Tashi Quartet
ensemble of classical musicians, originally formed in 1973 as "Tashi"
Biography
The Tashi Quartet (originally known as TASHI) is an ensemble of violinist Ida Kavafian, pianist Peter Serkin, cellist Fred Sherry and, later, clarinetist Richard Stoltzman, founded in 1973 for the purpose of playing Quartet for the End of Time by Olivier Messiaen, as well as commissioning new works. The ensemble made several recordings for the RCA Red Seal label. After some 30 years of inactivity, in 2008 Tashi reunited for a tour to celebrate the centenary of Messiaen's birth. Peter Serkin was fascinated by the concept of ‘sound color,’ created by composer Olivier Messiaen. Its history was Messiaen’s experience in a prisoner of war camp. There he composed Quartet for the End of Time. It was based on the color of visions Messiaen had while suffering internment, and it was written for the only musicians at the camp. Their instruments: cello, clarinet, piano and violin. Serkin was compelled to form a group with those same instruments that would take Messiaen’s masterpiece forward in time. Once formed, the new quartet needed a name, and the name of Serkin’s Tibetan Terrier Tashi seemed perfect. Serkin purchased Tashi as a puppy from a Tibetan weaver while in Kathmandu. A Buddhist Lama...
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People
Songs recorded
- Quatrain II2 versions
- 3 Little Pieces for Cello and Piano, op. 11: I. Mäßige Achtel
- 3 Little Pieces for Cello and Piano, op. 11: II. Sehr bewegt
- 3 Little Pieces for Cello and Piano, op. 11: III. Äußerst ruhig
- 3 Pieces for Clarinet Solo (1918): I. Sempre piano e molto tranquillo
- 3 Pieces for Clarinet Solo (1918): II. 𝅘𝅥𝅮 = 168
- 3 Pieces for Clarinet Solo (1918): III. 𝅘𝅥𝅮 = 160
- 4 Pieces for Violin and Piano, op. 7: I. Sehr langsam
- 4 Pieces for Violin and Piano, op. 7: II. Rasch
- 4 Pieces for Violin and Piano, op. 7: III. Sehr langsam
- 4 Pieces for Violin and Piano, op. 7: IV. Bewegt
- A Flock Descends Into the Pentagonal Garden
- Bess, You Is My Woman from “Porgy and Bess”
- Celebration II for Clarinet and Strings
- For Away
- I Got Rhythm from “Girl Crazy”
- L'Histoire du soldat: I. Marche du soldat
- L'Histoire du soldat: II. Le Violon du soldat
- L'Histoire du soldat: III. Petit concert
- L'Histoire du soldat: IV. Tango - Valse - Ragtime
- L'Histoire du soldat: V. Danse du diable
- Les Yeux clos
- Litany: I. Adagio
- Litany: II. Lento misterioso
- Liza (All the Clouds’ll Roll Away) from “Show Girl”
- M*A*S*H: Goodbye, Farewell, and Amen: Clarinet Quintet: I.
- Pastorale
- Piano Distance
- Promenade (Walking the Dog) from “Shall We Dance”
- Quartet for Violin, Clarinet, Tenor Saxophone and Piano, op. 22: I. Sehr mäßig
- Quartet for Violin, Clarinet, Tenor Saxophone and Piano, op. 22: II. Sehr schwungvoll
- Quatrain
- Quatuor pour la fin du Temps : Abîme des oiseaux
- Quatuor pour la fin du Temps : Dans de la fureur, pour les sept trompettes
- Quatuor pour la fin du Temps : Fuillis d’arcs‐en‐ciel, pour l’Ange qui annonce la fin du Temps
- Quatuor pour la fin du Temps : Intermède
- Quatuor pour la fin du Temps : Liturgie de cristal
- Quatuor pour la fin du Temps : Louange à l’Eternité de Jésus
- Quatuor pour la fin du Temps : Louange à l’Immortalité de Jésus
- Quatuor pour la fin du Temps : Vocalise, pour l’Ange qui annonce la fin du Temps
- Quatuor pour la fin du Temps: I. Liturgie de cristal
- Quatuor pour la fin du Temps: I. Liturgie de cristal. Bien modéré, en poudroiement harmonieux
- Quatuor pour la fin du Temps: II. Vocalise, pour l' Ange qui annonce la fin du Temps
- Quatuor pour la fin du Temps: II. Vocalise, pour l'Ange qui annonce la fin du Temps. Robuste, modéré - Presque vif, joyeux - Presque lent, impalpable, lointain - Presque vif - Modéré
- Quatuor pour la fin du Temps: III. Abîme des oiseaux
- Quatuor pour la fin du Temps: III. Abîme des oiseaux. Lent, expressif et triste - Presque vif, gai, capricieux - Modéré - Lent, expressif et triste
- Quatuor pour la fin du Temps: IV. Intermède
- Quatuor pour la fin du Temps: IV. Intermède. Décidé, modéré, un peu cif
- Quatuor pour la fin du Temps: V. Louange à l'Éternité de Jésus. Infiniment lent, extatique
- Quatuor pour la fin du Temps: V. Louange à l'èternité de Jésus
