Ferdinand Leitner
German composer and conductor (1912-1996)
Biography
Ferdinand Leitner (4 March 1912 in Berlin – 3 June 1996 in Zürich) was a German conductor. Leitner studied under Franz Schreker, Julius Prüwer, Artur Schnabel and Karl Muck. He also was a composition student with Robert Kahn. Starting as a pianist, through the help of Fritz Busch, he became a conductor in the 1930s. He was conductor of the Nollendorfplatz Theater in Berlin from 1943 to 1945; in Hanover from 1945 to 1946; in Munich from 1946 to 1947; and the general music director of the Württemberg State Opera house (German "Staatstheater Stuttgart") in Stuttgart from 1947 until 1969. To honour him, the city of Stuttgart has named a pedestrian bridge, that connects the Upper part (where the Staatstheater is located) and the Central part of the "Schlossgarten" (castle) park, after him (Ferdinand-Leitner-Steg). He is famous as a conductor of opera, his favourite composers being Wagner, Richard Strauss, Mozart, and twentieth-century composers Carl Orff and Karl Amadeus Hartmann. He succeeded Erich Kleiber in 1956 as conductor for the Teatro Colón in Buenos Aires. From 1976 to 1980, he worked in The Hague as principal conductor of Het Residentie Orkest. Among his more than 300 recordings...
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Songs recorded
- Carmina Burana: Fortuna Imperatrix Mundi: O Fortuna4 versions
- Also Sprach Zarathustra, op. 30: Introduction2 versions
- Carmina Burana: Blanziflor Et Helena: Ave Formosissima2 versions
- Carmina Burana: Fortuna Imperatrix Mundi: Fortune Plango Vulnera2 versions
- Carmina Burana: I. Primo Vere: Ecce Gratum2 versions
- Carmina Burana: I. Primo Vere: Omnia Sol Temperat2 versions
- Carmina Burana: I. Primo Vere: Veris Leta Facies2 versions
- Carmina Burana: II. In Taberna: Ego Sum Abbas2 versions
- Carmina Burana: II. In Taberna: Estuans Interius2 versions
- Carmina Burana: II. In Taberna: In Taberna Quando Sumus2 versions
- Carmina Burana: II. In Taberna: Olim Lacus Colueram2 versions
- Serenade no. 7 in D major, K. 250 "Haffner": Andante2 versions
- Symphony no. 3 in E‐flat major, op. 97: Lebhaft2 versions
- 3. Rondo. Vivace (Piano Concerto No.4 in G, Op.58 - Cadenzas: Wilhelm Kempff)
- Alcina HWV 34: Tornami a vagheggiar
- Alcina, HWV 34, Act I: Aria. Di te mi rido, semplice stolto
- Alcina, HWV 34, Act I: Aria. Di' cor mio
- Alcina, HWV 34, Act I: Aria. La bocca vaga
- Alcina, HWV 34, Act I: Aria. O s'apre al riso
- Alcina, HWV 34, Act I: Aria. Semplicetto! a donna credi?
- Alcina, HWV 34, Act I: Aria. Tornami a vagheggiar
- Alcina, HWV 34, Act I: Aria. È gelosia, forza è d'amore
- Alcina, HWV 34, Act I: Ballet: No. 1, Gavotte I
- Alcina, HWV 34, Act I: Ballet: No. 3, Menuet
- Alcina, HWV 34, Act I: Ballet: No. 4, Gavotte II
- Alcina, HWV 34, Act I: Chorus. Questo è il cielo de' contenti
- Alcina, HWV 34, Act I: Recit. A quai strani perigli
- Alcina, HWV 34, Act I: Recit. Ah, infedele, infedel!
- Alcina, HWV 34, Act I: Recit. Ecco l'infido
- Alcina, HWV 34, Act I: Recit. La cerco invano
- Alcina, HWV 34, Act I: Recit. Mi ravvisi, Ruggier
- Alcina, HWV 34, Act I: Recit. Oh Dei! Quivi non scorgo
- Alcina, HWV 34, Act I: Recit. Qua dunque
- Alcina, HWV 34, Act I: Recit. Se nemico mi fossi
- Alcina, HWV 34, Act II: Accompagnato. Ah! Ruggiero crudel
- Alcina, HWV 34, Act II: Aria. Ah! mio cor!
- Alcina, HWV 34, Act II: Aria. Ama, sospira, ma non t'offende
- Alcina, HWV 34, Act II: Aria. E' un folle, è un vil affetto
- Alcina, HWV 34, Act II: Aria. Mi lusinga il dolce affetto
- Alcina, HWV 34, Act II: Aria. Mio bel tesoro
- Alcina, HWV 34, Act II: Aria. Ombre pallide
- Alcina, HWV 34, Act II: Aria. Pensa a chi geme
- Alcina, HWV 34, Act II: Aria. Verdi prati
- Alcina, HWV 34, Act II: Aria. Vorrei vendicarmi del perfido cor
- Alcina, HWV 34, Act II: Arioso. Col celarvi a chi v'ama un momento
- Alcina, HWV 34, Act II: Arioso. Qual portento mi richiama
- Alcina, HWV 34, Act II: Recit. Atlante, dove sei?
- Alcina, HWV 34, Act II: Recit. Chi scuopre al mio pensiero
- Alcina, HWV 34, Act II: Recit. Eccomi
- Alcina, HWV 34, Act II: Recit. Non scorgo
- Alcina, HWV 34, Act II: Recit. Or, che dici
- Alcina, HWV 34, Act II: Recit. Qual odio
- Alcina, HWV 34, Act II: Recit. Regina, sei tradita!
