
Hortus Musicus
Estonian musical group
Biography
Hortus Musicus is an Estonian ensemble that was established in 1972 by Andres Mustonen, a violin student of the Tallinn State Conservatory. Hortus Musicus specialises in performing early music, including 8th–15th-century European forms such as Gregorian Chant, Organum, Medieval Liturgic Hymns and Motets, the Franco-Flemish School, and Renaissance Music (including French chansons, villanelles and Italian madrigals). The group also presents early, non-European styles including Indian Ragas, Israeli temple songs, Arabian mughams and Jewish music. The group's repertoire has also included pieces by 20th-century composers (often created specially for Hortus Musicus, e.g. by Arvo Pärt). Hortus Musicus has given concerts in the US, Turkey, Japan, and Israel, and has performed at several major early music festivals. They have recorded c 35 programmes, a portion of which is available from companies such as Erdenklang, Musica Svecia, Forte and Finlandia Records. The group's latest recording is "Ave..." (2005): 'music from the late Middle Ages in memoriam Helle Mustonen (1950–2005)'.
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People
Members
Songs recorded
- Matthäus-Passion, 1700: Teil 1. Sinfonia3 versions
- La quinte Estampie real2 versions
- Matthäus-Passion, 1700: Teil 2. Laß ihn kreuzigen! (Chor)2 versions
- Ninguno cierre las puertas2 versions
- Per seguir la speranza2 versions
- Колыбельная2 versions
- 2000 aastat pärast Kristuse sündi
- Adon haselihot
- Agnus Dei
- Alasti kuningas
- Alleluia (Manuscript From Dubrovnik, XII Cent.)
- Amar gli alti
- Amor ch'al tuo suggetto
- Amor con fortuna
- An den Wassern zu Babel saßen wir und weinten
- Ani tsame
- Annuntiamus Caritaem (Manusript From Ozor, XI Cent.)
- Aqua non e l'humor
- Arbos
- Armastuslaul 13. sajandist
- Ave Maria (Manuscript From Dubrovnik, XII Cent.)
- Ave Maria gregorian chant
- Az yashir Moshe
- Bassa danza "La scarpa my faict mal"
- Benedicamus
- C'est grand pitie
- Caldero y llave madona
- Cara mie donna
- Celuy qui veut scavoir
- Chanconeta Tedescha
- Como poden per sas culpas
- Con misterio: Aaria
- Con misterio: Hingest
- Con misterio: Hällilaul
- Con misterio: Mana
- Concert a due fiolini
- Concerto Piccolo: I.
- Concerto Piccolo: II.
- Concerto Piccolo: III.
- Concerto ritornello für Kammerorchester
- Congoxa más que cruel
- Cosi pensoso
- Creatura gentil - Aquila altera - Uccel di Dio
- Cunctipotens genitor deus annon
- Danse
- Danse real
- Deh dimmi
- Deh non fuggir
- Deus miserere
- Dillà da l'acqua
- Dracula ja Zombie laps
- Ego Sum Alfa Et Omega, Antiphon (Manusript From Korcula, XII Cent.)
- Ego sum alpha et omega annon
- Estampie "Souvent souspire"
- Exaudi Christe (Manuscript From Zadar, XII Cent.)
- Exultet (Manuscript From Dubrovnik, XI Cent.)
- Four Engravings of Reval: No. 1
- Four Engravings of Reval: No. 2
- Four Engravings of Reval: No. 3
- Four Engravings of Reval: No. 4
- Gasajémonos de huzia
- Geneology According To Saint Luke (Manusript From Ozor, XI Cent.)
- Gott du bist derselbe mein König
- Gran piant' agli occhi
- Guard' una volta
- Haec Est Causa Vie, Antiphon (Manusript From Zagreb, XI Cent.)
- Helesa
- Hoy comamos y bevamos
- I' veggio ch'a natura piacque
- Iamais on n'a que tristesses
- In Memoriam HM
- Ingredi Tente Domino, Antiphon (Manusript From Split, X Cent.)
- Intrada 1
- Intraden
- Istampitta La Belicha
- Jubilate Deo omnis terra
- Kharwat habibi
- Konzert für Flöte und Kammerorchester: I. Larghetto - Con moto - Larghetto
- Konzert für Flöte und Kammerorchester: II. Largo
- Konzert für Flöte und Kammerorchester: III. Andante. Cadenza
- Konzert für Viola und Kammerorchester: I. Andante moderato
- Konzert für Viola und Kammerorchester: II. Adagio con moto
- Konzert für Viola und Kammerorchester: III. Allegro moderato - Larghetto - Allegro moderato
- Kui tore see!
- L'alma mia piange
- L'ultimo dì de maggio
- La quatre Estampie real
- Lahkumisele: Aeglaselt
- Lahkumisele: Kirgastunult
- Lahkumisele: Mornilt
- Lahkumisele: Vaikses nukruses
- Lahkumisele: Vaoshoitult
- Lamma bada
- Laudate Dominum
- Laul emale
- Laul juurviljadest
- Le alma mie piange
- Lecha dodi
- Leden wir, so leben wir dem Herrn
- Lucida petra
- Ma navu al heharim
- Maria assumptio - Huius chori annon
- Matthäus-Passion, 1700: Sinfonia
- Matthäus-Passion, 1700: Teil 1. Aria. Ach, meine Sünden haben dich geschlagen
- Matthäus-Passion, 1700: Teil 1. Aria. Dein Blut, der edle Saft
- Matthäus-Passion, 1700: Teil 1. Aria. Herr Jesu Christe, dein heiliger Leib
- Matthäus-Passion, 1700: Teil 1. Aria. Herr Jesu Christe, dein teuer Blut
- Matthäus-Passion, 1700: Teil 1. Aria. Herzliebster Jesu, was hast du verbrochen
- Matthäus-Passion, 1700: Teil 1. Er ist des Todes schuldig! (Chor)
- Matthäus-Passion, 1700: Teil 1. Herr, bin ich’s (Chor)
- Matthäus-Passion, 1700: Teil 1. Höret das Leiden und Sterben (Chor)
- Matthäus-Passion, 1700: Teil 1. Ja nicht auf das Fest (Chor)
- Matthäus-Passion, 1700: Teil 1. Recitative. Da nun Jesus war zu Bethanien (Evangelista)
- Matthäus-Passion, 1700: Teil 1. Recitative. Da speiten sie aus in sein Angesicht (Evangelista)
- Matthäus-Passion, 1700: Teil 1. Recitative. Ich kenne des Menschen nicht (Evangelista, Ancilla, Petrus)
- Matthäus-Passion, 1700: Teil 1. Recitative. Ich trinke ihn denn, so geschehe dein Wille (Evangelista, Jesus)
- Matthäus-Passion, 1700: Teil 1. Recitative. In dieser Nacht (Jesus, Evangelista, Petrus) - Sinfonia
- Matthäus-Passion, 1700: Teil 1. Recitative. Mein Vater, ist’s möglich, so gehe dieser Kelch von mir (Evangelista, Jesus)
- Matthäus-Passion, 1700: Teil 1. Recitative. Nehmet esset, das ist mein Leib (Evangelista, Jesus, Judas)
- Matthäus-Passion, 1700: Teil 1. Recitative. Siehe, er ist da, der mich verrät! (Evangelista, Jesus, Judas)
Albums
Source: MusicBrainz artist e35cd87e-afb2-42bd-9185-e481e6cf0472 (CC0).