LaSalle Quartet
American string quartet
Biography
The LaSalle Quartet was a string quartet active from 1946 to 1987. It was founded by first violinist Walter Levin. The LaSalle's name is attributed to an apartment on LaSalle Street in Manhattan, where some of its members lived during the quartet's inception. The quartet played on a donated set of Amati instruments. The LaSalle Quartet was best known for its espousal of the Second Viennese School of Schoenberg, Berg and Webern, and of the European modernists who derived from that tradition, though they also performed standard classical and romantic literature. The Quartet gave the premiere of Witold Lutosławski's String Quartet in Stockholm in 1965. György Ligeti dedicated his Second String Quartet to the group, and they premiered it in Baden-Baden on December 14, 1969. The quartet has been credited with the "Zemlinsky Renaissance," as Zemlinsky remained largely unknown until they performed his works. The quartet won the Deutscher Schallplattenpreis for their recording of his four string quartets. They also recorded Beethoven's late quartets, Mendelssohn's first two quartets, Schubert's String Quintet D956 with Lynn Harrell, Brahms' first two quartets, and the Ravel and Debussy quartets...
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People
Songs recorded
- Fünf Sätze für Streichquartett, op. 5: 5. In zarter Bewegung3 versions
- Fünf Sätze für Streichquartett, op. 5: 1. Heftig bewegt2 versions
- Fünf Sätze für Streichquartett, op. 5: 2. Sehr langsam2 versions
- Fünf Sätze für Streichquartett, op. 5: 3. Sehr bewegt2 versions
- Fünf Sätze für Streichquartett, op. 5: 4. Sehr langsam2 versions
- Streichquartett2 versions
- String Quartet2 versions
- Feier Zum Tag Der Hausmusik In Wien Am 18.11.1940, Ansprache Des Gauleiters Von Wien, Baldur Von Schirach Im Festsaal Der Alten Universität Wien / 4. Streichquartett, Op. 37 (Schluß)
- Fragmente - Stille, An Diotima: Anfang - Seite 17, Takt 1 (Ricordi-Edition)
- Fragmente - Stille, An Diotima: Fortsetzung
- Fugue for string quartet in B flat major ("Grosse Fuge"), Op. 133: Ouvertura. Allegro - Meno Mosso e Moderato - Allegro - Fuga. Meno Mosso e Moderato - Allegro Molto
- Große Fugue for 2 Violins, Viola, and Cello in B-flat major, op. 133: Overtura. Allegro - Fuga. Meno mosso e moderato - Allegro molto e con brio - Meno mosso e moderato - Allegro molto e con brio - Allegro
- I. Streichquartett d‐Moll, op. 7: 1. Nicht zu rasch
- I. Streichquartett d‐Moll, op. 7: 2. Kraftig
- I. Streichquartett d‐Moll, op. 7: 3. Mäßig
- I. Streichquartett d‐Moll, op. 7: 4. Mäßig — heiter
- II. Streichquartett fis‐Moll, op. 10: 1. Mäßig (Moderato)
- II. Streichquartett fis‐Moll, op. 10: 2. Sehr rasch
- II. Streichquartett fis‐Moll, op. 10: 3. Litanei. Langsam
- II. Streichquartett fis‐Moll, op. 10: 4. Entrückung. Sehr langsam
- II. Streichquartett, fis-moll, op. 10: II. Sehr rasch
- II. Streichquartett, fis-moll, op. 10: III. Litanei. Langsam
- II. Streichquartett, fis-moll, op. 10: IV. Entrückung. Sehr langsam
- II. Streichquartett: 1. Satz: Allegro nervoso
- II. Streichquartett: 2. Satz: Sostenuto, molto calmo
- II. Streichquartett: 3. Satz: Come un meccanismo di precisione
- II. Streichquartett: 4. Satz: Presto furioso, brutale, tumultoso
