85: Ib. Recitative “Jehova, du mein Vater!” (Jesus) | James King | 4:22 |
| 5.7 | Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, op. 85: Ic. Aria “Meine Seele ist erschüttert” (Jesus) | James King | 5:11 |
| 5.8 | Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, op. 85: IIa. Recitative “Erzittre, Erde, Jehova’s Sohn liegt hier!” (Seraph) | Elizabeth Harwood | 1:48 |
| 5.9 | Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, op. 85: IIb. Aria “Preist des Erlösers Güte” (Seraph) / IIc. Choir of Angels “O Heil euch, ihr Erlösten” (Seraph, Choir) | Wiener Singverein, Elizabeth Harwood | 8:44 |
| 5.10 | Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, op. 85: IIIa. Recitative “Verkündet, Seraph, mir dein Mund Erbarmen” (Jesus, Seraph) | Elizabeth Harwood, James King | 1:21 |
| 5.11 | Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, op. 85: IIIb. Duet “So ruhe denn mit ganzer Schwere” (Jesus, Seraph) | Elizabeth Harwood, James King | 6:06 |
| 5.12 | Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, op. 85: IVa. Recitative “Willkommen, Tod” (Jesus) | James King | 1:00 |
| 5.13 | Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, op. 85: IVb. Choir of Warriors “Wir haben ihn gesehen” | Wiener Singverein | 2:39 |
| 5.14 | Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, op. 85: Va. Recitative “Die mich zu fangen ausgezogen sind” (Jesus) | James King | 1:52 |
| 5.15 | Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, op. 85: Vb. Choir of Warriors “Hier ist er, der Verbannte” / Vc. Choir of Children “Was soll der Lärm bedeuten?” | Wiener Singverein | 2:12 |
| 5.16 | Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, op. 85: VIa. Recitative “Nicht ungestraft soll der Verweg’nen Schar” (Petrus, Jesus) | James King, Franz Crass | 1:24 |
| 5.17 | Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, op. 85: VIb. Trio “In meinen Adern wühlen gerechter Zorn und Wut” (Petrus, Jesus, Seraph) | Elizabeth Harwood, James King, Franz Crass | 5:12 |
| 5.18 | Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, op. 85: VIc. Choir of Warriors “Auf, auf! Ergreifet den Verräter” / VId. Choir of Children “Ach! wir werden seinetwegen auch gehasst, verfolget sein” / VIe. “Meine Qual ist bald ver…” (Jesus) | Wiener Singverein, James King | 2:42 |
| 5.19 | Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, op. 85: VIf. Choir of Angels “Welten singen Dank und Ehre” | Wiener Singverein | 4:40 |