- Alcina, HWV 34, Act II: Recit. S'acquieti il rio sospetto
- Alcina, HWV 34, Act III: Aria. Credete al mio dolore
- Alcina, HWV 34, Act III: Aria. Ma quando tornerai
- Alcina, HWV 34, Act III: Aria. Mi restano le lagrime
- Alcina, HWV 34, Act III: Aria. Non è amor, né gelosia
- Alcina, HWV 34, Act III: Aria. Sta nell' Ircana pietrosa tana
- Alcina, HWV 34, Act III: Aria. Un momento di contento
- Alcina, HWV 34, Act III: Chorus. Dall'orror di notte cieca
- Alcina, HWV 34, Act III: Chorus. Sin per le vie del sole
- Alcina, HWV 34, Act III: Entrée
- Alcina, HWV 34, Act III: Recit. Dopo tante amare pene
- Alcina, HWV 34, Act III: Recit. Le lusinghe
- Alcina, HWV 34, Act III: Recit. M'inganna, me n'avveggo
- Alcina, HWV 34, Act III: Recit. Molestissimo
- Alcina, HWV 34, Act III: Recit. Niuna forza
- Alcina, HWV 34, Act III: Recit. Prendi, e vivi
- Alcina, HWV 34, Act III: Recit. Tutta d'armate squadre
- Alcina, HWV 34, Act III: Recit. Voglio amare
- Alcina, HWV 34, Act III: Sinfonia
- Alcina, HWV 34, Act III: Tamburino
- Alcina, HWV 34: Overture: II. Musette
- Alcina, HWV 34: Overture: III. Menuet
- Alcina, HWV 34: Overture: Ia. Grave
- Alcina, HWV 34: Overture: Ib. Allegro
- Alcina: Verdi prati
- Alcina: “Mi restano le lagrime”
- Allegro Moderato for 4 String Quartets in D minor
- Also sprach Zarathustra, op. 30: I. Einleitung
- Antigonae: I. "Bedenke, Schwester, wie der Vater, von uns"
- Antigonae: I. "Gemeinsamschwesterliches! O Ismenes Haut!"
- Antigonae: I. "Ihr Männer, wär's die Stadt allen"
- Antigonae: I. "Mein König, diesmal plaudr' ich nicht"
- Antigonae: I. "Mein König, lange rät, es möchte göttlich"
- Antigonae: I. "O Blick der Sonne, du schönster"
- Antigonae: I. "Und schlimme Worte fuhren drcheinander"
- Antigonae: I. "Zwischenspiel"
- Antigonae: II. "Aber jetzt kommt aus dem Tor Ismene"
- Antigonae: II. "Die ist's. Die hat's getan"
- Antigonae: II. "Du also, die zur Erde neigt das Haupt"
- Antigonae: II. "Du weißt doch wohl, daß allzuspröde Sprach'"
- Antigonae: II. "Ungeheuer ist viel"
- Antigonae: III. "Als wie von Gott, himmlisch kommt die Besinnung"
- Antigonae: III. "Bald haben wohl, o Sohn, mehr als die Seher"
- Antigonae: III. "Geist der Liebe, dennoch Sieger"
- Antigonae: III. "Glückselige solcher Zeit, da man nicht schmeckt das Übel"
- Antigonae: III. "Jetzt aber komm' ich eben selber"
- Antigonae: III. "Mein König, billig ist es, wenn er an der Zeit spricht"
- Antigonae: III. "O Grab! O Brautbett!"
- Antigonae: IV. "Der Leib auch Danaes musste"
- Antigonae: IV. "Der Mann, mein König, ging viel prophezeiend"
- Antigonae: IV. "Ihr Fürsten Thebes! Miteinander kommen"
- Antigonae: IV. "O Alter! Alle, wie auf eines Schützen Ziel"
- Antigonae: IV. "O des Landes Thebes Vaterliche Stadt"
- Antigonae: V. "Ich, liebe Frau, sag' es, als Augenzeuge"
- Antigonae: V. "Io! Unsinnige Sinne!"
- Antigonae: V. "Namenschopfer, der du von den Wassern, welche Kadmos"
- Antigonae: V. "O all ihr Bürger! Eine Rede merkt' ich"
- Antigonae: V. "O ihr des Kadmos Nachbarn und Amphios"
- Antigonae: V. "Um Vieles ist das Denken mehr"
- Antigonae: V. "Weh! Weh! Weh! Weh! Mich beflügelt die Furcht"
- Antigonae: V. "Wie nimmst du dies? Die Frau ging wieder weg"
- BWV 243, Magnificat in D-Dur: II. Arie "Et exsultavit spiritus meus" (rec 1949)
- BWV 243, Magnificat in D-Dur: III. Arie "Quia respexit humilitatem" (rec 1949)
- BWV 243, Magnificat in D-Dur: IV. Arie "Quia fecit mihi magna" (rec 1949)
- BWV 243, Magnificat in D-Dur: IX. Chor "Suscepit Israel" (rec 1949)
- BWV 243, Magnificat in D-Dur: V. Duett "Et misericordia" (rec 1949)
- BWV 243, Magnificat in D-Dur: VI. Chor "Fecit potentiam" (rec 1949)
Albums
Source: MusicBrainz artist a9732291-5841-43a3-a234-7c036033f4e5 (CC0).