- II. Streichquartett: 5. Satz: Allegro con delicatezza, stets sehr mild
- III. Streichquartett
- III. Streichquartett, op. 30: 1. Moderato
- III. Streichquartett, op. 30: 2. Adagio
- III. Streichquartett, op. 30: 3. Intermezzo. Allegro moderato
- III. Streichquartett, op. 30: 4. Rondo. Molto moderato
- III. Streichquartett, op. 30: I. Moderato
- III. Streichquartett, op. 30: IV. Rondo. Molto moderato
- IV. Streichquartett, op. 37: 1. Allegro molto; Energico
- IV. Streichquartett, op. 37: 2. Comodo
- IV. Streichquartett, op. 37: 3. Largo
- IV. Streichquartett, op. 37: 4. Allegro
- IV. Streichquartett, op. 37: I. Allegro molto, energico
- IV. Streichquartett, op. 37: II. Comodo
- IV. Streichquartett, op. 37: III. Largo
- IV. Streichquartett, op. 37: IV. Allegro
- In zarter Bewegung aus "Fünf Sätze für Streichquartett", op. 5
- Klavierquintett in Es-dur, op. 44: I. Allegro brillante
- Klavierquintett in Es-dur, op. 44: II. In modo d'una marcia. Un poco largamente
- Klavierquintett in Es-dur, op. 44: III. Scherzo. Molto vivace - Trio I & II
- Klavierquintett in Es-dur, op. 44: IV. Allegro ma non troppo
- Lyrische Suite für Streichquartett: I. Allegretto gioviale
- Lyrische Suite für Streichquartett: II. Andante amoroso
- Lyrische Suite für Streichquartett: III. Allegro misterioso — Trio estatico
- Lyrische Suite für Streichquartett: IV. Adagio appassionato
- Lyrische Suite für Streichquartett: V. Presto delirando — Tenebroso
- Lyrische Suite für Streichquartett: VI. Largo desolato
- Lyrische Suite: I.
- Lyrische Suite: II.
- Lyrische Suite: III.
- Lyrische Suite: IV.
- Lyrische Suite: V.
- Lyrische Suite: VI.
- Movement for String Trio, op. posth.: Ruhig fließend
- Ode to Napoleon Buonaparte, op. 41
- Piano Quintet in E-flat major, op. 44: Allegro brillante
- Piano Quintet in E-flat major, op. 44: Allegro, ma non troppo
- Piano Quintet in E-flat major, op. 44: In modo d’una marcia (Un poco largamente)
- Piano Quintet in E-flat major, op. 44: Scherzo (Molto vivace)
- Prelude for String Quartet
- Quartet for 2 Violins, Viola, and Cello no. 12 in E-flat major, op. 127: I. Maestoso - Allegro
- Quartet for 2 Violins, Viola, and Cello no. 12 in E-flat major, op. 127: II. Adagio, ma non troppo e molto cantabile - Andante con moto - Adagio molto espressivo - Tempo I
- Quartet for 2 Violins, Viola, and Cello no. 12 in E-flat major, op. 127: III. Scherzando. Vivace
- Quartet for 2 Violins, Viola, and Cello no. 12 in E-flat major, op. 127: IV. Allegro - Allegro comodo
- Quartet for 2 Violins, Viola, and Cello no. 13 in B-flat major, op. 130: I. Adagio ma non troppo - Allegro
- Quartet for 2 Violins, Viola, and Cello no. 13 in B-flat major, op. 130: II. Presto
- Quartet for 2 Violins, Viola, and Cello no. 13 in B-flat major, op. 130: III. Andante con moto, ma non troppo
- Quartet for 2 Violins, Viola, and Cello no. 13 in B-flat major, op. 130: IV. Alla danza tedesca. Allegro assai
- Quartet for 2 Violins, Viola, and Cello no. 13 in B-flat major, op. 130: V. Cavatina. Adagio molto espressivo
- Quartet for 2 Violins, Viola, and Cello no. 13 in B-flat major, op. 130: VI. Finale. Allegro (alternate)
- Quartet for 2 Violins, Viola, and Cello no. 14 in C-sharp minor, op. 131: I. Adagio, ma non troppo e molto espressivo
