Tracks
| # | Title | Sung by | |
|---|
| 1.1 | Of All Great Musical Compositions... (Examples 1-4) | Deryck Cooke | 3:37 |
| 1.2 | The Fundamental Symbol... (Examples 5-11) | Deryck Cooke | 4:47 |
| 1.3 | Returning Now to the Nature Motive... (Examples 6, 12-16) | Deryck Cooke | 3:22 |
| 1.4 | A Number of Further Motives... (Examples 5, 17-21) | Deryck Cooke | 3:18 |
| 1.5 | A Second, Much Smaller Family... (Examples 22-25) | Deryck Cooke | 2:36 |
| 1.6 | So Much for Nature. (Examples 26-38) | Deryck Cooke | 7:56 |
| 1.7 | The Cause of the Deterioration... (Examples 39-44) | Deryck Cooke | 3:31 |
| 1.8 | The Other Transformation... (Examples 45-48) | Deryck Cooke | 3:44 |
| 1.9 | Several Other Motives... (Examples 49-52) | Deryck Cooke | 2:48 |
| 1.10 | Two Further Motives... (Examples 41, 53-61) | Deryck Cooke | 7:13 |
| 1.11 | The Basic Motive Associated With the Spear... (Examples 62-68) | Deryck Cooke | 5:17 |
| 1.12 | Along Another, More Complex Line... (Examples 69-72) | Deryck Cooke | 2:12 |
| 1.13 | In Act Two of "Walküre"... (Examples 69, 73-75) | Deryck Cooke | 2:22 |
| 1.14 | Returning Now to Act Two of "Walküre"... (Examples 76-79) | Deryck Cooke | 3:55 |
| 1.15 | Love Is Another of the Central Symbols... (Examples 80-83) | Deryck Cooke | 3:06 |
| 1.16 | Later in the Same Scene... (Examples 84-87) | Deryck Cooke | 2:23 |
| 1.17 | Freia's Motive Has Two Independent Segments... (Examples 88-91) | Deryck Cooke | 2:02 |
| 1.18 | The Label 'Flight'... (Example 92) | Deryck Cooke | 0:57 |
| 1.19 | When Fasolt, in Scene Two of "Rhinegold"... (Examples 93-98) | Deryck Cooke | 5:24 |
| 1.20 | A Little Later in This Interlude... (Examples 99-103) | Deryck Cooke | 3:08 |
| 2.1 | The Other New Motive... (Examples 104-109) | Deryck Cooke | 3:37 |
| 2.2 | There Are Several Independent Love-Motives... (Examples 110-114) | Deryck Cooke | 2:56 |
| 2.3 | The Characters in Whose Lives... (Examples 115-120) | Deryck Cooke | 5:28 |
| 2.4 | One Further Motive Belongs... (Example 121) | Deryck Cooke | 1:25 |
| 2.5 | The Sword Motive Recurs... (Examples 122-130) | Deryck Cooke | 4:28 |
| 2.6 | Ironically, This Phrase... (Examples 131-135) | Deryck Cooke | 2:59 |
| 2.7 | Closely Associated With Gutrune's Motive... (Examples 136-140) | Deryck Cooke | 2:27 |
| 2.8 | Here We Come to the End... (Examples 141-146) | Deryck Cooke | 3:44 |
| 2.9 | Complementary to This Symbol... (Examples 147-149) | Deryck Cooke | 2:14 |
| 2.10 | One Last Central Symbol... (Examples 150-157) | Deryck Cooke | 4:54 |
| 2.11 | One Further Motive Connected... (Examples 158-161) | Deryck Cooke | 2:53 |
| 2.12 | There Are One or Two Motives... (Examples 162-168) | Deryck Cooke | 3:48 |
| 2.13 | These Motives of Alberich and Mime... (Examples 169-171) | Deryck Cooke | 2:08 |
| 2.14 | Quite a Number of the Subsidiary Motives... (Examples 172-176) | Deryck Cooke | 2:51 |
| 2.15 | Besides This Family of Motives... (Examples 177-180) | Deryck Cooke | 2:32 |
| 2.16 | Our Final Example... (Examples 10, 181, 182) | Deryck Cooke | 3:57 |
| 2.17 | In the Final Scene of Götterdämmerung... (Examples 181-183) | Deryck Cooke | 2:45 |
| 2.18 | Even More Masterly... (Examples 184-188) | Deryck Cooke | 4:32 |
| 2.19 | Now If We Return... (Examples 189-191) | Deryck Cooke | 2:48 |
| 2.20 | This Masterly Way... (Examples 192, 193) | Deryck Cooke | 4:53 |
Source: MusicBrainz release group 47cd79e0-69f1-3640-a9f0-ecdf0c5ed1f2 (CC0). Cover: Cover Art Archive.