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Recording

Piramo e Tisbe, Act II, Scene 1: Andantino come prima ed amoroso. Infelice! In tanto orrore

Roberta Mameli, Akademie für Alte Musik Berlin, Bernhard Forck
Length 0:55Song: Piramo e Tisbe, Act II, Scene 1: Andantino come prima ed amoroso. “Infelice! In tanto orrore” (Tisbe)

Who played and sang

Philipp Nedelart directionBernhard ForckconcertmasterPhilipp NedeleditorAkademie für Alte Musik BerlininstrumentAndrea TheinertinstrumentAntje GeuseninstrumentBernhard ForckinstrumentClemens-Maria NuszbaumerinstrumentDörte WetzelinstrumentEdburg ForckinstrumentEdi KotlyarinstrumentEleonora TrivellainstrumentEmmanuelle BernardinstrumentErik DorsetinstrumentErwin WieringainstrumentGergely BodokyinstrumentGudrun EngelhardtinstrumentKarin GemeinhardtinstrumentKatharina GrossmanninstrumentKatharina LitschiginstrumentLuise ManskeinstrumentMichael BoschinstrumentMiroslav RovenskyinstrumentMonika GrimminstrumentRaphael AlpermanninstrumentThomas GraeweinstrumentWalter RumerinstrumentMartin KistnermixPhilipp NedelmixMartin KistnerrecordingRoberta Mamelivocal

On these albums

Piramo e Tisbe
Piramo e TisbeJohann Adolf Hasse; Anett Fritsch, Roberta Mameli, Jeremy Ovenden, Akademie für Alte Musik Berlin, Bernhard Forck · 2025

Source: MusicBrainz recording 38c16cfc-cbe0-42f2-aa49-6c43ecbc104b (CC0).