- Quartet for 2 Violins, Viola, and Cello no. 14 in C-sharp minor, op. 131: II. Allegro molto vivace
- Quartet for 2 Violins, Viola, and Cello no. 14 in C-sharp minor, op. 131: III. Allegro moderato
- Quartet for 2 Violins, Viola, and Cello no. 14 in C-sharp minor, op. 131: IV. Andante ma non troppo e molto cantabile - Più mosso - Andante moderato e lusinghiero - Adagio - Allegretto - Adagio, ma non troppo e semplice - Allegretto
- Quartet for 2 Violins, Viola, and Cello no. 14 in C-sharp minor, op. 131: V. Presto - Molto poco adagio
- Quartet for 2 Violins, Viola, and Cello no. 14 in C-sharp minor, op. 131: VI. Adagio quasi un poco andante
- Quartet for 2 Violins, Viola, and Cello no. 14 in C-sharp minor, op. 131: VII. Allegro
- Quartet for 2 Violins, Viola, and Cello no. 15 in A minor, op. 132: I. Assai sostenuto - Allegro
- Quartet for 2 Violins, Viola, and Cello no. 15 in A minor, op. 132: II. Allegro ma non tanto
- Quartet for 2 Violins, Viola, and Cello no. 15 in A minor, op. 132: III. A Convalescent's Holy Song of Thanksgiving to the Deity, in the Lydian Mode. Molto adagio - Andante - Molto adagio - Andante - Molto adagio. Mit innigster Empfindung
- Quartet for 2 Violins, Viola, and Cello no. 15 in A minor, op. 132: IV. Alla Marcia, vivace assai - Più allegro
- Quartet for 2 Violins, Viola, and Cello no. 15 in A minor, op. 132: V. Allegro appassionato - Presto
- Quartet for 2 Violins, Viola, and Cello no. 16 in F major, op. 135: I. Allegretto
- Quartet for 2 Violins, Viola, and Cello no. 16 in F major, op. 135: II. Vivace
- Quartet for 2 Violins, Viola, and Cello no. 16 in F major, op. 135: III. Lento assai, e cantante tranquillo
- Quartet for 2 Violins, Viola, and Cello no. 16 in F major, op. 135: IV. The Difficult Decision. Grave, ma non troppo tanto "Must It Be?" - Allegro "It Must Be!" - Grave, ma non troppo tratto - Allegro
- Quartett d-moll: I. Grave - Leidenschaftlich bewegt
- Quartett d-moll: II. Scherzo. Resolut
- Quartett d-moll: III. Langsam
- Quartett d-moll: IV. Sehr lebhaft
- Quartetto per archi
- Quintet for Strings and Piano: Moderato
- Rondo for String Quartet: Bewegt
- Sechs Bagatellen für Streichquartett, op. 9: 1. Mäßig
- Sechs Bagatellen für Streichquartett, op. 9: 2. Leicht bewegt
- Sechs Bagatellen für Streichquartett, op. 9: 3. Ziemlich fließend
- Sechs Bagatellen für Streichquartett, op. 9: 4. Sehr langsam
- Sechs Bagatellen für Streichquartett, op. 9: 5. Äußerst langsam
- Sechs Bagatellen für Streichquartett, op. 9: 6. Fließend
- Sechs Bagatellen für Streichquartett, op. 9: I. Mäßig
- Sechs Bagatellen für Streichquartett, op. 9: II. Leicht bewegt
- Sechs Bagatellen für Streichquartett, op. 9: III. Ziemlich fließend
- Sechs Bagatellen für Streichquartett, op. 9: IV. Sehr langsam
- Sechs Bagatellen für Streichquartett, op. 9: V. Äußerst langsam
- Sechs Bagatellen für Streichquartett, op. 9: VI. Fließend
- Six Bagatelles for String Quartet, op. 9
- Streichquartett D‐Dur: 1. Allegro molto
- Streichquartett D‐Dur: 2. Intermezzo: Andantino grazioso
- Streichquartett D‐Dur: 3. Andante con moto
- Streichquartett D‐Dur: 4. Allegro
- Streichquartett No. 2: III. Litanei
- Streichquartett Nr. 2 Fis-moll, op. 10: 1. Mäßig (Moderato)
- Streichquartett Nr. 2 Fis-moll, op. 10: 2. Sehr rasch
Albums
Source: MusicBrainz artist 9b262922-2377-45df-abec-54cbb1f02c3b (CC0).