- Quatuor pour la fin du Temps: VI. Danse de la fureur, pour les sept trompettes
- Quatuor pour la fin du Temps: VI. Danse de la fureur, pour les sept trompettes. Décidé, vigoureux, granitique, un peu vif - Un peu plus vif - Plus vif - Presque lent, terrible et puissant
- Quatuor pour la fin du Temps: VII. Fouillis d'arcs-en-ciel, pour l' Ange qui annonce la fin du Temps
- Quatuor pour la fin du Temps: VII. Fouillis d'arcs-en-ciel, pour l'Ange qui annonce la fin du Temps. Rêveur, presque lent - Robuste, modéré, un peu vif
- Quatuor pour la fin du Temps: VIII. Louange à l'Immortalité de Jésus. Extrêmement lent et tendre, extatique
- Quatuor pour la fin du Temps: VIII. Louange à l'immortalité de Jésus
- Quintet for Clarinet and String Quartet, op. 30: I. Sehr lebhaft
- Quintet for Clarinet and String Quartet, op. 30: II. Ruhig - Lebhaft - Tempo I
- Quintet for Clarinet and String Quartet, op. 30: III. Schneller Ländler
- Quintet for Clarinet and String Quartet, op. 30: IV. Arioso - Sehr ruhig
- Quintet for Clarinet and String Quartet, op. 30: V. Sehr lebhaft
- Quintet for Clarinet and Strings in B‐flat major, op. 34: I. Allegro
- Quintet for Clarinet and Strings in B‐flat major, op. 34: II. Fantasia - Adagio ma non troppo
- Quintet for Clarinet and Strings in B‐flat major, op. 34: III. Menuetto Capriccio
- Quintet for Clarinet and Strings in B‐flat major, op. 34: IV. Rondo - Allegro giocoso
- Quintet for Clarinet, 2 Violins, Viola and Cello in A major, K. 581: I. Allegro
- Quintet for Clarinet, 2 Violins, Viola and Cello in A major, K. 581: II. Larghetto
- Quintet for Clarinet, 2 Violins, Viola and Cello in A major, K. 581: III. Menuetto - Trio I - Trio II
- Quintet for Clarinet, 2 Violins, Viola and Cello in A major, K. 581: IV. Allegretto con Variazioni - Var. I-IV - Adagio - Allegro
- Quintet for Piano, Oboe, Clarinet, Bassoon and Horn in E-flat major, op. 16: I. Grave - Allegro, ma non troppo
- Quintet for Piano, Oboe, Clarinet, Bassoon and Horn in E-flat major, op. 16: II. Andante cantabile
- Quintet for Piano, Oboe, Clarinet, Bassoon and Horn in E-flat major, op. 16: III. Rondo. Allegro ma non troppo
- Quintet for Piano, Oboe, Clarinet, Horn and Bassoon in E-flat major, K. 452: I. Largo - Allegro moderato
- Quintet for Piano, Oboe, Clarinet, Horn and Bassoon in E-flat major, K. 452: II. Larghetto
- Quintet for Piano, Oboe, Clarinet, Horn and Bassoon in E-flat major, K. 452: III. Rondo. Allegretto
- Quintet for Piano, Violin, Viola, Cello and Double Bass in A major “The Trout”, D 667: I. Allegro vivace
- Quintet for Piano, Violin, Viola, Cello and Double Bass in A major “The Trout”, D 667: II. Andante
- Quintet for Piano, Violin, Viola, Cello and Double Bass in A major “The Trout”, D 667: III. Scherzo. Presto - Trio
- Quintet for Piano, Violin, Viola, Cello and Double Bass in A major “The Trout”, D 667: IV. Thema. Andantino - Var. I-V - Allegretto
- Quintet for Piano, Violin, Viola, Cello and Double Bass in A major “The Trout”, D 667: V. Finale. Allegro giusto
- Rendezvous
- Septet (1952/53): I. [Sonata allegro] 𝅘𝅥 = 88
- Septet (1952/53): II. Passacaglia. 𝅘𝅥 = 60
- Septet (1952/53): III. Gigue. 𝅘𝅥𝅮. = 112-116
- Suite Italienne: I. Introduzione. Allegro moderato
- Suite Italienne: II. Serenata. Larghetto
- Suite Italienne: III. Aria. Allegro all breve - Largo
- Suite Italienne: IV. Tarantella. Vivace
- Suite Italienne: V. Minuetto e Finale. Moderato - Molto vivace
- Tashi: I. Lento
- Tashi: II. Allegro
- Tashi: III. Interlude
- Tashi: IV. Allegro comodo
- Trio for Piano, Clarinet and Cello in B-flat major, op. 11: I. Allegro con brio
- Trio for Piano, Clarinet and Cello in B-flat major, op. 11: II. Adagio
- Trio for Piano, Clarinet and Cello in B-flat major, op. 11: III. Tema: Pria ch'io l'impegno. Allegretto
- Uninterrupted Rests: No. 1: Slowly, Sadly and as if to Converse with
- Uninterrupted Rests: No. 2: Quietly and with a Cruel Reverberation
- Uninterrupted Rests: No. 3: A Song of Love
- Variations for Piano, op. 27: I. Sehr mäßig
- Variations for Piano, op. 27: II. Sehr schnell
- Variations for Piano, op. 27: III. Ruhig fließend
- Water Ways
- Waves
- Who Cares? from “Of Thee I Sing”
Albums
Source: MusicBrainz artist 0fa01947-47b2-4f34-ba29-d888a9380e8d (CC0).